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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F8118A it is the complementary color #07EE75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F8118A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F8118A shade: #FD1185, #FF2398, #FF35AB, #FF47BE and #FF59D1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F8118A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F8118A shade: #F8118A, #E70077, #D60064, #C50051 and #B4003E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F8118A shade: #F8128A, #F8124C and #F81212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F8118A shade: #F8128A, #F812C8, #E912F8, #AB12F8 and #6D12F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F8118A shade matches the following richer shades: #F8128A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F8118A shade: #F8128A, #E42589, #D03988, #BC4D87 and #A86186

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F8118A shade: #E812F8, #F812CA, #F8128C, #F8124F and #F81212

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F8118A shade: #B1055F, #D90775, #F8128A, #F93A9E and #FA62B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F8118A shade: #F8118A, #F8AB12 and #12E8F8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F8118A shade: #F8118A, #8CF812 and #128CF8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F8118A shade: #F8118A, #F8AB12, #12F87D and #125EF8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F8118A shade: #F8118A, #F8F012, #12F87D and #1219F8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 44 / 3

HEX #F8118A

RGB 248 17 138

HSL 328.57, 0.94%, 0.52%

LAB 54.23, 82.6, -3.05

 

Complementary color

CMYK 97 / 0 / 51 / 7

HEX #07EE75

RGB 7 238 117

HSL 148.57, 0.94%, 0.48%

LAB 83.17, -72.95, 45.17

 

CMYK 0 / 93 / 47 / 1

HEX #FD1185

RGB 253 17 133

HSL 330.51, 0.98%, 0.53%

LAB 55.05, 83.29, 1.26

 

CMYK 0 / 86 / 40 / 0

HEX #FF2398

RGB 255 35 152

HSL 328.09, 1%, 0.57%

LAB 56.81, 82.97, -7.4

 

CMYK 0 / 79 / 33 / 0

HEX #FF35AB

RGB 255 53 171

HSL 324.95, 1%, 0.6%

LAB 58.74, 81.11, -15.64

 

CMYK 0 / 72 / 25 / 0

HEX #FF47BE

RGB 255 71 190

HSL 321.2, 1%, 0.64%

LAB 61.21, 78.21, -22.84

 

CMYK 0 / 65 / 18 / 0

HEX #FF59D1

RGB 255 89 209

HSL 316.63, 1%, 0.67%

LAB 64.17, 74.42, -29.07

 

CMYK 0 / 93 / 44 / 3

HEX #F8118A

RGB 248 17 138

HSL 328.57, 0.94%, 0.52%

LAB 54.23, 82.6, -3.05

 

CMYK 0 / 100 / 48 / 9

HEX #E70077

RGB 231 0 119

HSL 329.09, 1%, 0.45%

LAB 49.88, 78.74, 1.68

 

CMYK 0 / 100 / 53 / 16

HEX #D60064

RGB 214 0 100

HSL 331.96, 1%, 0.42%

LAB 45.93, 73.62, 7.27

 

CMYK 0 / 100 / 59 / 23

HEX #C50051

RGB 197 0 81

HSL 335.33, 1%, 0.39%

LAB 41.94, 68.49, 13.11

 

CMYK 0 / 100 / 66 / 29

HEX #B4003E

RGB 180 0 62

HSL 339.33, 1%, 0.35%

LAB 37.93, 63.39, 19.24

 

CMYK 0 / 93 / 44 / 3

HEX #F8128A

RGB 248 18 138

HSL 328.7, 0.94%, 0.52%

LAB 54.26, 82.5, -3

 

CMYK 0 / 93 / 69 / 3

HEX #F8124C

RGB 248 18 76

HSL 344.87, 0.94%, 0.52%

LAB 52.85, 78.64, 32.39

 

CMYK 0 / 93 / 93 / 3

HEX #F81212

RGB 248 18 18

HSL 0, 0.94%, 0.52%

LAB 52.32, 77.17, 61.27

 

CMYK 0 / 93 / 44 / 3

HEX #F8128A

RGB 248 18 138

HSL 328.7, 0.94%, 0.52%

LAB 54.26, 82.5, -3

 

CMYK 0 / 93 / 19 / 3

HEX #F812C8

RGB 248 18 200

HSL 312.52, 0.94%, 0.52%

LAB 56.64, 88.76, -35.74

 

CMYK 6 / 93 / 0 / 3

HEX #E912F8

RGB 233 18 248

HSL 296.09, 0.94%, 0.52%

LAB 56.62, 92.66, -63.09

 

CMYK 31 / 93 / 0 / 3

HEX #AB12F8

RGB 171 18 248

HSL 279.91, 0.94%, 0.52%

LAB 46.8, 84.08, -79.48

 

CMYK 56 / 93 / 0 / 3

HEX #6D12F8

RGB 109 18 248

HSL 263.74, 0.94%, 0.52%

LAB 38.66, 78.08, -93.17

 

CMYK 0 / 93 / 44 / 3

HEX #F8128A

RGB 248 18 138

HSL 328.7, 0.94%, 0.52%

LAB 54.26, 82.5, -3

 

CMYK 0 / 93 / 44 / 3

HEX #F8128A

RGB 248 18 138

HSL 328.7, 0.94%, 0.52%

LAB 54.26, 82.5, -3

 

CMYK 0 / 84 / 40 / 11

HEX #E42589

RGB 228 37 137

HSL 328.59, 0.78%, 0.52%

LAB 51.41, 75.09, -7.05

 

CMYK 0 / 73 / 35 / 18

HEX #D03988

RGB 208 57 136

HSL 328.61, 0.62%, 0.52%

LAB 49.63, 64.64, -9.48

 

CMYK 0 / 59 / 28 / 26

HEX #BC4D87

RGB 188 77 135

HSL 328.65, 0.45%, 0.52%

LAB 49.19, 50.77, -9.88

 

CMYK 0 / 42 / 20 / 34

HEX #A86186

RGB 168 97 134

HSL 328.73, 0.29%, 0.52%

LAB 50.21, 33.8, -8.05

 

CMYK 6 / 93 / 0 / 3

HEX #E812F8

RGB 232 18 248

HSL 295.83, 0.94%, 0.52%

LAB 56.45, 92.51, -63.37

 

CMYK 0 / 93 / 19 / 3

HEX #F812CA

RGB 248 18 202

HSL 312, 0.94%, 0.52%

LAB 56.74, 89, -36.74

 

CMYK 0 / 93 / 44 / 3

HEX #F8128C

RGB 248 18 140

HSL 328.17, 0.94%, 0.52%

LAB 54.33, 82.67, -4.11

 

CMYK 0 / 93 / 68 / 3

HEX #F8124F

RGB 248 18 79

HSL 344.09, 0.94%, 0.52%

LAB 52.9, 78.77, 30.66

 

CMYK 0 / 93 / 93 / 3

HEX #F81212

RGB 248 18 18

HSL 0, 0.94%, 0.52%

LAB 52.32, 77.17, 61.27

 

CMYK 0 / 97 / 46 / 31

HEX #B1055F

RGB 177 5 95

HSL 328.6, 0.95%, 0.36%

LAB 38.34, 64.4, -1.51

 

CMYK 0 / 97 / 46 / 15

HEX #D90775

RGB 217 7 117

HSL 328.57, 0.94%, 0.44%

LAB 47.22, 74.98, -1.32

 

CMYK 0 / 93 / 44 / 3

HEX #F8128A

RGB 248 18 138

HSL 328.7, 0.94%, 0.52%

LAB 54.26, 82.5, -3

 

CMYK 0 / 77 / 37 / 2

HEX #F93A9E

RGB 249 58 158

HSL 328.59, 0.94%, 0.6%

LAB 57.69, 77.07, -9.73

 

CMYK 0 / 61 / 29 / 2

HEX #FA62B1

RGB 250 98 177

HSL 328.82, 0.94%, 0.68%

LAB 63.54, 65.4, -11.94

 

CMYK 0 / 93 / 44 / 3

HEX #F8118A

RGB 248 17 138

HSL 328.57, 0.94%, 0.52%

LAB 54.23, 82.6, -3.05

 

CMYK 0 / 31 / 93 / 3

HEX #F8AB12

RGB 248 171 18

HSL 39.91, 0.94%, 0.52%

LAB 75.53, 18.01, 76.78

 

CMYK 93 / 6 / 0 / 3

HEX #12E8F8

RGB 18 232 248

HSL 184.17, 0.94%, 0.52%

LAB 84.29, -39.57, -20.75

 

CMYK 0 / 93 / 44 / 3

HEX #F8118A

RGB 248 17 138

HSL 328.57, 0.94%, 0.52%

LAB 54.23, 82.6, -3.05

 

CMYK 44 / 0 / 93 / 3

HEX #8CF812

RGB 140 248 18

HSL 88.17, 0.94%, 0.52%

LAB 88.33, -61.47, 83.28

 

CMYK 93 / 44 / 0 / 3

HEX #128CF8

RGB 18 140 248

HSL 208.17, 0.94%, 0.52%

LAB 57.71, 9.2, -62.23

 

CMYK 0 / 93 / 44 / 3

HEX #F8118A

RGB 248 17 138

HSL 328.57, 0.94%, 0.52%

LAB 54.23, 82.6, -3.05

 

CMYK 0 / 31 / 93 / 3

HEX #F8AB12

RGB 248 171 18

HSL 39.91, 0.94%, 0.52%

LAB 75.53, 18.01, 76.78

 

CMYK 93 / 0 / 50 / 3

HEX #12F87D

RGB 18 248 125

HSL 147.91, 0.94%, 0.52%

LAB 86.38, -74.5, 45.38

 

CMYK 93 / 62 / 0 / 3

HEX #125EF8

RGB 18 94 248

HSL 220.17, 0.94%, 0.52%

LAB 45.51, 38.07, -82.04

 

CMYK 0 / 93 / 44 / 3

HEX #F8118A

RGB 248 17 138

HSL 328.57, 0.94%, 0.52%

LAB 54.23, 82.6, -3.05

 

CMYK 0 / 3 / 93 / 3

HEX #F8F012

RGB 248 240 18

HSL 57.91, 0.94%, 0.52%

LAB 92.72, -17.11, 89.54

 

CMYK 93 / 0 / 50 / 3

HEX #12F87D

RGB 18 248 125

HSL 147.91, 0.94%, 0.52%

LAB 86.38, -74.5, 45.38

 

CMYK 93 / 90 / 0 / 3

HEX #1219F8

RGB 18 25 248

HSL 238.17, 0.94%, 0.52%

LAB 33.14, 72.86, -102.52

 

Description

Color code: HEX #F8118A | qconv.com Color code: HEX #F8118A | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 17 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 17 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, 44 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 44% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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