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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F7FB39CE it is the complementary color #0804C6CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F7FB39CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F7FB39CE shade: #FCFB34CE, #FFFF47CE, #FFFF5ACE, #FFFF6DCE and #FFFF80CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F7FB39CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F7FB39CE shade: #F7FB39CE, #E6E926CE, #D5D713CE, #C4C500CE and #B3B300CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F7FB39CE shade: #F7FB37, #FBCA37, #FB9537, #FB6137 and #FB3737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F7FB39CE shade: #F7FB37, #C2FB37, #8DFB37, #58FB37 and #37FB4B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F7FB39CE shade matches the following richer shades: #F7FB37

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F7FB39CE shade: #F7FB37, #E7EA48, #D7DA58, #C7C969 and #B8B979

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F7FB39CE shade: #FB9637, #FBCA37, #F8FB37, #C3FB37 and #8FFB37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F7FB39CE shade: #D7DB04, #F5FA0F, #F7FB37, #F9FC60 and #FAFD88

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F7FB39CE shade: #F7FB39, #37FB62 and #B037FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F7FB39CE shade: #F7FB39, #37F8FB and #FB37F8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F7FB39CE shade: #F7FB39, #37FB62, #3A37FB and #FB37D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F7FB39CE shade: #F7FB39, #37FB9C, #3A37FB and #FB3796

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 63 / 1

HEX #F7FB39CE

RGBA 247 251 57 0.81

HSLA 61.24, 0.96%, 0.6%, 0.81

LABA 95.61, -21.93, 84.35, 0.81

 

Complementary color

CMYK 78 / 79 / 0 / 18

HEX #0804C6CE

RGBA 8 4 198 0.81

HSLA 241.24, 0.96%, 0.4%, 0.81

LABA 24.37, 64.64, -88.4, 0.81

 

CMYK 0 / 0 / 64 / 1

HEX #FCFB34CE

RGBA 252 251 52 0.81

HSLA 59.7, 0.97%, 0.6%, 0.81

LABA 95.97, -20.06, 86.12, 0.81

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF47CE

RGBA 255 255 71 0.81

HSLA 60, 1%, 0.64%, 0.81

LABA 97.32, -20.07, 82, 0.81

 

CMYK 0 / 0 / 52 / 0

HEX #FFFF5ACE

RGBA 255 255 90 0.81

HSLA 60, 1%, 0.68%, 0.81

LABA 97.44, -19.15, 75.5, 0.81

 

CMYK 0 / 0 / 46 / 0

HEX #FFFF6DCE

RGBA 255 255 109 0.81

HSLA 60, 1%, 0.71%, 0.81

LABA 97.59, -17.98, 68.07, 0.81

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF80CE

RGBA 255 255 128 0.81

HSLA 60, 1%, 0.75%, 0.81

LABA 97.77, -16.54, 59.98, 0.81

 

CMYK 1 / 0 / 63 / 1

HEX #F7FB39CE

RGBA 247 251 57 0.81

HSLA 61.24, 0.96%, 0.6%, 0.81

LABA 95.61, -21.93, 84.35, 0.81

 

CMYK 1 / 0 / 68 / 7

HEX #E6E926CE

RGBA 230 233 38 0.81

HSLA 60.92, 0.82%, 0.53%, 0.81

LABA 89.51, -20.85, 83.22, 0.81

 

CMYK 1 / 0 / 74 / 13

HEX #D5D713CE

RGBA 213 215 19 0.81

HSLA 60.61, 0.84%, 0.46%, 0.81

LABA 83.33, -19.6, 81.02, 0.81

 

CMYK 0 / 0 / 81 / 18

HEX #C4C500CE

RGBA 196 197 0 0.81

HSLA 60.3, 1%, 0.39%, 0.81

LABA 77.08, -18.18, 77.71, 0.81

 

CMYK 0 / 0 / 81 / 24

HEX #B3B300CE

RGBA 179 179 0 0.81

HSLA 60, 1%, 0.35%, 0.81

LABA 70.75, -16.53, 72.44, 0.81

 

CMYK 2 / 0 / 78 / 2

HEX #F7FB37

RGB 247 251 55

HSL 61.22, 0.96%, 0.6%

LAB 95.6, -22, 84.88

 

CMYK 0 / 20 / 78 / 2

HEX #FBCA37

RGB 251 202 55

HSL 45, 0.96%, 0.6%

LAB 83.46, 3.99, 74.19

 

CMYK 0 / 41 / 78 / 2

HEX #FB9537

RGB 251 149 55

HSL 28.78, 0.96%, 0.6%

LAB 71.06, 31.61, 62.74

 

CMYK 0 / 61 / 78 / 2

HEX #FB6137

RGB 251 97 55

HSL 12.86, 0.96%, 0.6%

LAB 61.08, 56.75, 53.08

 

CMYK 0 / 78 / 78 / 2

HEX #FB3737

RGB 251 55 55

HSL 0, 0.96%, 0.6%

LAB 55.6, 71.73, 47.56

 

CMYK 2 / 0 / 78 / 2

HEX #F7FB37

RGB 247 251 55

HSL 61.22, 0.96%, 0.6%

LAB 95.6, -22, 84.88

 

CMYK 23 / 0 / 78 / 2

HEX #C2FB37

RGB 194 251 55

HSL 77.45, 0.96%, 0.6%

LAB 92.02, -42.87, 80.32

 

CMYK 44 / 0 / 78 / 2

HEX #8DFB37

RGB 141 251 55

HSL 93.67, 0.96%, 0.6%

LAB 89.36, -61.09, 76.91

 

CMYK 65 / 0 / 78 / 2

HEX #58FB37

RGB 88 251 55

HSL 109.9, 0.96%, 0.6%

LAB 87.65, -74.56, 74.69

 

CMYK 78 / 0 / 70 / 2

HEX #37FB4B

RGB 55 251 75

HSL 126.12, 0.96%, 0.6%

LAB 87.15, -78.41, 67.55

 

CMYK 2 / 0 / 78 / 2

HEX #F7FB37

RGB 247 251 55

HSL 61.22, 0.96%, 0.6%

LAB 95.6, -22, 84.88

 

CMYK 2 / 0 / 78 / 2

HEX #F7FB37

RGB 247 251 55

HSL 61.22, 0.96%, 0.6%

LAB 95.6, -22, 84.88

 

CMYK 1 / 0 / 69 / 8

HEX #E7EA48

RGB 231 234 72

HSL 61.11, 0.79%, 0.6%

LAB 90, -19.68, 74

 

CMYK 1 / 0 / 60 / 15

HEX #D7DA58

RGB 215 218 88

HSL 61.38, 0.64%, 0.6%

LAB 84.64, -17.48, 61.86

 

CMYK 1 / 0 / 48 / 21

HEX #C7C969

RGB 199 201 105

HSL 61.25, 0.47%, 0.6%

LAB 79, -14.14, 47.35

 

CMYK 1 / 0 / 35 / 27

HEX #B8B979

RGB 184 185 121

HSL 60.94, 0.31%, 0.6%

LAB 73.72, -10.26, 32.41

 

CMYK 0 / 40 / 78 / 2

HEX #FB9637

RGB 251 150 55

HSL 29.08, 0.96%, 0.6%

LAB 71.28, 31.09, 62.95

 

CMYK 0 / 20 / 78 / 2

HEX #FBCA37

RGB 251 202 55

HSL 45, 0.96%, 0.6%

LAB 83.46, 3.99, 74.19

 

CMYK 1 / 0 / 78 / 2

HEX #F8FB37

RGB 248 251 55

HSL 60.92, 0.96%, 0.6%

LAB 95.68, -21.59, 84.97

 

CMYK 22 / 0 / 78 / 2

HEX #C3FB37

RGB 195 251 55

HSL 77.14, 0.96%, 0.6%

LAB 92.07, -42.49, 80.39

 

CMYK 43 / 0 / 78 / 2

HEX #8FFB37

RGB 143 251 55

HSL 93.06, 0.96%, 0.6%

LAB 89.44, -60.48, 77.01

 

CMYK 2 / 0 / 98 / 14

HEX #D7DB04

RGB 215 219 4

HSL 61.12, 0.96%, 0.44%

LAB 84.54, -20.86, 83.51

 

CMYK 2 / 0 / 94 / 2

HEX #F5FA0F

RGB 245 250 15

HSL 61.28, 0.96%, 0.52%

LAB 95.08, -23.17, 91.52

 

CMYK 2 / 0 / 78 / 2

HEX #F7FB37

RGB 247 251 55

HSL 61.22, 0.96%, 0.6%

LAB 95.6, -22, 84.88

 

CMYK 1 / 0 / 62 / 1

HEX #F9FC60

RGB 249 252 96

HSL 61.15, 0.96%, 0.68%

LAB 96.25, -19.76, 71.8

 

CMYK 1 / 0 / 46 / 1

HEX #FAFD88

RGB 250 253 136

HSL 61.54, 0.97%, 0.76%

LAB 96.96, -16.82, 55.26

 

CMYK 2 / 0 / 77 / 2

HEX #F7FB39

RGB 247 251 57

HSL 61.24, 0.96%, 0.6%

LAB 95.61, -21.93, 84.35

 

CMYK 78 / 0 / 61 / 2

HEX #37FB62

RGB 55 251 98

HSL 133.16, 0.96%, 0.6%

LAB 87.33, -76.17, 58.74

 

CMYK 30 / 78 / 0 / 2

HEX #B037FB

RGB 176 55 251

HSL 277.04, 0.96%, 0.6%

LAB 50.6, 76.96, -74.92

 

CMYK 2 / 0 / 77 / 2

HEX #F7FB39

RGB 247 251 57

HSL 61.24, 0.96%, 0.6%

LAB 95.61, -21.93, 84.35

 

CMYK 78 / 1 / 0 / 2

HEX #37F8FB

RGB 55 248 251

HSL 180.92, 0.96%, 0.6%

LAB 89.35, -43.71, -14.66

 

CMYK 0 / 78 / 1 / 2

HEX #FB37F8

RGB 251 55 248

HSL 300.92, 0.96%, 0.6%

LAB 61.67, 89.54, -54.85

 

CMYK 2 / 0 / 77 / 2

HEX #F7FB39

RGB 247 251 57

HSL 61.24, 0.96%, 0.6%

LAB 95.61, -21.93, 84.35

 

CMYK 78 / 0 / 61 / 2

HEX #37FB62

RGB 55 251 98

HSL 133.16, 0.96%, 0.6%

LAB 87.33, -76.17, 58.74

 

CMYK 77 / 78 / 0 / 2

HEX #3A37FB

RGB 58 55 251

HSL 240.92, 0.96%, 0.6%

LAB 38.89, 63.36, -94.59

 

CMYK 0 / 78 / 17 / 2

HEX #FB37D0

RGB 251 55 208

HSL 313.16, 0.96%, 0.6%

LAB 59.7, 84.03, -35.49

 

CMYK 2 / 0 / 77 / 2

HEX #F7FB39

RGB 247 251 57

HSL 61.24, 0.96%, 0.6%

LAB 95.61, -21.93, 84.35

 

CMYK 78 / 0 / 38 / 2

HEX #37FB9C

RGB 55 251 156

HSL 150.92, 0.96%, 0.6%

LAB 88.07, -67.51, 32.5

 

CMYK 77 / 78 / 0 / 2

HEX #3A37FB

RGB 58 55 251

HSL 240.92, 0.96%, 0.6%

LAB 38.89, 63.36, -94.59

 

CMYK 0 / 78 / 40 / 2

HEX #FB3796

RGB 251 55 150

HSL 330.92, 0.96%, 0.6%

LAB 57.51, 77.59, -5.27

 

Description

Color code: HEX #F7FB39CE | qconv.com Color code: HEX #F7FB39CE | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 251 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 251 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 63 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 63% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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