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Color name
HEX #F7F476

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F7F476 it is the complementary color #080B89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F7F476. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F7F476 shade: #FCF471, #FFFF84, #FFFF97, #FFFFAA and #FFFFBD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F7F476. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F7F476 shade: #F7F476, #E6E263, #D5D050, #C4BE3D and #B3AC2A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F7F476 shade: #F7F478, #F7D278, #F7B078, #F78D78 and #F77878

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F7F476 shade: #F7F478, #D8F778, #B6F778, #93F778 and #78F77F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F7F476 shade matches the following richer shades: #F7F478

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F7F476 shade: #F7F478, #ECE984, #E0DE8F, #D4D39B and #C9C8A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F7F476 shade: #F7AF78, #F7D178, #F7F378, #D9F778 and #B8F778

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F7F476 shade: #F3EE2A, #F5F151, #F7F478, #F9F79F and #FCFAC6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F7F476 shade: #F7F476, #78F78D and #C078F7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F7F476 shade: #F7F476, #78F7F3 and #F378F7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F7F476 shade: #F7F476, #78F78D, #787CF7 and #F778E2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F7F476 shade: #F7F476, #78F7B3, #787CF7 and #F778BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 52 / 3

HEX #F7F476

RGB 247 244 118

HSL 58.6, 0.89%, 0.72%

LAB 94.22, -15.15, 60.18

 

Complementary color

CMYK 94 / 92 / 0 / 46

HEX #080B89

RGB 8 11 137

HSL 238.6, 0.89%, 0.28%

LAB 15.99, 46.1, -65.36

 

CMYK 0 / 3 / 55 / 1

HEX #FCF471

RGB 252 244 113

HSL 56.55, 0.96%, 0.72%

LAB 94.56, -13.55, 62.9

 

CMYK 0 / 0 / 48 / 0

HEX #FFFF84

RGB 255 255 132

HSL 60, 1%, 0.76%

LAB 97.81, -16.2, 58.21

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF97

RGB 255 255 151

HSL 60, 1%, 0.8%

LAB 98.04, -14.43, 49.58

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAA

RGB 255 255 170

HSL 60, 1%, 0.83%

LAB 98.31, -12.39, 40.69

 

CMYK 0 / 0 / 26 / 0

HEX #FFFFBD

RGB 255 255 189

HSL 60, 1%, 0.87%

LAB 98.61, -10.07, 31.64

 

CMYK 0 / 1 / 52 / 3

HEX #F7F476

RGB 247 244 118

HSL 58.6, 0.89%, 0.72%

LAB 94.22, -15.15, 60.18

 

CMYK 0 / 2 / 57 / 10

HEX #E6E263

RGB 230 226 99

HSL 58.17, 0.72%, 0.65%

LAB 88.02, -14.56, 61.19

 

CMYK 0 / 2 / 62 / 16

HEX #D5D050

RGB 213 208 80

HSL 57.74, 0.61%, 0.57%

LAB 81.75, -13.86, 62.06

 

CMYK 0 / 3 / 69 / 23

HEX #C4BE3D

RGB 196 190 61

HSL 57.33, 0.53%, 0.5%

LAB 75.39, -13.02, 62.65

 

CMYK 0 / 4 / 77 / 30

HEX #B3AC2A

RGB 179 172 42

HSL 56.93, 0.62%, 0.43%

LAB 68.94, -12, 62.72

 

CMYK 0 / 1 / 51 / 3

HEX #F7F478

RGB 247 244 120

HSL 58.58, 0.89%, 0.72%

LAB 94.24, -14.99, 59.31

 

CMYK 0 / 15 / 51 / 3

HEX #F7D278

RGB 247 210 120

HSL 42.52, 0.89%, 0.72%

LAB 85.62, 2.05, 49.04

 

CMYK 0 / 29 / 51 / 3

HEX #F7B078

RGB 247 176 120

HSL 26.46, 0.89%, 0.72%

LAB 77.39, 19.78, 38.84

 

CMYK 0 / 43 / 51 / 3

HEX #F78D78

RGB 247 141 120

HSL 9.92, 0.89%, 0.72%

LAB 69.6, 38.07, 28.78

 

CMYK 0 / 51 / 51 / 3

HEX #F77878

RGB 247 120 120

HSL 0, 0.89%, 0.72%

LAB 65.41, 48.56, 23.2

 

CMYK 0 / 1 / 51 / 3

HEX #F7F478

RGB 247 244 120

HSL 58.58, 0.89%, 0.72%

LAB 94.24, -14.99, 59.31

 

CMYK 13 / 0 / 51 / 3

HEX #D8F778

RGB 216 247 120

HSL 74.65, 0.89%, 0.72%

LAB 92.78, -28.45, 57.04

 

CMYK 26 / 0 / 51 / 3

HEX #B6F778

RGB 182 247 120

HSL 90.71, 0.89%, 0.72%

LAB 90.7, -40.89, 54.05

 

CMYK 40 / 0 / 51 / 3

HEX #93F778

RGB 147 247 120

HSL 107.24, 0.89%, 0.72%

LAB 88.96, -52.36, 51.55

 

CMYK 51 / 0 / 49 / 3

HEX #78F77F

RGB 120 247 127

HSL 123.31, 0.89%, 0.72%

LAB 87.99, -59.01, 46.85

 

CMYK 0 / 1 / 51 / 3

HEX #F7F478

RGB 247 244 120

HSL 58.58, 0.89%, 0.72%

LAB 94.24, -14.99, 59.31

 

CMYK 0 / 1 / 51 / 3

HEX #F7F478

RGB 247 244 120

HSL 58.58, 0.89%, 0.72%

LAB 94.24, -14.99, 59.31

 

CMYK 0 / 1 / 44 / 7

HEX #ECE984

RGB 236 233 132

HSL 58.27, 0.73%, 0.72%

LAB 90.68, -12.86, 49.23

 

CMYK 0 / 1 / 36 / 12

HEX #E0DE8F

RGB 224 222 143

HSL 58.52, 0.57%, 0.72%

LAB 87.03, -10.9, 39.02

 

CMYK 0 / 0 / 27 / 17

HEX #D4D39B

RGB 212 211 155

HSL 58.95, 0.4%, 0.72%

LAB 83.42, -8.45, 27.94

 

CMYK 0 / 0 / 17 / 21

HEX #C9C8A6

RGB 201 200 166

HSL 58.29, 0.24%, 0.72%

LAB 79.89, -5.35, 17.17

 

CMYK 0 / 29 / 51 / 3

HEX #F7AF78

RGB 247 175 120

HSL 25.98, 0.89%, 0.72%

LAB 77.16, 20.31, 38.54

 

CMYK 0 / 15 / 51 / 3

HEX #F7D178

RGB 247 209 120

HSL 42.05, 0.89%, 0.72%

LAB 85.37, 2.56, 48.74

 

CMYK 0 / 2 / 51 / 3

HEX #F7F378

RGB 247 243 120

HSL 58.11, 0.89%, 0.72%

LAB 93.98, -14.51, 59.01

 

CMYK 12 / 0 / 51 / 3

HEX #D9F778

RGB 217 247 120

HSL 74.17, 0.89%, 0.72%

LAB 92.85, -28.07, 57.13

 

CMYK 26 / 0 / 51 / 3

HEX #B8F778

RGB 184 247 120

HSL 89.76, 0.89%, 0.72%

LAB 90.81, -40.18, 54.21

 

CMYK 0 / 2 / 83 / 5

HEX #F3EE2A

RGB 243 238 42

HSL 58.51, 0.89%, 0.56%

LAB 91.85, -17.78, 84.71

 

CMYK 0 / 2 / 67 / 4

HEX #F5F151

RGB 245 241 81

HSL 58.54, 0.89%, 0.64%

LAB 92.98, -16.92, 74.07

 

CMYK 0 / 1 / 51 / 3

HEX #F7F478

RGB 247 244 120

HSL 58.58, 0.89%, 0.72%

LAB 94.24, -14.99, 59.31

 

CMYK 0 / 1 / 36 / 2

HEX #F9F79F

RGB 249 247 159

HSL 58.67, 0.88%, 0.8%

LAB 95.65, -11.96, 42.57

 

CMYK 0 / 1 / 21 / 1

HEX #FCFAC6

RGB 252 250 198

HSL 57.78, 0.9%, 0.88%

LAB 97.29, -7.48, 25.25

 

CMYK 0 / 1 / 52 / 3

HEX #F7F476

RGB 247 244 118

HSL 58.6, 0.89%, 0.72%

LAB 94.22, -15.15, 60.18

 

CMYK 51 / 0 / 43 / 3

HEX #78F78D

RGB 120 247 141

HSL 129.92, 0.89%, 0.72%

LAB 88.18, -57.01, 40.35

 

CMYK 22 / 51 / 0 / 3

HEX #C078F7

RGB 192 120 247

HSL 274.02, 0.89%, 0.72%

LAB 62.81, 50.72, -52.97

 

CMYK 0 / 1 / 52 / 3

HEX #F7F476

RGB 247 244 118

HSL 58.6, 0.89%, 0.72%

LAB 94.22, -15.15, 60.18

 

CMYK 51 / 0 / 2 / 3

HEX #78F7F3

RGB 120 247 243

HSL 178.11, 0.89%, 0.72%

LAB 90.32, -36.15, -8.9

 

CMYK 2 / 51 / 0 / 3

HEX #F378F7

RGB 243 120 247

HSL 298.11, 0.89%, 0.72%

LAB 68.9, 64.09, -42.96

 

CMYK 0 / 1 / 52 / 3

HEX #F7F476

RGB 247 244 118

HSL 58.6, 0.89%, 0.72%

LAB 94.22, -15.15, 60.18

 

CMYK 51 / 0 / 43 / 3

HEX #78F78D

RGB 120 247 141

HSL 129.92, 0.89%, 0.72%

LAB 88.18, -57.01, 40.35

 

CMYK 51 / 50 / 0 / 3

HEX #787CF7

RGB 120 124 247

HSL 238.11, 0.89%, 0.72%

LAB 57.2, 31.4, -62.31

 

CMYK 0 / 51 / 9 / 3

HEX #F778E2

RGB 247 120 226

HSL 309.92, 0.89%, 0.72%

LAB 68.53, 61.68, -31.92

 

CMYK 0 / 1 / 52 / 3

HEX #F7F476

RGB 247 244 118

HSL 58.6, 0.89%, 0.72%

LAB 94.22, -15.15, 60.18

 

CMYK 51 / 0 / 28 / 3

HEX #78F7B3

RGB 120 247 179

HSL 147.87, 0.89%, 0.72%

LAB 88.81, -50.47, 22.11

 

CMYK 51 / 50 / 0 / 3

HEX #787CF7

RGB 120 124 247

HSL 238.11, 0.89%, 0.72%

LAB 57.2, 31.4, -62.31

 

CMYK 0 / 51 / 24 / 3

HEX #F778BC

RGB 247 120 188

HSL 327.87, 0.89%, 0.72%

LAB 67.16, 56.07, -12.79

 

Description

Color code: HEX #F7F476 | qconv.com Color code: HEX #F7F476 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 244 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 244 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 52 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 52% 3% C M Y K

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