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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F7F06E it is the complementary color #080F91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F7F06E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F7F06E shade: #FCF069, #FFFF7C, #FFFF8F, #FFFFA2 and #FFFFB5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F7F06E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F7F06E shade: #F7F06E, #E6DE5B, #D5CC48, #C4BA35 and #B3A822

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F7F06E shade: #F7F06E, #F7CB6E, #F7A66E, #F7816E and #F76E6E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F7F06E shade: #F7F06E, #D9F76E, #B4F76E, #8FF76E and #6EF771

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F7F06E shade matches the following richer shades: #F7F06E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F7F06E shade: #F7F06E, #EBE57A, #DFDA86, #D2CF93 and #C6C49F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F7F06E shade: #F7A56E, #F7C96E, #F7EE6E, #DCF76E and #B7F76E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F7F06E shade: #F3E81F, #F5EC46, #F7F06E, #F9F495 and #FBF8BC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F7F06E shade: #F7F06E, #6EF780 and #B76EF7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F7F06E shade: #F7F06E, #6EF7EE and #EE6EF7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F7F06E shade: #F7F06E, #6EF780, #6E77F7 and #F76EE5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F7F06E shade: #F7F06E, #6EF7A9, #6E77F7 and #F76EBC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 55 / 3

HEX #F7F06E

RGB 247 240 110

HSL 56.93, 0.9%, 0.7%

LAB 93.11, -13.81, 62.47

 

Complementary color

CMYK 94 / 90 / 0 / 43

HEX #080F91

RGB 8 15 145

HSL 236.93, 0.9%, 0.3%

LAB 17.63, 47.02, -67.62

 

CMYK 0 / 5 / 58 / 1

HEX #FCF069

RGB 252 240 105

HSL 55.1, 0.96%, 0.7%

LAB 93.47, -12.16, 65.15

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7C

RGB 255 255 124

HSL 60, 1%, 0.74%

LAB 97.73, -16.86, 61.73

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF8F

RGB 255 255 143

HSL 60, 1%, 0.78%

LAB 97.94, -15.21, 53.26

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA2

RGB 255 255 162

HSL 60, 1%, 0.82%

LAB 98.19, -13.28, 44.46

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB5

RGB 255 255 181

HSL 60, 1%, 0.85%

LAB 98.48, -11.08, 35.46

 

CMYK 0 / 3 / 55 / 3

HEX #F7F06E

RGB 247 240 110

HSL 56.93, 0.9%, 0.7%

LAB 93.11, -13.81, 62.47

 

CMYK 0 / 3 / 60 / 10

HEX #E6DE5B

RGB 230 222 91

HSL 56.55, 0.74%, 0.63%

LAB 86.91, -13.13, 63.4

 

CMYK 0 / 4 / 66 / 16

HEX #D5CC48

RGB 213 204 72

HSL 56.17, 0.63%, 0.56%

LAB 80.63, -12.32, 64.14

 

CMYK 0 / 5 / 73 / 23

HEX #C4BA35

RGB 196 186 53

HSL 55.8, 0.57%, 0.49%

LAB 74.26, -11.37, 64.49

 

CMYK 0 / 6 / 81 / 30

HEX #B3A822

RGB 179 168 34

HSL 55.45, 0.68%, 0.42%

LAB 67.8, -10.22, 64.15

 

CMYK 0 / 3 / 55 / 3

HEX #F7F06E

RGB 247 240 110

HSL 56.93, 0.9%, 0.7%

LAB 93.11, -13.81, 62.47

 

CMYK 0 / 18 / 55 / 3

HEX #F7CB6E

RGB 247 203 110

HSL 40.73, 0.9%, 0.7%

LAB 83.76, 4.85, 51.64

 

CMYK 0 / 33 / 55 / 3

HEX #F7A66E

RGB 247 166 110

HSL 24.53, 0.9%, 0.7%

LAB 74.93, 24.22, 40.93

 

CMYK 0 / 48 / 55 / 3

HEX #F7816E

RGB 247 129 110

HSL 8.32, 0.9%, 0.7%

LAB 66.98, 43.32, 30.85

 

CMYK 0 / 55 / 55 / 3

HEX #F76E6E

RGB 247 110 110

HSL 0, 0.9%, 0.7%

LAB 63.39, 52.5, 26.15

 

CMYK 0 / 3 / 55 / 3

HEX #F7F06E

RGB 247 240 110

HSL 56.93, 0.9%, 0.7%

LAB 93.11, -13.81, 62.47

 

CMYK 12 / 0 / 55 / 3

HEX #D9F76E

RGB 217 247 110

HSL 73.14, 0.9%, 0.7%

LAB 92.75, -28.94, 61.47

 

CMYK 27 / 0 / 55 / 3

HEX #B4F76E

RGB 180 247 110

HSL 89.34, 0.9%, 0.7%

LAB 90.48, -42.58, 58.27

 

CMYK 42 / 0 / 55 / 3

HEX #8FF76E

RGB 143 247 110

HSL 105.55, 0.9%, 0.7%

LAB 88.68, -54.69, 55.71

 

CMYK 55 / 0 / 54 / 3

HEX #6EF771

RGB 110 247 113

HSL 121.31, 0.9%, 0.7%

LAB 87.5, -63.26, 52.67

 

CMYK 0 / 3 / 55 / 3

HEX #F7F06E

RGB 247 240 110

HSL 56.93, 0.9%, 0.7%

LAB 93.11, -13.81, 62.47

 

CMYK 0 / 3 / 55 / 3

HEX #F7F06E

RGB 247 240 110

HSL 56.93, 0.9%, 0.7%

LAB 93.11, -13.81, 62.47

 

CMYK 0 / 3 / 48 / 8

HEX #EBE57A

RGB 235 229 122

HSL 56.81, 0.74%, 0.7%

LAB 89.44, -12.19, 52.47

 

CMYK 0 / 2 / 40 / 13

HEX #DFDA86

RGB 223 218 134

HSL 56.63, 0.58%, 0.7%

LAB 85.78, -10.26, 41.91

 

CMYK 0 / 1 / 30 / 18

HEX #D2CF93

RGB 210 207 147

HSL 57.14, 0.41%, 0.7%

LAB 82.07, -8.21, 30.27

 

CMYK 0 / 1 / 20 / 22

HEX #C6C49F

RGB 198 196 159

HSL 56.92, 0.25%, 0.7%

LAB 78.46, -5.44, 18.87

 

CMYK 0 / 33 / 55 / 3

HEX #F7A56E

RGB 247 165 110

HSL 24.09, 0.9%, 0.7%

LAB 74.71, 24.74, 40.65

 

CMYK 0 / 19 / 55 / 3

HEX #F7C96E

RGB 247 201 110

HSL 39.85, 0.9%, 0.7%

LAB 83.27, 5.88, 51.05

 

CMYK 0 / 4 / 55 / 3

HEX #F7EE6E

RGB 247 238 110

HSL 56.06, 0.9%, 0.7%

LAB 92.6, -12.83, 61.88

 

CMYK 11 / 0 / 55 / 3

HEX #DCF76E

RGB 220 247 110

HSL 71.82, 0.9%, 0.7%

LAB 92.95, -27.79, 61.76

 

CMYK 26 / 0 / 55 / 3

HEX #B7F76E

RGB 183 247 110

HSL 88.03, 0.9%, 0.7%

LAB 90.65, -41.52, 58.51

 

CMYK 0 / 5 / 87 / 5

HEX #F3E81F

RGB 243 232 31

HSL 56.89, 0.9%, 0.54%

LAB 90.26, -15.11, 85.61

 

CMYK 0 / 4 / 71 / 4

HEX #F5EC46

RGB 245 236 70

HSL 56.91, 0.9%, 0.62%

LAB 91.62, -15.01, 76.63

 

CMYK 0 / 3 / 55 / 3

HEX #F7F06E

RGB 247 240 110

HSL 56.93, 0.9%, 0.7%

LAB 93.11, -13.81, 62.47

 

CMYK 0 / 2 / 40 / 2

HEX #F9F495

RGB 249 244 149

HSL 57, 0.89%, 0.78%

LAB 94.74, -11.55, 46.3

 

CMYK 0 / 1 / 25 / 2

HEX #FBF8BC

RGB 251 248 188

HSL 57.14, 0.89%, 0.86%

LAB 96.52, -8.2, 29.27

 

CMYK 0 / 3 / 55 / 3

HEX #F7F06E

RGB 247 240 110

HSL 56.93, 0.9%, 0.7%

LAB 93.11, -13.81, 62.47

 

CMYK 55 / 0 / 48 / 3

HEX #6EF780

RGB 110 247 128

HSL 127.88, 0.9%, 0.7%

LAB 87.68, -61.3, 45.91

 

CMYK 26 / 55 / 0 / 3

HEX #B76EF7

RGB 183 110 247

HSL 271.97, 0.9%, 0.7%

LAB 59.83, 53.66, -57.77

 

CMYK 0 / 3 / 55 / 3

HEX #F7F06E

RGB 247 240 110

HSL 56.93, 0.9%, 0.7%

LAB 93.11, -13.81, 62.47

 

CMYK 55 / 0 / 4 / 3

HEX #6EF7EE

RGB 110 247 238

HSL 176.06, 0.9%, 0.7%

LAB 89.86, -39.34, -7

 

CMYK 4 / 55 / 0 / 3

HEX #EE6EF7

RGB 238 110 247

HSL 296.06, 0.9%, 0.7%

LAB 66.55, 67.35, -46.69

 

CMYK 0 / 3 / 55 / 3

HEX #F7F06E

RGB 247 240 110

HSL 56.93, 0.9%, 0.7%

LAB 93.11, -13.81, 62.47

 

CMYK 55 / 0 / 48 / 3

HEX #6EF780

RGB 110 247 128

HSL 127.88, 0.9%, 0.7%

LAB 87.68, -61.3, 45.91

 

CMYK 55 / 52 / 0 / 3

HEX #6E77F7

RGB 110 119 247

HSL 236.06, 0.9%, 0.7%

LAB 55.3, 32.4, -65.39

 

CMYK 0 / 55 / 7 / 3

HEX #F76EE5

RGB 247 110 229

HSL 307.88, 0.9%, 0.7%

LAB 66.96, 66.69, -36.01

 

CMYK 0 / 3 / 55 / 3

HEX #F7F06E

RGB 247 240 110

HSL 56.93, 0.9%, 0.7%

LAB 93.11, -13.81, 62.47

 

CMYK 55 / 0 / 32 / 3

HEX #6EF7A9

RGB 110 247 169

HSL 145.84, 0.9%, 0.7%

LAB 88.3, -54.62, 26.47

 

CMYK 55 / 52 / 0 / 3

HEX #6E77F7

RGB 110 119 247

HSL 236.06, 0.9%, 0.7%

LAB 55.3, 32.4, -65.39

 

CMYK 0 / 55 / 24 / 3

HEX #F76EBC

RGB 247 110 188

HSL 325.84, 0.9%, 0.7%

LAB 65.4, 60.7, -15.43

 

Description

Color code: HEX #F7F06E | qconv.com Color code: HEX #F7F06E | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 240 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 240 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 55 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 55% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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