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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F7E733 it is the complementary color #0818CC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F7E733. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F7E733 shade: #FCE72E, #FFF941, #FFFF54, #FFFF67 and #FFFF7A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F7E733. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F7E733 shade: #F7E733, #E6D520, #D5C30D, #C4B100 and #B39F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F7E733 shade: #F6E631, #F6B131, #F67C31, #F64731 and #F63131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F7E733 shade: #F6E631, #D1F631, #9CF631, #67F631 and #32F631

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F7E733 shade matches the following richer shades: #F6E631

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F7E733 shade: #F6E631, #E5D843, #D4C954, #C2BB65 and #B1AC77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F7E733 shade: #F67D31, #F6B131, #F6E631, #D2F631 and #9EF631

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F7E733 shade: #CDBD09, #F4E10A, #F6E631, #F8EB59 and #FAF081

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F7E733 shade: #F7E733, #31F648 and #9731F6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F7E733 shade: #F7E733, #31F6E6 and #E631F6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F7E733 shade: #F7E733, #31F648, #3142F6 and #F631DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F7E733 shade: #F7E733, #31F683, #3142F6 and #F631A4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 79 / 3

HEX #F7E733

RGB 247 231 51

HSL 55.1, 0.92%, 0.58%

LAB 90.4, -12.45, 81.39

 

Complementary color

CMYK 96 / 88 / 0 / 20

HEX #0818CC

RGB 8 24 204

HSL 235.1, 0.92%, 0.42%

LAB 26.92, 61.05, -87.67

 

CMYK 0 / 8 / 82 / 1

HEX #FCE72E

RGB 252 231 46

HSL 53.88, 0.97%, 0.58%

LAB 90.8, -10.51, 83.19

 

CMYK 0 / 2 / 75 / 0

HEX #FFF941

RGB 255 249 65

HSL 58.11, 1%, 0.63%

LAB 95.74, -17.43, 82.4

 

CMYK 0 / 0 / 67 / 0

HEX #FFFF54

RGB 255 255 84

HSL 60, 1%, 0.66%

LAB 97.4, -19.47, 77.66

 

CMYK 0 / 0 / 60 / 0

HEX #FFFF67

RGB 255 255 103

HSL 60, 1%, 0.7%

LAB 97.53, -18.38, 70.5

 

CMYK 0 / 0 / 52 / 0

HEX #FFFF7A

RGB 255 255 122

HSL 60, 1%, 0.74%

LAB 97.71, -17.02, 62.59

 

CMYK 0 / 6 / 79 / 3

HEX #F7E733

RGB 247 231 51

HSL 55.1, 0.92%, 0.58%

LAB 90.4, -12.45, 81.39

 

CMYK 0 / 7 / 86 / 10

HEX #E6D520

RGB 230 213 32

HSL 54.85, 0.8%, 0.51%

LAB 84.23, -11.17, 80.15

 

CMYK 0 / 8 / 94 / 16

HEX #D5C30D

RGB 213 195 13

HSL 54.6, 0.88%, 0.44%

LAB 78, -9.69, 77.7

 

CMYK 0 / 10 / 100 / 23

HEX #C4B100

RGB 196 177 0

HSL 54.18, 1%, 0.38%

LAB 71.68, -8.01, 73.79

 

CMYK 0 / 11 / 100 / 30

HEX #B39F00

RGB 179 159 0

HSL 53.3, 1%, 0.35%

LAB 65.26, -6.14, 68.48

 

CMYK 0 / 7 / 80 / 4

HEX #F6E631

RGB 246 230 49

HSL 55.13, 0.92%, 0.58%

LAB 90.05, -12.43, 81.58

 

CMYK 0 / 28 / 80 / 4

HEX #F6B131

RGB 246 177 49

HSL 38.98, 0.92%, 0.58%

LAB 76.84, 14.68, 70.01

 

CMYK 0 / 50 / 80 / 4

HEX #F67C31

RGB 246 124 49

HSL 22.84, 0.92%, 0.58%

LAB 65.14, 42.14, 59.4

 

CMYK 0 / 71 / 80 / 4

HEX #F64731

RGB 246 71 49

HSL 6.7, 0.92%, 0.58%

LAB 56.41, 65.12, 51.14

 

CMYK 0 / 80 / 80 / 4

HEX #F63131

RGB 246 49 49

HSL 0, 0.92%, 0.58%

LAB 54.04, 71.73, 48.83

 

CMYK 0 / 7 / 80 / 4

HEX #F6E631

RGB 246 230 49

HSL 55.13, 0.92%, 0.58%

LAB 90.05, -12.43, 81.58

 

CMYK 15 / 0 / 80 / 4

HEX #D1F631

RGB 209 246 49

HSL 71.27, 0.92%, 0.58%

LAB 91.54, -35.1, 81.82

 

CMYK 37 / 0 / 80 / 4

HEX #9CF631

RGB 156 246 49

HSL 87.41, 0.92%, 0.58%

LAB 88.54, -54.61, 78.01

 

CMYK 58 / 0 / 80 / 4

HEX #67F631

RGB 103 246 49

HSL 103.55, 0.92%, 0.58%

LAB 86.51, -69.99, 75.4

 

CMYK 80 / 0 / 80 / 4

HEX #32F631

RGB 50 246 49

HSL 119.7, 0.92%, 0.58%

LAB 85.41, -79.32, 73.98

 

CMYK 0 / 7 / 80 / 4

HEX #F6E631

RGB 246 230 49

HSL 55.13, 0.92%, 0.58%

LAB 90.05, -12.43, 81.58

 

CMYK 0 / 7 / 80 / 4

HEX #F6E631

RGB 246 230 49

HSL 55.13, 0.92%, 0.58%

LAB 90.05, -12.43, 81.58

 

CMYK 0 / 6 / 71 / 10

HEX #E5D843

RGB 229 216 67

HSL 55.19, 0.76%, 0.58%

LAB 85.09, -11.9, 70.92

 

CMYK 0 / 5 / 60 / 17

HEX #D4C954

RGB 212 201 84

HSL 54.84, 0.6%, 0.58%

LAB 79.85, -10.48, 58.28

 

CMYK 0 / 4 / 48 / 24

HEX #C2BB65

RGB 194 187 101

HSL 55.48, 0.43%, 0.58%

LAB 74.79, -9.4, 44.13

 

CMYK 0 / 3 / 33 / 31

HEX #B1AC77

RGB 177 172 119

HSL 54.83, 0.27%, 0.58%

LAB 69.6, -6.49, 27.96

 

CMYK 0 / 49 / 80 / 4

HEX #F67D31

RGB 246 125 49

HSL 23.15, 0.92%, 0.58%

LAB 65.34, 41.64, 59.59

 

CMYK 0 / 28 / 80 / 4

HEX #F6B131

RGB 246 177 49

HSL 38.98, 0.92%, 0.58%

LAB 76.84, 14.68, 70.01

 

CMYK 0 / 7 / 80 / 4

HEX #F6E631

RGB 246 230 49

HSL 55.13, 0.92%, 0.58%

LAB 90.05, -12.43, 81.58

 

CMYK 15 / 0 / 80 / 4

HEX #D2F631

RGB 210 246 49

HSL 70.96, 0.92%, 0.58%

LAB 91.61, -34.71, 81.9

 

CMYK 36 / 0 / 80 / 4

HEX #9EF631

RGB 158 246 49

HSL 86.8, 0.92%, 0.58%

LAB 88.64, -53.94, 78.13

 

CMYK 0 / 8 / 96 / 20

HEX #CDBD09

RGB 205 189 9

HSL 55.1, 0.92%, 0.42%

LAB 75.7, -10.15, 76.1

 

CMYK 0 / 8 / 96 / 4

HEX #F4E10A

RGB 244 225 10

HSL 55.13, 0.92%, 0.5%

LAB 88.5, -11.52, 86.99

 

CMYK 0 / 7 / 80 / 4

HEX #F6E631

RGB 246 230 49

HSL 55.13, 0.92%, 0.58%

LAB 90.05, -12.43, 81.58

 

CMYK 0 / 5 / 64 / 3

HEX #F8EB59

RGB 248 235 89

HSL 55.09, 0.92%, 0.66%

LAB 91.73, -12.33, 69.8

 

CMYK 0 / 4 / 48 / 2

HEX #FAF081

RGB 250 240 129

HSL 55.04, 0.92%, 0.74%

LAB 93.55, -11.09, 54.4

 

CMYK 0 / 6 / 79 / 3

HEX #F7E733

RGB 247 231 51

HSL 55.1, 0.92%, 0.58%

LAB 90.4, -12.45, 81.39

 

CMYK 80 / 0 / 71 / 4

HEX #31F648

RGB 49 246 72

HSL 127.01, 0.92%, 0.58%

LAB 85.52, -77.87, 66.91

 

CMYK 39 / 80 / 0 / 4

HEX #9731F6

RGB 151 49 246

HSL 271.07, 0.92%, 0.58%

LAB 46.22, 74.12, -79.42

 

CMYK 0 / 6 / 79 / 3

HEX #F7E733

RGB 247 231 51

HSL 55.1, 0.92%, 0.58%

LAB 90.4, -12.45, 81.39

 

CMYK 80 / 0 / 7 / 4

HEX #31F6E6

RGB 49 246 230

HSL 175.13, 0.92%, 0.58%

LAB 88.1, -49.15, -5.57

 

CMYK 7 / 80 / 0 / 4

HEX #E631F6

RGB 230 49 246

HSL 295.13, 0.92%, 0.58%

LAB 57.73, 86.83, -60.23

 

CMYK 0 / 6 / 79 / 3

HEX #F7E733

RGB 247 231 51

HSL 55.1, 0.92%, 0.58%

LAB 90.4, -12.45, 81.39

 

CMYK 80 / 0 / 71 / 4

HEX #31F648

RGB 49 246 72

HSL 127.01, 0.92%, 0.58%

LAB 85.52, -77.87, 66.91

 

CMYK 80 / 73 / 0 / 4

HEX #3142F6

RGB 49 66 246

HSL 234.82, 0.92%, 0.58%

LAB 39.92, 55.61, -90.1

 

CMYK 0 / 80 / 9 / 4

HEX #F631DF

RGB 246 49 223

HSL 307.01, 0.92%, 0.58%

LAB 59.08, 86.41, -45.02

 

CMYK 0 / 6 / 79 / 3

HEX #F7E733

RGB 247 231 51

HSL 55.1, 0.92%, 0.58%

LAB 90.4, -12.45, 81.39

 

CMYK 80 / 0 / 47 / 4

HEX #31F683

RGB 49 246 131

HSL 144.97, 0.92%, 0.58%

LAB 86.11, -70.75, 42.23

 

CMYK 80 / 73 / 0 / 4

HEX #3142F6

RGB 49 66 246

HSL 234.82, 0.92%, 0.58%

LAB 39.92, 55.61, -90.1

 

CMYK 0 / 80 / 33 / 4

HEX #F631A4

RGB 246 49 164

HSL 324.97, 0.92%, 0.58%

LAB 56.56, 79.27, -15.01

 

Description

Color code: HEX #F7E733 | qconv.com Color code: HEX #F7E733 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 231 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 231 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 79 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 79% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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