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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F7DBBBCE it is the complementary color #082444CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F7DBBBCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F7DBBBCE shade: #FCDBB6CE, #FFEDC9CE, #FFFFDCCE, #FFFFEFCE and #FFFFFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F7DBBBCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F7DBBBCE shade: #F7DBBBCE, #E6C9A8CE, #D5B795CE, #C4A582CE and #B3936FCE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F7DBBBCE shade: #F7DBBB, #F7CABB and #F7BBBB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F7DBBBCE shade: #F7DBBB, #F7EBBB, #F3F7BB, #E2F7BB and #D2F7BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F7DBBBCE shade matches the following richer shades: #F7DBBB and #FDDBB4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F7DBBBCE shade: #F7DBBB, #F1DAC1, #EBDAC7, #E4DACD and #DED9D3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F7DBBBCE shade: #F7BBBB, #F7CBBB, #F7DBBB, #F7EBBB and #F3F7BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F7DBBBCE shade: #EEB471, #F3C796, #F7DBBB, #FBEEDF and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F7DBBBCE shade: #F7DBBB, #CBF7BB and #C3BBF7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F7DBBBCE shade: #F7DBBB, #BBF7DB and #DBBBF7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F7DBBBCE shade: #F7DBBB, #CBF7BB, #BBD7F7 and #E7BBF7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F7DBBBCE shade: #F7DBBB, #BBF7BD, #BBD7F7 and #F7BBF5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 20 / 3

HEX #F7DBBBCE

RGBA 247 219 187 0.81

HSLA 32, 0.79%, 0.85%, 0.81

LABA 88.93, 4.88, 19.29, 0.81

 

Complementary color

CMYK 71 / 38 / 0 / 59

HEX #082444CE

RGBA 8 36 68 0.81

HSLA 212, 0.79%, 0.15%, 0.81

LABA 14.01, 3.31, -23.12, 0.81

 

CMYK 0 / 11 / 23 / 1

HEX #FCDBB6CE

RGBA 252 219 182 0.81

HSLA 31.71, 0.92%, 0.85%, 0.81

LABA 89.27, 6.06, 22.42, 0.81

 

CMYK 0 / 6 / 17 / 0

HEX #FFEDC9CE

RGBA 255 237 201 0.81

HSLA 40, 1%, 0.89%, 0.81

LABA 94.33, 0.55, 19.66, 0.81

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFDCCE

RGBA 255 255 220 0.81

HSLA 60, 1%, 0.93%, 0.81

LABA 99.2, -5.72, 16.75, 0.81

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFEFCE

RGBA 255 255 239 0.81

HSLA 60, 1%, 0.97%, 0.81

LABA 99.62, -2.71, 7.63, 0.81

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFFCE

RGBA 255 255 255 0.81

HSLA 0, 0%, 1%, 0.81

LABA 100, 0.01, -0.01, 0.81

 

CMYK 0 / 9 / 20 / 3

HEX #F7DBBBCE

RGBA 247 219 187 0.81

HSLA 32, 0.79%, 0.85%, 0.81

LABA 88.93, 4.88, 19.29, 0.81

 

CMYK 0 / 10 / 22 / 8

HEX #E6C9A8CE

RGBA 230 201 168 0.81

HSLA 31.94, 0.55%, 0.78%, 0.81

LABA 82.61, 5.29, 20.26, 0.81

 

CMYK 0 / 11 / 24 / 13

HEX #D5B795CE

RGBA 213 183 149 0.81

HSLA 31.88, 0.43%, 0.71%, 0.81

LABA 76.18, 5.75, 21.29, 0.81

 

CMYK 0 / 13 / 27 / 19

HEX #C4A582CE

RGBA 196 165 130 0.81

HSLA 31.82, 0.36%, 0.64%, 0.81

LABA 69.65, 6.28, 22.39, 0.81

 

CMYK 0 / 14 / 31 / 24

HEX #B3936FCE

RGBA 179 147 111 0.81

HSLA 31.76, 0.31%, 0.57%, 0.81

LABA 63.01, 6.89, 23.57, 0.81

 

CMYK 0 / 11 / 24 / 3

HEX #F7DBBB

RGB 247 219 187

HSL 32, 0.79%, 0.85%

LAB 88.93, 4.88, 19.29

 

CMYK 0 / 18 / 24 / 3

HEX #F7CABB

RGB 247 202 187

HSL 15, 0.79%, 0.85%

LAB 84.79, 13.72, 13.48

 

CMYK 0 / 24 / 24 / 3

HEX #F7BBBB

RGB 247 187 187

HSL 0, 0.79%, 0.85%

LAB 81.24, 21.61, 8.42

 

CMYK 0 / 11 / 24 / 3

HEX #F7DBBB

RGB 247 219 187

HSL 32, 0.79%, 0.85%

LAB 88.93, 4.88, 19.29

 

CMYK 0 / 5 / 24 / 3

HEX #F7EBBB

RGB 247 235 187

HSL 48, 0.79%, 0.85%

LAB 92.92, -3.29, 24.8

 

CMYK 2 / 0 / 24 / 3

HEX #F3F7BB

RGB 243 247 187

HSL 64, 0.79%, 0.85%

LAB 95.65, -10.75, 28.48

 

CMYK 9 / 0 / 24 / 3

HEX #E2F7BB

RGB 226 247 187

HSL 81, 0.79%, 0.85%

LAB 94.43, -16.86, 26.62

 

CMYK 15 / 0 / 24 / 3

HEX #D2F7BB

RGB 210 247 187

HSL 97, 0.79%, 0.85%

LAB 93.37, -22.46, 25

 

CMYK 0 / 11 / 24 / 3

HEX #F7DBBB

RGB 247 219 187

HSL 32, 0.79%, 0.85%

LAB 88.93, 4.88, 19.29

 

CMYK 0 / 13 / 29 / 1

HEX #FDDBB4

RGB 253 219 180

HSL 32.05, 0.95%, 0.85%

LAB 89.32, 6.18, 23.55

 

CMYK 0 / 11 / 24 / 3

HEX #F7DBBB

RGB 247 219 187

HSL 32, 0.79%, 0.85%

LAB 88.93, 4.88, 19.29

 

CMYK 0 / 10 / 20 / 5

HEX #F1DAC1

RGB 241 218 193

HSL 31.25, 0.63%, 0.85%

LAB 88.3, 4.04, 15.19

 

CMYK 0 / 7 / 15 / 8

HEX #EBDAC7

RGB 235 218 199

HSL 31.67, 0.47%, 0.85%

LAB 87.93, 2.77, 11.45

 

CMYK 0 / 4 / 10 / 11

HEX #E4DACD

RGB 228 218 205

HSL 33.91, 0.3%, 0.85%

LAB 87.51, 1.23, 7.6

 

CMYK 0 / 2 / 5 / 13

HEX #DED9D3

RGB 222 217 211

HSL 32.73, 0.14%, 0.85%

LAB 86.93, 0.66, 3.54

 

CMYK 0 / 24 / 24 / 3

HEX #F7BBBB

RGB 247 187 187

HSL 0, 0.79%, 0.85%

LAB 81.24, 21.61, 8.42

 

CMYK 0 / 18 / 24 / 3

HEX #F7CBBB

RGB 247 203 187

HSL 16, 0.79%, 0.85%

LAB 85.03, 13.19, 13.82

 

CMYK 0 / 11 / 24 / 3

HEX #F7DBBB

RGB 247 219 187

HSL 32, 0.79%, 0.85%

LAB 88.93, 4.88, 19.29

 

CMYK 0 / 5 / 24 / 3

HEX #F7EBBB

RGB 247 235 187

HSL 48, 0.79%, 0.85%

LAB 92.92, -3.29, 24.8

 

CMYK 2 / 0 / 24 / 3

HEX #F3F7BB

RGB 243 247 187

HSL 64, 0.79%, 0.85%

LAB 95.65, -10.75, 28.48

 

CMYK 0 / 24 / 53 / 7

HEX #EEB471

RGB 238 180 113

HSL 32.16, 0.79%, 0.69%

LAB 77.29, 13.44, 42.1

 

CMYK 0 / 18 / 38 / 5

HEX #F3C796

RGB 243 199 150

HSL 31.61, 0.79%, 0.77%

LAB 82.97, 9.11, 30.41

 

CMYK 0 / 11 / 24 / 3

HEX #F7DBBB

RGB 247 219 187

HSL 32, 0.79%, 0.85%

LAB 88.93, 4.88, 19.29

 

CMYK 0 / 5 / 11 / 2

HEX #FBEEDF

RGB 251 238 223

HSL 32.14, 0.78%, 0.93%

LAB 94.73, 1.92, 8.81

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 11 / 24 / 3

HEX #F7DBBB

RGB 247 219 187

HSL 32, 0.79%, 0.85%

LAB 88.93, 4.88, 19.29

 

CMYK 18 / 0 / 24 / 3

HEX #CBF7BB

RGB 203 247 187

HSL 104, 0.79%, 0.85%

LAB 92.93, -24.85, 24.32

 

CMYK 21 / 24 / 0 / 3

HEX #C3BBF7

RGB 195 187 247

HSL 248, 0.79%, 0.85%

LAB 78.38, 15, -28.65

 

CMYK 0 / 11 / 24 / 3

HEX #F7DBBB

RGB 247 219 187

HSL 32, 0.79%, 0.85%

LAB 88.93, 4.88, 19.29

 

CMYK 24 / 0 / 11 / 3

HEX #BBF7DB

RGB 187 247 219

HSL 152, 0.79%, 0.85%

LAB 92.66, -24.41, 7.35

 

CMYK 11 / 24 / 0 / 3

HEX #DBBBF7

RGB 219 187 247

HSL 272, 0.79%, 0.85%

LAB 80.36, 22.39, -25.44

 

CMYK 0 / 11 / 24 / 3

HEX #F7DBBB

RGB 247 219 187

HSL 32, 0.79%, 0.85%

LAB 88.93, 4.88, 19.29

 

CMYK 18 / 0 / 24 / 3

HEX #CBF7BB

RGB 203 247 187

HSL 104, 0.79%, 0.85%

LAB 92.93, -24.85, 24.32

 

CMYK 24 / 13 / 0 / 3

HEX #BBD7F7

RGB 187 215 247

HSL 212, 0.79%, 0.85%

LAB 84.94, -2.41, -18.72

 

CMYK 6 / 24 / 0 / 3

HEX #E7BBF7

RGB 231 187 247

HSL 284, 0.79%, 0.85%

LAB 81.43, 26.18, -23.72

 

CMYK 0 / 11 / 24 / 3

HEX #F7DBBB

RGB 247 219 187

HSL 32, 0.79%, 0.85%

LAB 88.93, 4.88, 19.29

 

CMYK 24 / 0 / 23 / 3

HEX #BBF7BD

RGB 187 247 189

HSL 122, 0.79%, 0.85%

LAB 92.02, -29.81, 21.9

 

CMYK 24 / 13 / 0 / 3

HEX #BBD7F7

RGB 187 215 247

HSL 212, 0.79%, 0.85%

LAB 84.94, -2.41, -18.72

 

CMYK 0 / 24 / 1 / 3

HEX #F7BBF5

RGB 247 187 245

HSL 302, 0.79%, 0.85%

LAB 82.86, 30.94, -20.32

 

Description

Color code: HEX #F7DBBBCE | qconv.com Color code: HEX #F7DBBBCE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 219 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 219 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 20 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 20% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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