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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F7DB8ACE it is the complementary color #082475CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F7DB8ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F7DB8ACE shade: #FCDB85CE, #FFED98CE, #FFFFABCE, #FFFFBECE and #FFFFD1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F7DB8ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F7DB8ACE shade: #F7DB8ACE, #E6C977CE, #D5B764CE, #C4A551CE and #B3933ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F7DB8ACE shade: #F7DA88, #F7BC88, #F79E88 and #F78888

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F7DB8ACE shade: #F7DA88, #F5F788, #D7F788, #B9F788 and #9CF788

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F7DB8ACE shade matches the following richer shades: #F7DA88

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F7DB8ACE shade: #F7DA88, #ECD592, #E2D09C, #D8CBA7 and #CDC6B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F7DB8ACE shade: #F79E88, #F7BC88, #F7D988, #F7F788 and #D9F788

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F7DB8ACE shade: #F1C23B, #F4CE61, #F7DA88, #F9E6AE and #FCF2D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F7DB8ACE shade: #F7DB8A, #8FF788 and #AD88F7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F7DB8ACE shade: #F7DB8A, #88F7D9 and #D988F7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F7DB8ACE shade: #F7DB8A, #8FF788, #88A5F7 and #EF88F7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F7DB8ACE shade: #F7DB8A, #88F7A2, #88A5F7 and #F788DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 36 / 3

HEX #F7DB8ACE

RGBA 247 219 138 0.81

HSLA 44.59, 0.87%, 0.75%, 0.81

LABA 88.1, -0.91, 43.27, 0.81

 

Complementary color

CMYK 75 / 56 / 0 / 44

HEX #082475CE

RGBA 8 36 117 0.81

HSLA 224.59, 0.87%, 0.25%, 0.81

LABA 18.35, 24.99, -48.72, 0.81

 

CMYK 0 / 11 / 38 / 1

HEX #FCDB85CE

RGBA 252 219 133 0.81

HSLA 43.36, 0.95%, 0.75%, 0.81

LABA 88.47, 0.6, 46.3, 0.81

 

CMYK 0 / 6 / 33 / 0

HEX #FFED98CE

RGBA 255 237 152 0.81

HSLA 49.51, 1%, 0.8%, 0.81

LABA 93.49, -5.45, 43.34, 0.81

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFABCE

RGBA 255 255 171 0.81

HSLA 60, 1%, 0.84%, 0.81

LABA 98.32, -12.27, 40.22, 0.81

 

CMYK 0 / 0 / 21 / 0

HEX #FFFFBECE

RGBA 255 255 190 0.81

HSLA 60, 1%, 0.87%, 0.81

LABA 98.63, -9.94, 31.16, 0.81

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFD1CE

RGBA 255 255 209 0.81

HSLA 60, 1%, 0.91%, 0.81

LABA 98.98, -7.34, 22.04, 0.81

 

CMYK 0 / 9 / 36 / 3

HEX #F7DB8ACE

RGBA 247 219 138 0.81

HSLA 44.59, 0.87%, 0.75%, 0.81

LABA 88.1, -0.91, 43.27, 0.81

 

CMYK 0 / 10 / 39 / 8

HEX #E6C977CE

RGBA 230 201 119 0.81

HSLA 44.32, 0.69%, 0.68%, 0.81

LABA 81.8, -0.27, 44.5, 0.81

 

CMYK 0 / 11 / 43 / 13

HEX #D5B764CE

RGBA 213 183 100 0.81

HSLA 44.07, 0.57%, 0.61%, 0.81

LABA 75.41, 0.46, 45.76, 0.81

 

CMYK 0 / 13 / 48 / 19

HEX #C4A551CE

RGBA 196 165 81 0.81

HSLA 43.83, 0.49%, 0.54%, 0.81

LABA 68.92, 1.33, 47.01, 0.81

 

CMYK 0 / 14 / 53 / 24

HEX #B3933ECE

RGBA 179 147 62 0.81

HSLA 43.59, 0.49%, 0.47%, 0.81

LABA 62.34, 2.37, 48.18, 0.81

 

CMYK 0 / 12 / 45 / 3

HEX #F7DA88

RGB 247 218 136

HSL 44.32, 0.87%, 0.75%

LAB 87.82, -0.59, 43.91

 

CMYK 0 / 24 / 45 / 3

HEX #F7BC88

RGB 247 188 136

HSL 28.11, 0.87%, 0.75%

LAB 80.47, 14.96, 34.49

 

CMYK 0 / 36 / 45 / 3

HEX #F79E88

RGB 247 158 136

HSL 11.89, 0.87%, 0.75%

LAB 73.55, 30.74, 25.31

 

CMYK 0 / 45 / 45 / 3

HEX #F78888

RGB 247 136 136

HSL 0, 0.87%, 0.75%

LAB 68.87, 42.1, 18.94

 

CMYK 0 / 12 / 45 / 3

HEX #F7DA88

RGB 247 218 136

HSL 44.32, 0.87%, 0.75%

LAB 87.82, -0.59, 43.91

 

CMYK 1 / 0 / 45 / 3

HEX #F5F788

RGB 245 247 136

HSL 61.08, 0.87%, 0.75%

LAB 95.04, -15.84, 52.83

 

CMYK 13 / 0 / 45 / 3

HEX #D7F788

RGB 215 247 136

HSL 77.3, 0.87%, 0.75%

LAB 92.9, -27.25, 49.72

 

CMYK 25 / 0 / 45 / 3

HEX #B9F788

RGB 185 247 136

HSL 93.51, 0.87%, 0.75%

LAB 91.06, -38.07, 47.03

 

CMYK 37 / 0 / 45 / 3

HEX #9CF788

RGB 156 247 136

HSL 109.19, 0.87%, 0.75%

LAB 89.56, -47.62, 44.83

 

CMYK 0 / 12 / 45 / 3

HEX #F7DA88

RGB 247 218 136

HSL 44.32, 0.87%, 0.75%

LAB 87.82, -0.59, 43.91

 

CMYK 0 / 12 / 45 / 3

HEX #F7DA88

RGB 247 218 136

HSL 44.32, 0.87%, 0.75%

LAB 87.82, -0.59, 43.91

 

CMYK 0 / 10 / 38 / 7

HEX #ECD592

RGB 236 213 146

HSL 44.67, 0.7%, 0.75%

LAB 85.75, -1.32, 36.03

 

CMYK 0 / 8 / 31 / 11

HEX #E2D09C

RGB 226 208 156

HSL 44.57, 0.55%, 0.75%

LAB 83.8, -1.44, 28.13

 

CMYK 0 / 6 / 23 / 15

HEX #D8CBA7

RGB 216 203 167

HSL 44.08, 0.39%, 0.75%

LAB 81.89, -1.17, 19.61

 

CMYK 0 / 3 / 14 / 20

HEX #CDC6B1

RGB 205 198 177

HSL 45, 0.22%, 0.75%

LAB 79.92, -1.12, 11.39

 

CMYK 0 / 36 / 45 / 3

HEX #F79E88

RGB 247 158 136

HSL 11.89, 0.87%, 0.75%

LAB 73.55, 30.74, 25.31

 

CMYK 0 / 24 / 45 / 3

HEX #F7BC88

RGB 247 188 136

HSL 28.11, 0.87%, 0.75%

LAB 80.47, 14.96, 34.49

 

CMYK 0 / 12 / 45 / 3

HEX #F7D988

RGB 247 217 136

HSL 43.78, 0.87%, 0.75%

LAB 87.57, -0.08, 43.6

 

CMYK 0 / 0 / 45 / 3

HEX #F7F788

RGB 247 247 136

HSL 60, 0.87%, 0.75%

LAB 95.19, -15.07, 53.05

 

CMYK 12 / 0 / 45 / 3

HEX #D9F788

RGB 217 247 136

HSL 76.22, 0.87%, 0.75%

LAB 93.04, -26.51, 49.92

 

CMYK 0 / 20 / 76 / 5

HEX #F1C23B

RGB 241 194 59

HSL 44.51, 0.87%, 0.59%

LAB 80.52, 4.04, 69.76

 

CMYK 0 / 16 / 60 / 4

HEX #F4CE61

RGB 244 206 97

HSL 44.49, 0.87%, 0.67%

LAB 84.09, 1.13, 58

 

CMYK 0 / 12 / 45 / 3

HEX #F7DA88

RGB 247 218 136

HSL 44.32, 0.87%, 0.75%

LAB 87.82, -0.59, 43.91

 

CMYK 0 / 8 / 30 / 2

HEX #F9E6AE

RGB 249 230 174

HSL 44.8, 0.86%, 0.83%

LAB 91.59, -1.71, 29.68

 

CMYK 0 / 4 / 15 / 1

HEX #FCF2D5

RGB 252 242 213

HSL 44.62, 0.87%, 0.91%

LAB 95.58, -1.31, 15.2

 

CMYK 0 / 11 / 44 / 3

HEX #F7DB8A

RGB 247 219 138

HSL 44.59, 0.87%, 0.75%

LAB 88.1, -0.91, 43.27

 

CMYK 42 / 0 / 45 / 3

HEX #8FF788

RGB 143 247 136

HSL 116.22, 0.87%, 0.75%

LAB 88.99, -51.53, 43.99

 

CMYK 30 / 45 / 0 / 3

HEX #AD88F7

RGB 173 136 247

HSL 260, 0.87%, 0.75%

LAB 64.33, 37.07, -50.68

 

CMYK 0 / 11 / 44 / 3

HEX #F7DB8A

RGB 247 219 138

HSL 44.59, 0.87%, 0.75%

LAB 88.1, -0.91, 43.27

 

CMYK 45 / 0 / 12 / 3

HEX #88F7D9

RGB 136 247 217

HSL 163.78, 0.87%, 0.75%

LAB 90.21, -38.8, 4.54

 

CMYK 12 / 45 / 0 / 3

HEX #D988F7

RGB 217 136 247

HSL 283.78, 0.87%, 0.75%

LAB 68.81, 49.1, -43.33

 

CMYK 0 / 11 / 44 / 3

HEX #F7DB8A

RGB 247 219 138

HSL 44.59, 0.87%, 0.75%

LAB 88.1, -0.91, 43.27

 

CMYK 42 / 0 / 45 / 3

HEX #8FF788

RGB 143 247 136

HSL 116.22, 0.87%, 0.75%

LAB 88.99, -51.53, 43.99

 

CMYK 45 / 33 / 0 / 3

HEX #88A5F7

RGB 136 165 247

HSL 224.32, 0.87%, 0.75%

LAB 68.65, 11.06, -44.06

 

CMYK 3 / 45 / 0 / 3

HEX #EF88F7

RGB 239 136 247

HSL 295.68, 0.87%, 0.75%

LAB 71.33, 55.3, -39.19

 

CMYK 0 / 11 / 44 / 3

HEX #F7DB8A

RGB 247 219 138

HSL 44.59, 0.87%, 0.75%

LAB 88.1, -0.91, 43.27

 

CMYK 45 / 0 / 34 / 3

HEX #88F7A2

RGB 136 247 162

HSL 134.05, 0.87%, 0.75%

LAB 89.09, -49.54, 31.23

 

CMYK 45 / 33 / 0 / 3

HEX #88A5F7

RGB 136 165 247

HSL 224.32, 0.87%, 0.75%

LAB 68.65, 11.06, -44.06

 

CMYK 0 / 45 / 11 / 3

HEX #F788DD

RGB 247 136 221

HSL 314.05, 0.87%, 0.75%

LAB 71.28, 53.2, -24.92

 

Description

Color code: HEX #F7DB8ACE | qconv.com Color code: HEX #F7DB8ACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 219 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 219 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 36 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 36% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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