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Color name
HEX #F7CD6A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F7CD6A it is the complementary color #083295. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F7CD6A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F7CD6A shade: #FCCD65, #FFDF78, #FFF18B, #FFFF9E and #FFFFB1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F7CD6A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F7CD6A shade: #F7CD6A, #E6BB57, #D5A944, #C49731 and #B3851E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F7CD6A shade: #F7CD69, #F7A669, #F78069 and #F76969

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F7CD6A shade: #F7CD69, #F7F369, #D5F769, #AEF769 and #88F769

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F7CD6A shade matches the following richer shades: #F7CD69

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F7CD6A shade: #F7CD69, #EAC876, #DEC282, #D1BD8F and #C4B89C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F7CD6A shade: #F78169, #F7A669, #F7CC69, #F7F269 and #D6F769

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F7CD6A shade: #F3B21A, #F5C042, #F7CD69, #F9DA90 and #FBE7B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F7CD6A shade: #F7CD6A, #77F769 and #9369F7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F7CD6A shade: #F7CD6A, #69F7CC and #CC69F7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F7CD6A shade: #F7CD6A, #77F769, #6993F7 and #E969F7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F7CD6A shade: #F7CD6A, #69F785, #6993F7 and #F769DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 57 / 3

HEX #F7CD6A

RGB 247 205 106

HSL 42.13, 0.9%, 0.69%

LAB 84.21, 3.51, 54.07

 

Complementary color

CMYK 95 / 66 / 0 / 42

HEX #083295

RGB 8 50 149

HSL 222.13, 0.9%, 0.31%

LAB 25.27, 28.31, -57.46

 

CMYK 0 / 19 / 60 / 1

HEX #FCCD65

RGB 252 205 101

HSL 41.32, 0.96%, 0.69%

LAB 84.64, 5.21, 57

 

CMYK 0 / 13 / 53 / 0

HEX #FFDF78

RGB 255 223 120

HSL 45.78, 1%, 0.74%

LAB 89.58, -1.36, 53.97

 

CMYK 0 / 5 / 45 / 0

HEX #FFF18B

RGB 255 241 139

HSL 52.76, 1%, 0.77%

LAB 94.33, -8.72, 50.71

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9E

RGB 255 255 158

HSL 60, 1%, 0.81%

LAB 98.13, -13.71, 46.33

 

CMYK 0 / 0 / 31 / 0

HEX #FFFFB1

RGB 255 255 177

HSL 60, 1%, 0.85%

LAB 98.41, -11.56, 37.37

 

CMYK 0 / 17 / 57 / 3

HEX #F7CD6A

RGB 247 205 106

HSL 42.13, 0.9%, 0.69%

LAB 84.21, 3.51, 54.07

 

CMYK 0 / 19 / 62 / 10

HEX #E6BB57

RGB 230 187 87

HSL 41.96, 0.74%, 0.62%

LAB 77.91, 4.5, 55.26

 

CMYK 0 / 21 / 68 / 16

HEX #D5A944

RGB 213 169 68

HSL 41.79, 0.63%, 0.55%

LAB 71.51, 5.64, 56.33

 

CMYK 0 / 23 / 75 / 23

HEX #C49731

RGB 196 151 49

HSL 41.63, 0.6%, 0.48%

LAB 65.03, 6.99, 57.1

 

CMYK 0 / 26 / 83 / 30

HEX #B3851E

RGB 179 133 30

HSL 41.48, 0.71%, 0.41%

LAB 58.46, 8.58, 57.25

 

CMYK 0 / 17 / 57 / 3

HEX #F7CD69

RGB 247 205 105

HSL 42.25, 0.9%, 0.69%

LAB 84.2, 3.44, 54.52

 

CMYK 0 / 33 / 57 / 3

HEX #F7A669

RGB 247 166 105

HSL 25.77, 0.9%, 0.69%

LAB 74.87, 23.83, 43.42

 

CMYK 0 / 48 / 57 / 3

HEX #F78069

RGB 247 128 105

HSL 9.72, 0.9%, 0.69%

LAB 66.7, 43.44, 33.23

 

CMYK 0 / 57 / 57 / 3

HEX #F76969

RGB 247 105 105

HSL 0, 0.9%, 0.69%

LAB 62.42, 54.43, 27.71

 

CMYK 0 / 17 / 57 / 3

HEX #F7CD69

RGB 247 205 105

HSL 42.25, 0.9%, 0.69%

LAB 84.2, 3.44, 54.52

 

CMYK 0 / 2 / 57 / 3

HEX #F7F369

RGB 247 243 105

HSL 58.31, 0.9%, 0.69%

LAB 93.84, -15.63, 65.45

 

CMYK 14 / 0 / 57 / 3

HEX #D5F769

RGB 213 247 105

HSL 74.37, 0.9%, 0.69%

LAB 92.44, -30.87, 63.2

 

CMYK 30 / 0 / 57 / 3

HEX #AEF769

RGB 174 247 105

HSL 90.85, 0.9%, 0.69%

LAB 90.11, -45.14, 59.94

 

CMYK 45 / 0 / 57 / 3

HEX #88F769

RGB 136 247 105

HSL 106.9, 0.9%, 0.69%

LAB 88.34, -57.28, 57.45

 

CMYK 0 / 17 / 57 / 3

HEX #F7CD69

RGB 247 205 105

HSL 42.25, 0.9%, 0.69%

LAB 84.2, 3.44, 54.52

 

CMYK 0 / 17 / 57 / 3

HEX #F7CD69

RGB 247 205 105

HSL 42.25, 0.9%, 0.69%

LAB 84.2, 3.44, 54.52

 

CMYK 0 / 15 / 50 / 8

HEX #EAC876

RGB 234 200 118

HSL 42.41, 0.73%, 0.69%

LAB 81.9, 1.78, 45.2

 

CMYK 0 / 13 / 41 / 13

HEX #DEC282

RGB 222 194 130

HSL 41.74, 0.58%, 0.69%

LAB 79.46, 1.24, 35.82

 

CMYK 0 / 10 / 32 / 18

HEX #D1BD8F

RGB 209 189 143

HSL 41.82, 0.42%, 0.69%

LAB 77.24, 0.24, 25.87

 

CMYK 0 / 6 / 20 / 23

HEX #C4B89C

RGB 196 184 156

HSL 42, 0.25%, 0.69%

LAB 75.09, -0.32, 15.77

 

CMYK 0 / 48 / 57 / 3

HEX #F78169

RGB 247 129 105

HSL 10.14, 0.9%, 0.69%

LAB 66.9, 42.95, 33.49

 

CMYK 0 / 33 / 57 / 3

HEX #F7A669

RGB 247 166 105

HSL 25.77, 0.9%, 0.69%

LAB 74.87, 23.83, 43.42

 

CMYK 0 / 17 / 57 / 3

HEX #F7CC69

RGB 247 204 105

HSL 41.83, 0.9%, 0.69%

LAB 83.96, 3.95, 54.24

 

CMYK 0 / 2 / 57 / 3

HEX #F7F269

RGB 247 242 105

HSL 57.89, 0.9%, 0.69%

LAB 93.58, -15.15, 65.16

 

CMYK 13 / 0 / 57 / 3

HEX #D6F769

RGB 214 247 105

HSL 73.94, 0.9%, 0.69%

LAB 92.5, -30.49, 63.29

 

CMYK 0 / 27 / 89 / 5

HEX #F3B21A

RGB 243 178 26

HSL 42.03, 0.9%, 0.53%

LAB 76.66, 12.32, 75.93

 

CMYK 0 / 22 / 73 / 4

HEX #F5C042

RGB 245 192 66

HSL 42.23, 0.9%, 0.61%

LAB 80.46, 7.06, 67.27

 

CMYK 0 / 17 / 57 / 3

HEX #F7CD69

RGB 247 205 105

HSL 42.25, 0.9%, 0.69%

LAB 84.2, 3.44, 54.52

 

CMYK 0 / 12 / 42 / 2

HEX #F9DA90

RGB 249 218 144

HSL 42.29, 0.9%, 0.77%

LAB 88.11, 0.99, 40.32

 

CMYK 0 / 8 / 27 / 2

HEX #FBE7B7

RGB 251 231 183

HSL 42.35, 0.89%, 0.85%

LAB 92.17, -0.32, 25.88

 

CMYK 0 / 17 / 57 / 3

HEX #F7CD6A

RGB 247 205 106

HSL 42.13, 0.9%, 0.69%

LAB 84.21, 3.51, 54.07

 

CMYK 52 / 0 / 57 / 3

HEX #77F769

RGB 119 247 105

HSL 114.08, 0.9%, 0.69%

LAB 87.71, -61.95, 56.55

 

CMYK 40 / 57 / 0 / 3

HEX #9369F7

RGB 147 105 247

HSL 257.75, 0.9%, 0.69%

LAB 55.09, 48.05, -65.57

 

CMYK 0 / 17 / 57 / 3

HEX #F7CD6A

RGB 247 205 106

HSL 42.13, 0.9%, 0.69%

LAB 84.21, 3.51, 54.07

 

CMYK 57 / 0 / 17 / 3

HEX #69F7CC

RGB 105 247 204

HSL 161.83, 0.9%, 0.69%

LAB 88.87, -48.43, 9.22

 

CMYK 17 / 57 / 0 / 3

HEX #CC69F7

RGB 204 105 247

HSL 281.83, 0.9%, 0.69%

LAB 61.36, 61.23, -55.19

 

CMYK 0 / 17 / 57 / 3

HEX #F7CD6A

RGB 247 205 106

HSL 42.13, 0.9%, 0.69%

LAB 84.21, 3.51, 54.07

 

CMYK 52 / 0 / 57 / 3

HEX #77F769

RGB 119 247 105

HSL 114.08, 0.9%, 0.69%

LAB 87.71, -61.95, 56.55

 

CMYK 57 / 40 / 0 / 3

HEX #6993F7

RGB 105 147 247

HSL 222.25, 0.9%, 0.69%

LAB 62.16, 14.71, -54.43

 

CMYK 6 / 57 / 0 / 3

HEX #E969F7

RGB 233 105 247

HSL 294.08, 0.9%, 0.69%

LAB 65.08, 68.31, -49.06

 

CMYK 0 / 17 / 57 / 3

HEX #F7CD6A

RGB 247 205 106

HSL 42.13, 0.9%, 0.69%

LAB 84.21, 3.51, 54.07

 

CMYK 57 / 0 / 46 / 3

HEX #69F785

RGB 105 247 133

HSL 131.83, 0.9%, 0.69%

LAB 87.59, -61.73, 43.38

 

CMYK 57 / 40 / 0 / 3

HEX #6993F7

RGB 105 147 247

HSL 222.25, 0.9%, 0.69%

LAB 62.16, 14.71, -54.43

 

CMYK 0 / 57 / 11 / 3

HEX #F769DB

RGB 247 105 219

HSL 311.83, 0.9%, 0.69%

LAB 65.74, 67.32, -32.34

 

Description

Color code: HEX #F7CD6A | qconv.com Color code: HEX #F7CD6A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 205 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 205 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 57 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 57% 3% C M Y K

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Provide designers and agencies with accurate color values.

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