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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F7CD10 it is the complementary color #0832EF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F7CD10. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F7CD10 shade: #FCCD0B, #FFDF1E, #FFF131, #FFFF44 and #FFFF57

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F7CD10. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F7CD10 shade: #F7CD10, #E6BB00, #D5A900, #C49700 and #B38500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F7CD10 shade: #F8CE12, #F89012, #F85212, #F81412 and #F81212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F7CD10 shade: #F8CE12, #E3F812, #A5F812, #67F812 and #29F812

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F7CD10 shade matches the following richer shades: #F8CE12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F7CD10 shade: #F8CE12, #E4C125, #D0B539, #BCA84D and #A89B61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F7CD10 shade: #F85312, #F89012, #F8CD12, #E4F812 and #A7F812

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F7CD10 shade: #B19205, #D9B307, #F8CE12, #F9D63A and #FADE62

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F7CD10 shade: #F7CD10, #12F815 and #7112F8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F7CD10 shade: #F7CD10, #12F8CD and #CD12F8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F7CD10 shade: #F7CD10, #12F815, #123CF8 and #F812F4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F7CD10 shade: #F7CD10, #12F85A, #123CF8 and #F812AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 94 / 3

HEX #F7CD10

RGB 247 205 16

HSL 49.09, 0.94%, 0.52%

LAB 83.69, -0.11, 82.97

 

Complementary color

CMYK 97 / 79 / 0 / 6

HEX #0832EF

RGB 8 50 239

HSL 229.09, 0.94%, 0.48%

LAB 35.13, 60.32, -94.12

 

CMYK 0 / 19 / 96 / 1

HEX #FCCD0B

RGB 252 205 11

HSL 48.3, 0.98%, 0.52%

LAB 84.16, 1.97, 84.07

 

CMYK 0 / 13 / 88 / 0

HEX #FFDF1E

RGB 255 223 30

HSL 51.47, 1%, 0.56%

LAB 88.98, -5.63, 85.22

 

CMYK 0 / 5 / 81 / 0

HEX #FFF131

RGB 255 241 49

HSL 55.92, 1%, 0.6%

LAB 93.62, -14.09, 84.95

 

CMYK 0 / 0 / 73 / 0

HEX #FFFF44

RGB 255 255 68

HSL 60, 1%, 0.63%

LAB 97.31, -20.19, 82.92

 

CMYK 0 / 0 / 66 / 0

HEX #FFFF57

RGB 255 255 87

HSL 60, 1%, 0.67%

LAB 97.42, -19.31, 76.59

 

CMYK 0 / 17 / 94 / 3

HEX #F7CD10

RGB 247 205 16

HSL 49.09, 0.94%, 0.52%

LAB 83.69, -0.11, 82.97

 

CMYK 0 / 19 / 100 / 10

HEX #E6BB00

RGB 230 187 0

HSL 48.78, 1%, 0.45%

LAB 77.5, 1.7, 79.4

 

CMYK 0 / 21 / 100 / 16

HEX #D5A900

RGB 213 169 0

HSL 47.61, 1%, 0.42%

LAB 71.23, 3.72, 74.23

 

CMYK 0 / 23 / 100 / 23

HEX #C49700

RGB 196 151 0

HSL 46.22, 1%, 0.38%

LAB 64.86, 5.82, 68.98

 

CMYK 0 / 26 / 100 / 30

HEX #B38500

RGB 179 133 0

HSL 44.58, 1%, 0.35%

LAB 58.38, 8.01, 63.65

 

CMYK 0 / 17 / 93 / 3

HEX #F8CE12

RGB 248 206 18

HSL 49.04, 0.94%, 0.52%

LAB 84.04, -0.17, 83.03

 

CMYK 0 / 42 / 93 / 3

HEX #F89012

RGB 248 144 18

HSL 32.87, 0.94%, 0.52%

LAB 69.43, 32.12, 72.43

 

CMYK 0 / 67 / 93 / 3

HEX #F85212

RGB 248 82 18

HSL 16.7, 0.94%, 0.52%

LAB 58.07, 61.08, 64.77

 

CMYK 0 / 92 / 93 / 3

HEX #F81412

RGB 248 20 18

HSL 0.52, 0.94%, 0.52%

LAB 52.4, 76.95, 61.31

 

CMYK 0 / 93 / 93 / 3

HEX #F81212

RGB 248 18 18

HSL 0, 0.94%, 0.52%

LAB 52.32, 77.17, 61.27

 

CMYK 0 / 17 / 93 / 3

HEX #F8CE12

RGB 248 206 18

HSL 49.04, 0.94%, 0.52%

LAB 84.04, -0.17, 83.03

 

CMYK 8 / 0 / 93 / 3

HEX #E3F812

RGB 227 248 18

HSL 65.48, 0.94%, 0.52%

LAB 93.24, -29.53, 89.24

 

CMYK 33 / 0 / 93 / 3

HEX #A5F812

RGB 165 248 18

HSL 81.65, 0.94%, 0.52%

LAB 89.48, -53.19, 84.68

 

CMYK 58 / 0 / 93 / 3

HEX #67F812

RGB 103 248 18

HSL 97.83, 0.94%, 0.52%

LAB 87.03, -71.68, 81.68

 

CMYK 83 / 0 / 93 / 3

HEX #29F812

RGB 41 248 18

HSL 114, 0.94%, 0.52%

LAB 85.83, -81.95, 80.2

 

CMYK 0 / 17 / 93 / 3

HEX #F8CE12

RGB 248 206 18

HSL 49.04, 0.94%, 0.52%

LAB 84.04, -0.17, 83.03

 

CMYK 0 / 17 / 93 / 3

HEX #F8CE12

RGB 248 206 18

HSL 49.04, 0.94%, 0.52%

LAB 84.04, -0.17, 83.03

 

CMYK 0 / 15 / 84 / 11

HEX #E4C125

RGB 228 193 37

HSL 49.01, 0.78%, 0.52%

LAB 78.91, -1.73, 74.58

 

CMYK 0 / 13 / 73 / 18

HEX #D0B539

RGB 208 181 57

HSL 49.27, 0.62%, 0.52%

LAB 74.03, -3.41, 63.18

 

CMYK 0 / 11 / 59 / 26

HEX #BCA84D

RGB 188 168 77

HSL 49.19, 0.45%, 0.52%

LAB 68.92, -4, 48.71

 

CMYK 0 / 8 / 42 / 34

HEX #A89B61

RGB 168 155 97

HSL 49.01, 0.29%, 0.52%

LAB 63.86, -3.69, 32.1

 

CMYK 0 / 67 / 93 / 3

HEX #F85312

RGB 248 83 18

HSL 16.96, 0.94%, 0.52%

LAB 58.21, 60.69, 64.87

 

CMYK 0 / 42 / 93 / 3

HEX #F89012

RGB 248 144 18

HSL 32.87, 0.94%, 0.52%

LAB 69.43, 32.12, 72.43

 

CMYK 0 / 17 / 93 / 3

HEX #F8CD12

RGB 248 205 18

HSL 48.78, 0.94%, 0.52%

LAB 83.79, 0.34, 82.84

 

CMYK 8 / 0 / 93 / 3

HEX #E4F812

RGB 228 248 18

HSL 65.22, 0.94%, 0.52%

LAB 93.31, -29.13, 89.32

 

CMYK 33 / 0 / 93 / 3

HEX #A7F812

RGB 167 248 18

HSL 81.13, 0.94%, 0.52%

LAB 89.58, -52.49, 84.8

 

CMYK 0 / 18 / 97 / 31

HEX #B19205

RGB 177 146 5

HSL 49.19, 0.95%, 0.36%

LAB 61.58, 0.01, 65.03

 

CMYK 0 / 18 / 97 / 15

HEX #D9B307

RGB 217 179 7

HSL 49.14, 0.94%, 0.44%

LAB 74.19, 0.27, 75.71

 

CMYK 0 / 17 / 93 / 3

HEX #F8CE12

RGB 248 206 18

HSL 49.04, 0.94%, 0.52%

LAB 84.04, -0.17, 83.03

 

CMYK 0 / 14 / 77 / 2

HEX #F9D63A

RGB 249 214 58

HSL 49.01, 0.94%, 0.6%

LAB 86.27, -2.88, 75.72

 

CMYK 0 / 11 / 61 / 2

HEX #FADE62

RGB 250 222 98

HSL 48.95, 0.94%, 0.68%

LAB 88.66, -4.48, 62.8

 

CMYK 0 / 17 / 94 / 3

HEX #F7CD10

RGB 247 205 16

HSL 49.09, 0.94%, 0.52%

LAB 83.69, -0.11, 82.97

 

CMYK 93 / 0 / 92 / 3

HEX #12F815

RGB 18 248 21

HSL 120.78, 0.94%, 0.52%

LAB 85.66, -83.44, 79.62

 

CMYK 54 / 93 / 0 / 3

HEX #7112F8

RGB 113 18 248

HSL 264.78, 0.94%, 0.52%

LAB 39.11, 78.37, -92.42

 

CMYK 0 / 17 / 94 / 3

HEX #F7CD10

RGB 247 205 16

HSL 49.09, 0.94%, 0.52%

LAB 83.69, -0.11, 82.97

 

CMYK 93 / 0 / 17 / 3

HEX #12F8CD

RGB 18 248 205

HSL 168.78, 0.94%, 0.52%

LAB 87.81, -58.23, 7.01

 

CMYK 17 / 93 / 0 / 3

HEX #CD12F8

RGB 205 18 248

HSL 288.78, 0.94%, 0.52%

LAB 52.05, 88.53, -70.7

 

CMYK 0 / 17 / 94 / 3

HEX #F7CD10

RGB 247 205 16

HSL 49.09, 0.94%, 0.52%

LAB 83.69, -0.11, 82.97

 

CMYK 93 / 0 / 92 / 3

HEX #12F815

RGB 18 248 21

HSL 120.78, 0.94%, 0.52%

LAB 85.66, -83.44, 79.62

 

CMYK 93 / 76 / 0 / 3

HEX #123CF8

RGB 18 60 248

HSL 229.04, 0.94%, 0.52%

LAB 38.09, 58.23, -94.28

 

CMYK 0 / 93 / 2 / 3

HEX #F812F4

RGB 248 18 244

HSL 301.04, 0.94%, 0.52%

LAB 58.9, 94.46, -57.07

 

CMYK 0 / 17 / 94 / 3

HEX #F7CD10

RGB 247 205 16

HSL 49.09, 0.94%, 0.52%

LAB 83.69, -0.11, 82.97

 

CMYK 93 / 0 / 64 / 3

HEX #12F85A

RGB 18 248 90

HSL 138.78, 0.94%, 0.52%

LAB 86.01, -79.06, 60.47

 

CMYK 93 / 76 / 0 / 3

HEX #123CF8

RGB 18 60 248

HSL 229.04, 0.94%, 0.52%

LAB 38.09, 58.23, -94.28

 

CMYK 0 / 93 / 29 / 3

HEX #F812AF

RGB 248 18 175

HSL 319.04, 0.94%, 0.52%

LAB 55.57, 85.97, -22.92

 

Description

Color code: HEX #F7CD10 | qconv.com Color code: HEX #F7CD10 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 205 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 205 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 94 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 94% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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