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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F7B4EB00 it is the complementary color #084B1400. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F7B4EB00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F7B4EB00 shade: #FCB4E600, #FFC6F900, #FFD8FF00, #FFEAFF00 and #FFFCFF00

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F7B4EB00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F7B4EB00 shade: #F7B4EB00, #E6A2D800, #D590C500, #C47EB200 and #B36C9F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F7B4EB00 shade: #F7B5EB, #F7B5DA, #F7B5C8, #F7B5B6 and #F7B5B5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F7B4EB00 shade: #F7B5EB, #F1B5F7, #DFB5F7, #CEB5F7 and #BCB5F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F7B4EB00 shade matches the following richer shades: #F7B5EB and #FEAFF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F7B4EB00 shade: #F7B5EB, #F1BCE7, #EAC2E3, #E3C9DF and #DDD0DA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F7B4EB00 shade: #DFB5F7, #F1B5F7, #F7B5EC, #F7B5DB and #F7B5C9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F7B4EB00 shade: #EF6AD8, #F390E1, #F7B5EB, #FBDAF5 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F7B4EB00 shade: #F7B4EB, #F7CDB5 and #B5F7E8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F7B4EB00 shade: #F7B4EB, #ECF7B5 and #B5ECF7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F7B4EB00 shade: #F7B4EB, #F7CDB5, #B5F7C0 and #B5DFF7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F7B4EB00 shade: #F7B4EB, #F7E1B5, #B5F7C0 and #B5CBF7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #F7B4EB00

RGBA 247 180 235 0

HSLA 310.75, 0.81%, 0.84%, 0

LABA 80.97, 32.86, -17.83, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #084B1400

RGBA 8 75 20 0

HSLA 130.75, 0.81%, 0.16%, 0

LABA 27.11, -32.48, 26.3, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FCB4E600

RGBA 252 180 230 0

HSLA 318.33, 0.92%, 0.85%, 0

LABA 81.32, 33.66, -14.56, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFC6F900

RGBA 255 198 249 0

HSLA 306.32, 1%, 0.89%, 0

LABA 86.25, 28.45, -17.27, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFD8FF00

RGBA 255 216 255 0

HSLA 300, 1%, 0.92%, 0

LABA 90.59, 20.08, -13.92, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFEAFF00

RGBA 255 234 255 0

HSLA 300, 1%, 0.96%, 0

LABA 94.88, 10.72, -7.54, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFFCFF00

RGBA 255 252 255 0

HSLA 300, 1%, 0.99%, 0

LABA 99.26, 1.52, -1.09, 0

 

CMYK 0 / 0 / 0 / 0

HEX #F7B4EB00

RGBA 247 180 235 0

HSLA 310.75, 0.81%, 0.84%, 0

LABA 80.97, 32.86, -17.83, 0

 

CMYK 0 / 0 / 0 / 0

HEX #E6A2D800

RGBA 230 162 216 0

HSLA 312.35, 0.58%, 0.77%, 0

LABA 74.59, 33.52, -17.33, 0

 

CMYK 0 / 0 / 0 / 0

HEX #D590C500

RGBA 213 144 197 0

HSLA 313.91, 0.45%, 0.7%, 0

LABA 68.11, 34.21, -16.81, 0

 

CMYK 0 / 0 / 0 / 0

HEX #C47EB200

RGBA 196 126 178 0

HSLA 315.43, 0.37%, 0.63%, 0

LABA 61.54, 34.95, -16.23, 0

 

CMYK 0 / 0 / 0 / 0

HEX #B36C9F00

RGBA 179 108 159 0

HSLA 316.9, 0.32%, 0.56%, 0

LABA 54.88, 35.72, -15.59, 0

 

CMYK 0 / 27 / 5 / 3

HEX #F7B5EB

RGB 247 181 235

HSL 310.91, 0.8%, 0.84%

LAB 81.19, 32.34, -17.49

 

CMYK 0 / 27 / 12 / 3

HEX #F7B5DA

RGB 247 181 218

HSL 326.36, 0.8%, 0.84%

LAB 80.67, 29.47, -9.12

 

CMYK 0 / 27 / 19 / 3

HEX #F7B5C8

RGB 247 181 200

HSL 342.73, 0.8%, 0.84%

LAB 80.18, 26.66, -0.13

 

CMYK 0 / 27 / 26 / 3

HEX #F7B5B6

RGB 247 181 182

HSL 359.09, 0.8%, 0.84%

LAB 79.73, 24.08, 8.95

 

CMYK 0 / 27 / 27 / 3

HEX #F7B5B5

RGB 247 181 181

HSL 0, 0.8%, 0.84%

LAB 79.7, 23.95, 9.46

 

CMYK 0 / 27 / 5 / 3

HEX #F7B5EB

RGB 247 181 235

HSL 310.91, 0.8%, 0.84%

LAB 81.19, 32.34, -17.49

 

CMYK 2 / 27 / 0 / 3

HEX #F1B5F7

RGB 241 181 247

HSL 294.55, 0.8%, 0.84%

LAB 81, 32.56, -24.29

 

CMYK 10 / 27 / 0 / 3

HEX #DFB5F7

RGB 223 181 247

HSL 278.18, 0.8%, 0.84%

LAB 79.3, 26.88, -27.03

 

CMYK 17 / 27 / 0 / 3

HEX #CEB5F7

RGB 206 181 247

HSL 262.73, 0.8%, 0.84%

LAB 77.81, 21.62, -29.45

 

CMYK 24 / 27 / 0 / 3

HEX #BCB5F7

RGB 188 181 247

HSL 246.36, 0.8%, 0.84%

LAB 76.35, 16.2, -31.81

 

CMYK 0 / 27 / 5 / 3

HEX #F7B5EB

RGB 247 181 235

HSL 310.91, 0.8%, 0.84%

LAB 81.19, 32.34, -17.49

 

CMYK 0 / 31 / 6 / 0

HEX #FEAFF0

RGB 254 175 240

HSL 310.63, 0.98%, 0.84%

LAB 80.75, 38.62, -20.78

 

CMYK 0 / 27 / 5 / 3

HEX #F7B5EB

RGB 247 181 235

HSL 310.91, 0.8%, 0.84%

LAB 81.19, 32.34, -17.49

 

CMYK 0 / 22 / 4 / 5

HEX #F1BCE7

RGB 241 188 231

HSL 311.32, 0.65%, 0.84%

LAB 82.08, 25.95, -14.08

 

CMYK 0 / 17 / 3 / 8

HEX #EAC2E3

RGB 234 194 227

HSL 310.5, 0.49%, 0.84%

LAB 82.71, 19.7, -11.05

 

CMYK 0 / 11 / 2 / 11

HEX #E3C9DF

RGB 227 201 223

HSL 309.23, 0.32%, 0.84%

LAB 83.67, 12.9, -7.56

 

CMYK 0 / 6 / 1 / 13

HEX #DDD0DA

RGB 221 208 218

HSL 313.85, 0.16%, 0.84%

LAB 84.76, 6.25, -3.33

 

CMYK 10 / 27 / 0 / 3

HEX #DFB5F7

RGB 223 181 247

HSL 278.18, 0.8%, 0.84%

LAB 79.3, 26.88, -27.03

 

CMYK 2 / 27 / 0 / 3

HEX #F1B5F7

RGB 241 181 247

HSL 294.55, 0.8%, 0.84%

LAB 81, 32.56, -24.29

 

CMYK 0 / 27 / 4 / 3

HEX #F7B5EC

RGB 247 181 236

HSL 310, 0.8%, 0.84%

LAB 81.22, 32.51, -17.98

 

CMYK 0 / 27 / 11 / 3

HEX #F7B5DB

RGB 247 181 219

HSL 325.45, 0.8%, 0.84%

LAB 80.7, 29.64, -9.61

 

CMYK 0 / 27 / 19 / 3

HEX #F7B5C9

RGB 247 181 201

HSL 341.82, 0.8%, 0.84%

LAB 80.2, 26.81, -0.63

 

CMYK 0 / 56 / 10 / 6

HEX #EF6AD8

RGB 239 106 216

HSL 310.38, 0.81%, 0.68%

LAB 64.66, 64.26, -32.44

 

CMYK 0 / 41 / 7 / 5

HEX #F390E1

RGB 243 144 225

HSL 310.91, 0.8%, 0.76%

LAB 72.52, 48.62, -25.27

 

CMYK 0 / 27 / 5 / 3

HEX #F7B5EB

RGB 247 181 235

HSL 310.91, 0.8%, 0.84%

LAB 81.19, 32.34, -17.49

 

CMYK 0 / 13 / 2 / 2

HEX #FBDAF5

RGB 251 218 245

HSL 310.91, 0.8%, 0.92%

LAB 90.43, 15.93, -8.94

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 27 / 5 / 3

HEX #F7B4EB

RGB 247 180 235

HSL 310.75, 0.81%, 0.84%

LAB 80.97, 32.86, -17.83

 

CMYK 0 / 17 / 27 / 3

HEX #F7CDB5

RGB 247 205 181

HSL 21.82, 0.8%, 0.84%

LAB 85.39, 11.33, 17.49

 

CMYK 27 / 0 / 6 / 3

HEX #B5F7E8

RGB 181 247 232

HSL 166.36, 0.8%, 0.84%

LAB 92.65, -23.59, 0.55

 

CMYK 0 / 27 / 5 / 3

HEX #F7B4EB

RGB 247 180 235

HSL 310.75, 0.81%, 0.84%

LAB 80.97, 32.86, -17.83

 

CMYK 4 / 0 / 27 / 3

HEX #ECF7B5

RGB 236 247 181

HSL 70, 0.8%, 0.84%

LAB 95.03, -14.1, 30.6

 

CMYK 27 / 4 / 0 / 3

HEX #B5ECF7

RGB 181 236 247

HSL 190, 0.8%, 0.84%

LAB 90.1, -14.94, -11.01

 

CMYK 0 / 27 / 5 / 3

HEX #F7B4EB

RGB 247 180 235

HSL 310.75, 0.81%, 0.84%

LAB 80.97, 32.86, -17.83

 

CMYK 0 / 17 / 27 / 3

HEX #F7CDB5

RGB 247 205 181

HSL 21.82, 0.8%, 0.84%

LAB 85.39, 11.33, 17.49

 

CMYK 27 / 0 / 22 / 3

HEX #B5F7C0

RGB 181 247 192

HSL 130, 0.8%, 0.84%

LAB 91.75, -31.21, 19.94

 

CMYK 27 / 10 / 0 / 3

HEX #B5DFF7

RGB 181 223 247

HSL 201.82, 0.8%, 0.84%

LAB 86.66, -8.33, -16.16

 

CMYK 0 / 27 / 5 / 3

HEX #F7B4EB

RGB 247 180 235

HSL 310.75, 0.81%, 0.84%

LAB 80.97, 32.86, -17.83

 

CMYK 0 / 9 / 27 / 3

HEX #F7E1B5

RGB 247 225 181

HSL 40, 0.8%, 0.84%

LAB 90.3, 0.99, 24.3

 

CMYK 27 / 0 / 22 / 3

HEX #B5F7C0

RGB 181 247 192

HSL 130, 0.8%, 0.84%

LAB 91.75, -31.21, 19.94

 

CMYK 27 / 18 / 0 / 3

HEX #B5CBF7

RGB 181 203 247

HSL 220, 0.8%, 0.84%

LAB 81.43, 2.19, -24.07

 

Description

Color code: HEX #F7B4EB00 | qconv.com Color code: HEX #F7B4EB00 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 180 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 180 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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