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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F7AE48 it is the complementary color #0851B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F7AE48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F7AE48 shade: #FCAE43, #FFC056, #FFD269, #FFE47C and #FFF68F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F7AE48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F7AE48 shade: #F7AE48, #E69C35, #D58A22, #C4780F and #B36600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F7AE48 shade: #F7AF4A, #F7804A, #F7514A and #F74A4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F7AE48 shade: #F7AF4A, #F7DE4A, #E2F74A, #B3F74A and #85F74A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F7AE48 shade matches the following richer shades: #F7AF4A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F7AE48 shade: #F7AF4A, #E8AD59, #D9AA68, #CAA778 and #BAA587

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F7AE48 shade: #F7504A, #F77E4A, #F7AC4A, #F7DB4A and #E6F74A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F7AE48 shade: #E58A0A, #F69E22, #F7AF4A, #F9C171 and #FBD299

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F7AE48 shade: #F7AE48, #72F74A and #674AF7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F7AE48 shade: #F7AE48, #4AF7AC and #AC4AF7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F7AE48 shade: #F7AE48, #72F74A, #4A95F7 and #CF4AF7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F7AE48 shade: #F7AE48, #4AF755, #4A95F7 and #F74AEC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 71 / 3

HEX #F7AE48

RGB 247 174 72

HSL 34.97, 0.92%, 0.63%

LAB 76.38, 17.6, 60.8

 

Complementary color

CMYK 96 / 56 / 0 / 28

HEX #0851B7

RGB 8 81 183

HSL 214.97, 0.92%, 0.37%

LAB 36.66, 20.96, -59.27

 

CMYK 0 / 31 / 73 / 1

HEX #FCAE43

RGB 252 174 67

HSL 34.7, 0.97%, 0.63%

LAB 76.9, 19.45, 63.61

 

CMYK 0 / 25 / 66 / 0

HEX #FFC056

RGB 255 192 86

HSL 37.63, 1%, 0.67%

LAB 81.64, 12.24, 60.52

 

CMYK 0 / 18 / 59 / 0

HEX #FFD269

RGB 255 210 105

HSL 42, 1%, 0.71%

LAB 86.19, 4.14, 57.02

 

CMYK 0 / 11 / 51 / 0

HEX #FFE47C

RGB 255 228 124

HSL 47.63, 1%, 0.74%

LAB 90.87, -3.55, 53.64

 

CMYK 0 / 4 / 44 / 0

HEX #FFF68F

RGB 255 246 143

HSL 55.18, 1%, 0.78%

LAB 95.65, -10.81, 50.43

 

CMYK 0 / 30 / 71 / 3

HEX #F7AE48

RGB 247 174 72

HSL 34.97, 0.92%, 0.63%

LAB 76.38, 17.6, 60.8

 

CMYK 0 / 32 / 77 / 10

HEX #E69C35

RGB 230 156 53

HSL 34.92, 0.78%, 0.55%

LAB 70.08, 19.16, 61.69

 

CMYK 0 / 35 / 84 / 16

HEX #D58A22

RGB 213 138 34

HSL 34.86, 0.72%, 0.48%

LAB 63.7, 20.93, 62.02

 

CMYK 0 / 39 / 92 / 23

HEX #C4780F

RGB 196 120 15

HSL 34.81, 0.86%, 0.41%

LAB 57.27, 22.96, 61.21

 

CMYK 0 / 43 / 100 / 30

HEX #B36600

RGB 179 102 0

HSL 34.19, 1%, 0.35%

LAB 50.79, 25.23, 58.66

 

CMYK 0 / 29 / 70 / 3

HEX #F7AF4A

RGB 247 175 74

HSL 35.03, 0.92%, 0.63%

LAB 76.64, 17.17, 60.2

 

CMYK 0 / 48 / 70 / 3

HEX #F7804A

RGB 247 128 74

HSL 18.73, 0.92%, 0.63%

LAB 66.3, 41.54, 49.09

 

CMYK 0 / 67 / 70 / 3

HEX #F7514A

RGB 247 81 74

HSL 2.43, 0.92%, 0.63%

LAB 58.18, 62.7, 39.87

 

CMYK 0 / 70 / 70 / 3

HEX #F74A4A

RGB 247 74 74

HSL 0, 0.92%, 0.63%

LAB 57.24, 65.29, 38.76

 

CMYK 0 / 29 / 70 / 3

HEX #F7AF4A

RGB 247 175 74

HSL 35.03, 0.92%, 0.63%

LAB 76.64, 17.17, 60.2

 

CMYK 0 / 10 / 70 / 3

HEX #F7DE4A

RGB 247 222 74

HSL 51.33, 0.92%, 0.63%

LAB 88.21, -7.07, 71.96

 

CMYK 9 / 0 / 70 / 3

HEX #E2F74A

RGB 226 247 74

HSL 67.28, 0.92%, 0.63%

LAB 93.1, -27.79, 76.21

 

CMYK 28 / 0 / 70 / 3

HEX #B3F74A

RGB 179 247 74

HSL 83.58, 0.92%, 0.63%

LAB 90.14, -45.72, 72.29

 

CMYK 46 / 0 / 70 / 3

HEX #85F74A

RGB 133 247 74

HSL 99.54, 0.92%, 0.63%

LAB 87.97, -60.86, 69.39

 

CMYK 0 / 29 / 70 / 3

HEX #F7AF4A

RGB 247 175 74

HSL 35.03, 0.92%, 0.63%

LAB 76.64, 17.17, 60.2

 

CMYK 0 / 29 / 70 / 3

HEX #F7AF4A

RGB 247 175 74

HSL 35.03, 0.92%, 0.63%

LAB 76.64, 17.17, 60.2

 

CMYK 0 / 25 / 62 / 9

HEX #E8AD59

RGB 232 173 89

HSL 35.24, 0.76%, 0.63%

LAB 74.68, 12.85, 50.72

 

CMYK 0 / 22 / 52 / 15

HEX #D9AA68

RGB 217 170 104

HSL 35.04, 0.6%, 0.63%

LAB 72.56, 9.37, 40.37

 

CMYK 0 / 17 / 41 / 21

HEX #CAA778

RGB 202 167 120

HSL 34.39, 0.44%, 0.63%

LAB 70.56, 6.42, 29.11

 

CMYK 0 / 11 / 27 / 27

HEX #BAA587

RGB 186 165 135

HSL 35.29, 0.27%, 0.63%

LAB 68.82, 2.98, 18.37

 

CMYK 0 / 68 / 70 / 3

HEX #F7504A

RGB 247 80 74

HSL 2.08, 0.92%, 0.63%

LAB 58.04, 63.08, 39.71

 

CMYK 0 / 49 / 70 / 3

HEX #F77E4A

RGB 247 126 74

HSL 18.03, 0.92%, 0.63%

LAB 65.9, 42.54, 48.65

 

CMYK 0 / 30 / 70 / 3

HEX #F7AC4A

RGB 247 172 74

HSL 33.99, 0.92%, 0.63%

LAB 75.93, 18.75, 59.46

 

CMYK 0 / 11 / 70 / 3

HEX #F7DB4A

RGB 247 219 74

HSL 50.29, 0.92%, 0.63%

LAB 87.45, -5.57, 71.21

 

CMYK 7 / 0 / 70 / 3

HEX #E6F74A

RGB 230 247 74

HSL 65.9, 0.92%, 0.63%

LAB 93.38, -26.19, 76.58

 

CMYK 0 / 40 / 96 / 10

HEX #E58A0A

RGB 229 138 10

HSL 35.07, 0.92%, 0.47%

LAB 65.64, 27.3, 69.95

 

CMYK 0 / 36 / 86 / 4

HEX #F69E22

RGB 246 158 34

HSL 35.09, 0.92%, 0.55%

LAB 72.34, 24.26, 70.78

 

CMYK 0 / 29 / 70 / 3

HEX #F7AF4A

RGB 247 175 74

HSL 35.03, 0.92%, 0.63%

LAB 76.64, 17.17, 60.2

 

CMYK 0 / 22 / 55 / 2

HEX #F9C171

RGB 249 193 113

HSL 35.29, 0.92%, 0.71%

LAB 81.55, 11.09, 47.58

 

CMYK 0 / 16 / 39 / 2

HEX #FBD299

RGB 251 210 153

HSL 34.9, 0.92%, 0.79%

LAB 86.46, 6.84, 33.62

 

CMYK 0 / 30 / 71 / 3

HEX #F7AE48

RGB 247 174 72

HSL 34.97, 0.92%, 0.63%

LAB 76.38, 17.6, 60.8

 

CMYK 54 / 0 / 70 / 3

HEX #72F74A

RGB 114 247 74

HSL 106.13, 0.92%, 0.63%

LAB 87.29, -66.08, 68.48

 

CMYK 58 / 70 / 0 / 3

HEX #674AF7

RGB 103 74 247

HSL 250.06, 0.92%, 0.63%

LAB 44.94, 56.98, -82.28

 

CMYK 0 / 30 / 71 / 3

HEX #F7AE48

RGB 247 174 72

HSL 34.97, 0.92%, 0.63%

LAB 76.38, 17.6, 60.8

 

CMYK 70 / 0 / 30 / 3

HEX #4AF7AC

RGB 74 247 172

HSL 153.99, 0.92%, 0.63%

LAB 87.46, -60.55, 23.64

 

CMYK 30 / 70 / 0 / 3

HEX #AC4AF7

RGB 172 74 247

HSL 273.99, 0.92%, 0.63%

LAB 52.27, 68.34, -70.01

 

CMYK 0 / 30 / 71 / 3

HEX #F7AE48

RGB 247 174 72

HSL 34.97, 0.92%, 0.63%

LAB 76.38, 17.6, 60.8

 

CMYK 54 / 0 / 70 / 3

HEX #72F74A

RGB 114 247 74

HSL 106.13, 0.92%, 0.63%

LAB 87.29, -66.08, 68.48

 

CMYK 70 / 40 / 0 / 3

HEX #4A95F7

RGB 74 149 247

HSL 213.99, 0.92%, 0.63%

LAB 61.37, 8.32, -55.77

 

CMYK 16 / 70 / 0 / 3

HEX #CF4AF7

RGB 207 74 247

HSL 286.13, 0.92%, 0.63%

LAB 56.96, 75.14, -62.21

 

CMYK 0 / 30 / 71 / 3

HEX #F7AE48

RGB 247 174 72

HSL 34.97, 0.92%, 0.63%

LAB 76.38, 17.6, 60.8

 

CMYK 70 / 0 / 66 / 3

HEX #4AF755

RGB 74 247 85

HSL 123.82, 0.92%, 0.63%

LAB 86.32, -73.59, 63.01

 

CMYK 70 / 40 / 0 / 3

HEX #4A95F7

RGB 74 149 247

HSL 213.99, 0.92%, 0.63%

LAB 61.37, 8.32, -55.77

 

CMYK 0 / 70 / 4 / 3

HEX #F74AEC

RGB 247 74 236

HSL 303.82, 0.92%, 0.63%

LAB 62.28, 81.63, -47.25

 

Description

Color code: HEX #F7AE48 | qconv.com Color code: HEX #F7AE48 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 174 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 174 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 71 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 71% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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