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Color name
HEX #F7ADAF

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F7ADAF it is the complementary color #085250. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F7ADAF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F7ADAF shade: #FCADAA, #FFBFBD, #FFD1D0, #FFE3E3 and #FFF5F6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F7ADAF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F7ADAF shade: #F7ADAF, #E69B9C, #D58989, #C47776 and #B36563

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F7ADAF shade: #F7ABAD and #F7ABAB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F7ADAF shade: #F7ABAD, #F7ABC2, #F7ABD6, #F7ABEA and #EFABF7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F7ADAF shade matches the following richer shades: #F7ABAD and #FEA4A6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F7ADAF shade: #F7ABAD, #EFB3B5, #E8BABC, #E0C2C3 and #D9C9CA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F7ADAF shade: #F7ABD6, #F7ABC2, #F7ABAE, #F7BDAB and #F7D1AB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F7ADAF shade: #EF6064, #F38689, #F7ABAD, #FAD1D2 and #FEF7F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F7ADAF shade: #F7ADAF, #EAF7AB and #ABCCF7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F7ADAF shade: #F7ADAF, #AEF7AB and #ABAEF7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F7ADAF shade: #F7ADAF, #EAF7AB, #ABF7F4 and #B8ABF7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F7ADAF shade: #F7ADAF, #D4F7AB, #ABF7F4 and #CFABF7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 29 / 3

HEX #F7ADAF

RGB 247 173 175

HSL 358.38, 0.82%, 0.82%

LAB 77.73, 27.37, 9.9

 

Complementary color

CMYK 90 / 0 / 2 / 68

HEX #085250

RGB 8 82 80

HSL 178.38, 0.82%, 0.18%

LAB 31.03, -20.97, -4.84

 

CMYK 0 / 31 / 33 / 1

HEX #FCADAA

RGB 252 173 170

HSL 2.2, 0.93%, 0.83%

LAB 78.16, 28.57, 13.3

 

CMYK 0 / 25 / 26 / 0

HEX #FFBFBD

RGB 255 191 189

HSL 1.82, 1%, 0.87%

LAB 83.02, 22.7, 9.99

 

CMYK 0 / 18 / 18 / 0

HEX #FFD1D0

RGB 255 209 208

HSL 1.28, 1%, 0.91%

LAB 87.69, 15.99, 6.58

 

CMYK 0 / 11 / 11 / 0

HEX #FFE3E3

RGB 255 227 227

HSL 0, 1%, 0.95%

LAB 92.46, 9.59, 3.5

 

CMYK 0 / 4 / 4 / 0

HEX #FFF5F6

RGB 255 245 246

HSL 354, 1%, 0.98%

LAB 97.32, 3.51, 0.7

 

CMYK 0 / 30 / 29 / 3

HEX #F7ADAF

RGB 247 173 175

HSL 358.38, 0.82%, 0.82%

LAB 77.73, 27.37, 9.9

 

CMYK 0 / 33 / 32 / 10

HEX #E69B9C

RGB 230 155 156

HSL 359.2, 0.6%, 0.75%

LAB 71.33, 28.17, 10.96

 

CMYK 0 / 36 / 36 / 16

HEX #D58989

RGB 213 137 137

HSL 0, 0.48%, 0.69%

LAB 64.84, 29.05, 12.13

 

CMYK 0 / 39 / 40 / 23

HEX #C47776

RGB 196 119 118

HSL 0.77, 0.4%, 0.62%

LAB 58.26, 30.02, 13.44

 

CMYK 0 / 44 / 45 / 30

HEX #B36563

RGB 179 101 99

HSL 1.5, 0.34%, 0.55%

LAB 51.6, 31.08, 14.94

 

CMYK 0 / 31 / 30 / 3

HEX #F7ABAD

RGB 247 171 173

HSL 358.42, 0.83%, 0.82%

LAB 77.23, 28.16, 10.27

 

CMYK 0 / 31 / 31 / 3

HEX #F7ABAB

RGB 247 171 171

HSL 0, 0.83%, 0.82%

LAB 77.19, 27.9, 11.3

 

CMYK 0 / 31 / 30 / 3

HEX #F7ABAD

RGB 247 171 173

HSL 358.42, 0.83%, 0.82%

LAB 77.23, 28.16, 10.27

 

CMYK 0 / 31 / 21 / 3

HEX #F7ABC2

RGB 247 171 194

HSL 341.84, 0.83%, 0.82%

LAB 77.75, 31.05, -0.41

 

CMYK 0 / 31 / 13 / 3

HEX #F7ABD6

RGB 247 171 214

HSL 326.05, 0.83%, 0.82%

LAB 78.32, 34.1, -10.46

 

CMYK 0 / 31 / 5 / 3

HEX #F7ABEA

RGB 247 171 234

HSL 310.26, 0.83%, 0.82%

LAB 78.95, 37.43, -20.34

 

CMYK 3 / 31 / 0 / 3

HEX #EFABF7

RGB 239 171 247

HSL 293.68, 0.83%, 0.82%

LAB 78.57, 37.23, -28

 

CMYK 0 / 31 / 30 / 3

HEX #F7ABAD

RGB 247 171 173

HSL 358.42, 0.83%, 0.82%

LAB 77.23, 28.16, 10.27

 

CMYK 0 / 35 / 35 / 0

HEX #FEA4A6

RGB 254 164 166

HSL 358.67, 0.98%, 0.82%

LAB 76.3, 33.52, 12.88

 

CMYK 0 / 31 / 30 / 3

HEX #F7ABAD

RGB 247 171 173

HSL 358.42, 0.83%, 0.82%

LAB 77.23, 28.16, 10.27

 

CMYK 0 / 25 / 24 / 6

HEX #EFB3B5

RGB 239 179 181

HSL 358, 0.65%, 0.82%

LAB 78.42, 22.07, 7.51

 

CMYK 0 / 20 / 19 / 9

HEX #E8BABC

RGB 232 186 188

HSL 357.39, 0.5%, 0.82%

LAB 79.56, 16.82, 5.27

 

CMYK 0 / 13 / 13 / 12

HEX #E0C2C3

RGB 224 194 195

HSL 358, 0.33%, 0.82%

LAB 80.94, 10.77, 3.41

 

CMYK 0 / 7 / 7 / 15

HEX #D9C9CA

RGB 217 201 202

HSL 356.25, 0.17%, 0.82%

LAB 82.27, 5.75, 1.51

 

CMYK 0 / 31 / 13 / 3

HEX #F7ABD6

RGB 247 171 214

HSL 326.05, 0.83%, 0.82%

LAB 78.32, 34.1, -10.46

 

CMYK 0 / 31 / 21 / 3

HEX #F7ABC2

RGB 247 171 194

HSL 341.84, 0.83%, 0.82%

LAB 77.75, 31.05, -0.41

 

CMYK 0 / 31 / 30 / 3

HEX #F7ABAE

RGB 247 171 174

HSL 357.63, 0.83%, 0.82%

LAB 77.25, 28.29, 9.76

 

CMYK 0 / 23 / 31 / 3

HEX #F7BDAB

RGB 247 189 171

HSL 14.21, 0.83%, 0.82%

LAB 81.35, 18.41, 17.16

 

CMYK 0 / 15 / 31 / 3

HEX #F7D1AB

RGB 247 209 171

HSL 30, 0.83%, 0.82%

LAB 86.16, 7.94, 23.82

 

CMYK 0 / 60 / 58 / 6

HEX #EF6064

RGB 239 96 100

HSL 358.32, 0.82%, 0.66%

LAB 59.56, 55.39, 26.58

 

CMYK 0 / 45 / 44 / 5

HEX #F38689

RGB 243 134 137

HSL 358.35, 0.82%, 0.74%

LAB 67.95, 41.76, 17.04

 

CMYK 0 / 31 / 30 / 3

HEX #F7ABAD

RGB 247 171 173

HSL 358.42, 0.83%, 0.82%

LAB 77.23, 28.16, 10.27

 

CMYK 0 / 16 / 16 / 2

HEX #FAD1D2

RGB 250 209 210

HSL 358.54, 0.8%, 0.9%

LAB 87.28, 14.51, 4.88

 

CMYK 0 / 3 / 3 / 0

HEX #FEF7F7

RGB 254 247 247

HSL 0, 0.78%, 0.98%

LAB 97.76, 2.33, 0.82

 

CMYK 0 / 30 / 29 / 3

HEX #F7ADAF

RGB 247 173 175

HSL 358.38, 0.82%, 0.82%

LAB 77.73, 27.37, 9.9

 

CMYK 5 / 0 / 31 / 3

HEX #EAF7AB

RGB 234 247 171

HSL 70.26, 0.83%, 0.82%

LAB 94.72, -16.14, 35.18

 

CMYK 31 / 17 / 0 / 3

HEX #ABCCF7

RGB 171 204 247

HSL 213.95, 0.83%, 0.82%

LAB 81.05, -1.21, -24.71

 

CMYK 0 / 30 / 29 / 3

HEX #F7ADAF

RGB 247 173 175

HSL 358.38, 0.82%, 0.82%

LAB 77.73, 27.37, 9.9

 

CMYK 30 / 0 / 31 / 3

HEX #AEF7AB

RGB 174 247 171

HSL 117.63, 0.83%, 0.82%

LAB 90.99, -36.9, 29.54

 

CMYK 31 / 30 / 0 / 3

HEX #ABAEF7

RGB 171 174 247

HSL 237.63, 0.83%, 0.82%

LAB 73.31, 15.17, -36.61

 

CMYK 0 / 30 / 29 / 3

HEX #F7ADAF

RGB 247 173 175

HSL 358.38, 0.82%, 0.82%

LAB 77.73, 27.37, 9.9

 

CMYK 5 / 0 / 31 / 3

HEX #EAF7AB

RGB 234 247 171

HSL 70.26, 0.83%, 0.82%

LAB 94.72, -16.14, 35.18

 

CMYK 31 / 0 / 1 / 3

HEX #ABF7F4

RGB 171 247 244

HSL 177.63, 0.83%, 0.82%

LAB 92.45, -23.82, -6.03

 

CMYK 26 / 31 / 0 / 3

HEX #B8ABF7

RGB 184 171 247

HSL 250.26, 0.83%, 0.82%

LAB 73.57, 20.55, -36.14

 

CMYK 0 / 30 / 29 / 3

HEX #F7ADAF

RGB 247 173 175

HSL 358.38, 0.82%, 0.82%

LAB 77.73, 27.37, 9.9

 

CMYK 14 / 0 / 31 / 3

HEX #D4F7AB

RGB 212 247 171

HSL 87.63, 0.83%, 0.82%

LAB 93.21, -24.08, 32.91

 

CMYK 31 / 0 / 1 / 3

HEX #ABF7F4

RGB 171 247 244

HSL 177.63, 0.83%, 0.82%

LAB 92.45, -23.82, -6.03

 

CMYK 16 / 31 / 0 / 3

HEX #CFABF7

RGB 207 171 247

HSL 268.42, 0.83%, 0.82%

LAB 75.52, 27.38, -32.96

 

Description

Color code: HEX #F7ADAF | qconv.com Color code: HEX #F7ADAF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 173 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 173 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 29 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 29% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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