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Color name
HEX #F7A469

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F7A469 it is the complementary color #085B96. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F7A469. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F7A469 shade: #FCA464, #FFB677, #FFC88A, #FFDA9D and #FFECB0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F7A469. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F7A469 shade: #F7A469, #E69256, #D58043, #C46E30 and #B35C1D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F7A469 shade: #F7A469, #F77E69 and #F76969

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F7A469 shade: #F7A469, #F7CA69, #F7F169, #D7F769 and #B1F769

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F7A469 shade matches the following richer shades: #F7A469

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F7A469 shade: #F7A469, #EAA676, #DEA882, #D1AA8F and #C4AD9C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F7A469 shade: #F7697C, #F77C69, #F7A269, #F7C869 and #F7EE69

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F7A469 shade: #F3741A, #F58C42, #F7A469, #F9BC90 and #FBD3B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F7A469 shade: #F7A469, #A2F769 and #6969F7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F7A469 shade: #F7A469, #69F7A2 and #A269F7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F7A469 shade: #F7A469, #A2F769, #69BEF7 and #BE69F7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F7A469 shade: #F7A469, #77F769, #69BEF7 and #E969F7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 57 / 3

HEX #F7A469

RGB 247 164 105

HSL 24.93, 0.9%, 0.69%

LAB 74.41, 24.89, 42.86

 

Complementary color

CMYK 95 / 39 / 0 / 41

HEX #085B96

RGB 8 91 150

HSL 204.93, 0.9%, 0.31%

LAB 37.36, 0.77, -38.48

 

CMYK 0 / 35 / 60 / 1

HEX #FCA464

RGB 252 164 100

HSL 25.26, 0.96%, 0.69%

LAB 74.93, 26.53, 46.17

 

CMYK 0 / 29 / 53 / 0

HEX #FFB677

RGB 255 182 119

HSL 27.79, 1%, 0.73%

LAB 79.64, 19.74, 42.36

 

CMYK 0 / 22 / 46 / 0

HEX #FFC88A

RGB 255 200 138

HSL 31.79, 1%, 0.77%

LAB 84.18, 12.05, 38.41

 

CMYK 0 / 15 / 38 / 0

HEX #FFDA9D

RGB 255 218 157

HSL 37.35, 1%, 0.81%

LAB 88.85, 4.71, 34.79

 

CMYK 0 / 7 / 31 / 0

HEX #FFECB0

RGB 255 236 176

HSL 45.57, 1%, 0.85%

LAB 93.62, -2.24, 31.48

 

CMYK 0 / 34 / 57 / 3

HEX #F7A469

RGB 247 164 105

HSL 24.93, 0.9%, 0.69%

LAB 74.41, 24.89, 42.86

 

CMYK 0 / 37 / 63 / 10

HEX #E69256

RGB 230 146 86

HSL 25, 0.74%, 0.62%

LAB 68.06, 26.19, 44.47

 

CMYK 0 / 40 / 69 / 16

HEX #D58043

RGB 213 128 67

HSL 25.07, 0.63%, 0.55%

LAB 61.65, 27.66, 46.13

 

CMYK 0 / 44 / 76 / 23

HEX #C46E30

RGB 196 110 48

HSL 25.14, 0.61%, 0.48%

LAB 55.18, 29.33, 47.75

 

CMYK 0 / 49 / 84 / 30

HEX #B35C1D

RGB 179 92 29

HSL 25.2, 0.72%, 0.41%

LAB 48.67, 31.19, 49.06

 

CMYK 0 / 34 / 57 / 3

HEX #F7A469

RGB 247 164 105

HSL 24.93, 0.9%, 0.69%

LAB 74.41, 24.89, 42.86

 

CMYK 0 / 49 / 57 / 3

HEX #F77E69

RGB 247 126 105

HSL 8.87, 0.9%, 0.69%

LAB 66.3, 44.44, 32.73

 

CMYK 0 / 57 / 57 / 3

HEX #F76969

RGB 247 105 105

HSL 0, 0.9%, 0.69%

LAB 62.42, 54.43, 27.71

 

CMYK 0 / 34 / 57 / 3

HEX #F7A469

RGB 247 164 105

HSL 24.93, 0.9%, 0.69%

LAB 74.41, 24.89, 42.86

 

CMYK 0 / 18 / 57 / 3

HEX #F7CA69

RGB 247 202 105

HSL 40.99, 0.9%, 0.69%

LAB 83.46, 4.99, 53.66

 

CMYK 0 / 2 / 57 / 3

HEX #F7F169

RGB 247 241 105

HSL 57.46, 0.9%, 0.69%

LAB 93.32, -14.66, 64.87

 

CMYK 13 / 0 / 57 / 3

HEX #D7F769

RGB 215 247 105

HSL 73.52, 0.9%, 0.69%

LAB 92.57, -30.11, 63.39

 

CMYK 28 / 0 / 57 / 3

HEX #B1F769

RGB 177 247 105

HSL 89.58, 0.9%, 0.69%

LAB 90.27, -44.09, 60.17

 

CMYK 0 / 34 / 57 / 3

HEX #F7A469

RGB 247 164 105

HSL 24.93, 0.9%, 0.69%

LAB 74.41, 24.89, 42.86

 

CMYK 0 / 34 / 57 / 3

HEX #F7A469

RGB 247 164 105

HSL 24.93, 0.9%, 0.69%

LAB 74.41, 24.89, 42.86

 

CMYK 0 / 29 / 50 / 8

HEX #EAA676

RGB 234 166 118

HSL 24.83, 0.73%, 0.69%

LAB 73.59, 19.69, 34.75

 

CMYK 0 / 24 / 41 / 13

HEX #DEA882

RGB 222 168 130

HSL 24.78, 0.58%, 0.69%

LAB 72.99, 15.03, 27.32

 

CMYK 0 / 19 / 32 / 18

HEX #D1AA8F

RGB 209 170 143

HSL 24.55, 0.42%, 0.69%

LAB 72.42, 10.38, 19.3

 

CMYK 0 / 12 / 20 / 23

HEX #C4AD9C

RGB 196 173 156

HSL 25.5, 0.25%, 0.69%

LAB 72.24, 5.57, 11.77

 

CMYK 0 / 57 / 50 / 3

HEX #F7697C

RGB 247 105 124

HSL 351.97, 0.9%, 0.69%

LAB 62.79, 55.92, 17.36

 

CMYK 0 / 50 / 57 / 3

HEX #F77C69

RGB 247 124 105

HSL 8.03, 0.9%, 0.69%

LAB 65.91, 45.42, 32.23

 

CMYK 0 / 34 / 57 / 3

HEX #F7A269

RGB 247 162 105

HSL 24.08, 0.9%, 0.69%

LAB 73.96, 25.94, 42.31

 

CMYK 0 / 19 / 57 / 3

HEX #F7C869

RGB 247 200 105

HSL 40.14, 0.9%, 0.69%

LAB 82.97, 6.02, 53.09

 

CMYK 0 / 4 / 57 / 3

HEX #F7EE69

RGB 247 238 105

HSL 56.2, 0.9%, 0.69%

LAB 92.55, -13.19, 64.01

 

CMYK 0 / 52 / 89 / 5

HEX #F3741A

RGB 243 116 26

HSL 24.88, 0.9%, 0.53%

LAB 63.03, 44.37, 65.63

 

CMYK 0 / 43 / 73 / 4

HEX #F58C42

RGB 245 140 66

HSL 24.8, 0.9%, 0.61%

LAB 68.43, 34.29, 55.14

 

CMYK 0 / 34 / 57 / 3

HEX #F7A469

RGB 247 164 105

HSL 24.93, 0.9%, 0.69%

LAB 74.41, 24.89, 42.86

 

CMYK 0 / 24 / 42 / 2

HEX #F9BC90

RGB 249 188 144

HSL 25.14, 0.9%, 0.77%

LAB 80.81, 16.56, 30.78

 

CMYK 0 / 16 / 27 / 2

HEX #FBD3B7

RGB 251 211 183

HSL 24.71, 0.89%, 0.85%

LAB 87.25, 9.96, 19.09

 

CMYK 0 / 34 / 57 / 3

HEX #F7A469

RGB 247 164 105

HSL 24.93, 0.9%, 0.69%

LAB 74.41, 24.89, 42.86

 

CMYK 34 / 0 / 57 / 3

HEX #A2F769

RGB 162 247 105

HSL 95.92, 0.9%, 0.69%

LAB 89.5, -49.2, 59.08

 

CMYK 57 / 57 / 0 / 3

HEX #6969F7

RGB 105 105 247

HSL 240, 0.9%, 0.69%

LAB 51.64, 39.83, -71.34

 

CMYK 0 / 34 / 57 / 3

HEX #F7A469

RGB 247 164 105

HSL 24.93, 0.9%, 0.69%

LAB 74.41, 24.89, 42.86

 

CMYK 57 / 0 / 34 / 3

HEX #69F7A2

RGB 105 247 162

HSL 144.08, 0.9%, 0.69%

LAB 88.03, -56.97, 29.62

 

CMYK 34 / 57 / 0 / 3

HEX #A269F7

RGB 162 105 247

HSL 264.08, 0.9%, 0.69%

LAB 56.58, 51.36, -63.1

 

CMYK 0 / 34 / 57 / 3

HEX #F7A469

RGB 247 164 105

HSL 24.93, 0.9%, 0.69%

LAB 74.41, 24.89, 42.86

 

CMYK 34 / 0 / 57 / 3

HEX #A2F769

RGB 162 247 105

HSL 95.92, 0.9%, 0.69%

LAB 89.5, -49.2, 59.08

 

CMYK 57 / 23 / 0 / 3

HEX #69BEF7

RGB 105 190 247

HSL 204.08, 0.9%, 0.69%

LAB 73.9, -9.62, -35.99

 

CMYK 23 / 57 / 0 / 3

HEX #BE69F7

RGB 190 105 247

HSL 275.92, 0.9%, 0.69%

LAB 59.68, 57.87, -57.97

 

CMYK 0 / 34 / 57 / 3

HEX #F7A469

RGB 247 164 105

HSL 24.93, 0.9%, 0.69%

LAB 74.41, 24.89, 42.86

 

CMYK 52 / 0 / 57 / 3

HEX #77F769

RGB 119 247 105

HSL 114.08, 0.9%, 0.69%

LAB 87.71, -61.95, 56.55

 

CMYK 57 / 23 / 0 / 3

HEX #69BEF7

RGB 105 190 247

HSL 204.08, 0.9%, 0.69%

LAB 73.9, -9.62, -35.99

 

CMYK 6 / 57 / 0 / 3

HEX #E969F7

RGB 233 105 247

HSL 294.08, 0.9%, 0.69%

LAB 65.08, 68.31, -49.06

 

Description

Color code: HEX #F7A469 | qconv.com Color code: HEX #F7A469 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 164 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 164 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 57 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 57% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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