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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F79702 it is the complementary color #0868FD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F79702. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F79702 shade: #FC9700, #FFA910, #FFBB23, #FFCD36 and #FFDF49

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F79702. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F79702 shade: #F79702, #E68500, #D57300, #C46100 and #B34F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F79702 shade: #F79702, #F75502, #F71302 and #F70202

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F79702 shade: #F79702, #F7D902, #D3F702, #91F702 and #4FF702

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F79702 shade matches the following richer shades: #F79702

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F79702 shade: #F79702, #E39317, #CF8F2B, #BB8A3F and #A78653

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F79702 shade: #F71302, #F75402, #F79502, #F7D702 and #D7F702

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F79702 shade: #A66502, #CF7E02, #F79702, #FDA926 and #FDB94F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F79702 shade: #F79702, #33F702 and #3302F7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F79702 shade: #F79702, #02F795 and #9502F7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F79702 shade: #F79702, #33F702, #0264F7 and #C602F7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F79702 shade: #F79702, #02F71B, #0264F7 and #F702DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 99 / 3

HEX #F79702

RGB 247 151 2

HSL 36.49, 0.98%, 0.49%

LAB 70.81, 27.92, 75.55

 

Complementary color

CMYK 97 / 59 / 0 / 1

HEX #0868FD

RGB 8 104 253

HSL 216.49, 0.98%, 0.51%

LAB 48.32, 33.36, -80.23

 

CMYK 0 / 40 / 100 / 1

HEX #FC9700

RGB 252 151 0

HSL 35.95, 1%, 0.49%

LAB 71.44, 29.97, 76.52

 

CMYK 0 / 34 / 94 / 0

HEX #FFA910

RGB 255 169 16

HSL 38.41, 1%, 0.53%

LAB 75.87, 21.99, 77.7

 

CMYK 0 / 27 / 86 / 0

HEX #FFBB23

RGB 255 187 35

HSL 41.45, 1%, 0.57%

LAB 80.14, 12.9, 77.2

 

CMYK 0 / 20 / 79 / 0

HEX #FFCD36

RGB 255 205 54

HSL 45.07, 1%, 0.61%

LAB 84.58, 4.11, 75.66

 

CMYK 0 / 13 / 71 / 0

HEX #FFDF49

RGB 255 223 73

HSL 49.45, 1%, 0.64%

LAB 89.17, -4.3, 73.5

 

CMYK 0 / 39 / 99 / 3

HEX #F79702

RGB 247 151 2

HSL 36.49, 0.98%, 0.49%

LAB 70.81, 27.92, 75.55

 

CMYK 0 / 42 / 100 / 10

HEX #E68500

RGB 230 133 0

HSL 34.7, 1%, 0.45%

LAB 64.64, 30.26, 70.81

 

CMYK 0 / 46 / 100 / 16

HEX #D57300

RGB 213 115 0

HSL 32.39, 1%, 0.42%

LAB 58.42, 32.65, 65.78

 

CMYK 0 / 51 / 100 / 23

HEX #C46100

RGB 196 97 0

HSL 29.69, 1%, 0.38%

LAB 52.16, 35.06, 60.74

 

CMYK 0 / 56 / 100 / 30

HEX #B34F00

RGB 179 79 0

HSL 26.48, 1%, 0.35%

LAB 45.87, 37.42, 55.71

 

CMYK 0 / 39 / 99 / 3

HEX #F79702

RGB 247 151 2

HSL 36.49, 0.98%, 0.49%

LAB 70.81, 27.92, 75.55

 

CMYK 0 / 66 / 99 / 3

HEX #F75502

RGB 247 85 2

HSL 20.33, 0.98%, 0.49%

LAB 58.3, 59.43, 68.13

 

CMYK 0 / 92 / 99 / 3

HEX #F71302

RGB 247 19 2

HSL 4.16, 0.98%, 0.49%

LAB 52.11, 76.69, 65.28

 

CMYK 0 / 99 / 99 / 3

HEX #F70202

RGB 247 2 2

HSL 0, 0.98%, 0.49%

LAB 51.64, 78.07, 65.1

 

CMYK 0 / 39 / 99 / 3

HEX #F79702

RGB 247 151 2

HSL 36.49, 0.98%, 0.49%

LAB 70.81, 27.92, 75.55

 

CMYK 0 / 12 / 99 / 3

HEX #F7D902

RGB 247 217 2

HSL 52.65, 0.98%, 0.49%

LAB 86.7, -6.32, 86.47

 

CMYK 15 / 0 / 99 / 3

HEX #D3F702

RGB 211 247 2

HSL 68.82, 0.98%, 0.49%

LAB 91.85, -35.64, 89.01

 

CMYK 41 / 0 / 99 / 3

HEX #91F702

RGB 145 247 2

HSL 84.98, 0.98%, 0.49%

LAB 88.23, -59.72, 84.65

 

CMYK 68 / 0 / 99 / 3

HEX #4FF702

RGB 79 247 2

HSL 101.14, 0.98%, 0.49%

LAB 86.1, -76.67, 82.06

 

CMYK 0 / 39 / 99 / 3

HEX #F79702

RGB 247 151 2

HSL 36.49, 0.98%, 0.49%

LAB 70.81, 27.92, 75.55

 

CMYK 0 / 39 / 99 / 3

HEX #F79702

RGB 247 151 2

HSL 36.49, 0.98%, 0.49%

LAB 70.81, 27.92, 75.55

 

CMYK 0 / 35 / 90 / 11

HEX #E39317

RGB 227 147 23

HSL 36.47, 0.82%, 0.49%

LAB 67.47, 21.85, 68.77

 

CMYK 0 / 31 / 79 / 19

HEX #CF8F2B

RGB 207 143 43

HSL 36.59, 0.66%, 0.49%

LAB 64.23, 15.92, 59.08

 

CMYK 0 / 26 / 66 / 27

HEX #BB8A3F

RGB 187 138 63

HSL 36.29, 0.5%, 0.49%

LAB 60.87, 10.9, 46.35

 

CMYK 0 / 20 / 50 / 35

HEX #A78653

RGB 167 134 83

HSL 36.43, 0.34%, 0.49%

LAB 57.93, 5.99, 32.09

 

CMYK 0 / 92 / 99 / 3

HEX #F71302

RGB 247 19 2

HSL 4.16, 0.98%, 0.49%

LAB 52.11, 76.69, 65.28

 

CMYK 0 / 66 / 99 / 3

HEX #F75402

RGB 247 84 2

HSL 20.08, 0.98%, 0.49%

LAB 58.15, 59.83, 68.05

 

CMYK 0 / 40 / 99 / 3

HEX #F79502

RGB 247 149 2

HSL 36, 0.98%, 0.49%

LAB 70.37, 28.96, 75.27

 

CMYK 0 / 13 / 99 / 3

HEX #F7D702

RGB 247 215 2

HSL 52.16, 0.98%, 0.49%

LAB 86.2, -5.31, 86.11

 

CMYK 13 / 0 / 99 / 3

HEX #D7F702

RGB 215 247 2

HSL 67.84, 0.98%, 0.49%

LAB 92.12, -34.05, 89.32

 

CMYK 0 / 39 / 99 / 35

HEX #A66502

RGB 166 101 2

HSL 36.22, 0.98%, 0.33%

LAB 48.78, 20.08, 56.05

 

CMYK 0 / 39 / 99 / 19

HEX #CF7E02

RGB 207 126 2

HSL 36.29, 0.98%, 0.41%

LAB 60.06, 24.29, 66.08

 

CMYK 0 / 39 / 99 / 3

HEX #F79702

RGB 247 151 2

HSL 36.49, 0.98%, 0.49%

LAB 70.81, 27.92, 75.55

 

CMYK 0 / 33 / 85 / 1

HEX #FDA926

RGB 253 169 38

HSL 36.56, 0.98%, 0.57%

LAB 75.7, 21.52, 72.73

 

CMYK 0 / 27 / 69 / 1

HEX #FDB94F

RGB 253 185 79

HSL 36.55, 0.98%, 0.65%

LAB 79.7, 14.68, 61.45

 

CMYK 0 / 39 / 99 / 3

HEX #F79702

RGB 247 151 2

HSL 36.49, 0.98%, 0.49%

LAB 70.81, 27.92, 75.55

 

CMYK 79 / 0 / 99 / 3

HEX #33F702

RGB 51 247 2

HSL 108, 0.98%, 0.49%

LAB 85.62, -80.88, 81.47

 

CMYK 79 / 99 / 0 / 3

HEX #3302F7

RGB 51 2 247

HSL 252, 0.98%, 0.49%

LAB 32.84, 77.55, -102.43

 

CMYK 0 / 39 / 99 / 3

HEX #F79702

RGB 247 151 2

HSL 36.49, 0.98%, 0.49%

LAB 70.81, 27.92, 75.55

 

CMYK 99 / 0 / 40 / 3

HEX #02F795

RGB 2 247 149

HSL 156, 0.98%, 0.49%

LAB 86.36, -70.57, 33.65

 

CMYK 40 / 99 / 0 / 3

HEX #9502F7

RGB 149 2 247

HSL 276, 0.98%, 0.49%

LAB 42.99, 83.15, -85.3

 

CMYK 0 / 39 / 99 / 3

HEX #F79702

RGB 247 151 2

HSL 36.49, 0.98%, 0.49%

LAB 70.81, 27.92, 75.55

 

CMYK 79 / 0 / 99 / 3

HEX #33F702

RGB 51 247 2

HSL 108, 0.98%, 0.49%

LAB 85.62, -80.88, 81.47

 

CMYK 99 / 60 / 0 / 3

HEX #0264F7

RGB 2 100 247

HSL 216, 0.98%, 0.49%

LAB 46.77, 33.49, -79.43

 

CMYK 20 / 99 / 0 / 3

HEX #C602F7

RGB 198 2 247

HSL 288, 0.98%, 0.49%

LAB 50.41, 88.75, -72.85

 

CMYK 0 / 39 / 99 / 3

HEX #F79702

RGB 247 151 2

HSL 36.49, 0.98%, 0.49%

LAB 70.81, 27.92, 75.55

 

CMYK 99 / 0 / 89 / 3

HEX #02F71B

RGB 2 247 27

HSL 126.12, 0.98%, 0.49%

LAB 85.31, -83.54, 78.44

 

CMYK 99 / 60 / 0 / 3

HEX #0264F7

RGB 2 100 247

HSL 216, 0.98%, 0.49%

LAB 46.77, 33.49, -79.43

 

CMYK 0 / 99 / 10 / 3

HEX #F702DF

RGB 247 2 223

HSL 305.88, 0.98%, 0.49%

LAB 57.22, 92.56, -47.96

 

Description

Color code: HEX #F79702 | qconv.com Color code: HEX #F79702 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 151 green and 2 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 151 2 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 99 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 99% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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