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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F7934ACE it is the complementary color #086CB5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F7934ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F7934ACE shade: #FC9345CE, #FFA558CE, #FFB76BCE, #FFC97ECE and #FFDB91CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F7934ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F7934ACE shade: #F7934ACE, #E68137CE, #D56F24CE, #C45D11CE and #B34B00CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F7934ACE shade: #F7934A, #F7644A and #F74A4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F7934ACE shade: #F7934A, #F7C24A, #F7F14A, #CFF74A and #A1F74A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F7934ACE shade matches the following richer shades: #F7934A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F7934ACE shade: #F7934A, #E89559, #D99868, #CA9A78 and #BA9D87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F7934ACE shade: #F74A5E, #F7644A, #F7924A, #F7C04A and #F7EF4A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F7934ACE shade: #E5660A, #F67C22, #F7934A, #F9AB71 and #FBC299

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F7934ACE shade: #F7934A, #8CF74A and #4D4AF7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F7934ACE shade: #F7934A, #4AF792 and #924AF7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F7934ACE shade: #F7934A, #8CF74A, #4AAFF7 and #B54AF7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F7934ACE shade: #F7934A, #58F74A, #4AAFF7 and #E94AF7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 57 / 3

HEX #F7934ACE

RGBA 247 147 74 0.81

HSLA 25.32, 0.92%, 0.63%, 0.81

LABA 70.27, 31.84, 53.44, 0.81

 

Complementary color

CMYK 77 / 33 / 0 / 24

HEX #086CB5CE

RGBA 8 108 181 0.81

HSLA 205.32, 0.92%, 0.37%, 0.81

LABA 44.39, 2.49, -45.63, 0.81

 

CMYK 0 / 34 / 59 / 1

HEX #FC9345CE

RGBA 252 147 69 0.81

HSLA 25.57, 0.97%, 0.63%, 0.81

LABA 70.87, 33.61, 56.58, 0.81

 

CMYK 0 / 29 / 53 / 0

HEX #FFA558CE

RGBA 255 165 88 0.81

HSLA 27.66, 1%, 0.67%, 0.81

LABA 75.37, 26.45, 52.68, 0.81

 

CMYK 0 / 23 / 47 / 0

HEX #FFB76BCE

RGBA 255 183 107 0.81

HSLA 30.81, 1%, 0.71%, 0.81

LABA 79.72, 18.29, 48.48, 0.81

 

CMYK 0 / 17 / 41 / 0

HEX #FFC97ECE

RGBA 255 201 126 0.81

HSLA 34.88, 1%, 0.75%, 0.81

LABA 84.25, 10.43, 44.57, 0.81

 

CMYK 0 / 11 / 35 / 0

HEX #FFDB91CE

RGBA 255 219 145 0.81

HSLA 40.36, 1%, 0.78%, 0.81

LABA 88.91, 2.94, 40.95, 0.81

 

CMYK 0 / 33 / 57 / 3

HEX #F7934ACE

RGBA 247 147 74 0.81

HSLA 25.32, 0.92%, 0.63%, 0.81

LABA 70.27, 31.84, 53.44, 0.81

 

CMYK 0 / 36 / 62 / 8

HEX #E68137CE

RGBA 230 129 55 0.81

HSLA 25.37, 0.78%, 0.56%, 0.81

LABA 64, 33.5, 54.95, 0.81

 

CMYK 0 / 39 / 67 / 13

HEX #D56F24CE

RGBA 213 111 36 0.81

HSLA 25.42, 0.71%, 0.49%, 0.81

LABA 57.7, 35.33, 56.14, 0.81

 

CMYK 0 / 43 / 74 / 19

HEX #C45D11CE

RGBA 196 93 17 0.81

HSLA 25.47, 0.84%, 0.42%, 0.81

LABA 51.39, 37.33, 56.44, 0.81

 

CMYK 0 / 47 / 81 / 24

HEX #B34B00CE

RGBA 179 75 0 0.81

HSLA 25.14, 1%, 0.35%, 0.81

LABA 45.1, 39.4, 55.28, 0.81

 

CMYK 0 / 40 / 70 / 3

HEX #F7934A

RGB 247 147 74

HSL 25.32, 0.92%, 0.63%

LAB 70.27, 31.84, 53.44

 

CMYK 0 / 60 / 70 / 3

HEX #F7644A

RGB 247 100 74

HSL 9.02, 0.92%, 0.63%

LAB 61.12, 54.83, 43.26

 

CMYK 0 / 70 / 70 / 3

HEX #F74A4A

RGB 247 74 74

HSL 0, 0.92%, 0.63%

LAB 57.24, 65.29, 38.76

 

CMYK 0 / 40 / 70 / 3

HEX #F7934A

RGB 247 147 74

HSL 25.32, 0.92%, 0.63%

LAB 70.27, 31.84, 53.44

 

CMYK 0 / 21 / 70 / 3

HEX #F7C24A

RGB 247 194 74

HSL 41.62, 0.92%, 0.63%

LAB 81.21, 7.24, 64.92

 

CMYK 0 / 2 / 70 / 3

HEX #F7F14A

RGB 247 241 74

HSL 57.92, 0.92%, 0.63%

LAB 93.09, -16.45, 76.74

 

CMYK 16 / 0 / 70 / 3

HEX #CFF74A

RGB 207 247 74

HSL 73.87, 0.92%, 0.63%

LAB 91.81, -35.24, 74.51

 

CMYK 35 / 0 / 70 / 3

HEX #A1F74A

RGB 161 247 74

HSL 89.83, 0.92%, 0.63%

LAB 89.2, -52.01, 71.04

 

CMYK 0 / 40 / 70 / 3

HEX #F7934A

RGB 247 147 74

HSL 25.32, 0.92%, 0.63%

LAB 70.27, 31.84, 53.44

 

CMYK 0 / 40 / 70 / 3

HEX #F7934A

RGB 247 147 74

HSL 25.32, 0.92%, 0.63%

LAB 70.27, 31.84, 53.44

 

CMYK 0 / 36 / 62 / 9

HEX #E89559

RGB 232 149 89

HSL 25.17, 0.76%, 0.63%

LAB 69.02, 25.61, 44.14

 

CMYK 0 / 30 / 52 / 15

HEX #D99868

RGB 217 152 104

HSL 25.49, 0.6%, 0.63%

LAB 68.17, 19.05, 34.88

 

CMYK 0 / 24 / 41 / 21

HEX #CA9A78

RGB 202 154 120

HSL 24.88, 0.44%, 0.63%

LAB 67.29, 13.48, 24.77

 

CMYK 0 / 16 / 27 / 27

HEX #BA9D87

RGB 186 157 135

HSL 25.88, 0.27%, 0.63%

LAB 66.75, 7.34, 15.5

 

CMYK 0 / 70 / 62 / 3

HEX #F74A5E

RGB 247 74 94

HSL 353.06, 0.92%, 0.63%

LAB 57.54, 66.34, 27.68

 

CMYK 0 / 60 / 70 / 3

HEX #F7644A

RGB 247 100 74

HSL 9.02, 0.92%, 0.63%

LAB 61.12, 54.83, 43.26

 

CMYK 0 / 41 / 70 / 3

HEX #F7924A

RGB 247 146 74

HSL 24.97, 0.92%, 0.63%

LAB 70.05, 32.36, 53.2

 

CMYK 0 / 22 / 70 / 3

HEX #F7C04A

RGB 247 192 74

HSL 40.92, 0.92%, 0.63%

LAB 80.72, 8.28, 64.42

 

CMYK 0 / 3 / 70 / 3

HEX #F7EF4A

RGB 247 239 74

HSL 57.23, 0.92%, 0.63%

LAB 92.58, -15.48, 76.24

 

CMYK 0 / 55 / 96 / 10

HEX #E5660A

RGB 229 102 10

HSL 25.21, 0.92%, 0.47%

LAB 58.21, 45.6, 65.06

 

CMYK 0 / 50 / 86 / 4

HEX #F67C22

RGB 246 124 34

HSL 25.47, 0.92%, 0.55%

LAB 65.06, 41.74, 64.94

 

CMYK 0 / 40 / 70 / 3

HEX #F7934A

RGB 247 147 74

HSL 25.32, 0.92%, 0.63%

LAB 70.27, 31.84, 53.44

 

CMYK 0 / 31 / 55 / 2

HEX #F9AB71

RGB 249 171 113

HSL 25.59, 0.92%, 0.71%

LAB 76.35, 22.63, 41.19

 

CMYK 0 / 23 / 39 / 2

HEX #FBC299

RGB 251 194 153

HSL 25.1, 0.92%, 0.79%

LAB 82.59, 15.17, 28.47

 

CMYK 0 / 40 / 70 / 3

HEX #F7934A

RGB 247 147 74

HSL 25.32, 0.92%, 0.63%

LAB 70.27, 31.84, 53.44

 

CMYK 43 / 0 / 70 / 3

HEX #8CF74A

RGB 140 247 74

HSL 97.11, 0.92%, 0.63%

LAB 88.25, -58.77, 69.77

 

CMYK 69 / 70 / 0 / 3

HEX #4D4AF7

RGB 77 74 247

HSL 241.04, 0.92%, 0.63%

LAB 43.05, 53.85, -85.45

 

CMYK 0 / 40 / 70 / 3

HEX #F7934A

RGB 247 147 74

HSL 25.32, 0.92%, 0.63%

LAB 70.27, 31.84, 53.44

 

CMYK 70 / 0 / 41 / 3

HEX #4AF792

RGB 74 247 146

HSL 144.97, 0.92%, 0.63%

LAB 87.02, -65.44, 36.15

 

CMYK 41 / 70 / 0 / 3

HEX #924AF7

RGB 146 74 247

HSL 264.97, 0.92%, 0.63%

LAB 49.16, 63.65, -75.2

 

CMYK 0 / 40 / 70 / 3

HEX #F7934A

RGB 247 147 74

HSL 25.32, 0.92%, 0.63%

LAB 70.27, 31.84, 53.44

 

CMYK 43 / 0 / 70 / 3

HEX #8CF74A

RGB 140 247 74

HSL 97.11, 0.92%, 0.63%

LAB 88.25, -58.77, 69.77

 

CMYK 70 / 29 / 0 / 3

HEX #4AAFF7

RGB 74 175 247

HSL 204.97, 0.92%, 0.63%

LAB 68.63, -6.59, -44.29

 

CMYK 27 / 70 / 0 / 3

HEX #B54AF7

RGB 181 74 247

HSL 277.11, 0.92%, 0.63%

LAB 53.42, 70.05, -68.08

 

CMYK 0 / 40 / 70 / 3

HEX #F7934A

RGB 247 147 74

HSL 25.32, 0.92%, 0.63%

LAB 70.27, 31.84, 53.44

 

CMYK 64 / 0 / 70 / 3

HEX #58F74A

RGB 88 247 74

HSL 115.14, 0.92%, 0.63%

LAB 86.55, -72, 67.48

 

CMYK 70 / 29 / 0 / 3

HEX #4AAFF7

RGB 74 175 247

HSL 204.97, 0.92%, 0.63%

LAB 68.63, -6.59, -44.29

 

CMYK 6 / 70 / 0 / 3

HEX #E94AF7

RGB 233 74 247

HSL 295.14, 0.92%, 0.63%

LAB 60.73, 80.42, -55.96

 

Description

Color code: HEX #F7934ACE | qconv.com Color code: HEX #F7934ACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 147 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 147 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 57 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 57% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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