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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F78BBC it is the complementary color #087443. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F78BBC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F78BBC shade: #FC8BB7, #FF9DCA, #FFAFDD, #FFC1F0 and #FFD3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F78BBC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F78BBC shade: #F78BBC, #E679A9, #D56796, #C45583 and #B34370

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F78BBC shade: #F78DBD, #F78DA0 and #F78D8D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F78BBC shade: #F78DBD, #F78DDA, #F78DF6, #DB8DF7 and #BE8DF7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F78BBC shade matches the following richer shades: #F78DBD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F78BBC shade: #F78DBD, #ED96BE, #E3A0BF, #D9AAC0 and #CFB4C1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F78BBC shade: #F78DF7, #F78DDB, #F78DBE, #F78DA2 and #F7948D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F78BBC shade: #F23F90, #F466A7, #F78DBD, #FAB3D3 and #FCDAE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F78BBC shade: #F78BBC, #F7DB8D and #8DE9F7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F78BBC shade: #F78BBC, #BEF78D and #8DBEF7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F78BBC shade: #F78BBC, #F7DB8D, #8DF7C5 and #8DA9F7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F78BBC shade: #F78BBC, #F3F78D, #8DF7C5 and #908DF7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 24 / 3

HEX #F78BBC

RGB 247 139 188

HSL 332.78, 0.87%, 0.76%

LAB 70.78, 46.77, -7.38

 

Complementary color

CMYK 93 / 0 / 42 / 55

HEX #087443

RGB 8 116 67

HSL 152.78, 0.87%, 0.24%

LAB 42.68, -39.85, 19.48

 

CMYK 0 / 45 / 27 / 1

HEX #FC8BB7

RGB 252 139 183

HSL 336.64, 0.95%, 0.77%

LAB 71.27, 47.76, -3.8

 

CMYK 0 / 38 / 21 / 0

HEX #FF9DCA

RGB 255 157 202

HSL 332.45, 1%, 0.81%

LAB 75.85, 42.26, -7.49

 

CMYK 0 / 31 / 13 / 0

HEX #FFAFDD

RGB 255 175 221

HSL 325.5, 1%, 0.84%

LAB 80.26, 35.81, -11.27

 

CMYK 0 / 24 / 6 / 0

HEX #FFC1F0

RGB 255 193 240

HSL 314.52, 1%, 0.88%

LAB 84.84, 29.51, -14.61

 

CMYK 0 / 17 / 0 / 0

HEX #FFD3FF

RGB 255 211 255

HSL 300, 1%, 0.91%

LAB 89.43, 22.7, -15.67

 

CMYK 0 / 44 / 24 / 3

HEX #F78BBC

RGB 247 139 188

HSL 332.78, 0.87%, 0.76%

LAB 70.78, 46.77, -7.38

 

CMYK 0 / 47 / 27 / 10

HEX #E679A9

RGB 230 121 169

HSL 333.58, 0.69%, 0.69%

LAB 64.45, 47.57, -6.32

 

CMYK 0 / 52 / 30 / 16

HEX #D56796

RGB 213 103 150

HSL 334.36, 0.57%, 0.62%

LAB 58.08, 48.36, -5.09

 

CMYK 0 / 57 / 33 / 23

HEX #C45583

RGB 196 85 131

HSL 335.14, 0.48%, 0.55%

LAB 51.69, 49.07, -3.63

 

CMYK 0 / 63 / 37 / 30

HEX #B34370

RGB 179 67 112

HSL 335.89, 0.46%, 0.48%

LAB 45.31, 49.63, -1.85

 

CMYK 0 / 43 / 23 / 3

HEX #F78DBD

RGB 247 141 189

HSL 332.83, 0.87%, 0.76%

LAB 71.21, 45.9, -7.29

 

CMYK 0 / 43 / 35 / 3

HEX #F78DA0

RGB 247 141 160

HSL 349.25, 0.87%, 0.76%

LAB 70.43, 42.16, 7.73

 

CMYK 0 / 43 / 43 / 3

HEX #F78D8D

RGB 247 141 141

HSL 0, 0.87%, 0.76%

LAB 70, 40.06, 17.72

 

CMYK 0 / 43 / 23 / 3

HEX #F78DBD

RGB 247 141 189

HSL 332.83, 0.87%, 0.76%

LAB 71.21, 45.9, -7.29

 

CMYK 0 / 43 / 12 / 3

HEX #F78DDA

RGB 247 141 218

HSL 316.42, 0.87%, 0.76%

LAB 72.15, 50.23, -21.94

 

CMYK 0 / 43 / 0 / 3

HEX #F78DF6

RGB 247 141 246

HSL 300.57, 0.87%, 0.76%

LAB 73.21, 54.92, -35.66

 

CMYK 11 / 43 / 0 / 3

HEX #DB8DF7

RGB 219 141 247

HSL 284.15, 0.87%, 0.76%

LAB 70.05, 47.06, -41.36

 

CMYK 23 / 43 / 0 / 3

HEX #BE8DF7

RGB 190 141 247

HSL 267.74, 0.87%, 0.76%

LAB 67.06, 38.9, -46.26

 

CMYK 0 / 43 / 23 / 3

HEX #F78DBD

RGB 247 141 189

HSL 332.83, 0.87%, 0.76%

LAB 71.21, 45.9, -7.29

 

CMYK 0 / 43 / 23 / 3

HEX #F78DBD

RGB 247 141 189

HSL 332.83, 0.87%, 0.76%

LAB 71.21, 45.9, -7.29

 

CMYK 0 / 37 / 20 / 7

HEX #ED96BE

RGB 237 150 190

HSL 332.41, 0.71%, 0.76%

LAB 71.92, 38.02, -6.94

 

CMYK 0 / 30 / 16 / 11

HEX #E3A0BF

RGB 227 160 191

HSL 332.24, 0.54%, 0.76%

LAB 73.05, 29.41, -5.94

 

CMYK 0 / 22 / 12 / 15

HEX #D9AAC0

RGB 217 170 192

HSL 331.91, 0.38%, 0.76%

LAB 74.39, 20.66, -4.63

 

CMYK 0 / 13 / 7 / 19

HEX #CFB4C1

RGB 207 180 193

HSL 331.11, 0.22%, 0.76%

LAB 75.92, 11.89, -3.02

 

CMYK 0 / 43 / 0 / 3

HEX #F78DF7

RGB 247 141 247

HSL 300, 0.87%, 0.76%

LAB 73.25, 55.09, -36.14

 

CMYK 0 / 43 / 11 / 3

HEX #F78DDB

RGB 247 141 219

HSL 315.85, 0.87%, 0.76%

LAB 72.19, 50.39, -22.44

 

CMYK 0 / 43 / 23 / 3

HEX #F78DBE

RGB 247 141 190

HSL 332.26, 0.87%, 0.76%

LAB 71.24, 46.04, -7.81

 

CMYK 0 / 43 / 34 / 3

HEX #F78DA2

RGB 247 141 162

HSL 348.11, 0.87%, 0.76%

LAB 70.48, 42.4, 6.69

 

CMYK 0 / 40 / 43 / 3

HEX #F7948D

RGB 247 148 141

HSL 3.96, 0.87%, 0.76%

LAB 71.47, 36.46, 19.75

 

CMYK 0 / 74 / 40 / 5

HEX #F23F90

RGB 242 63 144

HSL 332.85, 0.87%, 0.6%

LAB 56.53, 72.47, -3.35

 

CMYK 0 / 58 / 32 / 4

HEX #F466A7

RGB 244 102 167

HSL 332.54, 0.87%, 0.68%

LAB 62.95, 60.72, -7.19

 

CMYK 0 / 43 / 23 / 3

HEX #F78DBD

RGB 247 141 189

HSL 332.83, 0.87%, 0.76%

LAB 71.21, 45.9, -7.29

 

CMYK 0 / 28 / 16 / 2

HEX #FAB3D3

RGB 250 179 211

HSL 332.96, 0.88%, 0.84%

LAB 80.33, 30.44, -5.81

 

CMYK 0 / 13 / 8 / 1

HEX #FCDAE9

RGB 252 218 233

HSL 333.53, 0.85%, 0.92%

LAB 90.19, 14.21, -2.98

 

CMYK 0 / 44 / 24 / 3

HEX #F78BBC

RGB 247 139 188

HSL 332.78, 0.87%, 0.76%

LAB 70.78, 46.77, -7.38

 

CMYK 0 / 11 / 43 / 3

HEX #F7DB8D

RGB 247 219 141

HSL 44.15, 0.87%, 0.76%

LAB 88.14, -0.61, 41.83

 

CMYK 43 / 6 / 0 / 3

HEX #8DE9F7

RGB 141 233 247

HSL 187.92, 0.87%, 0.76%

LAB 87.32, -23.9, -15.38

 

CMYK 0 / 44 / 24 / 3

HEX #F78BBC

RGB 247 139 188

HSL 332.78, 0.87%, 0.76%

LAB 70.78, 46.77, -7.38

 

CMYK 23 / 0 / 43 / 3

HEX #BEF78D

RGB 190 247 141

HSL 92.26, 0.87%, 0.76%

LAB 91.41, -35.73, 45.13

 

CMYK 43 / 23 / 0 / 3

HEX #8DBEF7

RGB 141 190 247

HSL 212.26, 0.87%, 0.76%

LAB 75.58, -1.64, -33.26

 

CMYK 0 / 44 / 24 / 3

HEX #F78BBC

RGB 247 139 188

HSL 332.78, 0.87%, 0.76%

LAB 70.78, 46.77, -7.38

 

CMYK 0 / 11 / 43 / 3

HEX #F7DB8D

RGB 247 219 141

HSL 44.15, 0.87%, 0.76%

LAB 88.14, -0.61, 41.83

 

CMYK 43 / 0 / 20 / 3

HEX #8DF7C5

RGB 141 247 197

HSL 151.7, 0.87%, 0.76%

LAB 89.96, -41.78, 14.57

 

CMYK 43 / 32 / 0 / 3

HEX #8DA9F7

RGB 141 169 247

HSL 224.15, 0.87%, 0.76%

LAB 70, 10.02, -41.92

 

CMYK 0 / 44 / 24 / 3

HEX #F78BBC

RGB 247 139 188

HSL 332.78, 0.87%, 0.76%

LAB 70.78, 46.77, -7.38

 

CMYK 2 / 0 / 43 / 3

HEX #F3F78D

RGB 243 247 141

HSL 62.26, 0.87%, 0.76%

LAB 94.95, -16.13, 50.32

 

CMYK 43 / 0 / 20 / 3

HEX #8DF7C5

RGB 141 247 197

HSL 151.7, 0.87%, 0.76%

LAB 89.96, -41.78, 14.57

 

CMYK 42 / 43 / 0 / 3

HEX #908DF7

RGB 144 141 247

HSL 241.7, 0.87%, 0.76%

LAB 63.09, 26.84, -52.8

 

Description

Color code: HEX #F78BBC | qconv.com Color code: HEX #F78BBC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 139 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 139 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 24 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 24% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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