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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F77643 it is the complementary color #0889BC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F77643. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F77643 shade: #FC763E, #FF8851, #FF9A64, #FFAC77 and #FFBE8A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F77643. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F77643 shade: #F77643, #E66430, #D5521D, #C4400A and #B32E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F77643 shade: #F77745, #F74745 and #F74545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F77643 shade: #F77745, #F7A845, #F7D845, #E7F745 and #B7F745

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F77643 shade matches the following richer shades: #F77745

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F77643 shade: #F77745, #E87E55, #D88564, #C88C74 and #B99384

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F77643 shade: #F74572, #F74845, #F77745, #F7A745 and #F7D745

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F77643 shade: #E04609, #F65B1D, #F77745, #F9946D and #FBB194

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F77643 shade: #F77643, #A1F745 and #455AF7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F77643 shade: #F77643, #45F777 and #7745F7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F77643 shade: #F77643, #A1F745, #45C5F7 and #9B45F7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F77643 shade: #F77643, #6CF745, #45C5F7 and #D145F7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 73 / 3

HEX #F77643

RGB 247 118 67

HSL 17, 0.92%, 0.62%

LAB 64.27, 46.14, 50.35

 

Complementary color

CMYK 96 / 27 / 0 / 26

HEX #0889BC

RGB 8 137 188

HSL 197, 0.92%, 0.38%

LAB 53.57, -12.09, -35.15

 

CMYK 0 / 53 / 75 / 1

HEX #FC763E

RGB 252 118 62

HSL 17.68, 0.97%, 0.62%

LAB 64.96, 47.79, 53.72

 

CMYK 0 / 47 / 68 / 0

HEX #FF8851

RGB 255 136 81

HSL 18.97, 1%, 0.66%

LAB 69.08, 40.96, 49.02

 

CMYK 0 / 40 / 61 / 0

HEX #FF9A64

RGB 255 154 100

HSL 20.9, 1%, 0.7%

LAB 73.08, 32.92, 44.04

 

CMYK 0 / 33 / 53 / 0

HEX #FFAC77

RGB 255 172 119

HSL 23.38, 1%, 0.73%

LAB 77.34, 24.97, 39.48

 

CMYK 0 / 25 / 46 / 0

HEX #FFBE8A

RGB 255 190 138

HSL 26.67, 1%, 0.77%

LAB 81.8, 17.26, 35.33

 

CMYK 0 / 52 / 73 / 3

HEX #F77643

RGB 247 118 67

HSL 17, 0.92%, 0.62%

LAB 64.27, 46.14, 50.35

 

CMYK 0 / 57 / 79 / 10

HEX #E66430

RGB 230 100 48

HSL 17.14, 0.78%, 0.55%

LAB 58.18, 47.71, 52.4

 

CMYK 0 / 62 / 86 / 16

HEX #D5521D

RGB 213 82 29

HSL 17.28, 0.76%, 0.47%

LAB 52.14, 49.28, 54.15

 

CMYK 0 / 67 / 95 / 23

HEX #C4400A

RGB 196 64 10

HSL 17.42, 0.9%, 0.4%

LAB 46.21, 50.72, 54.8

 

CMYK 0 / 74 / 100 / 30

HEX #B32E00

RGB 179 46 0

HSL 15.42, 1%, 0.35%

LAB 40.47, 51.82, 52.91

 

CMYK 0 / 52 / 72 / 3

HEX #F77745

RGB 247 119 69

HSL 16.85, 0.92%, 0.62%

LAB 64.48, 45.74, 49.59

 

CMYK 0 / 71 / 72 / 3

HEX #F74745

RGB 247 71 69

HSL 0.67, 0.92%, 0.62%

LAB 56.79, 66.13, 41.03

 

CMYK 0 / 72 / 72 / 3

HEX #F74545

RGB 247 69 69

HSL 0, 0.92%, 0.62%

LAB 56.55, 66.81, 40.75

 

CMYK 0 / 52 / 72 / 3

HEX #F77745

RGB 247 119 69

HSL 16.85, 0.92%, 0.62%

LAB 64.48, 45.74, 49.59

 

CMYK 0 / 32 / 72 / 3

HEX #F7A845

RGB 247 168 69

HSL 33.37, 0.92%, 0.62%

LAB 74.96, 20.61, 60.62

 

CMYK 0 / 13 / 72 / 3

HEX #F7D845

RGB 247 216 69

HSL 49.55, 0.92%, 0.62%

LAB 86.66, -4.28, 72.26

 

CMYK 6 / 0 / 72 / 3

HEX #E7F745

RGB 231 247 69

HSL 65.39, 0.92%, 0.62%

LAB 93.42, -26.03, 78.32

 

CMYK 26 / 0 / 72 / 3

HEX #B7F745

RGB 183 247 69

HSL 81.57, 0.92%, 0.62%

LAB 90.33, -44.55, 74.26

 

CMYK 0 / 52 / 72 / 3

HEX #F77745

RGB 247 119 69

HSL 16.85, 0.92%, 0.62%

LAB 64.48, 45.74, 49.59

 

CMYK 0 / 52 / 72 / 3

HEX #F77745

RGB 247 119 69

HSL 16.85, 0.92%, 0.62%

LAB 64.48, 45.74, 49.59

 

CMYK 0 / 46 / 63 / 9

HEX #E87E55

RGB 232 126 85

HSL 16.73, 0.76%, 0.62%

LAB 63.94, 37.39, 40.17

 

CMYK 0 / 38 / 54 / 15

HEX #D88564

RGB 216 133 100

HSL 17.07, 0.6%, 0.62%

LAB 63.59, 28.53, 31.16

 

CMYK 0 / 30 / 42 / 22

HEX #C88C74

RGB 200 140 116

HSL 17.14, 0.43%, 0.62%

LAB 63.59, 19.88, 21.96

 

CMYK 0 / 21 / 29 / 27

HEX #B99384

RGB 185 147 132

HSL 16.98, 0.27%, 0.62%

LAB 64.04, 12.04, 13.37

 

CMYK 0 / 72 / 54 / 3

HEX #F74572

RGB 247 69 114

HSL 344.83, 0.92%, 0.62%

LAB 57.31, 69.38, 15.63

 

CMYK 0 / 71 / 72 / 3

HEX #F74845

RGB 247 72 69

HSL 1.01, 0.92%, 0.62%

LAB 56.92, 65.78, 41.18

 

CMYK 0 / 52 / 72 / 3

HEX #F77745

RGB 247 119 69

HSL 16.85, 0.92%, 0.62%

LAB 64.48, 45.74, 49.59

 

CMYK 0 / 32 / 72 / 3

HEX #F7A745

RGB 247 167 69

HSL 33.03, 0.92%, 0.62%

LAB 74.72, 21.14, 60.38

 

CMYK 0 / 13 / 72 / 3

HEX #F7D745

RGB 247 215 69

HSL 49.21, 0.92%, 0.62%

LAB 86.41, -3.78, 72.02

 

CMYK 0 / 69 / 96 / 12

HEX #E04609

RGB 224 70 9

HSL 17.02, 0.92%, 0.46%

LAB 52.12, 57.75, 61.14

 

CMYK 0 / 63 / 88 / 4

HEX #F65B1D

RGB 246 91 29

HSL 17.14, 0.92%, 0.54%

LAB 59.13, 56.93, 61.99

 

CMYK 0 / 52 / 72 / 3

HEX #F77745

RGB 247 119 69

HSL 16.85, 0.92%, 0.62%

LAB 64.48, 45.74, 49.59

 

CMYK 0 / 41 / 56 / 2

HEX #F9946D

RGB 249 148 109

HSL 16.71, 0.92%, 0.7%

LAB 71.16, 34.33, 36.79

 

CMYK 0 / 29 / 41 / 2

HEX #FBB194

RGB 251 177 148

HSL 16.89, 0.93%, 0.78%

LAB 78.52, 23.54, 25.63

 

CMYK 0 / 52 / 73 / 3

HEX #F77643

RGB 247 118 67

HSL 17, 0.92%, 0.62%

LAB 64.27, 46.14, 50.35

 

CMYK 35 / 0 / 72 / 3

HEX #A1F745

RGB 161 247 69

HSL 88.99, 0.92%, 0.62%

LAB 89.17, -52.32, 72.73

 

CMYK 72 / 64 / 0 / 3

HEX #455AF7

RGB 69 90 247

HSL 232.92, 0.92%, 0.62%

LAB 46.03, 43.74, -80.56

 

CMYK 0 / 52 / 73 / 3

HEX #F77643

RGB 247 118 67

HSL 17, 0.92%, 0.62%

LAB 64.27, 46.14, 50.35

 

CMYK 72 / 0 / 52 / 3

HEX #45F777

RGB 69 247 119

HSL 136.85, 0.92%, 0.62%

LAB 86.56, -70.39, 48.54

 

CMYK 52 / 72 / 0 / 3

HEX #7745F7

RGB 119 69 247

HSL 256.85, 0.92%, 0.62%

LAB 45.49, 61.71, -81.32

 

CMYK 0 / 52 / 73 / 3

HEX #F77643

RGB 247 118 67

HSL 17, 0.92%, 0.62%

LAB 64.27, 46.14, 50.35

 

CMYK 35 / 0 / 72 / 3

HEX #A1F745

RGB 161 247 69

HSL 88.99, 0.92%, 0.62%

LAB 89.17, -52.32, 72.73

 

CMYK 72 / 20 / 0 / 3

HEX #45C5F7

RGB 69 197 247

HSL 196.85, 0.92%, 0.62%

LAB 74.77, -19.04, -34.73

 

CMYK 37 / 72 / 0 / 3

HEX #9B45F7

RGB 155 69 247

HSL 268.99, 0.92%, 0.62%

LAB 49.42, 67.4, -74.72

 

CMYK 0 / 52 / 73 / 3

HEX #F77643

RGB 247 118 67

HSL 17, 0.92%, 0.62%

LAB 64.27, 46.14, 50.35

 

CMYK 56 / 0 / 72 / 3

HEX #6CF745

RGB 108 247 69

HSL 106.85, 0.92%, 0.62%

LAB 87.07, -67.94, 69.93

 

CMYK 72 / 20 / 0 / 3

HEX #45C5F7

RGB 69 197 247

HSL 196.85, 0.92%, 0.62%

LAB 74.77, -19.04, -34.73

 

CMYK 15 / 72 / 0 / 3

HEX #D145F7

RGB 209 69 247

HSL 287.19, 0.92%, 0.62%

LAB 56.61, 77.33, -62.75

 

Description

Color code: HEX #F77643 | qconv.com Color code: HEX #F77643 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 118 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 118 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 73 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 73% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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