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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F7729F it is the complementary color #088D60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F7729F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F7729F shade: #FC729A, #FF84AD, #FF96C0, #FFA8D3 and #FFBAE6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F7729F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F7729F shade: #F7729F, #E6608C, #D54E79, #C43C66 and #B32A53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F7729F shade: #F773A0, #F7737C and #F77373

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F7729F shade: #F773A0, #F773C3, #F773E7, #E373F7 and #C073F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F7729F shade matches the following richer shades: #F773A0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F7729F shade: #F773A0, #EB7FA4, #DF8BA8, #D397AB and #C7A3AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F7729F shade: #F773E8, #F773C4, #F773A1, #F7737E and #F78B73

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F7729F shade: #F2256B, #F54C85, #F773A0, #F99ABA and #FBC1D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F7729F shade: #F7729F, #F7E373 and #73D6F7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F7729F shade: #F7729F, #A1F773 and #73A1F7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F7729F shade: #F7729F, #F7E373, #73F7C9 and #7387F7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F7729F shade: #F7729F, #E3F773, #73F7C9 and #8773F7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 36 / 3

HEX #F7729F

RGB 247 114 159

HSL 339.7, 0.89%, 0.71%

LAB 65.21, 55.28, 0.76

 

Complementary color

CMYK 94 / 0 / 32 / 45

HEX #088D60

RGB 8 141 96

HSL 159.7, 0.89%, 0.29%

LAB 51.78, -43.16, 15.2

 

CMYK 0 / 55 / 39 / 1

HEX #FC729A

RGB 252 114 154

HSL 342.61, 0.96%, 0.72%

LAB 65.8, 56.35, 4.55

 

CMYK 0 / 48 / 32 / 0

HEX #FF84AD

RGB 255 132 173

HSL 340, 1%, 0.76%

LAB 70.02, 50.95, 0

 

CMYK 0 / 41 / 25 / 0

HEX #FF96C0

RGB 255 150 192

HSL 336, 1%, 0.79%

LAB 74.11, 44.43, -4.56

 

CMYK 0 / 34 / 17 / 0

HEX #FFA8D3

RGB 255 168 211

HSL 330.34, 1%, 0.83%

LAB 78.44, 37.91, -8.55

 

CMYK 0 / 27 / 10 / 0

HEX #FFBAE6

RGB 255 186 230

HSL 321.74, 1%, 0.86%

LAB 82.96, 31.51, -12.07

 

CMYK 0 / 54 / 36 / 3

HEX #F7729F

RGB 247 114 159

HSL 339.7, 0.89%, 0.71%

LAB 65.21, 55.28, 0.76

 

CMYK 0 / 58 / 39 / 10

HEX #E6608C

RGB 230 96 140

HSL 340.3, 0.73%, 0.64%

LAB 59.05, 55.98, 2.44

 

CMYK 0 / 63 / 43 / 16

HEX #D54E79

RGB 213 78 121

HSL 340.89, 0.62%, 0.57%

LAB 52.92, 56.52, 4.45

 

CMYK 0 / 69 / 48 / 23

HEX #C43C66

RGB 196 60 102

HSL 341.47, 0.54%, 0.5%

LAB 46.88, 56.76, 6.91

 

CMYK 0 / 77 / 54 / 30

HEX #B32A53

RGB 179 42 83

HSL 342.04, 0.62%, 0.43%

LAB 41, 56.49, 9.98

 

CMYK 0 / 53 / 35 / 3

HEX #F773A0

RGB 247 115 160

HSL 339.55, 0.89%, 0.71%

LAB 65.42, 54.93, 0.49

 

CMYK 0 / 53 / 50 / 3

HEX #F7737C

RGB 247 115 124

HSL 355.91, 0.89%, 0.71%

LAB 64.56, 51.3, 19.79

 

CMYK 0 / 53 / 53 / 3

HEX #F77373

RGB 247 115 115

HSL 0, 0.89%, 0.71%

LAB 64.38, 50.54, 24.65

 

CMYK 0 / 53 / 35 / 3

HEX #F773A0

RGB 247 115 160

HSL 339.55, 0.89%, 0.71%

LAB 65.42, 54.93, 0.49

 

CMYK 0 / 53 / 21 / 3

HEX #F773C3

RGB 247 115 195

HSL 323.64, 0.89%, 0.71%

LAB 66.5, 59.37, -17.72

 

CMYK 0 / 53 / 6 / 3

HEX #F773E7

RGB 247 115 231

HSL 307.27, 0.89%, 0.71%

LAB 67.88, 64.77, -35.7

 

CMYK 8 / 53 / 0 / 3

HEX #E373F7

RGB 227 115 247

HSL 290.91, 0.89%, 0.71%

LAB 65.99, 62.24, -47.67

 

CMYK 22 / 53 / 0 / 3

HEX #C073F7

RGB 192 115 247

HSL 275, 0.89%, 0.71%

LAB 61.81, 53.31, -54.55

 

CMYK 0 / 53 / 35 / 3

HEX #F773A0

RGB 247 115 160

HSL 339.55, 0.89%, 0.71%

LAB 65.42, 54.93, 0.49

 

CMYK 0 / 53 / 35 / 3

HEX #F773A0

RGB 247 115 160

HSL 339.55, 0.89%, 0.71%

LAB 65.42, 54.93, 0.49

 

CMYK 0 / 46 / 30 / 8

HEX #EB7FA4

RGB 235 127 164

HSL 339.44, 0.73%, 0.71%

LAB 66.15, 45.58, -0.9

 

CMYK 0 / 38 / 25 / 13

HEX #DF8BA8

RGB 223 139 168

HSL 339.29, 0.57%, 0.71%

LAB 67.26, 35.75, -1.71

 

CMYK 0 / 28 / 19 / 17

HEX #D397AB

RGB 211 151 171

HSL 340, 0.41%, 0.71%

LAB 68.69, 25.44, -1.45

 

CMYK 0 / 18 / 12 / 22

HEX #C7A3AF

RGB 199 163 175

HSL 340, 0.24%, 0.71%

LAB 70.48, 15.18, -1.21

 

CMYK 0 / 53 / 6 / 3

HEX #F773E8

RGB 247 115 232

HSL 306.82, 0.89%, 0.71%

LAB 67.92, 64.93, -36.19

 

CMYK 0 / 53 / 21 / 3

HEX #F773C4

RGB 247 115 196

HSL 323.18, 0.89%, 0.71%

LAB 66.54, 59.51, -18.23

 

CMYK 0 / 53 / 35 / 3

HEX #F773A1

RGB 247 115 161

HSL 339.09, 0.89%, 0.71%

LAB 65.44, 55.04, -0.04

 

CMYK 0 / 53 / 49 / 3

HEX #F7737E

RGB 247 115 126

HSL 355, 0.89%, 0.71%

LAB 64.6, 51.47, 18.7

 

CMYK 0 / 44 / 53 / 3

HEX #F78B73

RGB 247 139 115

HSL 10.91, 0.89%, 0.71%

LAB 69.1, 38.67, 30.86

 

CMYK 0 / 85 / 56 / 5

HEX #F2256B

RGB 242 37 107

HSL 339.51, 0.89%, 0.55%

LAB 53.23, 76.06, 14.03

 

CMYK 0 / 69 / 46 / 4

HEX #F54C85

RGB 245 76 133

HSL 339.76, 0.89%, 0.63%

LAB 58.3, 67.93, 5.76

 

CMYK 0 / 53 / 35 / 3

HEX #F773A0

RGB 247 115 160

HSL 339.55, 0.89%, 0.71%

LAB 65.42, 54.93, 0.49

 

CMYK 0 / 38 / 25 / 2

HEX #F99ABA

RGB 249 154 186

HSL 339.79, 0.89%, 0.79%

LAB 74.06, 39.5, -1.41

 

CMYK 0 / 23 / 15 / 2

HEX #FBC1D5

RGB 251 193 213

HSL 339.31, 0.88%, 0.87%

LAB 83.68, 23.73, -1.95

 

CMYK 0 / 54 / 36 / 3

HEX #F7729F

RGB 247 114 159

HSL 339.7, 0.89%, 0.71%

LAB 65.21, 55.28, 0.76

 

CMYK 0 / 8 / 53 / 3

HEX #F7E373

RGB 247 227 115

HSL 50.91, 0.89%, 0.71%

LAB 89.84, -6.99, 56.44

 

CMYK 53 / 13 / 0 / 3

HEX #73D6F7

RGB 115 214 247

HSL 195, 0.89%, 0.71%

LAB 80.99, -20.15, -25.05

 

CMYK 0 / 54 / 36 / 3

HEX #F7729F

RGB 247 114 159

HSL 339.7, 0.89%, 0.71%

LAB 65.21, 55.28, 0.76

 

CMYK 35 / 0 / 53 / 3

HEX #A1F773

RGB 161 247 115

HSL 99.09, 0.89%, 0.71%

LAB 89.55, -48.52, 54.69

 

CMYK 53 / 35 / 0 / 3

HEX #73A1F7

RGB 115 161 247

HSL 219.09, 0.89%, 0.71%

LAB 66.41, 8.58, -47.67

 

CMYK 0 / 54 / 36 / 3

HEX #F7729F

RGB 247 114 159

HSL 339.7, 0.89%, 0.71%

LAB 65.21, 55.28, 0.76

 

CMYK 0 / 8 / 53 / 3

HEX #F7E373

RGB 247 227 115

HSL 50.91, 0.89%, 0.71%

LAB 89.84, -6.99, 56.44

 

CMYK 53 / 0 / 19 / 3

HEX #73F7C9

RGB 115 247 201

HSL 159.09, 0.89%, 0.71%

LAB 89.1, -47.07, 11.16

 

CMYK 53 / 45 / 0 / 3

HEX #7387F7

RGB 115 135 247

HSL 230.91, 0.89%, 0.71%

LAB 59.61, 23.83, -58.47

 

CMYK 0 / 54 / 36 / 3

HEX #F7729F

RGB 247 114 159

HSL 339.7, 0.89%, 0.71%

LAB 65.21, 55.28, 0.76

 

CMYK 8 / 0 / 53 / 3

HEX #E3F773

RGB 227 247 115

HSL 69.09, 0.89%, 0.71%

LAB 93.49, -24.67, 60.3

 

CMYK 53 / 0 / 19 / 3

HEX #73F7C9

RGB 115 247 201

HSL 159.09, 0.89%, 0.71%

LAB 89.1, -47.07, 11.16

 

CMYK 45 / 53 / 0 / 3

HEX #8773F7

RGB 135 115 247

HSL 249.09, 0.89%, 0.71%

LAB 56.22, 39.83, -63.82

 

Description

Color code: HEX #F7729F | qconv.com Color code: HEX #F7729F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 114 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 114 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 36 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 36% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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