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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F76F35CE it is the complementary color #0890CACE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F76F35CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F76F35CE shade: #FC6F30CE, #FF8143CE, #FF9356CE, #FFA569CE and #FFB77CCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F76F35CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F76F35CE shade: #F76F35CE, #E65D22CE, #D54B0FCE, #C43900CE and #B32700CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F76F35CE shade: #F77036, #F73C36 and #F73636

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F76F35CE shade: #F77036, #F7A436, #F7D836, #E2F736 and #AEF736

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F76F35CE shade matches the following richer shades: #F77036

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F76F35CE shade: #F77036, #E67747, #D57D58, #C48469 and #B38B7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F76F35CE shade: #F73666, #F73936, #F76D36, #F7A036 and #F7D336

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F76F35CE shade: #D24509, #F5540F, #F77036, #F88C5E and #FAA885

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F76F35CE shade: #F76F35, #9AF736 and #364DF7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F76F35CE shade: #F76F35, #36F76D and #6D36F7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F76F35CE shade: #F76F35, #9AF736, #36C0F7 and #9336F7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F76F35CE shade: #F76F35, #60F736, #36C0F7 and #CD36F7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 64 / 3

HEX #F76F35CE

RGBA 247 111 53 0.81

HSLA 17.94, 0.92%, 0.59%, 0.81

LABA 62.84, 48.94, 55.54, 0.81

 

Complementary color

CMYK 78 / 23 / 0 / 17

HEX #0890CACE

RGBA 8 144 202 0.81

HSLA 197.94, 0.92%, 0.41%, 0.81

LABA 56.35, -10.86, -38.74, 0.81

 

CMYK 0 / 45 / 66 / 1

HEX #FC6F30CE

RGBA 252 111 48 0.81

HSLA 18.53, 0.97%, 0.59%, 0.81

LABA 63.57, 50.61, 58.7, 0.81

 

CMYK 0 / 40 / 60 / 0

HEX #FF8143CE

RGBA 255 129 67 0.81

HSLA 19.79, 1%, 0.63%, 0.81

LABA 67.55, 43.77, 54.17, 0.81

 

CMYK 0 / 34 / 54 / 0

HEX #FF9356CE

RGBA 255 147 86 0.81

HSLA 21.66, 1%, 0.67%, 0.81

LABA 71.42, 35.65, 49.17, 0.81

 

CMYK 0 / 29 / 48 / 0

HEX #FFA569CE

RGBA 255 165 105 0.81

HSLA 24, 1%, 0.71%, 0.81

LABA 75.57, 27.55, 44.49, 0.81

 

CMYK 0 / 23 / 42 / 0

HEX #FFB77CCE

RGBA 255 183 124 0.81

HSLA 27.02, 1%, 0.74%, 0.81

LABA 79.94, 19.64, 40.19, 0.81

 

CMYK 0 / 45 / 64 / 3

HEX #F76F35CE

RGBA 247 111 53 0.81

HSLA 17.94, 0.92%, 0.59%, 0.81

LABA 62.84, 48.94, 55.54, 0.81

 

CMYK 0 / 48 / 69 / 8

HEX #E65D22CE

RGBA 230 93 34 0.81

HSLA 18.06, 0.8%, 0.52%, 0.81

LABA 56.85, 50.54, 57.22, 0.81

 

CMYK 0 / 52 / 75 / 13

HEX #D54B0FCE

RGBA 213 75 15 0.81

HSLA 18.18, 0.87%, 0.45%, 0.81

LABA 50.94, 52.08, 57.98, 0.81

 

CMYK 0 / 57 / 81 / 19

HEX #C43900CE

RGBA 196 57 0 0.81

HSLA 17.45, 1%, 0.38%, 0.81

LABA 45.17, 53.37, 56.96, 0.81

 

CMYK 0 / 63 / 81 / 24

HEX #B32700CE

RGBA 179 39 0 0.81

HSLA 13.07, 1%, 0.35%, 0.81

LABA 39.64, 54.14, 52.54, 0.81

 

CMYK 0 / 55 / 78 / 3

HEX #F77036

RGB 247 112 54

HSL 18.03, 0.92%, 0.59%

LAB 63.03, 48.5, 55.27

 

CMYK 0 / 76 / 78 / 3

HEX #F73C36

RGB 247 60 54

HSL 1.87, 0.92%, 0.59%

LAB 55.35, 69.13, 47.59

 

CMYK 0 / 78 / 78 / 3

HEX #F73636

RGB 247 54 54

HSL 0, 0.92%, 0.59%

LAB 54.74, 70.85, 46.97

 

CMYK 0 / 55 / 78 / 3

HEX #F77036

RGB 247 112 54

HSL 18.03, 0.92%, 0.59%

LAB 63.03, 48.5, 55.27

 

CMYK 0 / 34 / 78 / 3

HEX #F7A436

RGB 247 164 54

HSL 34.2, 0.92%, 0.59%

LAB 73.93, 22.1, 65.64

 

CMYK 0 / 13 / 78 / 3

HEX #F7D836

RGB 247 216 54

HSL 50.36, 0.92%, 0.59%

LAB 86.58, -4.87, 77.16

 

CMYK 9 / 0 / 78 / 3

HEX #E2F736

RGB 226 247 54

HSL 66.53, 0.92%, 0.59%

LAB 93, -28.64, 82.25

 

CMYK 30 / 0 / 78 / 3

HEX #AEF736

RGB 174 247 54

HSL 82.69, 0.92%, 0.59%

LAB 89.76, -48.55, 78.12

 

CMYK 0 / 55 / 78 / 3

HEX #F77036

RGB 247 112 54

HSL 18.03, 0.92%, 0.59%

LAB 63.03, 48.5, 55.27

 

CMYK 0 / 55 / 78 / 3

HEX #F77036

RGB 247 112 54

HSL 18.03, 0.92%, 0.59%

LAB 63.03, 48.5, 55.27

 

CMYK 0 / 48 / 69 / 10

HEX #E67747

RGB 230 119 71

HSL 18.11, 0.76%, 0.59%

LAB 62.06, 39.38, 45.21

 

CMYK 0 / 41 / 59 / 16

HEX #D57D58

RGB 213 125 88

HSL 17.76, 0.6%, 0.59%

LAB 61.24, 30.63, 34.67

 

CMYK 0 / 33 / 46 / 23

HEX #C48469

RGB 196 132 105

HSL 17.8, 0.44%, 0.59%

LAB 61.01, 21.48, 24.57

 

CMYK 0 / 22 / 32 / 30

HEX #B38B7A

RGB 179 139 122

HSL 17.89, 0.27%, 0.59%

LAB 61.18, 12.74, 14.92

 

CMYK 0 / 78 / 59 / 3

HEX #F73666

RGB 247 54 102

HSL 345.08, 0.92%, 0.59%

LAB 55.45, 73.08, 20.21

 

CMYK 0 / 77 / 78 / 3

HEX #F73936

RGB 247 57 54

HSL 0.93, 0.92%, 0.59%

LAB 55.04, 70.01, 47.27

 

CMYK 0 / 56 / 78 / 3

HEX #F76D36

RGB 247 109 54

HSL 17.1, 0.92%, 0.59%

LAB 62.49, 49.91, 54.73

 

CMYK 0 / 35 / 78 / 3

HEX #F7A036

RGB 247 160 54

HSL 32.95, 0.92%, 0.59%

LAB 73.01, 24.2, 64.79

 

CMYK 0 / 15 / 78 / 3

HEX #F7D336

RGB 247 211 54

HSL 48.81, 0.92%, 0.59%

LAB 85.32, -2.34, 76.03

 

CMYK 0 / 67 / 96 / 18

HEX #D24509

RGB 210 69 9

HSL 17.91, 0.92%, 0.43%

LAB 49.47, 53.47, 58.3

 

CMYK 0 / 66 / 94 / 4

HEX #F5540F

RGB 245 84 15

HSL 18, 0.92%, 0.51%

LAB 57.83, 59.27, 65.11

 

CMYK 0 / 55 / 78 / 3

HEX #F77036

RGB 247 112 54

HSL 18.03, 0.92%, 0.59%

LAB 63.03, 48.5, 55.27

 

CMYK 0 / 44 / 62 / 3

HEX #F88C5E

RGB 248 140 94

HSL 17.92, 0.92%, 0.67%

LAB 69.13, 37, 42.17

 

CMYK 0 / 33 / 47 / 2

HEX #FAA885

RGB 250 168 133

HSL 17.95, 0.92%, 0.75%

LAB 76.08, 26.36, 30.37

 

CMYK 0 / 55 / 79 / 3

HEX #F76F35

RGB 247 111 53

HSL 17.94, 0.92%, 0.59%

LAB 62.84, 48.94, 55.54

 

CMYK 38 / 0 / 78 / 3

HEX #9AF736

RGB 154 247 54

HSL 88.91, 0.92%, 0.59%

LAB 88.76, -55.46, 76.83

 

CMYK 78 / 69 / 0 / 3

HEX #364DF7

RGB 54 77 247

HSL 232.85, 0.92%, 0.59%

LAB 42.47, 50.06, -86.44

 

CMYK 0 / 55 / 79 / 3

HEX #F76F35

RGB 247 111 53

HSL 17.94, 0.92%, 0.59%

LAB 62.84, 48.94, 55.54

 

CMYK 78 / 0 / 56 / 3

HEX #36F76D

RGB 54 247 109

HSL 137.1, 0.92%, 0.59%

LAB 86.21, -73.71, 52.64

 

CMYK 56 / 78 / 0 / 3

HEX #6D36F7

RGB 109 54 247

HSL 257.1, 0.92%, 0.59%

LAB 42.16, 67.14, -86.82

 

CMYK 0 / 55 / 79 / 3

HEX #F76F35

RGB 247 111 53

HSL 17.94, 0.92%, 0.59%

LAB 62.84, 48.94, 55.54

 

CMYK 38 / 0 / 78 / 3

HEX #9AF736

RGB 154 247 54

HSL 88.91, 0.92%, 0.59%

LAB 88.76, -55.46, 76.83

 

CMYK 78 / 22 / 0 / 3

HEX #36C0F7

RGB 54 192 247

HSL 197.1, 0.92%, 0.59%

LAB 73.02, -18.11, -37.46

 

CMYK 40 / 78 / 0 / 3

HEX #9336F7

RGB 147 54 247

HSL 268.91, 0.92%, 0.59%

LAB 46.39, 72.05, -79.72

 

CMYK 0 / 55 / 79 / 3

HEX #F76F35

RGB 247 111 53

HSL 17.94, 0.92%, 0.59%

LAB 62.84, 48.94, 55.54

 

CMYK 61 / 0 / 78 / 3

HEX #60F736

RGB 96 247 54

HSL 106.94, 0.92%, 0.59%

LAB 86.64, -71.66, 74.09

 

CMYK 78 / 22 / 0 / 3

HEX #36C0F7

RGB 54 192 247

HSL 197.1, 0.92%, 0.59%

LAB 73.02, -18.11, -37.46

 

CMYK 17 / 78 / 0 / 3

HEX #CD36F7

RGB 205 54 247

HSL 286.94, 0.92%, 0.59%

LAB 54.38, 81.33, -66.37

 

Description

Color code: HEX #F76F35CE | qconv.com Color code: HEX #F76F35CE | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 111 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 111 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 64 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 64% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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