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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F76C91CE it is the complementary color #08936ECE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F76C91CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F76C91CE shade: #FC6C8CCE, #FF7E9FCE, #FF90B2CE, #FFA2C5CE and #FFB4D8CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F76C91CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F76C91CE shade: #F76C91CE, #E65A7ECE, #D5486BCE, #C43658CE and #B32445CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F76C91CE shade: #F76E92 and #F76E6E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F76C91CE shade: #F76E92, #F76EB7, #F76EDD, #ED6EF7 and #C86EF7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F76C91CE shade matches the following richer shades: #F76E92

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F76C91CE shade: #F76E92, #EB7A98, #DF869E, #D293A4 and #C69FA9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F76C91CE shade: #F76EDC, #F76EB7, #F76E92, #F76E6E and #F7926E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F76C91CE shade: #F31F58, #F54675, #F76E92, #F995B0 and #FBBCCD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F76C91CE shade: #F76C91, #F7EE6E and #6EC9F7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F76C91CE shade: #F76C91, #92F76E and #6E92F7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F76C91CE shade: #F76C91, #F7EE6E, #6EF7D3 and #6E77F7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F76C91CE shade: #F76C91, #D7F76E, #6EF7D3 and #8E6EF7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 33 / 3

HEX #F76C91CE

RGBA 247 108 145 0.81

HSLA 344.03, 0.9%, 0.7%, 0.81

LABA 63.79, 56.54, 6.71, 0.81

 

Complementary color

CMYK 77 / 0 / 20 / 34

HEX #08936ECE

RGBA 8 147 110 0.81

HSLA 164.03, 0.9%, 0.3%, 0.81

LABA 54.07, -42.15, 10.44, 0.81

 

CMYK 0 / 46 / 36 / 1

HEX #FC6C8CCE

RGBA 252 108 140 0.81

HSLA 346.67, 0.96%, 0.71%, 0.81

LABA 64.41, 57.66, 10.57, 0.81

 

CMYK 0 / 41 / 30 / 0

HEX #FF7E9FCE

RGBA 255 126 159 0.81

HSLA 344.65, 1%, 0.75%, 0.81

LABA 68.52, 52.23, 5.7, 0.81

 

CMYK 0 / 35 / 24 / 0

HEX #FF90B2CE

RGBA 255 144 178 0.81

HSLA 341.62, 1%, 0.78%, 0.81

LABA 72.51, 45.62, 0.84, 0.81

 

CMYK 0 / 30 / 18 / 0

HEX #FFA2C5CE

RGBA 255 162 197 0.81

HSLA 337.42, 1%, 0.82%, 0.81

LABA 76.76, 38.97, -3.41, 0.81

 

CMYK 0 / 24 / 12 / 0

HEX #FFB4D8CE

RGBA 255 180 216 0.81

HSLA 331.2, 1%, 0.85%, 0.81

LABA 81.21, 32.41, -7.15, 0.81

 

CMYK 0 / 46 / 33 / 3

HEX #F76C91CE

RGBA 247 108 145 0.81

HSLA 344.03, 0.9%, 0.7%, 0.81

LABA 63.79, 56.54, 6.71, 0.81

 

CMYK 0 / 49 / 37 / 8

HEX #E65A7ECE

RGBA 230 90 126 0.81

HSLA 344.57, 0.74%, 0.63%, 0.81

LABA 57.7, 57.21, 8.68, 0.81

 

CMYK 0 / 54 / 40 / 13

HEX #D5486BCE

RGBA 213 72 107 0.81

HSLA 345.11, 0.63%, 0.56%, 0.81

LABA 51.66, 57.69, 11.04, 0.81

 

CMYK 0 / 59 / 45 / 19

HEX #C43658CE

RGBA 196 54 88 0.81

HSLA 345.63, 0.57%, 0.49%, 0.81

LABA 45.74, 57.8, 13.93, 0.81

 

CMYK 0 / 65 / 50 / 24

HEX #B32445CE

RGBA 179 36 69 0.81

HSLA 346.15, 0.67%, 0.42%, 0.81

LABA 40.04, 57.3, 17.52, 0.81

 

CMYK 0 / 55 / 41 / 3

HEX #F76E92

RGB 247 110 146

HSL 344.23, 0.9%, 0.7%

LAB 64.16, 55.72, 6.67

 

CMYK 0 / 55 / 55 / 3

HEX #F76E6E

RGB 247 110 110

HSL 0, 0.9%, 0.7%

LAB 63.39, 52.5, 26.15

 

CMYK 0 / 55 / 41 / 3

HEX #F76E92

RGB 247 110 146

HSL 344.23, 0.9%, 0.7%

LAB 64.16, 55.72, 6.67

 

CMYK 0 / 55 / 26 / 3

HEX #F76EB7

RGB 247 110 183

HSL 328.03, 0.9%, 0.7%

LAB 65.24, 60.04, -12.85

 

CMYK 0 / 55 / 11 / 3

HEX #F76EDD

RGB 247 110 221

HSL 311.39, 0.9%, 0.7%

LAB 66.63, 65.44, -32.08

 

CMYK 4 / 55 / 0 / 3

HEX #ED6EF7

RGB 237 110 247

HSL 295.62, 0.9%, 0.7%

LAB 66.42, 67.09, -46.9

 

CMYK 19 / 55 / 0 / 3

HEX #C86EF7

RGB 200 110 247

HSL 279.42, 0.9%, 0.7%

LAB 61.78, 57.82, -54.55

 

CMYK 0 / 55 / 41 / 3

HEX #F76E92

RGB 247 110 146

HSL 344.23, 0.9%, 0.7%

LAB 64.16, 55.72, 6.67

 

CMYK 0 / 55 / 41 / 3

HEX #F76E92

RGB 247 110 146

HSL 344.23, 0.9%, 0.7%

LAB 64.16, 55.72, 6.67

 

CMYK 0 / 48 / 35 / 8

HEX #EB7A98

RGB 235 122 152

HSL 344.07, 0.74%, 0.7%

LAB 64.84, 46.62, 4.01

 

CMYK 0 / 40 / 29 / 13

HEX #DF869E

RGB 223 134 158

HSL 343.82, 0.58%, 0.7%

LAB 65.91, 37.01, 1.95

 

CMYK 0 / 30 / 22 / 18

HEX #D293A4

RGB 210 147 164

HSL 343.81, 0.41%, 0.7%

LAB 67.46, 26.19, 0.65

 

CMYK 0 / 20 / 15 / 22

HEX #C69FA9

RGB 198 159 169

HSL 344.62, 0.25%, 0.7%

LAB 69.23, 16.01, 0.29

 

CMYK 0 / 55 / 11 / 3

HEX #F76EDC

RGB 247 110 220

HSL 311.82, 0.9%, 0.7%

LAB 66.59, 65.29, -31.59

 

CMYK 0 / 55 / 26 / 3

HEX #F76EB7

RGB 247 110 183

HSL 328.03, 0.9%, 0.7%

LAB 65.24, 60.04, -12.85

 

CMYK 0 / 55 / 41 / 3

HEX #F76E92

RGB 247 110 146

HSL 344.23, 0.9%, 0.7%

LAB 64.16, 55.72, 6.67

 

CMYK 0 / 55 / 55 / 3

HEX #F76E6E

RGB 247 110 110

HSL 0, 0.9%, 0.7%

LAB 63.39, 52.5, 26.15

 

CMYK 0 / 41 / 55 / 3

HEX #F7926E

RGB 247 146 110

HSL 15.77, 0.9%, 0.7%

LAB 70.5, 34.67, 35.36

 

CMYK 0 / 87 / 64 / 5

HEX #F31F58

RGB 243 31 88

HSL 343.87, 0.9%, 0.54%

LAB 52.66, 76.26, 24.76

 

CMYK 0 / 71 / 52 / 4

HEX #F54675

RGB 245 70 117

HSL 343.89, 0.9%, 0.62%

LAB 57.15, 68.7, 13.58

 

CMYK 0 / 55 / 41 / 3

HEX #F76E92

RGB 247 110 146

HSL 344.23, 0.9%, 0.7%

LAB 64.16, 55.72, 6.67

 

CMYK 0 / 40 / 29 / 2

HEX #F995B0

RGB 249 149 176

HSL 343.8, 0.89%, 0.78%

LAB 72.74, 40.75, 2.2

 

CMYK 0 / 25 / 18 / 2

HEX #FBBCCD

RGB 251 188 205

HSL 343.81, 0.89%, 0.86%

LAB 82.32, 25.13, 0.35

 

CMYK 0 / 56 / 41 / 3

HEX #F76C91

RGB 247 108 145

HSL 344.03, 0.9%, 0.7%

LAB 63.79, 56.54, 6.71

 

CMYK 0 / 4 / 55 / 3

HEX #F7EE6E

RGB 247 238 110

HSL 56.06, 0.9%, 0.7%

LAB 92.6, -12.83, 61.88

 

CMYK 55 / 19 / 0 / 3

HEX #6EC9F7

RGB 110 201 247

HSL 200.15, 0.9%, 0.7%

LAB 77.16, -14.47, -30.93

 

CMYK 0 / 56 / 41 / 3

HEX #F76C91

RGB 247 108 145

HSL 344.03, 0.9%, 0.7%

LAB 63.79, 56.54, 6.71

 

CMYK 41 / 0 / 55 / 3

HEX #92F76E

RGB 146 247 110

HSL 104.23, 0.9%, 0.7%

LAB 88.81, -53.78, 55.89

 

CMYK 55 / 41 / 0 / 3

HEX #6E92F7

RGB 110 146 247

HSL 224.23, 0.9%, 0.7%

LAB 62.16, 16.29, -54.41

 

CMYK 0 / 56 / 41 / 3

HEX #F76C91

RGB 247 108 145

HSL 344.03, 0.9%, 0.7%

LAB 63.79, 56.54, 6.71

 

CMYK 0 / 4 / 55 / 3

HEX #F7EE6E

RGB 247 238 110

HSL 56.06, 0.9%, 0.7%

LAB 92.6, -12.83, 61.88

 

CMYK 55 / 0 / 15 / 3

HEX #6EF7D3

RGB 110 247 211

HSL 164.23, 0.9%, 0.7%

LAB 89.18, -45.86, 6.05

 

CMYK 55 / 52 / 0 / 3

HEX #6E77F7

RGB 110 119 247

HSL 236.06, 0.9%, 0.7%

LAB 55.3, 32.4, -65.39

 

CMYK 0 / 56 / 41 / 3

HEX #F76C91

RGB 247 108 145

HSL 344.03, 0.9%, 0.7%

LAB 63.79, 56.54, 6.71

 

CMYK 13 / 0 / 55 / 3

HEX #D7F76E

RGB 215 247 110

HSL 74.01, 0.9%, 0.7%

LAB 92.62, -29.7, 61.28

 

CMYK 55 / 0 / 15 / 3

HEX #6EF7D3

RGB 110 247 211

HSL 164.23, 0.9%, 0.7%

LAB 89.18, -45.86, 6.05

 

CMYK 43 / 55 / 0 / 3

HEX #8E6EF7

RGB 142 110 247

HSL 254.01, 0.9%, 0.7%

LAB 55.7, 44.19, -64.62

 

Description

Color code: HEX #F76C91CE | qconv.com Color code: HEX #F76C91CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 108 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 108 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 33 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 33% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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