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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F76C4ACE it is the complementary color #0893B5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F76C4ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F76C4ACE shade: #FC6C45CE, #FF7E58CE, #FF906BCE, #FFA27ECE and #FFB491CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F76C4ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F76C4ACE shade: #F76C4ACE, #E65A37CE, #D54824CE, #C43611CE and #B32400CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F76C4ACE shade: #F76C4A and #F74A4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F76C4ACE shade: #F76C4A, #F79B4A, #F7CA4A, #F6F74A and #C8F74A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F76C4ACE shade matches the following richer shades: #F76C4A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F76C4ACE shade: #F76C4A, #E87559, #D97E68, #CA8878 and #BA9187

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F76C4ACE shade: #F74A87, #F74A58, #F76A4A, #F7984A and #F7C64A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F76C4ACE shade: #E5350A, #F64C22, #F76C4A, #F98C71 and #FBAC99

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F76C4ACE shade: #F76C4A, #B5F74A and #4A6FF7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F76C4ACE shade: #F76C4A, #4AF76A and #6A4AF7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F76C4ACE shade: #F76C4A, #B5F74A, #4AD8F7 and #8C4AF7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F76C4ACE shade: #F76C4A, #81F74A, #4AD8F7 and #C04AF7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 57 / 3

HEX #F76C4ACE

RGBA 247 108 74 0.81

HSLA 11.79, 0.92%, 0.63%, 0.81

LABA 62.5, 51.2, 44.84, 0.81

 

Complementary color

CMYK 77 / 15 / 0 / 24

HEX #0893B5CE

RGBA 8 147 181 0.81

HSLA 191.79, 0.92%, 0.37%, 0.81

LABA 56.34, -20.11, -26.85, 0.81

 

CMYK 0 / 46 / 59 / 1

HEX #FC6C45CE

RGBA 252 108 69 0.81

HSLA 12.79, 0.97%, 0.63%, 0.81

LABA 63.22, 52.75, 48.43, 0.81

 

CMYK 0 / 41 / 53 / 0

HEX #FF7E58CE

RGBA 255 126 88 0.81

HSLA 13.65, 1%, 0.67%, 0.81

LABA 67.19, 46.28, 43.23, 0.81

 

CMYK 0 / 35 / 47 / 0

HEX #FF906BCE

RGBA 255 144 107 0.81

HSLA 15, 1%, 0.71%, 0.81

LABA 71.06, 38.54, 37.89, 0.81

 

CMYK 0 / 30 / 41 / 0

HEX #FFA27ECE

RGBA 255 162 126 0.81

HSLA 16.74, 1%, 0.75%, 0.81

LABA 75.21, 30.79, 33.06, 0.81

 

CMYK 0 / 24 / 35 / 0

HEX #FFB491CE

RGBA 255 180 145 0.81

HSLA 19.09, 1%, 0.78%, 0.81

LABA 79.58, 23.19, 28.74, 0.81

 

CMYK 0 / 46 / 57 / 3

HEX #F76C4ACE

RGBA 247 108 74 0.81

HSLA 11.79, 0.92%, 0.63%, 0.81

LABA 62.5, 51.2, 44.84, 0.81

 

CMYK 0 / 49 / 62 / 8

HEX #E65A37CE

RGBA 230 90 55 0.81

HSLA 12, 0.78%, 0.56%, 0.81

LABA 56.5, 52.53, 47.32, 0.81

 

CMYK 0 / 54 / 67 / 13

HEX #D54824CE

RGBA 213 72 36 0.81

HSLA 12.2, 0.71%, 0.49%, 0.81

LABA 50.58, 53.74, 49.82, 0.81

 

CMYK 0 / 59 / 74 / 19

HEX #C43611CE

RGBA 196 54 17 0.81

HSLA 12.4, 0.84%, 0.42%, 0.81

LABA 44.82, 54.68, 51.76, 0.81

 

CMYK 0 / 65 / 81 / 24

HEX #B32400CE

RGBA 179 36 0 0.81

HSLA 12.07, 1%, 0.35%, 0.81

LABA 39.32, 55.04, 52.4, 0.81

 

CMYK 0 / 56 / 70 / 3

HEX #F76C4A

RGB 247 108 74

HSL 11.79, 0.92%, 0.63%

LAB 62.5, 51.2, 44.84

 

CMYK 0 / 70 / 70 / 3

HEX #F74A4A

RGB 247 74 74

HSL 0, 0.92%, 0.63%

LAB 57.24, 65.29, 38.76

 

CMYK 0 / 56 / 70 / 3

HEX #F76C4A

RGB 247 108 74

HSL 11.79, 0.92%, 0.63%

LAB 62.5, 51.2, 44.84

 

CMYK 0 / 37 / 70 / 3

HEX #F79B4A

RGB 247 155 74

HSL 28.09, 0.92%, 0.63%

LAB 72.04, 27.67, 55.34

 

CMYK 0 / 18 / 70 / 3

HEX #F7CA4A

RGB 247 202 74

HSL 44.39, 0.92%, 0.63%

LAB 83.18, 3.1, 66.93

 

CMYK 0 / 0 / 70 / 3

HEX #F6F74A

RGB 246 247 74

HSL 60.35, 0.92%, 0.63%

LAB 94.57, -19.75, 78.15

 

CMYK 19 / 0 / 70 / 3

HEX #C8F74A

RGB 200 247 74

HSL 76.3, 0.92%, 0.63%

LAB 91.37, -37.92, 73.93

 

CMYK 0 / 56 / 70 / 3

HEX #F76C4A

RGB 247 108 74

HSL 11.79, 0.92%, 0.63%

LAB 62.5, 51.2, 44.84

 

CMYK 0 / 56 / 70 / 3

HEX #F76C4A

RGB 247 108 74

HSL 11.79, 0.92%, 0.63%

LAB 62.5, 51.2, 44.84

 

CMYK 0 / 50 / 62 / 9

HEX #E87559

RGB 232 117 89

HSL 11.75, 0.76%, 0.63%

LAB 62.17, 42.22, 35.86

 

CMYK 0 / 42 / 52 / 15

HEX #D97E68

RGB 217 126 104

HSL 11.68, 0.6%, 0.63%

LAB 62.23, 32.99, 27.22

 

CMYK 0 / 33 / 41 / 21

HEX #CA8878

RGB 202 136 120

HSL 11.71, 0.44%, 0.63%

LAB 62.94, 23.32, 18.88

 

CMYK 0 / 22 / 27 / 27

HEX #BA9187

RGB 186 145 135

HSL 11.76, 0.27%, 0.63%

LAB 63.7, 13.97, 11.23

 

CMYK 0 / 70 / 45 / 3

HEX #F74A87

RGB 247 74 135

HSL 338.84, 0.92%, 0.63%

LAB 58.43, 69.38, 4.83

 

CMYK 0 / 70 / 64 / 3

HEX #F74A58

RGB 247 74 88

HSL 355.14, 0.92%, 0.63%

LAB 57.44, 65.99, 31.03

 

CMYK 0 / 57 / 70 / 3

HEX #F76A4A

RGB 247 106 74

HSL 11.1, 0.92%, 0.63%

LAB 62.15, 52.12, 44.44

 

CMYK 0 / 38 / 70 / 3

HEX #F7984A

RGB 247 152 74

HSL 27.05, 0.92%, 0.63%

LAB 71.37, 29.24, 54.62

 

CMYK 0 / 20 / 70 / 3

HEX #F7C64A

RGB 247 198 74

HSL 43.01, 0.92%, 0.63%

LAB 82.19, 5.16, 65.93

 

CMYK 0 / 77 / 96 / 10

HEX #E5350A

RGB 229 53 10

HSL 11.78, 0.92%, 0.47%

LAB 50.95, 65.1, 60.75

 

CMYK 0 / 69 / 86 / 4

HEX #F64C22

RGB 246 76 34

HSL 11.89, 0.92%, 0.55%

LAB 56.96, 62.96, 58.42

 

CMYK 0 / 56 / 70 / 3

HEX #F76C4A

RGB 247 108 74

HSL 11.79, 0.92%, 0.63%

LAB 62.5, 51.2, 44.84

 

CMYK 0 / 44 / 55 / 2

HEX #F98C71

RGB 249 140 113

HSL 11.91, 0.92%, 0.71%

LAB 69.53, 38.75, 32.56

 

CMYK 0 / 31 / 39 / 2

HEX #FBAC99

RGB 251 172 153

HSL 11.63, 0.92%, 0.79%

LAB 77.47, 26.72, 21.52

 

CMYK 0 / 56 / 70 / 3

HEX #F76C4A

RGB 247 108 74

HSL 11.79, 0.92%, 0.63%

LAB 62.5, 51.2, 44.84

 

CMYK 27 / 0 / 70 / 3

HEX #B5F74A

RGB 181 247 74

HSL 82.89, 0.92%, 0.63%

LAB 90.25, -44.99, 72.44

 

CMYK 70 / 55 / 0 / 3

HEX #4A6FF7

RGB 74 111 247

HSL 227.17, 0.92%, 0.63%

LAB 51.31, 31.48, -71.94

 

CMYK 0 / 56 / 70 / 3

HEX #F76C4A

RGB 247 108 74

HSL 11.79, 0.92%, 0.63%

LAB 62.5, 51.2, 44.84

 

CMYK 70 / 0 / 57 / 3

HEX #4AF76A

RGB 74 247 106

HSL 131.1, 0.92%, 0.63%

LAB 86.51, -71.32, 54.41

 

CMYK 57 / 70 / 0 / 3

HEX #6A4AF7

RGB 106 74 247

HSL 251.1, 0.92%, 0.63%

LAB 45.19, 57.39, -81.85

 

CMYK 0 / 56 / 70 / 3

HEX #F76C4A

RGB 247 108 74

HSL 11.79, 0.92%, 0.63%

LAB 62.5, 51.2, 44.84

 

CMYK 27 / 0 / 70 / 3

HEX #B5F74A

RGB 181 247 74

HSL 82.89, 0.92%, 0.63%

LAB 90.25, -44.99, 72.44

 

CMYK 70 / 13 / 0 / 3

HEX #4AD8F7

RGB 74 216 247

HSL 190.75, 0.92%, 0.63%

LAB 80.34, -27.97, -26.16

 

CMYK 43 / 70 / 0 / 3

HEX #8C4AF7

RGB 140 74 247

HSL 262.89, 0.92%, 0.63%

LAB 48.5, 62.63, -76.31

 

CMYK 0 / 56 / 70 / 3

HEX #F76C4A

RGB 247 108 74

HSL 11.79, 0.92%, 0.63%

LAB 62.5, 51.2, 44.84

 

CMYK 48 / 0 / 70 / 3

HEX #81F74A

RGB 129 247 74

HSL 100.92, 0.92%, 0.63%

LAB 87.82, -62.02, 69.19

 

CMYK 70 / 13 / 0 / 3

HEX #4AD8F7

RGB 74 216 247

HSL 190.75, 0.92%, 0.63%

LAB 80.34, -27.97, -26.16

 

CMYK 22 / 70 / 0 / 3

HEX #C04AF7

RGB 192 74 247

HSL 280.92, 0.92%, 0.63%

LAB 54.89, 72.17, -65.65

 

Description

Color code: HEX #F76C4ACE | qconv.com Color code: HEX #F76C4ACE | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 108 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 108 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 57 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 57% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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