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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F76C424C it is the complementary color #0893BD4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F76C424C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F76C424C shade: #FC6C3D4C, #FF7E504C, #FF90634C, #FFA2764C and #FFB4894C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F76C424C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F76C424C shade: #F76C424C, #E65A2F4C, #D5481C4C, #C436094C and #B324004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F76C424C shade: #F76B40 and #F74040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F76C424C shade: #F76B40, #F79C40, #F7CD40, #F0F740 and #BEF740

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F76C424C shade matches the following richer shades: #F76B40

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F76C424C shade: #F76B40, #E77350, #D77C60, #C78470 and #B78D80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F76C424C shade: #F7407A, #F74049, #F76840, #F79940 and #F7C940

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F76C424C shade: #DB3A09, #F54C18, #F76B40, #F98968 and #FAA88F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F76C424C shade: #F76C42, #ABF740 and #4062F7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F76C424C shade: #F76C42, #40F768 and #6840F7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F76C424C shade: #F76C42, #ABF740, #40CFF7 and #8C40F7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F76C424C shade: #F76C42, #74F740, #40CFF7 and #C340F7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 22 / 1

HEX #F76C424C

RGBA 247 108 66 0.3

HSLA 13.92, 0.92%, 0.61%, 0.3

LABA 62.42, 50.84, 48.86, 0.3

 

Complementary color

CMYK 29 / 7 / 0 / 8

HEX #0893BD4C

RGBA 8 147 189 0.3

HSLA 193.92, 0.92%, 0.39%, 0.3

LABA 56.68, -17.27, -30.88, 0.3

 

CMYK 0 / 17 / 23 / 0

HEX #FC6C3D4C

RGBA 252 108 61 0.3

HSLA 14.76, 0.97%, 0.61%, 0.3

LABA 63.14, 52.43, 52.33, 0.3

 

CMYK 0 / 15 / 21 / 0

HEX #FF7E504C

RGBA 255 126 80 0.3

HSLA 15.77, 1%, 0.66%, 0.3

LABA 67.1, 45.85, 47.27, 0.3

 

CMYK 0 / 13 / 18 / 0

HEX #FF90634C

RGBA 255 144 99 0.3

HSLA 17.31, 1%, 0.69%, 0.3

LABA 70.94, 37.98, 41.97, 0.3

 

CMYK 0 / 11 / 16 / 0

HEX #FFA2764C

RGBA 255 162 118 0.3

HSLA 19.27, 1%, 0.73%, 0.3

LABA 75.08, 30.11, 37.14, 0.3

 

CMYK 0 / 9 / 14 / 0

HEX #FFB4894C

RGBA 255 180 137 0.3

HSLA 21.86, 1%, 0.77%, 0.3

LABA 79.45, 22.4, 32.78, 0.3

 

CMYK 0 / 17 / 22 / 1

HEX #F76C424C

RGBA 247 108 66 0.3

HSLA 13.92, 0.92%, 0.61%, 0.3

LABA 62.42, 50.84, 48.86, 0.3

 

CMYK 0 / 18 / 24 / 3

HEX #E65A2F4C

RGBA 230 90 47 0.3

HSLA 14.1, 0.79%, 0.54%, 0.3

LABA 56.43, 52.25, 51.18, 0.3

 

CMYK 0 / 20 / 26 / 5

HEX #D5481C4C

RGBA 213 72 28 0.3

HSLA 14.27, 0.77%, 0.47%, 0.3

LABA 50.53, 53.55, 53.24, 0.3

 

CMYK 0 / 22 / 29 / 7

HEX #C436094C

RGBA 196 54 9 0.3

HSLA 14.44, 0.91%, 0.4%, 0.3

LABA 44.79, 54.58, 54.2, 0.3

 

CMYK 0 / 24 / 30 / 9

HEX #B324004C

RGBA 179 36 0 0.3

HSLA 12.07, 1%, 0.35%, 0.3

LABA 39.32, 55.04, 52.4, 0.3

 

CMYK 0 / 57 / 74 / 3

HEX #F76B40

RGB 247 107 64

HSL 14.1, 0.92%, 0.61%

LAB 62.22, 51.22, 49.65

 

CMYK 0 / 74 / 74 / 3

HEX #F74040

RGB 247 64 64

HSL 0, 0.92%, 0.61%

LAB 55.9, 68.24, 42.79

 

CMYK 0 / 57 / 74 / 3

HEX #F76B40

RGB 247 107 64

HSL 14.1, 0.92%, 0.61%

LAB 62.22, 51.22, 49.65

 

CMYK 0 / 37 / 74 / 3

HEX #F79C40

RGB 247 156 64

HSL 30.16, 0.92%, 0.61%

LAB 72.18, 26.69, 59.93

 

CMYK 0 / 17 / 74 / 3

HEX #F7CD40

RGB 247 205 64

HSL 46.23, 0.92%, 0.61%

LAB 83.87, 1.1, 71.37

 

CMYK 3 / 0 / 74 / 3

HEX #F0F740

RGB 240 247 64

HSL 62.3, 0.92%, 0.61%

LAB 94.06, -22.61, 80.73

 

CMYK 23 / 0 / 74 / 3

HEX #BEF740

RGB 190 247 64

HSL 78.69, 0.92%, 0.61%

LAB 90.71, -42.22, 76.38

 

CMYK 0 / 57 / 74 / 3

HEX #F76B40

RGB 247 107 64

HSL 14.1, 0.92%, 0.61%

LAB 62.22, 51.22, 49.65

 

CMYK 0 / 57 / 74 / 3

HEX #F76B40

RGB 247 107 64

HSL 14.1, 0.92%, 0.61%

LAB 62.22, 51.22, 49.65

 

CMYK 0 / 50 / 65 / 9

HEX #E77350

RGB 231 115 80

HSL 13.91, 0.76%, 0.61%

LAB 61.51, 42.27, 39.89

 

CMYK 0 / 42 / 55 / 16

HEX #D77C60

RGB 215 124 96

HSL 14.12, 0.6%, 0.61%

LAB 61.4, 32.59, 30.54

 

CMYK 0 / 34 / 44 / 22

HEX #C78470

RGB 199 132 112

HSL 13.79, 0.44%, 0.61%

LAB 61.49, 23.43, 21.35

 

CMYK 0 / 23 / 30 / 28

HEX #B78D80

RGB 183 141 128

HSL 14.18, 0.28%, 0.61%

LAB 62.23, 14.03, 13.06

 

CMYK 0 / 74 / 51 / 3

HEX #F7407A

RGB 247 64 122

HSL 340.98, 0.92%, 0.61%

LAB 56.93, 71.59, 10.35

 

CMYK 0 / 74 / 70 / 3

HEX #F74049

RGB 247 64 73

HSL 357.05, 0.92%, 0.61%

LAB 56.01, 68.61, 37.88

 

CMYK 0 / 58 / 74 / 3

HEX #F76840

RGB 247 104 64

HSL 13.11, 0.92%, 0.61%

LAB 61.69, 52.59, 49.09

 

CMYK 0 / 38 / 74 / 3

HEX #F79940

RGB 247 153 64

HSL 29.18, 0.92%, 0.61%

LAB 71.51, 28.26, 59.26

 

CMYK 0 / 19 / 74 / 3

HEX #F7C940

RGB 247 201 64

HSL 44.92, 0.92%, 0.61%

LAB 82.87, 3.16, 70.42

 

CMYK 0 / 74 / 96 / 14

HEX #DB3A09

RGB 219 58 9

HSL 14, 0.92%, 0.45%

LAB 49.62, 60.48, 59.25

 

CMYK 0 / 69 / 90 / 4

HEX #F54C18

RGB 245 76 24

HSL 14.12, 0.92%, 0.53%

LAB 56.73, 62.46, 61.85

 

CMYK 0 / 57 / 74 / 3

HEX #F76B40

RGB 247 107 64

HSL 14.1, 0.92%, 0.61%

LAB 62.22, 51.22, 49.65

 

CMYK 0 / 45 / 58 / 2

HEX #F98968

RGB 249 137 104

HSL 13.66, 0.92%, 0.69%

LAB 68.77, 39.6, 36.46

 

CMYK 0 / 33 / 43 / 2

HEX #FAA88F

RGB 250 168 143

HSL 14.02, 0.91%, 0.77%

LAB 76.26, 27.36, 25.24

 

CMYK 0 / 56 / 73 / 3

HEX #F76C42

RGB 247 108 66

HSL 13.92, 0.92%, 0.61%

LAB 62.42, 50.84, 48.86

 

CMYK 31 / 0 / 74 / 3

HEX #ABF740

RGB 171 247 64

HSL 84.92, 0.92%, 0.61%

LAB 89.65, -49.14, 75

 

CMYK 74 / 60 / 0 / 3

HEX #4062F7

RGB 64 98 247

HSL 228.85, 0.92%, 0.61%

LAB 47.68, 38.33, -77.88

 

CMYK 0 / 56 / 73 / 3

HEX #F76C42

RGB 247 108 66

HSL 13.92, 0.92%, 0.61%

LAB 62.42, 50.84, 48.86

 

CMYK 74 / 0 / 58 / 3

HEX #40F768

RGB 64 247 104

HSL 133.11, 0.92%, 0.61%

LAB 86.31, -73.06, 55.01

 

CMYK 58 / 74 / 0 / 3

HEX #6840F7

RGB 104 64 247

HSL 253.11, 0.92%, 0.61%

LAB 43.25, 62.09, -85.04

 

CMYK 0 / 56 / 73 / 3

HEX #F76C42

RGB 247 108 66

HSL 13.92, 0.92%, 0.61%

LAB 62.42, 50.84, 48.86

 

CMYK 31 / 0 / 74 / 3

HEX #ABF740

RGB 171 247 64

HSL 84.92, 0.92%, 0.61%

LAB 89.65, -49.14, 75

 

CMYK 74 / 16 / 0 / 3

HEX #40CFF7

RGB 64 207 247

HSL 193.11, 0.92%, 0.61%

LAB 77.54, -24.73, -30.47

 

CMYK 43 / 74 / 0 / 3

HEX #8C40F7

RGB 140 64 247

HSL 264.92, 0.92%, 0.61%

LAB 46.92, 67.09, -78.88

 

CMYK 0 / 56 / 73 / 3

HEX #F76C42

RGB 247 108 66

HSL 13.92, 0.92%, 0.61%

LAB 62.42, 50.84, 48.86

 

CMYK 53 / 0 / 74 / 3

HEX #74F740

RGB 116 247 64

HSL 102.95, 0.92%, 0.61%

LAB 87.29, -66.25, 71.9

 

CMYK 74 / 16 / 0 / 3

HEX #40CFF7

RGB 64 207 247

HSL 193.11, 0.92%, 0.61%

LAB 77.54, -24.73, -30.47

 

CMYK 21 / 74 / 0 / 3

HEX #C340F7

RGB 195 64 247

HSL 282.95, 0.92%, 0.61%

LAB 54.01, 76.41, -67.04

 

Description

Color code: HEX #F76C424C | qconv.com Color code: HEX #F76C424C | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 108 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 108 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 22 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 22% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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