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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F76B96 it is the complementary color #089469. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F76B96. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F76B96 shade: #FC6B91, #FF7DA4, #FF8FB7, #FFA1CA and #FFB3DD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F76B96. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F76B96 shade: #F76B96, #E65983, #D54770, #C4355D and #B3234A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F76B96 shade: #F76995, #F7696E and #F76969

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F76B96 shade: #F76995, #F769BB, #F769E1, #E769F7 and #C069F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F76B96 shade matches the following richer shades: #F76995

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F76B96 shade: #F76995, #EA7699, #DE829E, #D18FA3 and #C49CA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F76B96 shade: #F769E2, #F769BC, #F76996, #F76970 and #F78869

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F76B96 shade: #F31A5D, #F54279, #F76995, #F990B0 and #FBB7CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F76B96 shade: #F76B96, #F7E669 and #69CFF7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F76B96 shade: #F76B96, #96F769 and #6996F7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F76B96 shade: #F76B96, #F7E669, #69F7CA and #6979F7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F76B96 shade: #F76B96, #DDF769, #69F7CA and #8369F7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 39 / 3

HEX #F76B96

RGB 247 107 150

HSL 341.57, 0.9%, 0.69%

LAB 63.75, 57.51, 3.78

 

Complementary color

CMYK 95 / 0 / 29 / 42

HEX #089469

RGB 8 148 105

HSL 161.57, 0.9%, 0.31%

LAB 54.29, -43.8, 13.58

 

CMYK 0 / 58 / 42 / 1

HEX #FC6B91

RGB 252 107 145

HSL 344.28, 0.96%, 0.7%

LAB 64.37, 58.59, 7.64

 

CMYK 0 / 51 / 36 / 0

HEX #FF7DA4

RGB 255 125 164

HSL 342, 1%, 0.75%

LAB 68.47, 53.27, 2.8

 

CMYK 0 / 44 / 28 / 0

HEX #FF8FB7

RGB 255 143 183

HSL 338.57, 1%, 0.78%

LAB 72.44, 46.76, -2.03

 

CMYK 0 / 37 / 21 / 0

HEX #FFA1CA

RGB 255 161 202

HSL 333.83, 1%, 0.82%

LAB 76.69, 40.2, -6.25

 

CMYK 0 / 30 / 13 / 0

HEX #FFB3DD

RGB 255 179 221

HSL 326.84, 1%, 0.85%

LAB 81.14, 33.72, -9.96

 

CMYK 0 / 57 / 39 / 3

HEX #F76B96

RGB 247 107 150

HSL 341.57, 0.9%, 0.69%

LAB 63.75, 57.51, 3.78

 

CMYK 0 / 61 / 43 / 10

HEX #E65983

RGB 230 89 131

HSL 342.13, 0.74%, 0.63%

LAB 57.66, 58.13, 5.7

 

CMYK 0 / 67 / 47 / 16

HEX #D54770

RGB 213 71 112

HSL 342.68, 0.63%, 0.56%

LAB 51.64, 58.53, 8.01

 

CMYK 0 / 73 / 53 / 23

HEX #C4355D

RGB 196 53 93

HSL 343.22, 0.57%, 0.49%

LAB 45.73, 58.54, 10.83

 

CMYK 0 / 80 / 59 / 30

HEX #B3234A

RGB 179 35 74

HSL 343.75, 0.67%, 0.42%

LAB 40.05, 57.91, 14.36

 

CMYK 0 / 57 / 40 / 3

HEX #F76995

RGB 247 105 149

HSL 341.41, 0.9%, 0.69%

LAB 63.38, 58.3, 3.83

 

CMYK 0 / 57 / 55 / 3

HEX #F7696E

RGB 247 105 110

HSL 357.89, 0.9%, 0.69%

LAB 62.51, 54.79, 24.99

 

CMYK 0 / 57 / 57 / 3

HEX #F76969

RGB 247 105 105

HSL 0, 0.9%, 0.69%

LAB 62.42, 54.43, 27.71

 

CMYK 0 / 57 / 40 / 3

HEX #F76995

RGB 247 105 149

HSL 341.41, 0.9%, 0.69%

LAB 63.38, 58.3, 3.83

 

CMYK 0 / 57 / 24 / 3

HEX #F769BB

RGB 247 105 187

HSL 325.35, 0.9%, 0.69%

LAB 64.54, 62.79, -16.17

 

CMYK 0 / 57 / 9 / 3

HEX #F769E1

RGB 247 105 225

HSL 309.3, 0.9%, 0.69%

LAB 65.99, 68.23, -35.3

 

CMYK 6 / 57 / 0 / 3

HEX #E769F7

RGB 231 105 247

HSL 293.24, 0.9%, 0.69%

LAB 64.81, 67.82, -49.5

 

CMYK 22 / 57 / 0 / 3

HEX #C069F7

RGB 192 105 247

HSL 276.76, 0.9%, 0.69%

LAB 59.91, 58.35, -57.58

 

CMYK 0 / 57 / 40 / 3

HEX #F76995

RGB 247 105 149

HSL 341.41, 0.9%, 0.69%

LAB 63.38, 58.3, 3.83

 

CMYK 0 / 57 / 40 / 3

HEX #F76995

RGB 247 105 149

HSL 341.41, 0.9%, 0.69%

LAB 63.38, 58.3, 3.83

 

CMYK 0 / 50 / 35 / 8

HEX #EA7699

RGB 234 118 153

HSL 341.9, 0.73%, 0.69%

LAB 63.96, 48.37, 2.14

 

CMYK 0 / 41 / 29 / 13

HEX #DE829E

RGB 222 130 158

HSL 341.74, 0.58%, 0.69%

LAB 64.93, 38.75, 0.52

 

CMYK 0 / 32 / 22 / 18

HEX #D18FA3

RGB 209 143 163

HSL 341.82, 0.42%, 0.69%

LAB 66.4, 27.85, -0.35

 

CMYK 0 / 20 / 14 / 23

HEX #C49CA8

RGB 196 156 168

HSL 342, 0.25%, 0.69%

LAB 68.27, 16.76, -0.58

 

CMYK 0 / 57 / 9 / 3

HEX #F769E2

RGB 247 105 226

HSL 308.87, 0.9%, 0.69%

LAB 66.03, 68.39, -35.79

 

CMYK 0 / 57 / 24 / 3

HEX #F769BC

RGB 247 105 188

HSL 324.93, 0.9%, 0.69%

LAB 64.57, 62.92, -16.69

 

CMYK 0 / 57 / 39 / 3

HEX #F76996

RGB 247 105 150

HSL 340.99, 0.9%, 0.69%

LAB 63.41, 58.41, 3.29

 

CMYK 0 / 57 / 55 / 3

HEX #F76970

RGB 247 105 112

HSL 357.04, 0.9%, 0.69%

LAB 62.55, 54.94, 23.9

 

CMYK 0 / 45 / 57 / 3

HEX #F78869

RGB 247 136 105

HSL 13.1, 0.9%, 0.69%

LAB 68.32, 39.42, 35.29

 

CMYK 0 / 89 / 62 / 5

HEX #F31A5D

RGB 243 26 93

HSL 341.47, 0.9%, 0.53%

LAB 52.49, 77.3, 21.52

 

CMYK 0 / 73 / 51 / 4

HEX #F54279

RGB 245 66 121

HSL 341.56, 0.9%, 0.61%

LAB 56.77, 70.33, 10.68

 

CMYK 0 / 57 / 40 / 3

HEX #F76995

RGB 247 105 149

HSL 341.41, 0.9%, 0.69%

LAB 63.38, 58.3, 3.83

 

CMYK 0 / 42 / 29 / 2

HEX #F990B0

RGB 249 144 176

HSL 341.71, 0.9%, 0.77%

LAB 71.7, 43.31, 0.69

 

CMYK 0 / 27 / 19 / 2

HEX #FBB7CC

RGB 251 183 204

HSL 341.47, 0.89%, 0.85%

LAB 81.15, 27.62, -0.82

 

CMYK 0 / 57 / 39 / 3

HEX #F76B96

RGB 247 107 150

HSL 341.57, 0.9%, 0.69%

LAB 63.75, 57.51, 3.78

 

CMYK 0 / 7 / 57 / 3

HEX #F7E669

RGB 247 230 105

HSL 52.82, 0.9%, 0.69%

LAB 90.5, -9.23, 61.72

 

CMYK 57 / 16 / 0 / 3

HEX #69CFF7

RGB 105 207 247

HSL 196.9, 0.9%, 0.69%

LAB 78.66, -18.54, -28.65

 

CMYK 0 / 57 / 39 / 3

HEX #F76B96

RGB 247 107 150

HSL 341.57, 0.9%, 0.69%

LAB 63.75, 57.51, 3.78

 

CMYK 39 / 0 / 57 / 3

HEX #96F769

RGB 150 247 105

HSL 100.99, 0.9%, 0.69%

LAB 88.93, -53.06, 58.29

 

CMYK 57 / 39 / 0 / 3

HEX #6996F7

RGB 105 150 247

HSL 220.99, 0.9%, 0.69%

LAB 62.95, 12.94, -53.17

 

CMYK 0 / 57 / 39 / 3

HEX #F76B96

RGB 247 107 150

HSL 341.57, 0.9%, 0.69%

LAB 63.75, 57.51, 3.78

 

CMYK 0 / 7 / 57 / 3

HEX #F7E669

RGB 247 230 105

HSL 52.82, 0.9%, 0.69%

LAB 90.5, -9.23, 61.72

 

CMYK 57 / 0 / 18 / 3

HEX #69F7CA

RGB 105 247 202

HSL 160.99, 0.9%, 0.69%

LAB 88.82, -48.88, 10.2

 

CMYK 57 / 51 / 0 / 3

HEX #6979F7

RGB 105 121 247

HSL 233.24, 0.9%, 0.69%

LAB 55.48, 30.26, -65.13

 

CMYK 0 / 57 / 39 / 3

HEX #F76B96

RGB 247 107 150

HSL 341.57, 0.9%, 0.69%

LAB 63.75, 57.51, 3.78

 

CMYK 11 / 0 / 57 / 3

HEX #DDF769

RGB 221 247 105

HSL 70.99, 0.9%, 0.69%

LAB 92.98, -27.79, 63.96

 

CMYK 57 / 0 / 18 / 3

HEX #69F7CA

RGB 105 247 202

HSL 160.99, 0.9%, 0.69%

LAB 88.82, -48.88, 10.2

 

CMYK 47 / 57 / 0 / 3

HEX #8369F7

RGB 131 105 247

HSL 250.99, 0.9%, 0.69%

LAB 53.65, 44.71, -67.98

 

Description

Color code: HEX #F76B96 | qconv.com Color code: HEX #F76B96 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 107 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 107 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 39 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 39% 3% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

21% - ポーラ・エステ・イン・ルミエール
Link: http://webright.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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