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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F75A1C it is the complementary color #08A5E3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F75A1C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F75A1C shade: #FC5A17, #FF6C2A, #FF7E3D, #FF9050 and #FFA263

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F75A1C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F75A1C shade: #F75A1C, #E64809, #D53600, #C42400 and #B31200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F75A1C shade: #F75A1D, #F7201D and #F71D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F75A1C shade: #F75A1D, #F7951D, #F7D01D, #E3F71D and #A8F71D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F75A1C shade matches the following richer shades: #F75A1D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F75A1C shade: #F75A1D, #E46330, #D16B43, #BE7356 and #AB7B69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F75A1C shade: #F71D57, #F71D1D, #F7571D, #F7911D and #F7CB1D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F75A1C shade: #BA3A07, #E24608, #F75A1D, #F87744 and #FA946C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F75A1C shade: #F75A1C, #91F71D and #1D3AF7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F75A1C shade: #F75A1C, #1DF757 and #571DF7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F75A1C shade: #F75A1C, #91F71D, #1DBDF7 and #821DF7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F75A1C shade: #F75A1C, #50F71D, #1DBDF7 and #C41DF7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 89 / 3

HEX #F75A1C

RGB 247 90 28

HSL 16.99, 0.93%, 0.54%

LAB 59.13, 57.67, 62.41

 

Complementary color

CMYK 96 / 27 / 0 / 11

HEX #08A5E3

RGB 8 165 227

HSL 196.99, 0.93%, 0.46%

LAB 63.76, -13.41, -41.05

 

CMYK 0 / 64 / 91 / 1

HEX #FC5A17

RGB 252 90 23

HSL 17.55, 0.97%, 0.54%

LAB 59.95, 59.28, 64.96

 

CMYK 0 / 58 / 84 / 0

HEX #FF6C2A

RGB 255 108 42

HSL 18.59, 1%, 0.58%

LAB 63.47, 52.91, 61.25

 

CMYK 0 / 51 / 76 / 0

HEX #FF7E3D

RGB 255 126 61

HSL 20.1, 1%, 0.62%

LAB 66.91, 45, 56.31

 

CMYK 0 / 44 / 69 / 0

HEX #FF9050

RGB 255 144 80

HSL 21.94, 1%, 0.66%

LAB 70.72, 36.86, 51.35

 

CMYK 0 / 36 / 61 / 0

HEX #FFA263

RGB 255 162 99

HSL 24.23, 1%, 0.69%

LAB 74.83, 28.7, 46.63

 

CMYK 0 / 64 / 89 / 3

HEX #F75A1C

RGB 247 90 28

HSL 16.99, 0.93%, 0.54%

LAB 59.13, 57.67, 62.41

 

CMYK 0 / 69 / 96 / 10

HEX #E64809

RGB 230 72 9

HSL 17.1, 0.92%, 0.47%

LAB 53.47, 58.95, 62.48

 

CMYK 0 / 75 / 100 / 16

HEX #D53600

RGB 213 54 0

HSL 15.21, 1%, 0.42%

LAB 47.99, 59.87, 60.1

 

CMYK 0 / 82 / 100 / 23

HEX #C42400

RGB 196 36 0

HSL 11.02, 1%, 0.38%

LAB 42.76, 60.08, 55.89

 

CMYK 0 / 90 / 100 / 30

HEX #B31200

RGB 179 18 0

HSL 6.03, 1%, 0.35%

LAB 37.87, 59.15, 51.82

 

CMYK 0 / 64 / 88 / 3

HEX #F75A1D

RGB 247 90 29

HSL 16.79, 0.93%, 0.54%

LAB 59.14, 57.69, 62.07

 

CMYK 0 / 87 / 88 / 3

HEX #F7201D

RGB 247 32 29

HSL 0.83, 0.93%, 0.54%

LAB 52.84, 75.15, 57.38

 

CMYK 0 / 88 / 88 / 3

HEX #F71D1D

RGB 247 29 29

HSL 0, 0.93%, 0.54%

LAB 52.67, 75.63, 57.26

 

CMYK 0 / 64 / 88 / 3

HEX #F75A1D

RGB 247 90 29

HSL 16.79, 0.93%, 0.54%

LAB 59.14, 57.69, 62.07

 

CMYK 0 / 40 / 88 / 3

HEX #F7951D

RGB 247 149 29

HSL 33.03, 0.93%, 0.54%

LAB 70.43, 29.28, 70.66

 

CMYK 0 / 16 / 88 / 3

HEX #F7D01D

RGB 247 208 29

HSL 49.27, 0.93%, 0.54%

LAB 84.47, -1.46, 81.56

 

CMYK 8 / 0 / 88 / 3

HEX #E3F71D

RGB 227 247 29

HSL 65.5, 0.93%, 0.54%

LAB 92.99, -28.9, 87.6

 

CMYK 32 / 0 / 88 / 3

HEX #A8F71D

RGB 168 247 29

HSL 81.74, 0.93%, 0.54%

LAB 89.36, -51.52, 83.15

 

CMYK 0 / 64 / 88 / 3

HEX #F75A1D

RGB 247 90 29

HSL 16.79, 0.93%, 0.54%

LAB 59.14, 57.69, 62.07

 

CMYK 0 / 64 / 88 / 3

HEX #F75A1D

RGB 247 90 29

HSL 16.79, 0.93%, 0.54%

LAB 59.14, 57.69, 62.07

 

CMYK 0 / 57 / 79 / 11

HEX #E46330

RGB 228 99 48

HSL 17, 0.77%, 0.54%

LAB 57.69, 47.44, 51.82

 

CMYK 0 / 49 / 68 / 18

HEX #D16B43

RGB 209 107 67

HSL 16.9, 0.61%, 0.54%

LAB 56.56, 37.11, 40.24

 

CMYK 0 / 39 / 55 / 25

HEX #BE7356

RGB 190 115 86

HSL 16.73, 0.44%, 0.54%

LAB 55.97, 26.58, 28.51

 

CMYK 0 / 28 / 39 / 33

HEX #AB7B69

RGB 171 123 105

HSL 16.36, 0.28%, 0.54%

LAB 55.93, 16.3, 17.23

 

CMYK 0 / 88 / 65 / 3

HEX #F71D57

RGB 247 29 87

HSL 344.04, 0.93%, 0.54%

LAB 53.32, 77.51, 26.37

 

CMYK 0 / 88 / 88 / 3

HEX #F71D1D

RGB 247 29 29

HSL 0, 0.93%, 0.54%

LAB 52.67, 75.63, 57.26

 

CMYK 0 / 65 / 88 / 3

HEX #F7571D

RGB 247 87 29

HSL 15.96, 0.93%, 0.54%

LAB 58.68, 58.92, 61.72

 

CMYK 0 / 41 / 88 / 3

HEX #F7911D

RGB 247 145 29

HSL 31.93, 0.93%, 0.54%

LAB 69.55, 31.36, 69.99

 

CMYK 0 / 18 / 88 / 3

HEX #F7CB1D

RGB 247 203 29

HSL 47.89, 0.93%, 0.54%

LAB 83.22, 1.1, 80.59

 

CMYK 0 / 69 / 96 / 27

HEX #BA3A07

RGB 186 58 7

HSL 17.09, 0.93%, 0.38%

LAB 43.48, 49.69, 53.02

 

CMYK 0 / 69 / 96 / 11

HEX #E24608

RGB 226 70 8

HSL 17.06, 0.93%, 0.46%

LAB 52.47, 58.39, 61.76

 

CMYK 0 / 64 / 88 / 3

HEX #F75A1D

RGB 247 90 29

HSL 16.79, 0.93%, 0.54%

LAB 59.14, 57.69, 62.07

 

CMYK 0 / 52 / 73 / 3

HEX #F87744

RGB 248 119 68

HSL 17, 0.93%, 0.62%

LAB 64.62, 46.07, 50.27

 

CMYK 0 / 41 / 57 / 2

HEX #FA946C

RGB 250 148 108

HSL 16.9, 0.93%, 0.7%

LAB 71.27, 34.64, 37.49

 

CMYK 0 / 64 / 89 / 3

HEX #F75A1C

RGB 247 90 28

HSL 16.99, 0.93%, 0.54%

LAB 59.13, 57.67, 62.41

 

CMYK 41 / 0 / 88 / 3

HEX #91F71D

RGB 145 247 29

HSL 88.07, 0.93%, 0.54%

LAB 88.27, -59.29, 81.8

 

CMYK 88 / 77 / 0 / 3

HEX #1D3AF7

RGB 29 58 247

HSL 232.02, 0.93%, 0.54%

LAB 37.85, 59.27, -94.11

 

CMYK 0 / 64 / 89 / 3

HEX #F75A1C

RGB 247 90 28

HSL 16.99, 0.93%, 0.54%

LAB 59.13, 57.67, 62.41

 

CMYK 88 / 0 / 65 / 3

HEX #1DF757

RGB 29 247 87

HSL 135.96, 0.93%, 0.54%

LAB 85.74, -78.5, 61.41

 

CMYK 65 / 88 / 0 / 3

HEX #571DF7

RGB 87 29 247

HSL 255.96, 0.93%, 0.54%

LAB 37.15, 73.92, -95.17

 

CMYK 0 / 64 / 89 / 3

HEX #F75A1C

RGB 247 90 28

HSL 16.99, 0.93%, 0.54%

LAB 59.13, 57.67, 62.41

 

CMYK 41 / 0 / 88 / 3

HEX #91F71D

RGB 145 247 29

HSL 88.07, 0.93%, 0.54%

LAB 88.27, -59.29, 81.8

 

CMYK 88 / 23 / 0 / 3

HEX #1DBDF7

RGB 29 189 247

HSL 195.96, 0.93%, 0.54%

LAB 71.81, -18.42, -39.38

 

CMYK 47 / 88 / 0 / 3

HEX #821DF7

RGB 130 29 247

HSL 267.8, 0.93%, 0.54%

LAB 41.75, 77.44, -87.42

 

CMYK 0 / 64 / 89 / 3

HEX #F75A1C

RGB 247 90 28

HSL 16.99, 0.93%, 0.54%

LAB 59.13, 57.67, 62.41

 

CMYK 68 / 0 / 88 / 3

HEX #50F71D

RGB 80 247 29

HSL 105.96, 0.93%, 0.54%

LAB 86.16, -75.97, 79.18

 

CMYK 88 / 23 / 0 / 3

HEX #1DBDF7

RGB 29 189 247

HSL 195.96, 0.93%, 0.54%

LAB 71.81, -18.42, -39.38

 

CMYK 21 / 88 / 0 / 3

HEX #C41DF7

RGB 196 29 247

HSL 285.96, 0.93%, 0.54%

LAB 51.07, 85.57, -71.79

 

Description

Color code: HEX #F75A1C | qconv.com Color code: HEX #F75A1C | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 90 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 90 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 89 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 89% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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