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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F74A93 it is the complementary color #08B56C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F74A93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F74A93 shade: #FC4A8E, #FF5CA1, #FF6EB4, #FF80C7 and #FF92DA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F74A93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F74A93 shade: #F74A93, #E63880, #D5266D, #C4145A and #B30247

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F74A93 shade: #F74A93, #F74A64 and #F74A4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F74A93 shade: #F74A93, #F74AC2, #F74AF1, #CF4AF7 and #A14AF7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F74A93 shade matches the following richer shades: #F74A93

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F74A93 shade: #F74A93, #E85995, #D96898, #CA789A and #BA879D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F74A93 shade: #F74AF2, #F74AC3, #F74A95, #F74A67 and #F75B4A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F74A93 shade: #E50A66, #F6227C, #F74A93, #F971AB and #FB99C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F74A93 shade: #F74A93, #F7CF4A and #4ADBF7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F74A93 shade: #F74A93, #95F74A and #4A95F7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F74A93 shade: #F74A93, #F7CF4A, #4AF7AC and #4A72F7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F74A93 shade: #F74A93, #ECF74A, #4AF7AC and #554AF7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 40 / 3

HEX #F74A93

RGB 247 74 147

HSL 334.68, 0.92%, 0.63%

LAB 58.77, 70.49, -1.73

 

Complementary color

CMYK 96 / 0 / 40 / 29

HEX #08B56C

RGB 8 181 108

HSL 154.68, 0.92%, 0.37%

LAB 65.11, -55.56, 26.59

 

CMYK 0 / 71 / 44 / 1

HEX #FC4A8E

RGB 252 74 142

HSL 337.08, 0.97%, 0.64%

LAB 59.48, 71.39, 2.34

 

CMYK 0 / 64 / 37 / 0

HEX #FF5CA1

RGB 255 92 161

HSL 334.6, 1%, 0.68%

LAB 62.92, 67.46, -3.6

 

CMYK 0 / 57 / 29 / 0

HEX #FF6EB4

RGB 255 110 180

HSL 331.03, 1%, 0.72%

LAB 66.3, 62.07, -9.44

 

CMYK 0 / 50 / 22 / 0

HEX #FF80C7

RGB 255 128 199

HSL 326.46, 1%, 0.75%

LAB 70.05, 56.26, -14.49

 

CMYK 0 / 43 / 15 / 0

HEX #FF92DA

RGB 255 146 218

HSL 320.37, 1%, 0.79%

LAB 74.11, 50.22, -18.87

 

CMYK 0 / 70 / 40 / 3

HEX #F74A93

RGB 247 74 147

HSL 334.68, 0.92%, 0.63%

LAB 58.77, 70.49, -1.73

 

CMYK 0 / 76 / 44 / 10

HEX #E63880

RGB 230 56 128

HSL 335.17, 0.78%, 0.56%

LAB 53.18, 69.98, 1

 

CMYK 0 / 82 / 49 / 16

HEX #D5266D

RGB 213 38 109

HSL 335.66, 0.7%, 0.49%

LAB 47.8, 68.79, 4.35

 

CMYK 0 / 90 / 54 / 23

HEX #C4145A

RGB 196 20 90

HSL 336.14, 0.81%, 0.42%

LAB 42.72, 66.64, 8.48

 

CMYK 0 / 99 / 60 / 30

HEX #B30247

RGB 179 2 71

HSL 336.61, 0.98%, 0.35%

LAB 37.99, 63.44, 13.48

 

CMYK 0 / 70 / 40 / 3

HEX #F74A93

RGB 247 74 147

HSL 334.68, 0.92%, 0.63%

LAB 58.77, 70.49, -1.73

 

CMYK 0 / 70 / 60 / 3

HEX #F74A64

RGB 247 74 100

HSL 350.98, 0.92%, 0.63%

LAB 57.65, 66.71, 24.32

 

CMYK 0 / 70 / 70 / 3

HEX #F74A4A

RGB 247 74 74

HSL 0, 0.92%, 0.63%

LAB 57.24, 65.29, 38.76

 

CMYK 0 / 70 / 40 / 3

HEX #F74A93

RGB 247 74 147

HSL 334.68, 0.92%, 0.63%

LAB 58.77, 70.49, -1.73

 

CMYK 0 / 70 / 21 / 3

HEX #F74AC2

RGB 247 74 194

HSL 318.38, 0.92%, 0.63%

LAB 60.4, 75.79, -26.48

 

CMYK 0 / 70 / 2 / 3

HEX #F74AF1

RGB 247 74 241

HSL 302.08, 0.92%, 0.63%

LAB 62.53, 82.39, -49.64

 

CMYK 16 / 70 / 0 / 3

HEX #CF4AF7

RGB 207 74 247

HSL 286.13, 0.92%, 0.63%

LAB 56.96, 75.14, -62.21

 

CMYK 35 / 70 / 0 / 3

HEX #A14AF7

RGB 161 74 247

HSL 270.17, 0.92%, 0.63%

LAB 50.91, 66.31, -72.28

 

CMYK 0 / 70 / 40 / 3

HEX #F74A93

RGB 247 74 147

HSL 334.68, 0.92%, 0.63%

LAB 58.77, 70.49, -1.73

 

CMYK 0 / 70 / 40 / 3

HEX #F74A93

RGB 247 74 147

HSL 334.68, 0.92%, 0.63%

LAB 58.77, 70.49, -1.73

 

CMYK 0 / 62 / 36 / 9

HEX #E85995

RGB 232 89 149

HSL 334.83, 0.76%, 0.63%

LAB 58.48, 60.63, -3.6

 

CMYK 0 / 52 / 30 / 15

HEX #D96898

RGB 217 104 152

HSL 334.51, 0.6%, 0.63%

LAB 58.9, 49.44, -4.98

 

CMYK 0 / 41 / 24 / 21

HEX #CA789A

RGB 202 120 154

HSL 335.12, 0.44%, 0.63%

LAB 60.18, 36.42, -4.47

 

CMYK 0 / 27 / 16 / 27

HEX #BA879D

RGB 186 135 157

HSL 334.12, 0.27%, 0.63%

LAB 61.83, 22.92, -3.96

 

CMYK 0 / 70 / 2 / 3

HEX #F74AF2

RGB 247 74 242

HSL 301.73, 0.92%, 0.63%

LAB 62.58, 82.54, -50.12

 

CMYK 0 / 70 / 21 / 3

HEX #F74AC3

RGB 247 74 195

HSL 318.03, 0.92%, 0.63%

LAB 60.44, 75.92, -26.99

 

CMYK 0 / 70 / 40 / 3

HEX #F74A95

RGB 247 74 149

HSL 333.99, 0.92%, 0.63%

LAB 58.83, 70.69, -2.81

 

CMYK 0 / 70 / 58 / 3

HEX #F74A67

RGB 247 74 103

HSL 349.94, 0.92%, 0.63%

LAB 57.7, 66.9, 22.64

 

CMYK 0 / 63 / 70 / 3

HEX #F75B4A

RGB 247 91 74

HSL 5.9, 0.92%, 0.63%

LAB 59.66, 58.7, 41.59

 

CMYK 0 / 96 / 55 / 10

HEX #E50A66

RGB 229 10 102

HSL 334.79, 0.92%, 0.47%

LAB 49.29, 76.32, 11.21

 

CMYK 0 / 86 / 50 / 4

HEX #F6227C

RGB 246 34 124

HSL 334.53, 0.92%, 0.55%

LAB 54.23, 78.77, 5.3

 

CMYK 0 / 70 / 40 / 3

HEX #F74A93

RGB 247 74 147

HSL 334.68, 0.92%, 0.63%

LAB 58.77, 70.49, -1.73

 

CMYK 0 / 55 / 31 / 2

HEX #F971AB

RGB 249 113 171

HSL 334.41, 0.92%, 0.71%

LAB 65.66, 57.79, -5.37

 

CMYK 0 / 39 / 23 / 2

HEX #FB99C2

RGB 251 153 194

HSL 334.9, 0.92%, 0.79%

LAB 74.31, 41.82, -5.42

 

CMYK 0 / 70 / 40 / 3

HEX #F74A93

RGB 247 74 147

HSL 334.68, 0.92%, 0.63%

LAB 58.77, 70.49, -1.73

 

CMYK 0 / 16 / 70 / 3

HEX #F7CF4A

RGB 247 207 74

HSL 46.13, 0.92%, 0.63%

LAB 84.43, 0.53, 68.19

 

CMYK 70 / 11 / 0 / 3

HEX #4ADBF7

RGB 74 219 247

HSL 189.71, 0.92%, 0.63%

LAB 81.2, -29.43, -24.84

 

CMYK 0 / 70 / 40 / 3

HEX #F74A93

RGB 247 74 147

HSL 334.68, 0.92%, 0.63%

LAB 58.77, 70.49, -1.73

 

CMYK 40 / 0 / 70 / 3

HEX #95F74A

RGB 149 247 74

HSL 93.99, 0.92%, 0.63%

LAB 88.64, -55.96, 70.29

 

CMYK 70 / 40 / 0 / 3

HEX #4A95F7

RGB 74 149 247

HSL 213.99, 0.92%, 0.63%

LAB 61.37, 8.32, -55.77

 

CMYK 0 / 70 / 40 / 3

HEX #F74A93

RGB 247 74 147

HSL 334.68, 0.92%, 0.63%

LAB 58.77, 70.49, -1.73

 

CMYK 0 / 16 / 70 / 3

HEX #F7CF4A

RGB 247 207 74

HSL 46.13, 0.92%, 0.63%

LAB 84.43, 0.53, 68.19

 

CMYK 70 / 0 / 30 / 3

HEX #4AF7AC

RGB 74 247 172

HSL 153.99, 0.92%, 0.63%

LAB 87.46, -60.55, 23.64

 

CMYK 70 / 54 / 0 / 3

HEX #4A72F7

RGB 74 114 247

HSL 226.13, 0.92%, 0.63%

LAB 52.07, 29.63, -70.71

 

CMYK 0 / 70 / 40 / 3

HEX #F74A93

RGB 247 74 147

HSL 334.68, 0.92%, 0.63%

LAB 58.77, 70.49, -1.73

 

CMYK 4 / 0 / 70 / 3

HEX #ECF74A

RGB 236 247 74

HSL 63.82, 0.92%, 0.63%

LAB 93.82, -23.79, 77.16

 

CMYK 70 / 0 / 30 / 3

HEX #4AF7AC

RGB 74 247 172

HSL 153.99, 0.92%, 0.63%

LAB 87.46, -60.55, 23.64

 

CMYK 66 / 70 / 0 / 3

HEX #554AF7

RGB 85 74 247

HSL 243.82, 0.92%, 0.63%

LAB 43.57, 54.73, -84.57

 

Description

Color code: HEX #F74A93 | qconv.com Color code: HEX #F74A93 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 74 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 74 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 40 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 40% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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