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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F748474C it is the complementary color #08B7B84C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F748474C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F748474C shade: #FC48424C, #FF5A554C, #FF6C684C, #FF7E7B4C and #FF908E4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F748474C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F748474C shade: #F748474C, #E636344C, #D524214C, #C4120E4C and #B300004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F748474C shade: #F74645 and #F74545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F748474C shade: #F74645, #F77645, #F7A645, #F7D645 and #E8F745

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F748474C shade matches the following richer shades: #F74645

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F748474C shade: #F74645, #E85555, #D86564, #C87474 and #B98484

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F748474C shade: #F745A4, #F74574, #F74545, #F77445 and #F7A445

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F748474C shade: #E00B09, #F61F1D, #F74645, #F96D6D and #FB9594

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F748474C shade: #F74847, #D4F745 and #458CF7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F748474C shade: #F74847, #45F745 and #4545F7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F748474C shade: #F74847, #D4F745, #45F7F7 and #6945F7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F748474C shade: #F74847, #9EF745, #45F7F7 and #9E45F7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 21 / 1

HEX #F748474C

RGBA 247 72 71 0.3

HSLA 0.34, 0.92%, 0.62%, 0.3

LABA 56.94, 65.86, 40.1, 0.3

 

Complementary color

CMYK 29 / 0 / 0 / 8

HEX #08B7B84C

RGBA 8 183 184 0.3

HSLA 180.34, 0.92%, 0.38%, 0.3

LABA 67.56, -36.91, -11.46, 0.3

 

CMYK 0 / 21 / 22 / 0

HEX #FC48424C

RGBA 252 72 66 0.3

HSLA 1.94, 0.97%, 0.62%, 0.3

LABA 57.77, 67.17, 44.03, 0.3

 

CMYK 0 / 19 / 20 / 0

HEX #FF5A554C

RGBA 255 90 85 0.3

HSLA 1.76, 1%, 0.67%, 0.3

LABA 60.98, 62.26, 37.42, 0.3

 

CMYK 0 / 17 / 18 / 0

HEX #FF6C684C

RGBA 255 108 104 0.3

HSLA 1.59, 1%, 0.7%, 0.3

LABA 64.15, 55.73, 30.76, 0.3

 

CMYK 0 / 15 / 16 / 0

HEX #FF7E7B4C

RGBA 255 126 123 0.3

HSLA 1.36, 1%, 0.74%, 0.3

LABA 67.73, 48.74, 24.84, 0.3

 

CMYK 0 / 13 / 13 / 0

HEX #FF908E4C

RGBA 255 144 142 0.3

HSLA 1.06, 1%, 0.78%, 0.3

LABA 71.66, 41.55, 19.62, 0.3

 

CMYK 0 / 21 / 21 / 1

HEX #F748474C

RGBA 247 72 71 0.3

HSLA 0.34, 0.92%, 0.62%, 0.3

LABA 56.94, 65.86, 40.1, 0.3

 

CMYK 0 / 23 / 23 / 3

HEX #E636344C

RGBA 230 54 52 0.3

HSLA 0.67, 0.78%, 0.55%, 0.3

LABA 51.51, 65.94, 43.69, 0.3

 

CMYK 0 / 25 / 25 / 5

HEX #D524214C

RGBA 213 36 33 0.3

HSLA 1, 0.73%, 0.48%, 0.3

LABA 46.34, 65.37, 47.47, 0.3

 

CMYK 0 / 27 / 28 / 7

HEX #C4120E4C

RGBA 196 18 14 0.3

HSLA 1.32, 0.87%, 0.41%, 0.3

LABA 41.53, 63.87, 50.67, 0.3

 

CMYK 0 / 30 / 30 / 9

HEX #B300004C

RGBA 179 0 0 0.3

HSLA 0, 1%, 0.35%, 0.3

LABA 37.08, 61.42, 51.49, 0.3

 

CMYK 0 / 72 / 72 / 3

HEX #F74645

RGB 247 70 69

HSL 0.34, 0.92%, 0.62%

LAB 56.67, 66.47, 40.89

 

CMYK 0 / 72 / 72 / 3

HEX #F74545

RGB 247 69 69

HSL 0, 0.92%, 0.62%

LAB 56.55, 66.81, 40.75

 

CMYK 0 / 72 / 72 / 3

HEX #F74645

RGB 247 70 69

HSL 0.34, 0.92%, 0.62%

LAB 56.67, 66.47, 40.89

 

CMYK 0 / 52 / 72 / 3

HEX #F77645

RGB 247 118 69

HSL 16.52, 0.92%, 0.62%

LAB 64.29, 46.23, 49.38

 

CMYK 0 / 33 / 72 / 3

HEX #F7A645

RGB 247 166 69

HSL 32.7, 0.92%, 0.62%

LAB 74.49, 21.66, 60.14

 

CMYK 0 / 13 / 72 / 3

HEX #F7D645

RGB 247 214 69

HSL 48.88, 0.92%, 0.62%

LAB 86.15, -3.27, 71.77

 

CMYK 6 / 0 / 72 / 3

HEX #E8F745

RGB 232 247 69

HSL 65.06, 0.92%, 0.62%

LAB 93.5, -25.63, 78.41

 

CMYK 0 / 72 / 72 / 3

HEX #F74645

RGB 247 70 69

HSL 0.34, 0.92%, 0.62%

LAB 56.67, 66.47, 40.89

 

CMYK 0 / 72 / 72 / 3

HEX #F74645

RGB 247 70 69

HSL 0.34, 0.92%, 0.62%

LAB 56.67, 66.47, 40.89

 

CMYK 0 / 63 / 63 / 9

HEX #E85555

RGB 232 85 85

HSL 0, 0.76%, 0.62%

LAB 56.4, 56.83, 30.9

 

CMYK 0 / 53 / 54 / 15

HEX #D86564

RGB 216 101 100

HSL 0.52, 0.6%, 0.62%

LAB 56.91, 45.06, 22.43

 

CMYK 0 / 42 / 42 / 22

HEX #C87474

RGB 200 116 116

HSL 0, 0.43%, 0.62%

LAB 58.07, 32.94, 14.4

 

CMYK 0 / 29 / 29 / 27

HEX #B98484

RGB 185 132 132

HSL 0, 0.27%, 0.62%

LAB 60.32, 20.39, 8.12

 

CMYK 0 / 72 / 34 / 3

HEX #F745A4

RGB 247 69 164

HSL 327.98, 0.92%, 0.62%

LAB 58.71, 73.9, -11.75

 

CMYK 0 / 72 / 53 / 3

HEX #F74574

RGB 247 69 116

HSL 344.16, 0.92%, 0.62%

LAB 57.36, 69.53, 14.51

 

CMYK 0 / 72 / 72 / 3

HEX #F74545

RGB 247 69 69

HSL 0, 0.92%, 0.62%

LAB 56.55, 66.81, 40.75

 

CMYK 0 / 53 / 72 / 3

HEX #F77445

RGB 247 116 69

HSL 15.84, 0.92%, 0.62%

LAB 63.91, 47.19, 48.97

 

CMYK 0 / 34 / 72 / 3

HEX #F7A445

RGB 247 164 69

HSL 32.02, 0.92%, 0.62%

LAB 74.03, 22.71, 59.67

 

CMYK 0 / 95 / 96 / 12

HEX #E00B09

RGB 224 11 9

HSL 0.56, 0.92%, 0.46%

LAB 47.11, 71.8, 58.46

 

CMYK 0 / 87 / 88 / 4

HEX #F61F1D

RGB 246 31 29

HSL 0.55, 0.92%, 0.54%

LAB 52.58, 75.06, 57.1

 

CMYK 0 / 72 / 72 / 3

HEX #F74645

RGB 247 70 69

HSL 0.34, 0.92%, 0.62%

LAB 56.67, 66.47, 40.89

 

CMYK 0 / 56 / 56 / 2

HEX #F96D6D

RGB 249 109 109

HSL 0, 0.92%, 0.7%

LAB 63.49, 53.58, 26.91

 

CMYK 0 / 41 / 41 / 2

HEX #FB9594

RGB 251 149 148

HSL 0.58, 0.93%, 0.78%

LAB 72.32, 38.15, 17.14

 

CMYK 0 / 71 / 71 / 3

HEX #F74847

RGB 247 72 71

HSL 0.34, 0.92%, 0.62%

LAB 56.94, 65.86, 40.1

 

CMYK 14 / 0 / 72 / 3

HEX #D4F745

RGB 212 247 69

HSL 71.8, 0.92%, 0.62%

LAB 92.11, -33.55, 76.6

 

CMYK 72 / 43 / 0 / 3

HEX #458CF7

RGB 69 140 247

HSL 216.07, 0.92%, 0.62%

LAB 58.73, 13.02, -59.99

 

CMYK 0 / 71 / 71 / 3

HEX #F74847

RGB 247 72 71

HSL 0.34, 0.92%, 0.62%

LAB 56.94, 65.86, 40.1

 

CMYK 72 / 0 / 72 / 3

HEX #45F745

RGB 69 247 69

HSL 120, 0.92%, 0.62%

LAB 86.11, -75.76, 68.67

 

CMYK 72 / 72 / 0 / 3

HEX #4545F7

RGB 69 69 247

HSL 240, 0.92%, 0.62%

LAB 41.59, 55.81, -87.87

 

CMYK 0 / 71 / 71 / 3

HEX #F74847

RGB 247 72 71

HSL 0.34, 0.92%, 0.62%

LAB 56.94, 65.86, 40.1

 

CMYK 14 / 0 / 72 / 3

HEX #D4F745

RGB 212 247 69

HSL 71.8, 0.92%, 0.62%

LAB 92.11, -33.55, 76.6

 

CMYK 72 / 0 / 0 / 3

HEX #45F7F7

RGB 69 247 247

HSL 180, 0.92%, 0.62%

LAB 89.16, -43.02, -12.84

 

CMYK 57 / 72 / 0 / 3

HEX #6945F7

RGB 105 69 247

HSL 252.13, 0.92%, 0.62%

LAB 44.2, 59.79, -83.48

 

CMYK 0 / 71 / 71 / 3

HEX #F74847

RGB 247 72 71

HSL 0.34, 0.92%, 0.62%

LAB 56.94, 65.86, 40.1

 

CMYK 36 / 0 / 72 / 3

HEX #9EF745

RGB 158 247 69

HSL 90, 0.92%, 0.62%

LAB 89.03, -53.33, 72.54

 

CMYK 72 / 0 / 0 / 3

HEX #45F7F7

RGB 69 247 247

HSL 180, 0.92%, 0.62%

LAB 89.16, -43.02, -12.84

 

CMYK 36 / 72 / 0 / 3

HEX #9E45F7

RGB 158 69 247

HSL 270, 0.92%, 0.62%

LAB 49.79, 67.92, -74.12

 

Description

Color code: HEX #F748474C | qconv.com Color code: HEX #F748474C | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 72 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 72 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 21 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 21% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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