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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F746DF it is the complementary color #08B920. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F746DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F746DF shade: #FC46DA, #FF58ED, #FF6AFF, #FF7CFF and #FF8EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F746DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F746DF shade: #F746DF, #E634CC, #D522B9, #C410A6 and #B30093

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F746DF shade: #F745DF, #F745AF, #F7457F, #F7454F and #F74545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F746DF shade: #F745DF, #DF45F7, #AF45F7, #7F45F7 and #4F45F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F746DF shade matches the following richer shades: #F745DF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F746DF shade: #F745DF, #E855D4, #D864C8, #C874BD and #B984B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F746DF shade: #B045F7, #DF45F7, #F745DF, #F745B0 and #F74580

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F746DF shade: #E009C3, #F61DD8, #F745DF, #F96DE6 and #FB94ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F746DF shade: #F746DF, #F78045 and #45F7C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F746DF shade: #F746DF, #DFF745 and #45DFF7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F746DF shade: #F746DF, #F78045, #45F75D and #45BCF7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F746DF shade: #F746DF, #F7B645, #45F75D and #4586F7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 10 / 3

HEX #F746DF

RGB 247 70 223

HSL 308.14, 0.92%, 0.62%

LAB 61.2, 81, -41.66

 

Complementary color

CMYK 96 / 0 / 83 / 27

HEX #08B920

RGB 8 185 32

HSL 128.14, 0.92%, 0.38%

LAB 65.63, -66.29, 60.02

 

CMYK 0 / 72 / 13 / 1

HEX #FC46DA

RGB 252 70 218

HSL 311.21, 0.97%, 0.63%

LAB 61.77, 81.4, -37.9

 

CMYK 0 / 65 / 7 / 0

HEX #FF58ED

RGB 255 88 237

HSL 306.47, 1%, 0.67%

LAB 65.24, 78.77, -43.06

 

CMYK 0 / 58 / 0 / 0

HEX #FF6AFF

RGB 255 106 255

HSL 300, 1%, 0.71%

LAB 68.6, 74.61, -47.7

 

CMYK 0 / 51 / 0 / 0

HEX #FF7CFF

RGB 255 124 255

HSL 300, 1%, 0.74%

LAB 71.48, 66.79, -43.17

 

CMYK 0 / 44 / 0 / 0

HEX #FF8EFF

RGB 255 142 255

HSL 300, 1%, 0.78%

LAB 74.72, 58.28, -38.13

 

CMYK 0 / 72 / 10 / 3

HEX #F746DF

RGB 247 70 223

HSL 308.14, 0.92%, 0.62%

LAB 61.2, 81, -41.66

 

CMYK 0 / 77 / 11 / 10

HEX #E634CC

RGB 230 52 204

HSL 308.76, 0.78%, 0.55%

LAB 55.72, 79.85, -39.69

 

CMYK 0 / 84 / 13 / 16

HEX #D522B9

RGB 213 34 185

HSL 309.39, 0.72%, 0.48%

LAB 50.44, 77.93, -37.22

 

CMYK 0 / 92 / 15 / 23

HEX #C410A6

RGB 196 16 166

HSL 310, 0.85%, 0.42%

LAB 45.44, 74.97, -34.1

 

CMYK 0 / 100 / 18 / 30

HEX #B30093

RGB 179 0 147

HSL 310.73, 1%, 0.35%

LAB 40.72, 70.92, -30.3

 

CMYK 0 / 72 / 10 / 3

HEX #F745DF

RGB 247 69 223

HSL 308.09, 0.92%, 0.62%

LAB 61.1, 81.31, -41.83

 

CMYK 0 / 72 / 29 / 3

HEX #F745AF

RGB 247 69 175

HSL 324.27, 0.92%, 0.62%

LAB 59.09, 75.12, -17.55

 

CMYK 0 / 72 / 49 / 3

HEX #F7457F

RGB 247 69 127

HSL 340.45, 0.92%, 0.62%

LAB 57.62, 70.39, 8.38

 

CMYK 0 / 72 / 68 / 3

HEX #F7454F

RGB 247 69 79

HSL 356.63, 0.92%, 0.62%

LAB 56.68, 67.26, 35.26

 

CMYK 0 / 72 / 72 / 3

HEX #F74545

RGB 247 69 69

HSL 0, 0.92%, 0.62%

LAB 56.55, 66.81, 40.75

 

CMYK 0 / 72 / 10 / 3

HEX #F745DF

RGB 247 69 223

HSL 308.09, 0.92%, 0.62%

LAB 61.1, 81.31, -41.83

 

CMYK 10 / 72 / 0 / 3

HEX #DF45F7

RGB 223 69 247

HSL 291.91, 0.92%, 0.62%

LAB 58.66, 80.06, -59.35

 

CMYK 29 / 72 / 0 / 3

HEX #AF45F7

RGB 175 69 247

HSL 275.73, 0.92%, 0.62%

LAB 51.93, 70.93, -70.53

 

CMYK 49 / 72 / 0 / 3

HEX #7F45F7

RGB 127 69 247

HSL 259.55, 0.92%, 0.62%

LAB 46.29, 62.89, -79.97

 

CMYK 68 / 72 / 0 / 3

HEX #4F45F7

RGB 79 69 247

HSL 243.37, 0.92%, 0.62%

LAB 42.21, 56.76, -86.83

 

CMYK 0 / 72 / 10 / 3

HEX #F745DF

RGB 247 69 223

HSL 308.09, 0.92%, 0.62%

LAB 61.1, 81.31, -41.83

 

CMYK 0 / 72 / 10 / 3

HEX #F745DF

RGB 247 69 223

HSL 308.09, 0.92%, 0.62%

LAB 61.1, 81.31, -41.83

 

CMYK 0 / 63 / 9 / 9

HEX #E855D4

RGB 232 85 212

HSL 308.16, 0.76%, 0.62%

LAB 60.25, 70.62, -37.12

 

CMYK 0 / 54 / 7 / 15

HEX #D864C8

RGB 216 100 200

HSL 308.28, 0.6%, 0.62%

LAB 59.78, 58.08, -31.23

 

CMYK 0 / 42 / 5 / 22

HEX #C874BD

RGB 200 116 189

HSL 307.86, 0.43%, 0.62%

LAB 60.29, 43.51, -24.36

 

CMYK 0 / 29 / 4 / 27

HEX #B984B1

RGB 185 132 177

HSL 309.06, 0.27%, 0.62%

LAB 61.65, 27.73, -15.63

 

CMYK 29 / 72 / 0 / 3

HEX #B045F7

RGB 176 69 247

HSL 276.07, 0.92%, 0.62%

LAB 52.06, 71.11, -70.31

 

CMYK 10 / 72 / 0 / 3

HEX #DF45F7

RGB 223 69 247

HSL 291.91, 0.92%, 0.62%

LAB 58.66, 80.06, -59.35

 

CMYK 0 / 72 / 10 / 3

HEX #F745DF

RGB 247 69 223

HSL 308.09, 0.92%, 0.62%

LAB 61.1, 81.31, -41.83

 

CMYK 0 / 72 / 29 / 3

HEX #F745B0

RGB 247 69 176

HSL 323.93, 0.92%, 0.62%

LAB 59.13, 75.24, -18.08

 

CMYK 0 / 72 / 48 / 3

HEX #F74580

RGB 247 69 128

HSL 340.11, 0.92%, 0.62%

LAB 57.64, 70.47, 7.82

 

CMYK 0 / 96 / 13 / 12

HEX #E009C3

RGB 224 9 195

HSL 308.09, 0.92%, 0.46%

LAB 51.82, 84.51, -40.74

 

CMYK 0 / 88 / 12 / 4

HEX #F61DD8

RGB 246 29 216

HSL 308.29, 0.92%, 0.54%

LAB 57.49, 89.1, -43.57

 

CMYK 0 / 72 / 10 / 3

HEX #F745DF

RGB 247 69 223

HSL 308.09, 0.92%, 0.62%

LAB 61.1, 81.31, -41.83

 

CMYK 0 / 56 / 8 / 2

HEX #F96DE6

RGB 249 109 230

HSL 308.14, 0.92%, 0.7%

LAB 67.12, 67.81, -36.3

 

CMYK 0 / 41 / 6 / 2

HEX #FB94ED

RGB 251 148 237

HSL 308.16, 0.93%, 0.78%

LAB 74.7, 51.05, -28.41

 

CMYK 0 / 72 / 10 / 3

HEX #F746DF

RGB 247 70 223

HSL 308.14, 0.92%, 0.62%

LAB 61.2, 81, -41.66

 

CMYK 0 / 48 / 72 / 3

HEX #F78045

RGB 247 128 69

HSL 19.89, 0.92%, 0.62%

LAB 66.25, 41.3, 51.49

 

CMYK 72 / 0 / 19 / 3

HEX #45F7C8

RGB 69 247 200

HSL 164.16, 0.92%, 0.62%

LAB 87.95, -55.09, 9.87

 

CMYK 0 / 72 / 10 / 3

HEX #F746DF

RGB 247 70 223

HSL 308.14, 0.92%, 0.62%

LAB 61.2, 81, -41.66

 

CMYK 10 / 0 / 72 / 3

HEX #DFF745

RGB 223 247 69

HSL 68.09, 0.92%, 0.62%

LAB 92.86, -29.22, 77.58

 

CMYK 72 / 10 / 0 / 3

HEX #45DFF7

RGB 69 223 247

HSL 188.09, 0.92%, 0.62%

LAB 82.25, -31.97, -23.26

 

CMYK 0 / 72 / 10 / 3

HEX #F746DF

RGB 247 70 223

HSL 308.14, 0.92%, 0.62%

LAB 61.2, 81, -41.66

 

CMYK 0 / 48 / 72 / 3

HEX #F78045

RGB 247 128 69

HSL 19.89, 0.92%, 0.62%

LAB 66.25, 41.3, 51.49

 

CMYK 72 / 0 / 62 / 3

HEX #45F75D

RGB 69 247 93

HSL 128.09, 0.92%, 0.62%

LAB 86.29, -73.58, 59.71

 

CMYK 72 / 24 / 0 / 3

HEX #45BCF7

RGB 69 188 247

HSL 199.89, 0.92%, 0.62%

LAB 72.19, -14.32, -38.73

 

CMYK 0 / 72 / 10 / 3

HEX #F746DF

RGB 247 70 223

HSL 308.14, 0.92%, 0.62%

LAB 61.2, 81, -41.66

 

CMYK 0 / 26 / 72 / 3

HEX #F7B645

RGB 247 182 69

HSL 38.09, 0.92%, 0.62%

LAB 78.26, 13.26, 63.97

 

CMYK 72 / 0 / 62 / 3

HEX #45F75D

RGB 69 247 93

HSL 128.09, 0.92%, 0.62%

LAB 86.29, -73.58, 59.71

 

CMYK 72 / 46 / 0 / 3

HEX #4586F7

RGB 69 134 247

HSL 218.09, 0.92%, 0.62%

LAB 57.11, 16.66, -62.6

 

Description

Color code: HEX #F746DF | qconv.com Color code: HEX #F746DF | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 70 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 70 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 10 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 10% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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