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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F73EF1 it is the complementary color #08C10E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F73EF1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F73EF1 shade: #FC3EEC, #FF50FF, #FF62FF, #FF74FF and #FF86FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F73EF1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F73EF1 shade: #F73EF1, #E62CDE, #D51ACB, #C408B8 and #B300A5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F73EF1 shade: #F740F1, #F740C0, #F7408E, #F7405D and #F74040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F73EF1 shade: #F740F1, #CC40F7, #9A40F7, #6940F7 and #4040F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F73EF1 shade matches the following richer shades: #F740F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F73EF1 shade: #F740F1, #E750E2, #D760D3, #C770C4 and #B780B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F73EF1 shade: #9940F7, #C940F7, #F740F4, #F740C3 and #F74092

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F73EF1 shade: #DB09D5, #F518EE, #F740F1, #F968F4 and #FA8FF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F73EF1 shade: #F73EF1, #F76840 and #40F7B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F73EF1 shade: #F73EF1, #F4F740 and #40F4F7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F73EF1 shade: #F73EF1, #F76840, #40F743 and #40CFF7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F73EF1 shade: #F73EF1, #F79F40, #40F743 and #4099F7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 2 / 3

HEX #F73EF1

RGB 247 62 241

HSL 301.95, 0.92%, 0.61%

LAB 61.28, 85.95, -51.61

 

Complementary color

CMYK 96 / 0 / 93 / 24

HEX #08C10E

RGB 8 193 14

HSL 121.95, 0.92%, 0.39%

LAB 68.18, -69.24, 65.88

 

CMYK 0 / 75 / 6 / 1

HEX #FC3EEC

RGB 252 62 236

HSL 305.05, 0.97%, 0.62%

LAB 61.82, 86.22, -47.92

 

CMYK 0 / 69 / 0 / 0

HEX #FF50FF

RGB 255 80 255

HSL 300, 1%, 0.66%

LAB 65.13, 84.28, -53.17

 

CMYK 0 / 62 / 0 / 0

HEX #FF62FF

RGB 255 98 255

HSL 300, 1%, 0.69%

LAB 67.44, 77.81, -49.53

 

CMYK 0 / 55 / 0 / 0

HEX #FF74FF

RGB 255 116 255

HSL 300, 1%, 0.73%

LAB 70.16, 70.36, -45.25

 

CMYK 0 / 47 / 0 / 0

HEX #FF86FF

RGB 255 134 255

HSL 300, 1%, 0.76%

LAB 73.24, 62.13, -40.43

 

CMYK 0 / 75 / 2 / 3

HEX #F73EF1

RGB 247 62 241

HSL 301.95, 0.92%, 0.61%

LAB 61.28, 85.95, -51.61

 

CMYK 0 / 81 / 3 / 10

HEX #E62CDE

RGB 230 44 222

HSL 302.58, 0.79%, 0.54%

LAB 55.99, 84.31, -49.53

 

CMYK 0 / 88 / 5 / 16

HEX #D51ACB

RGB 213 26 203

HSL 303.21, 0.78%, 0.47%

LAB 50.92, 81.8, -46.91

 

CMYK 0 / 96 / 6 / 23

HEX #C408B8

RGB 196 8 184

HSL 303.83, 0.92%, 0.4%

LAB 46.14, 78.2, -43.65

 

CMYK 0 / 100 / 8 / 30

HEX #B300A5

RGB 179 0 165

HSL 304.69, 1%, 0.35%

LAB 41.69, 73.32, -39.64

 

CMYK 0 / 74 / 2 / 3

HEX #F740F1

RGB 247 64 241

HSL 301.97, 0.92%, 0.61%

LAB 61.47, 85.4, -51.31

 

CMYK 0 / 74 / 22 / 3

HEX #F740C0

RGB 247 64 192

HSL 318.03, 0.92%, 0.61%

LAB 59.2, 78.69, -27.18

 

CMYK 0 / 74 / 43 / 3

HEX #F7408E

RGB 247 64 142

HSL 334.43, 0.92%, 0.61%

LAB 57.46, 73.28, -0.71

 

CMYK 0 / 74 / 62 / 3

HEX #F7405D

RGB 247 64 93

HSL 350.49, 0.92%, 0.61%

LAB 56.32, 69.62, 26.69

 

CMYK 0 / 74 / 74 / 3

HEX #F74040

RGB 247 64 64

HSL 0, 0.92%, 0.61%

LAB 55.9, 68.24, 42.79

 

CMYK 0 / 74 / 2 / 3

HEX #F740F1

RGB 247 64 241

HSL 301.97, 0.92%, 0.61%

LAB 61.47, 85.4, -51.31

 

CMYK 17 / 74 / 0 / 3

HEX #CC40F7

RGB 204 64 247

HSL 285.9, 0.92%, 0.61%

LAB 55.3, 78.07, -64.9

 

CMYK 38 / 74 / 0 / 3

HEX #9A40F7

RGB 154 64 247

HSL 269.51, 0.92%, 0.61%

LAB 48.58, 69.3, -76.11

 

CMYK 57 / 74 / 0 / 3

HEX #6940F7

RGB 105 64 247

HSL 253.44, 0.92%, 0.61%

LAB 43.34, 62.21, -84.9

 

CMYK 74 / 74 / 0 / 3

HEX #4040F7

RGB 64 64 247

HSL 240, 0.92%, 0.61%

LAB 40.36, 58.05, -89.9

 

CMYK 0 / 74 / 2 / 3

HEX #F740F1

RGB 247 64 241

HSL 301.97, 0.92%, 0.61%

LAB 61.47, 85.4, -51.31

 

CMYK 0 / 74 / 2 / 3

HEX #F740F1

RGB 247 64 241

HSL 301.97, 0.92%, 0.61%

LAB 61.47, 85.4, -51.31

 

CMYK 0 / 65 / 2 / 9

HEX #E750E2

RGB 231 80 226

HSL 301.99, 0.76%, 0.61%

LAB 60.08, 74.47, -45.28

 

CMYK 0 / 55 / 2 / 16

HEX #D760D3

RGB 215 96 211

HSL 302.02, 0.6%, 0.61%

LAB 59.45, 61.48, -37.99

 

CMYK 0 / 44 / 2 / 22

HEX #C770C4

RGB 199 112 196

HSL 302.07, 0.44%, 0.61%

LAB 59.63, 46.53, -29.37

 

CMYK 0 / 30 / 1 / 28

HEX #B780B5

RGB 183 128 181

HSL 302.18, 0.28%, 0.61%

LAB 60.64, 30.03, -19.44

 

CMYK 38 / 74 / 0 / 3

HEX #9940F7

RGB 153 64 247

HSL 269.18, 0.92%, 0.61%

LAB 48.45, 69.14, -76.31

 

CMYK 19 / 74 / 0 / 3

HEX #C940F7

RGB 201 64 247

HSL 284.92, 0.92%, 0.61%

LAB 54.87, 77.52, -65.62

 

CMYK 0 / 74 / 1 / 3

HEX #F740F4

RGB 247 64 244

HSL 300.98, 0.92%, 0.61%

LAB 61.63, 85.85, -52.73

 

CMYK 0 / 74 / 21 / 3

HEX #F740C3

RGB 247 64 195

HSL 317.05, 0.92%, 0.61%

LAB 59.33, 79.06, -28.71

 

CMYK 0 / 74 / 41 / 3

HEX #F74092

RGB 247 64 146

HSL 333.11, 0.92%, 0.61%

LAB 57.58, 73.66, -2.89

 

CMYK 0 / 96 / 3 / 14

HEX #DB09D5

RGB 219 9 213

HSL 301.71, 0.92%, 0.45%

LAB 51.9, 86.08, -51.02

 

CMYK 0 / 90 / 3 / 4

HEX #F518EE

RGB 245 24 238

HSL 301.9, 0.92%, 0.53%

LAB 58.26, 92.52, -54.76

 

CMYK 0 / 74 / 2 / 3

HEX #F740F1

RGB 247 64 241

HSL 301.97, 0.92%, 0.61%

LAB 61.47, 85.4, -51.31

 

CMYK 0 / 58 / 2 / 2

HEX #F968F4

RGB 249 104 244

HSL 302.07, 0.92%, 0.69%

LAB 66.95, 72.18, -44.3

 

CMYK 0 / 43 / 1 / 2

HEX #FA8FF7

RGB 250 143 247

HSL 301.68, 0.91%, 0.77%

LAB 73.99, 54.97, -34.97

 

CMYK 0 / 75 / 2 / 3

HEX #F73EF1

RGB 247 62 241

HSL 301.95, 0.92%, 0.61%

LAB 61.28, 85.95, -51.61

 

CMYK 0 / 58 / 74 / 3

HEX #F76840

RGB 247 104 64

HSL 13.11, 0.92%, 0.61%

LAB 61.69, 52.59, 49.09

 

CMYK 74 / 0 / 28 / 3

HEX #40F7B1

RGB 64 247 177

HSL 157.05, 0.92%, 0.61%

LAB 87.38, -60.85, 20.94

 

CMYK 0 / 75 / 2 / 3

HEX #F73EF1

RGB 247 62 241

HSL 301.95, 0.92%, 0.61%

LAB 61.28, 85.95, -51.61

 

CMYK 1 / 0 / 74 / 3

HEX #F4F740

RGB 244 247 64

HSL 60.98, 0.92%, 0.61%

LAB 94.37, -20.99, 81.12

 

CMYK 74 / 1 / 0 / 3

HEX #40F4F7

RGB 64 244 247

HSL 180.98, 0.92%, 0.61%

LAB 88.21, -42.22, -14.27

 

CMYK 0 / 75 / 2 / 3

HEX #F73EF1

RGB 247 62 241

HSL 301.95, 0.92%, 0.61%

LAB 61.28, 85.95, -51.61

 

CMYK 0 / 58 / 74 / 3

HEX #F76840

RGB 247 104 64

HSL 13.11, 0.92%, 0.61%

LAB 61.69, 52.59, 49.09

 

CMYK 74 / 0 / 73 / 3

HEX #40F743

RGB 64 247 67

HSL 120.98, 0.92%, 0.61%

LAB 86.01, -76.66, 69.21

 

CMYK 74 / 16 / 0 / 3

HEX #40CFF7

RGB 64 207 247

HSL 193.11, 0.92%, 0.61%

LAB 77.54, -24.73, -30.47

 

CMYK 0 / 75 / 2 / 3

HEX #F73EF1

RGB 247 62 241

HSL 301.95, 0.92%, 0.61%

LAB 61.28, 85.95, -51.61

 

CMYK 0 / 36 / 74 / 3

HEX #F79F40

RGB 247 159 64

HSL 31.15, 0.92%, 0.61%

LAB 72.85, 25.12, 60.61

 

CMYK 74 / 0 / 73 / 3

HEX #40F743

RGB 64 247 67

HSL 120.98, 0.92%, 0.61%

LAB 86.01, -76.66, 69.21

 

CMYK 74 / 38 / 0 / 3

HEX #4099F7

RGB 64 153 247

HSL 210.82, 0.92%, 0.61%

LAB 62.16, 4.65, -54.53

 

Description

Color code: HEX #F73EF1 | qconv.com Color code: HEX #F73EF1 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 62 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 62 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 2 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 2% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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