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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F736EF it is the complementary color #08C910. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F736EF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F736EF shade: #FC36EA, #FF48FD, #FF5AFF, #FF6CFF and #FF7EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F736EF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F736EF shade: #F736EF, #E624DC, #D512C9, #C400B6 and #B300A3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F736EF shade: #F736EF, #F736BB, #F73687, #F73653 and #F73636

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F736EF shade: #F736EF, #CB36F7, #9736F7, #6336F7 and #3636F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F736EF shade matches the following richer shades: #F736EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F736EF shade: #F736EF, #E647DF, #D558D0, #C469C0 and #B37AB1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F736EF shade: #9636F7, #CA36F7, #F736F0, #F736BD and #F7368A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F736EF shade: #D209C9, #F50FEB, #F736EF, #F85EF2 and #FA85F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F736EF shade: #F736EF, #F76336 and #36F7B0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F736EF shade: #F736EF, #F0F736 and #36F0F7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F736EF shade: #F736EF, #F76336, #36F73D and #36CAF7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F736EF shade: #F736EF, #F79D36, #36F73D and #3690F7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 3 / 3

HEX #F736EF

RGB 247 54 239

HSL 302.49, 0.92%, 0.59%

LAB 60.47, 87.71, -51.79

 

Complementary color

CMYK 96 / 0 / 92 / 21

HEX #08C910

RGB 8 201 16

HSL 122.49, 0.92%, 0.41%

LAB 70.78, -71.38, 67.78

 

CMYK 0 / 79 / 7 / 1

HEX #FC36EA

RGB 252 54 234

HSL 305.45, 0.97%, 0.6%

LAB 61.02, 87.96, -48.07

 

CMYK 0 / 72 / 1 / 0

HEX #FF48FD

RGB 255 72 253

HSL 300.66, 1%, 0.64%

LAB 64.15, 86.49, -53.63

 

CMYK 0 / 65 / 0 / 0

HEX #FF5AFF

RGB 255 90 255

HSL 300, 1%, 0.68%

LAB 66.36, 80.82, -51.23

 

CMYK 0 / 58 / 0 / 0

HEX #FF6CFF

RGB 255 108 255

HSL 300, 1%, 0.71%

LAB 68.9, 73.78, -47.23

 

CMYK 0 / 51 / 0 / 0

HEX #FF7EFF

RGB 255 126 255

HSL 300, 1%, 0.75%

LAB 71.83, 65.87, -42.63

 

CMYK 0 / 78 / 3 / 3

HEX #F736EF

RGB 247 54 239

HSL 302.49, 0.92%, 0.59%

LAB 60.47, 87.71, -51.79

 

CMYK 0 / 84 / 4 / 10

HEX #E624DC

RGB 230 36 220

HSL 303.09, 0.8%, 0.52%

LAB 55.33, 85.62, -49.44

 

CMYK 0 / 92 / 6 / 16

HEX #D512C9

RGB 213 18 201

HSL 303.69, 0.84%, 0.45%

LAB 50.45, 82.57, -46.5

 

CMYK 0 / 100 / 7 / 23

HEX #C400B6

RGB 196 0 182

HSL 304.29, 1%, 0.38%

LAB 45.79, 78.61, -43.02

 

CMYK 0 / 100 / 9 / 30

HEX #B300A3

RGB 179 0 163

HSL 305.36, 1%, 0.35%

LAB 41.58, 73.04, -38.62

 

CMYK 0 / 78 / 3 / 3

HEX #F736EF

RGB 247 54 239

HSL 302.49, 0.92%, 0.59%

LAB 60.47, 87.71, -51.79

 

CMYK 0 / 78 / 24 / 3

HEX #F736BB

RGB 247 54 187

HSL 318.65, 0.92%, 0.59%

LAB 58.04, 80.83, -26.1

 

CMYK 0 / 78 / 45 / 3

HEX #F73687

RGB 247 54 135

HSL 334.82, 0.92%, 0.59%

LAB 56.25, 75.52, 1.67

 

CMYK 0 / 78 / 66 / 3

HEX #F73653

RGB 247 54 83

HSL 350.98, 0.92%, 0.59%

LAB 55.11, 72.01, 31.02

 

CMYK 0 / 78 / 78 / 3

HEX #F73636

RGB 247 54 54

HSL 0, 0.92%, 0.59%

LAB 54.74, 70.85, 46.97

 

CMYK 0 / 78 / 3 / 3

HEX #F736EF

RGB 247 54 239

HSL 302.49, 0.92%, 0.59%

LAB 60.47, 87.71, -51.79

 

CMYK 18 / 78 / 0 / 3

HEX #CB36F7

RGB 203 54 247

HSL 286.32, 0.92%, 0.59%

LAB 54.08, 80.98, -66.87

 

CMYK 39 / 78 / 0 / 3

HEX #9736F7

RGB 151 54 247

HSL 270.16, 0.92%, 0.59%

LAB 46.89, 72.63, -78.88

 

CMYK 60 / 78 / 0 / 3

HEX #6336F7

RGB 99 54 247

HSL 253.99, 0.92%, 0.59%

LAB 41.23, 66.05, -88.39

 

CMYK 78 / 78 / 0 / 3

HEX #3636F7

RGB 54 54 247

HSL 240, 0.92%, 0.59%

LAB 38.09, 62.4, -93.68

 

CMYK 0 / 78 / 3 / 3

HEX #F736EF

RGB 247 54 239

HSL 302.49, 0.92%, 0.59%

LAB 60.47, 87.71, -51.79

 

CMYK 0 / 78 / 3 / 3

HEX #F736EF

RGB 247 54 239

HSL 302.49, 0.92%, 0.59%

LAB 60.47, 87.71, -51.79

 

CMYK 0 / 69 / 3 / 10

HEX #E647DF

RGB 230 71 223

HSL 302.64, 0.76%, 0.59%

LAB 58.66, 76.95, -45.86

 

CMYK 0 / 59 / 2 / 16

HEX #D558D0

RGB 213 88 208

HSL 302.4, 0.6%, 0.59%

LAB 57.73, 63.98, -39

 

CMYK 0 / 46 / 2 / 23

HEX #C469C0

RGB 196 105 192

HSL 302.64, 0.44%, 0.59%

LAB 57.7, 48.5, -30.11

 

CMYK 0 / 32 / 1 / 30

HEX #B37AB1

RGB 179 122 177

HSL 302.11, 0.27%, 0.59%

LAB 58.67, 31.27, -20.2

 

CMYK 39 / 78 / 0 / 3

HEX #9636F7

RGB 150 54 247

HSL 269.84, 0.92%, 0.59%

LAB 46.76, 72.48, -79.1

 

CMYK 18 / 78 / 0 / 3

HEX #CA36F7

RGB 202 54 247

HSL 286.01, 0.92%, 0.59%

LAB 53.93, 80.81, -67.12

 

CMYK 0 / 78 / 3 / 3

HEX #F736F0

RGB 247 54 240

HSL 302.18, 0.92%, 0.59%

LAB 60.52, 87.85, -52.27

 

CMYK 0 / 78 / 23 / 3

HEX #F736BD

RGB 247 54 189

HSL 318.03, 0.92%, 0.59%

LAB 58.12, 81.06, -27.13

 

CMYK 0 / 78 / 44 / 3

HEX #F7368A

RGB 247 54 138

HSL 333.89, 0.92%, 0.59%

LAB 56.33, 75.78, 0.01

 

CMYK 0 / 96 / 4 / 18

HEX #D209C9

RGB 210 9 201

HSL 302.69, 0.92%, 0.43%

LAB 49.63, 82.89, -47.83

 

CMYK 0 / 94 / 4 / 4

HEX #F50FEB

RGB 245 15 235

HSL 302.61, 0.92%, 0.51%

LAB 57.8, 92.97, -53.81

 

CMYK 0 / 78 / 3 / 3

HEX #F736EF

RGB 247 54 239

HSL 302.49, 0.92%, 0.59%

LAB 60.47, 87.71, -51.79

 

CMYK 0 / 62 / 2 / 3

HEX #F85EF2

RGB 248 94 242

HSL 302.34, 0.92%, 0.67%

LAB 65.26, 75.65, -45.87

 

CMYK 0 / 47 / 2 / 2

HEX #FA85F5

RGB 250 133 245

HSL 302.56, 0.92%, 0.75%

LAB 72.02, 59.51, -36.92

 

CMYK 0 / 78 / 3 / 3

HEX #F736EF

RGB 247 54 239

HSL 302.49, 0.92%, 0.59%

LAB 60.47, 87.71, -51.79

 

CMYK 0 / 60 / 78 / 3

HEX #F76336

RGB 247 99 54

HSL 13.99, 0.92%, 0.59%

LAB 60.75, 54.46, 53.02

 

CMYK 78 / 0 / 29 / 3

HEX #36F7B0

RGB 54 247 176

HSL 157.93, 0.92%, 0.59%

LAB 87.21, -62.18, 21.2

 

CMYK 0 / 78 / 3 / 3

HEX #F736EF

RGB 247 54 239

HSL 302.49, 0.92%, 0.59%

LAB 60.47, 87.71, -51.79

 

CMYK 3 / 0 / 78 / 3

HEX #F0F736

RGB 240 247 54

HSL 62.18, 0.92%, 0.59%

LAB 94.02, -22.98, 83.54

 

CMYK 78 / 3 / 0 / 3

HEX #36F0F7

RGB 54 240 247

HSL 182.18, 0.92%, 0.59%

LAB 86.91, -41.37, -16.24

 

CMYK 0 / 78 / 3 / 3

HEX #F736EF

RGB 247 54 239

HSL 302.49, 0.92%, 0.59%

LAB 60.47, 87.71, -51.79

 

CMYK 0 / 60 / 78 / 3

HEX #F76336

RGB 247 99 54

HSL 13.99, 0.92%, 0.59%

LAB 60.75, 54.46, 53.02

 

CMYK 78 / 0 / 75 / 3

HEX #36F73D

RGB 54 247 61

HSL 122.18, 0.92%, 0.59%

LAB 85.83, -78.41, 70.93

 

CMYK 78 / 18 / 0 / 3

HEX #36CAF7

RGB 54 202 247

HSL 193.99, 0.92%, 0.59%

LAB 75.91, -23.26, -32.99

 

CMYK 0 / 78 / 3 / 3

HEX #F736EF

RGB 247 54 239

HSL 302.49, 0.92%, 0.59%

LAB 60.47, 87.71, -51.79

 

CMYK 0 / 36 / 78 / 3

HEX #F79D36

RGB 247 157 54

HSL 32.02, 0.92%, 0.59%

LAB 72.33, 25.77, 64.15

 

CMYK 78 / 0 / 75 / 3

HEX #36F73D

RGB 54 247 61

HSL 122.18, 0.92%, 0.59%

LAB 85.83, -78.41, 70.93

 

CMYK 78 / 42 / 0 / 3

HEX #3690F7

RGB 54 144 247

HSL 212.02, 0.92%, 0.59%

LAB 59.39, 8.87, -58.97

 

Description

Color code: HEX #F736EF | qconv.com Color code: HEX #F736EF | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 54 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 54 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 3 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 3% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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