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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F73623CE it is the complementary color #08C9DCCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F73623CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F73623CE shade: #FC361ECE, #FF4831CE, #FF5A44CE, #FF6C57CE and #FF7E6ACE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F73623CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F73623CE shade: #F73623CE, #E62410CE, #D51200CE, #C40000CE and #B30000CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F73623CE shade: #F73522 and #F72222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F73623CE shade: #F73522, #F76E22, #F7A822, #F7E122 and #D3F722

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F73623CE shade matches the following richer shades: #F73522

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F73623CE shade: #F73522, #E44434, #D25347, #BF6259 and #AD726C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F73623CE shade: #F72282, #F72249, #F73322, #F76C22 and #F7A522

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F73623CE shade: #BF1707, #E71C08, #F73522, #F85949 and #FA7D71

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F73623CE shade: #F73623, #BAF722 and #2265F7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F73623CE shade: #F73623, #22F733 and #3322F7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F73623CE shade: #F73623, #BAF722, #22E5F7 and #5E22F7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F73623CE shade: #F73623, #7AF722, #22E5F7 and #9E22F7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 70 / 3

HEX #F73623CE

RGBA 247 54 35 0.81

HSLA 5.38, 0.93%, 0.55%, 0.81

LABA 54.59, 70.37, 56.16, 0.81

 

Complementary color

CMYK 78 / 7 / 0 / 11

HEX #08C9DCCE

RGBA 8 201 220 0.81

HSLA 185.38, 0.93%, 0.45%, 0.81

LABA 74.18, -34.12, -21.13, 0.81

 

CMYK 0 / 64 / 71 / 1

HEX #FC361ECE

RGBA 252 54 30 0.81

HSLA 6.49, 0.97%, 0.55%, 0.81

LABA 55.51, 71.69, 59.39, 0.81

 

CMYK 0 / 58 / 65 / 0

HEX #FF4831CE

RGBA 255 72 49 0.81

HSLA 6.7, 1%, 0.6%, 0.81

LABA 58.15, 67.52, 53.37, 0.81

 

CMYK 0 / 52 / 59 / 0

HEX #FF5A44CE

RGBA 255 90 68 0.81

HSLA 7.06, 1%, 0.63%, 0.81

LABA 60.77, 61.48, 46.41, 0.81

 

CMYK 0 / 47 / 53 / 0

HEX #FF6C57CE

RGBA 255 108 87 0.81

HSLA 7.5, 1%, 0.67%, 0.81

LABA 63.9, 54.69, 39.84, 0.81

 

CMYK 0 / 41 / 47 / 0

HEX #FF7E6ACE

RGBA 255 126 106 0.81

HSLA 8.05, 1%, 0.71%, 0.81

LABA 67.44, 47.43, 33.87, 0.81

 

CMYK 0 / 63 / 70 / 3

HEX #F73623CE

RGBA 247 54 35 0.81

HSLA 5.38, 0.93%, 0.55%, 0.81

LABA 54.59, 70.37, 56.16, 0.81

 

CMYK 0 / 68 / 75 / 8

HEX #E62410CE

RGBA 230 36 16 0.81

HSLA 5.61, 0.87%, 0.48%, 0.81

LABA 49.64, 69.74, 58.46, 0.81

 

CMYK 0 / 74 / 81 / 13

HEX #D51200CE

RGBA 213 18 0 0.81

HSLA 5.07, 1%, 0.42%, 0.81

LABA 45.05, 68.17, 58.9, 0.81

 

CMYK 0 / 81 / 81 / 19

HEX #C40000CE

RGBA 196 0 0 0.81

HSLA 0, 1%, 0.38%, 0.81

LABA 40.79, 65.72, 55.14, 0.81

 

CMYK 0 / 81 / 81 / 24

HEX #B30000CE

RGBA 179 0 0 0.81

HSLA 0, 1%, 0.35%, 0.81

LABA 37.08, 61.42, 51.49, 0.81

 

CMYK 0 / 79 / 86 / 3

HEX #F73522

RGB 247 53 34

HSL 5.35, 0.93%, 0.55%

LAB 54.49, 70.62, 56.52

 

CMYK 0 / 86 / 86 / 3

HEX #F72222

RGB 247 34 34

HSL 0, 0.93%, 0.55%

LAB 52.99, 74.88, 55.31

 

CMYK 0 / 79 / 86 / 3

HEX #F73522

RGB 247 53 34

HSL 5.35, 0.93%, 0.55%

LAB 54.49, 70.62, 56.52

 

CMYK 0 / 55 / 86 / 3

HEX #F76E22

RGB 247 110 34

HSL 21.41, 0.93%, 0.55%

LAB 62.54, 48.89, 62.98

 

CMYK 0 / 32 / 86 / 3

HEX #F7A822

RGB 247 168 34

HSL 37.75, 0.93%, 0.55%

LAB 74.76, 19.43, 72.77

 

CMYK 0 / 9 / 86 / 3

HEX #F7E122

RGB 247 225 34

HSL 53.8, 0.93%, 0.55%

LAB 88.8, -9.92, 84.03

 

CMYK 15 / 0 / 86 / 3

HEX #D3F722

RGB 211 247 34

HSL 70.14, 0.93%, 0.55%

LAB 91.9, -35.2, 85.42

 

CMYK 0 / 79 / 86 / 3

HEX #F73522

RGB 247 53 34

HSL 5.35, 0.93%, 0.55%

LAB 54.49, 70.62, 56.52

 

CMYK 0 / 79 / 86 / 3

HEX #F73522

RGB 247 53 34

HSL 5.35, 0.93%, 0.55%

LAB 54.49, 70.62, 56.52

 

CMYK 0 / 70 / 77 / 11

HEX #E44434

RGB 228 68 52

HSL 5.45, 0.77%, 0.55%

LAB 52.81, 60.68, 44.94

 

CMYK 0 / 60 / 66 / 18

HEX #D25347

RGB 210 83 71

HSL 5.18, 0.61%, 0.55%

LAB 52.22, 49.4, 32.95

 

CMYK 0 / 49 / 53 / 25

HEX #BF6259

RGB 191 98 89

HSL 5.29, 0.44%, 0.55%

LAB 52.43, 36.35, 22.22

 

CMYK 0 / 34 / 38 / 32

HEX #AD726C

RGB 173 114 108

HSL 5.54, 0.28%, 0.55%

LAB 54.03, 22.55, 12.91

 

CMYK 0 / 86 / 47 / 3

HEX #F72282

RGB 247 34 130

HSL 332.96, 0.93%, 0.55%

LAB 54.58, 79.47, 2.24

 

CMYK 0 / 86 / 70 / 3

HEX #F72249

RGB 247 34 73

HSL 349.01, 0.93%, 0.55%

LAB 53.38, 76.04, 34.76

 

CMYK 0 / 79 / 86 / 3

HEX #F73322

RGB 247 51 34

HSL 4.79, 0.93%, 0.55%

LAB 54.3, 71.15, 56.37

 

CMYK 0 / 56 / 86 / 3

HEX #F76C22

RGB 247 108 34

HSL 20.85, 0.93%, 0.55%

LAB 62.18, 49.83, 62.69

 

CMYK 0 / 33 / 86 / 3

HEX #F7A522

RGB 247 165 34

HSL 36.9, 0.93%, 0.55%

LAB 74.06, 21.01, 72.21

 

CMYK 0 / 88 / 96 / 25

HEX #BF1707

RGB 191 23 7

HSL 5.22, 0.93%, 0.39%

LAB 40.74, 61.63, 52.01

 

CMYK 0 / 88 / 97 / 9

HEX #E71C08

RGB 231 28 8

HSL 5.38, 0.93%, 0.47%

LAB 49.3, 71.43, 60.6

 

CMYK 0 / 79 / 86 / 3

HEX #F73522

RGB 247 53 34

HSL 5.35, 0.93%, 0.55%

LAB 54.49, 70.62, 56.52

 

CMYK 0 / 64 / 71 / 3

HEX #F85949

RGB 248 89 73

HSL 5.49, 0.93%, 0.63%

LAB 59.51, 59.81, 42

 

CMYK 0 / 50 / 55 / 2

HEX #FA7D71

RGB 250 125 113

HSL 5.26, 0.93%, 0.71%

LAB 66.66, 46.63, 28.86

 

CMYK 0 / 78 / 86 / 3

HEX #F73623

RGB 247 54 35

HSL 5.38, 0.93%, 0.55%

LAB 54.59, 70.37, 56.16

 

CMYK 25 / 0 / 86 / 3

HEX #BAF722

RGB 186 247 34

HSL 77.18, 0.93%, 0.55%

LAB 90.36, -44.83, 83.51

 

CMYK 86 / 59 / 0 / 3

HEX #2265F7

RGB 34 101 247

HSL 221.13, 0.93%, 0.55%

LAB 47.45, 33.99, -78.3

 

CMYK 0 / 78 / 86 / 3

HEX #F73623

RGB 247 54 35

HSL 5.38, 0.93%, 0.55%

LAB 54.59, 70.37, 56.16

 

CMYK 86 / 0 / 79 / 3

HEX #22F733

RGB 34 247 51

HSL 124.79, 0.93%, 0.55%

LAB 85.55, -81.01, 73.52

 

CMYK 79 / 86 / 0 / 3

HEX #3322F7

RGB 51 34 247

HSL 244.79, 0.93%, 0.55%

LAB 35.13, 70.55, -98.61

 

CMYK 0 / 78 / 86 / 3

HEX #F73623

RGB 247 54 35

HSL 5.38, 0.93%, 0.55%

LAB 54.59, 70.37, 56.16

 

CMYK 25 / 0 / 86 / 3

HEX #BAF722

RGB 186 247 34

HSL 77.18, 0.93%, 0.55%

LAB 90.36, -44.83, 83.51

 

CMYK 86 / 7 / 0 / 3

HEX #22E5F7

RGB 34 229 247

HSL 185.07, 0.93%, 0.55%

LAB 83.49, -37.8, -21.42

 

CMYK 62 / 86 / 0 / 3

HEX #5E22F7

RGB 94 34 247

HSL 256.9, 0.93%, 0.55%

LAB 38.27, 72.97, -93.3

 

CMYK 0 / 78 / 86 / 3

HEX #F73623

RGB 247 54 35

HSL 5.38, 0.93%, 0.55%

LAB 54.59, 70.37, 56.16

 

CMYK 51 / 0 / 86 / 3

HEX #7AF722

RGB 122 247 34

HSL 95.21, 0.93%, 0.55%

LAB 87.38, -66.03, 79.79

 

CMYK 86 / 7 / 0 / 3

HEX #22E5F7

RGB 34 229 247

HSL 185.07, 0.93%, 0.55%

LAB 83.49, -37.8, -21.42

 

CMYK 36 / 86 / 0 / 3

HEX #9E22F7

RGB 158 34 247

HSL 274.93, 0.93%, 0.55%

LAB 45.81, 79.45, -80.61

 

Description

Color code: HEX #F73623CE | qconv.com Color code: HEX #F73623CE | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 54 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 54 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 70 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 70% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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