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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F723D4 it is the complementary color #08DC2B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F723D4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F723D4 shade: #FC23CF, #FF35E2, #FF47F5, #FF59FF and #FF6BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F723D4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F723D4 shade: #F723D4, #E611C1, #D500AE, #C4009B and #B30088

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F723D4 shade: #F722D4, #F7229A, #F72261, #F72227 and #F72222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F723D4 shade: #F722D4, #E122F7, #A722F7, #6E22F7 and #3422F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F723D4 shade matches the following richer shades: #F722D4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F723D4 shade: #F722D4, #E434C7, #D247BB, #BF59AE and #AD6CA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F723D4 shade: #A522F7, #DE22F7, #F722D7, #F7229E and #F72265

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F723D4 shade: #BF07A1, #E708C2, #F722D4, #F849DB and #FA71E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F723D4 shade: #F723D4, #F76C22 and #22F7C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F723D4 shade: #F723D4, #D7F722 and #22D7F7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F723D4 shade: #F723D4, #F76C22, #22F742 and #22ACF7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F723D4 shade: #F723D4, #F7AC22, #22F742 and #226CF7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 14 / 3

HEX #F723D4

RGB 247 35 212

HSL 309.91, 0.93%, 0.55%

LAB 57.78, 87.87, -40.83

 

Complementary color

CMYK 96 / 0 / 80 / 14

HEX #08DC2B

RGB 8 220 43

HSL 129.91, 0.93%, 0.45%

LAB 76.93, -75.44, 67.55

 

CMYK 0 / 86 / 18 / 1

HEX #FC23CF

RGB 252 35 207

HSL 312.44, 0.97%, 0.56%

LAB 58.42, 88.2, -36.92

 

CMYK 0 / 79 / 11 / 0

HEX #FF35E2

RGB 255 53 226

HSL 308.61, 1%, 0.6%

LAB 61.04, 87.68, -43.52

 

CMYK 0 / 72 / 4 / 0

HEX #FF47F5

RGB 255 71 245

HSL 303.26, 1%, 0.64%

LAB 63.64, 85.59, -50.02

 

CMYK 0 / 65 / 0 / 0

HEX #FF59FF

RGB 255 89 255

HSL 300, 1%, 0.67%

LAB 66.23, 81.18, -51.43

 

CMYK 0 / 58 / 0 / 0

HEX #FF6BFF

RGB 255 107 255

HSL 300, 1%, 0.71%

LAB 68.75, 74.2, -47.46

 

CMYK 0 / 86 / 14 / 3

HEX #F723D4

RGB 247 35 212

HSL 309.91, 0.93%, 0.55%

LAB 57.78, 87.87, -40.83

 

CMYK 0 / 93 / 16 / 10

HEX #E611C1

RGB 230 17 193

HSL 310.42, 0.86%, 0.48%

LAB 53.03, 84.68, -37.59

 

CMYK 0 / 100 / 18 / 16

HEX #D500AE

RGB 213 0 174

HSL 310.99, 1%, 0.42%

LAB 48.51, 80.58, -33.8

 

CMYK 0 / 100 / 21 / 23

HEX #C4009B

RGB 196 0 155

HSL 312.55, 1%, 0.38%

LAB 44.38, 75.11, -29.17

 

CMYK 0 / 100 / 24 / 30

HEX #B30088

RGB 179 0 136

HSL 314.41, 1%, 0.35%

LAB 40.18, 69.57, -24.4

 

CMYK 0 / 86 / 14 / 3

HEX #F722D4

RGB 247 34 212

HSL 309.86, 0.93%, 0.55%

LAB 57.72, 88.03, -40.91

 

CMYK 0 / 86 / 38 / 3

HEX #F7229A

RGB 247 34 154

HSL 326.2, 0.93%, 0.55%

LAB 55.33, 81.55, -10.95

 

CMYK 0 / 86 / 61 / 3

HEX #F72261

RGB 247 34 97

HSL 342.25, 0.93%, 0.55%

LAB 53.79, 77.22, 20.98

 

CMYK 0 / 86 / 84 / 3

HEX #F72227

RGB 247 34 39

HSL 358.59, 0.93%, 0.55%

LAB 53.02, 74.98, 52.99

 

CMYK 0 / 86 / 86 / 3

HEX #F72222

RGB 247 34 34

HSL 0, 0.93%, 0.55%

LAB 52.99, 74.88, 55.31

 

CMYK 0 / 86 / 14 / 3

HEX #F722D4

RGB 247 34 212

HSL 309.86, 0.93%, 0.55%

LAB 57.72, 88.03, -40.91

 

CMYK 9 / 86 / 0 / 3

HEX #E122F7

RGB 225 34 247

HSL 293.8, 0.93%, 0.55%

LAB 55.95, 89.16, -63.67

 

CMYK 32 / 86 / 0 / 3

HEX #A722F7

RGB 167 34 247

HSL 277.46, 0.93%, 0.55%

LAB 47.07, 80.61, -78.49

 

CMYK 55 / 86 / 0 / 3

HEX #6E22F7

RGB 110 34 247

HSL 261.41, 0.93%, 0.55%

LAB 39.87, 74.28, -90.6

 

CMYK 79 / 86 / 0 / 3

HEX #3422F7

RGB 52 34 247

HSL 245.07, 0.93%, 0.55%

LAB 35.18, 70.59, -98.52

 

CMYK 0 / 86 / 14 / 3

HEX #F722D4

RGB 247 34 212

HSL 309.86, 0.93%, 0.55%

LAB 57.72, 88.03, -40.91

 

CMYK 0 / 86 / 14 / 3

HEX #F722D4

RGB 247 34 212

HSL 309.86, 0.93%, 0.55%

LAB 57.72, 88.03, -40.91

 

CMYK 0 / 77 / 13 / 11

HEX #E434C7

RGB 228 52 199

HSL 309.89, 0.77%, 0.55%

LAB 55.15, 78.74, -37.75

 

CMYK 0 / 66 / 11 / 18

HEX #D247BB

RGB 210 71 187

HSL 309.93, 0.61%, 0.55%

LAB 53.81, 66.79, -33.14

 

CMYK 0 / 53 / 9 / 25

HEX #BF59AE

RGB 191 89 174

HSL 310, 0.44%, 0.55%

LAB 53.25, 51.85, -26.68

 

CMYK 0 / 38 / 6 / 32

HEX #AD6CA2

RGB 173 108 162

HSL 310.15, 0.28%, 0.55%

LAB 54.26, 34.23, -18.35

 

CMYK 33 / 86 / 0 / 3

HEX #A522F7

RGB 165 34 247

HSL 276.9, 0.93%, 0.55%

LAB 46.79, 80.35, -78.97

 

CMYK 10 / 86 / 0 / 3

HEX #DE22F7

RGB 222 34 247

HSL 292.96, 0.93%, 0.55%

LAB 55.47, 88.68, -64.48

 

CMYK 0 / 86 / 13 / 3

HEX #F722D7

RGB 247 34 215

HSL 309.01, 0.93%, 0.55%

LAB 57.87, 88.41, -42.39

 

CMYK 0 / 86 / 36 / 3

HEX #F7229E

RGB 247 34 158

HSL 325.07, 0.93%, 0.55%

LAB 55.47, 81.94, -13.11

 

CMYK 0 / 86 / 59 / 3

HEX #F72265

RGB 247 34 101

HSL 341.13, 0.93%, 0.55%

LAB 53.88, 77.46, 18.68

 

CMYK 0 / 96 / 16 / 25

HEX #BF07A1

RGB 191 7 161

HSL 309.78, 0.93%, 0.39%

LAB 43.95, 74.28, -33.53

 

CMYK 0 / 97 / 16 / 9

HEX #E708C2

RGB 231 8 194

HSL 309.96, 0.93%, 0.47%

LAB 53.01, 85.71, -38.19

 

CMYK 0 / 86 / 14 / 3

HEX #F722D4

RGB 247 34 212

HSL 309.86, 0.93%, 0.55%

LAB 57.72, 88.03, -40.91

 

CMYK 0 / 71 / 12 / 3

HEX #F849DB

RGB 248 73 219

HSL 309.94, 0.93%, 0.63%

LAB 61.51, 79.7, -38.92

 

CMYK 0 / 55 / 9 / 2

HEX #FA71E3

RGB 250 113 227

HSL 310.07, 0.93%, 0.71%

LAB 67.78, 65.85, -33.6

 

CMYK 0 / 86 / 14 / 3

HEX #F723D4

RGB 247 35 212

HSL 309.91, 0.93%, 0.55%

LAB 57.78, 87.87, -40.83

 

CMYK 0 / 56 / 86 / 3

HEX #F76C22

RGB 247 108 34

HSL 20.85, 0.93%, 0.55%

LAB 62.18, 49.83, 62.69

 

CMYK 86 / 0 / 21 / 3

HEX #22F7C2

RGB 34 247 194

HSL 165.07, 0.93%, 0.55%

LAB 87.37, -59.76, 12.1

 

CMYK 0 / 86 / 14 / 3

HEX #F723D4

RGB 247 35 212

HSL 309.91, 0.93%, 0.55%

LAB 57.78, 87.87, -40.83

 

CMYK 13 / 0 / 86 / 3

HEX #D7F722

RGB 215 247 34

HSL 69.01, 0.93%, 0.55%

LAB 92.17, -33.61, 85.75

 

CMYK 86 / 13 / 0 / 3

HEX #22D7F7

RGB 34 215 247

HSL 189.01, 0.93%, 0.55%

LAB 79.42, -31.21, -27.62

 

CMYK 0 / 86 / 14 / 3

HEX #F723D4

RGB 247 35 212

HSL 309.91, 0.93%, 0.55%

LAB 57.78, 87.87, -40.83

 

CMYK 0 / 56 / 86 / 3

HEX #F76C22

RGB 247 108 34

HSL 20.85, 0.93%, 0.55%

LAB 62.18, 49.83, 62.69

 

CMYK 86 / 0 / 73 / 3

HEX #22F742

RGB 34 247 66

HSL 129.01, 0.93%, 0.55%

LAB 85.63, -80.02, 69.04

 

CMYK 86 / 30 / 0 / 3

HEX #22ACF7

RGB 34 172 247

HSL 201.13, 0.93%, 0.55%

LAB 66.95, -8.96, -46.99

 

CMYK 0 / 86 / 14 / 3

HEX #F723D4

RGB 247 35 212

HSL 309.91, 0.93%, 0.55%

LAB 57.78, 87.87, -40.83

 

CMYK 0 / 30 / 86 / 3

HEX #F7AC22

RGB 247 172 34

HSL 38.87, 0.93%, 0.55%

LAB 75.7, 17.33, 73.52

 

CMYK 86 / 0 / 73 / 3

HEX #22F742

RGB 34 247 66

HSL 129.01, 0.93%, 0.55%

LAB 85.63, -80.02, 69.04

 

CMYK 86 / 56 / 0 / 3

HEX #226CF7

RGB 34 108 247

HSL 219.15, 0.93%, 0.55%

LAB 49.23, 29.56, -75.39

 

Description

Color code: HEX #F723D4 | qconv.com Color code: HEX #F723D4 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 35 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 35 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 14 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 14% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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