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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F721C2 it is the complementary color #08DE3D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F721C2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F721C2 shade: #FC21BD, #FF33D0, #FF45E3, #FF57F6 and #FF69FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F721C2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F721C2 shade: #F721C2, #E60FAF, #D5009C, #C40089 and #B30076

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F721C2 shade: #F722C2, #F72289, #F7224F and #F72222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F721C2 shade: #F722C2, #F222F7, #B922F7, #7F22F7 and #4622F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F721C2 shade matches the following richer shades: #F722C2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F721C2 shade: #F722C2, #E434B9, #D247AF, #BF59A6 and #AD6C9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F721C2 shade: #B722F7, #F022F7, #F722C5, #F7228C and #F72253

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F721C2 shade: #BF0791, #E708B0, #F722C2, #F849CD and #FA71D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F721C2 shade: #F721C2, #F77E22 and #22F7D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F721C2 shade: #F721C2, #C5F722 and #22C5F7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F721C2 shade: #F721C2, #F77E22, #22F753 and #229AF7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F721C2 shade: #F721C2, #F7BE22, #22F753 and #225AF7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 21 / 3

HEX #F721C2

RGB 247 33 194

HSL 314.86, 0.93%, 0.55%

LAB 56.84, 85.98, -31.99

 

Complementary color

CMYK 96 / 0 / 73 / 13

HEX #08DE3D

RGB 8 222 61

HSL 134.86, 0.93%, 0.45%

LAB 77.66, -74.75, 62.62

 

CMYK 0 / 87 / 25 / 1

HEX #FC21BD

RGB 252 33 189

HSL 317.26, 0.97%, 0.56%

LAB 57.52, 86.4, -27.98

 

CMYK 0 / 80 / 18 / 0

HEX #FF33D0

RGB 255 51 208

HSL 313.82, 1%, 0.6%

LAB 60.05, 85.81, -34.89

 

CMYK 0 / 73 / 11 / 0

HEX #FF45E3

RGB 255 69 227

HSL 309.03, 1%, 0.64%

LAB 62.56, 83.6, -41.69

 

CMYK 0 / 66 / 4 / 0

HEX #FF57F6

RGB 255 87 246

HSL 303.21, 1%, 0.67%

LAB 65.54, 80.5, -47.57

 

CMYK 0 / 59 / 0 / 0

HEX #FF69FF

RGB 255 105 255

HSL 300, 1%, 0.71%

LAB 68.45, 75.02, -47.94

 

CMYK 0 / 87 / 21 / 3

HEX #F721C2

RGB 247 33 194

HSL 314.86, 0.93%, 0.55%

LAB 56.84, 85.98, -31.99

 

CMYK 0 / 93 / 24 / 10

HEX #E60FAF

RGB 230 15 175

HSL 315.35, 0.88%, 0.48%

LAB 52.13, 82.72, -28.5

 

CMYK 0 / 100 / 27 / 16

HEX #D5009C

RGB 213 0 156

HSL 316.06, 1%, 0.42%

LAB 47.68, 78.48, -24.39

 

CMYK 0 / 100 / 30 / 23

HEX #C40089

RGB 196 0 137

HSL 318.06, 1%, 0.38%

LAB 43.57, 73.06, -19.51

 

CMYK 0 / 100 / 34 / 30

HEX #B30076

RGB 179 0 118

HSL 320.45, 1%, 0.35%

LAB 39.4, 67.56, -14.43

 

CMYK 0 / 86 / 21 / 3

HEX #F722C2

RGB 247 34 194

HSL 314.93, 0.93%, 0.55%

LAB 56.89, 85.82, -31.91

 

CMYK 0 / 86 / 45 / 3

HEX #F72289

RGB 247 34 137

HSL 330.99, 0.93%, 0.55%

LAB 54.79, 80.04, -1.66

 

CMYK 0 / 86 / 68 / 3

HEX #F7224F

RGB 247 34 79

HSL 347.32, 0.93%, 0.55%

LAB 53.47, 76.3, 31.33

 

CMYK 0 / 86 / 86 / 3

HEX #F72222

RGB 247 34 34

HSL 0, 0.93%, 0.55%

LAB 52.99, 74.88, 55.31

 

CMYK 0 / 86 / 21 / 3

HEX #F722C2

RGB 247 34 194

HSL 314.93, 0.93%, 0.55%

LAB 56.89, 85.82, -31.91

 

CMYK 2 / 86 / 0 / 3

HEX #F222F7

RGB 242 34 247

HSL 298.59, 0.93%, 0.55%

LAB 58.73, 91.95, -59.07

 

CMYK 25 / 86 / 0 / 3

HEX #B922F7

RGB 185 34 247

HSL 282.54, 0.93%, 0.55%

LAB 49.71, 83.07, -74.09

 

CMYK 49 / 86 / 0 / 3

HEX #7F22F7

RGB 127 34 247

HSL 266.2, 0.93%, 0.55%

LAB 41.8, 75.9, -87.35

 

CMYK 72 / 86 / 0 / 3

HEX #4622F7

RGB 70 34 247

HSL 250.14, 0.93%, 0.55%

LAB 36.29, 71.43, -96.64

 

CMYK 0 / 86 / 21 / 3

HEX #F722C2

RGB 247 34 194

HSL 314.93, 0.93%, 0.55%

LAB 56.89, 85.82, -31.91

 

CMYK 0 / 86 / 21 / 3

HEX #F722C2

RGB 247 34 194

HSL 314.93, 0.93%, 0.55%

LAB 56.89, 85.82, -31.91

 

CMYK 0 / 77 / 19 / 11

HEX #E434B9

RGB 228 52 185

HSL 314.66, 0.77%, 0.55%

LAB 54.5, 76.88, -30.68

 

CMYK 0 / 66 / 17 / 18

HEX #D247AF

RGB 210 71 175

HSL 315.11, 0.61%, 0.55%

LAB 53.28, 65.04, -26.99

 

CMYK 0 / 53 / 13 / 25

HEX #BF59A6

RGB 191 89 166

HSL 314.71, 0.44%, 0.55%

LAB 52.92, 50.55, -22.52

 

CMYK 0 / 38 / 9 / 32

HEX #AD6C9D

RGB 173 108 157

HSL 314.77, 0.28%, 0.55%

LAB 54.07, 33.33, -15.72

 

CMYK 26 / 86 / 0 / 3

HEX #B722F7

RGB 183 34 247

HSL 281.97, 0.93%, 0.55%

LAB 49.41, 82.79, -74.59

 

CMYK 3 / 86 / 0 / 3

HEX #F022F7

RGB 240 34 247

HSL 298.03, 0.93%, 0.55%

LAB 58.4, 91.62, -59.61

 

CMYK 0 / 86 / 20 / 3

HEX #F722C5

RGB 247 34 197

HSL 314.08, 0.93%, 0.55%

LAB 57.03, 86.17, -33.43

 

CMYK 0 / 86 / 43 / 3

HEX #F7228C

RGB 247 34 140

HSL 330.14, 0.93%, 0.55%

LAB 54.88, 80.29, -3.31

 

CMYK 0 / 86 / 66 / 3

HEX #F72253

RGB 247 34 83

HSL 346.2, 0.93%, 0.55%

LAB 53.54, 76.49, 29.04

 

CMYK 0 / 96 / 24 / 25

HEX #BF0791

RGB 191 7 145

HSL 315, 0.93%, 0.39%

LAB 43.17, 72.3, -25.08

 

CMYK 0 / 97 / 24 / 9

HEX #E708B0

RGB 231 8 176

HSL 314.8, 0.93%, 0.47%

LAB 52.17, 83.57, -29.01

 

CMYK 0 / 86 / 21 / 3

HEX #F722C2

RGB 247 34 194

HSL 314.93, 0.93%, 0.55%

LAB 56.89, 85.82, -31.91

 

CMYK 0 / 71 / 17 / 3

HEX #F849CD

RGB 248 73 205

HSL 314.74, 0.93%, 0.63%

LAB 60.9, 77.79, -31.96

 

CMYK 0 / 55 / 14 / 2

HEX #FA71D8

RGB 250 113 216

HSL 314.89, 0.93%, 0.71%

LAB 67.35, 64.17, -28.16

 

CMYK 0 / 87 / 21 / 3

HEX #F721C2

RGB 247 33 194

HSL 314.86, 0.93%, 0.55%

LAB 56.84, 85.98, -31.99

 

CMYK 0 / 49 / 86 / 3

HEX #F77E22

RGB 247 126 34

HSL 25.92, 0.93%, 0.55%

LAB 65.6, 41.14, 65.43

 

CMYK 86 / 0 / 15 / 3

HEX #22F7D3

RGB 34 247 211

HSL 169.86, 0.93%, 0.55%

LAB 87.76, -55.59, 3.82

 

CMYK 0 / 87 / 21 / 3

HEX #F721C2

RGB 247 33 194

HSL 314.86, 0.93%, 0.55%

LAB 56.84, 85.98, -31.99

 

CMYK 20 / 0 / 86 / 3

HEX #C5F722

RGB 197 247 34

HSL 74.08, 0.93%, 0.55%

LAB 91.01, -40.66, 84.32

 

CMYK 86 / 20 / 0 / 3

HEX #22C5F7

RGB 34 197 247

HSL 194.08, 0.93%, 0.55%

LAB 74.18, -22.28, -35.69

 

CMYK 0 / 87 / 21 / 3

HEX #F721C2

RGB 247 33 194

HSL 314.86, 0.93%, 0.55%

LAB 56.84, 85.98, -31.99

 

CMYK 0 / 49 / 86 / 3

HEX #F77E22

RGB 247 126 34

HSL 25.92, 0.93%, 0.55%

LAB 65.6, 41.14, 65.43

 

CMYK 86 / 0 / 66 / 3

HEX #22F753

RGB 34 247 83

HSL 133.8, 0.93%, 0.55%

LAB 85.75, -78.55, 63

 

CMYK 86 / 38 / 0 / 3

HEX #229AF7

RGB 34 154 247

HSL 206.2, 0.93%, 0.55%

LAB 61.8, 1.29, -55.14

 

CMYK 0 / 87 / 21 / 3

HEX #F721C2

RGB 247 33 194

HSL 314.86, 0.93%, 0.55%

LAB 56.84, 85.98, -31.99

 

CMYK 0 / 23 / 86 / 3

HEX #F7BE22

RGB 247 190 34

HSL 43.94, 0.93%, 0.55%

LAB 80.02, 7.92, 76.99

 

CMYK 86 / 0 / 66 / 3

HEX #22F753

RGB 34 247 83

HSL 133.8, 0.93%, 0.55%

LAB 85.75, -78.55, 63

 

CMYK 86 / 64 / 0 / 3

HEX #225AF7

RGB 34 90 247

HSL 224.23, 0.93%, 0.55%

LAB 44.76, 40.89, -82.71

 

Description

Color code: HEX #F721C2 | qconv.com Color code: HEX #F721C2 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 33 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 33 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 21 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 21% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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