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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F71FF8 it is the complementary color #08E007. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F71FF8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F71FF8 shade: #FC1FF3, #FF31FF, #FF43FF, #FF55FF and #FF67FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F71FF8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F71FF8 shade: #F71FF8, #E60DE5, #D500D2, #C400BF and #B300AC

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F71FF8 shade: #F720F8, #F820BF, #F82085, #F8204B and #F82020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F71FF8 shade: #F720F8, #BD20F8, #8320F8, #4920F8 and #2020F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F71FF8 shade matches the following richer shades: #F720F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F71FF8 shade: #F720F8, #E533E6, #D246D3, #C058C0 and #AE6BAE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F71FF8 shade: #8120F8, #BB20F8, #F520F8, #F820C2 and #F82089

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F71FF8 shade: #BF06C0, #E707E8, #F720F8, #F948F9 and #FA70FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F71FF8 shade: #F71FF8, #F84820 and #20F89E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F71FF8 shade: #F71FF8, #F8F520 and #20F8F5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F71FF8 shade: #F71FF8, #F84820, #24F820 and #20D1F8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F71FF8 shade: #F71FF8, #F88920, #24F820 and #2090F8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 0 / 3

HEX #F71FF8

RGB 247 31 248

HSL 299.72, 0.94%, 0.55%

LAB 59.46, 93.37, -58.41

 

Complementary color

CMYK 96 / 0 / 97 / 12

HEX #08E007

RGB 8 224 7

HSL 119.72, 0.94%, 0.45%

LAB 78.1, -77.75, 74.82

 

CMYK 0 / 88 / 4 / 1

HEX #FC1FF3

RGB 252 31 243

HSL 302.44, 0.97%, 0.55%

LAB 60.02, 93.51, -54.68

 

CMYK 0 / 81 / 0 / 0

HEX #FF31FF

RGB 255 49 255

HSL 300, 1%, 0.6%

LAB 62.23, 92.63, -57.79

 

CMYK 0 / 74 / 0 / 0

HEX #FF43FF

RGB 255 67 255

HSL 300, 1%, 0.63%

LAB 63.75, 88.24, -55.37

 

CMYK 0 / 67 / 0 / 0

HEX #FF55FF

RGB 255 85 255

HSL 300, 1%, 0.67%

LAB 65.73, 82.6, -52.23

 

CMYK 0 / 60 / 0 / 0

HEX #FF67FF

RGB 255 103 255

HSL 300, 1%, 0.7%

LAB 68.15, 75.83, -48.4

 

CMYK 0 / 88 / 0 / 3

HEX #F71FF8

RGB 247 31 248

HSL 299.72, 0.94%, 0.55%

LAB 59.46, 93.37, -58.41

 

CMYK 0 / 94 / 0 / 10

HEX #E60DE5

RGB 230 13 229

HSL 300.28, 0.89%, 0.48%

LAB 54.83, 89.85, -55.33

 

CMYK 0 / 100 / 1 / 16

HEX #D500D2

RGB 213 0 210

HSL 300.85, 1%, 0.42%

LAB 50.45, 85.35, -51.68

 

CMYK 0 / 100 / 3 / 23

HEX #C400BF

RGB 196 0 191

HSL 301.53, 1%, 0.38%

LAB 46.31, 79.88, -47.47

 

CMYK 0 / 100 / 4 / 30

HEX #B300AC

RGB 179 0 172

HSL 302.35, 1%, 0.35%

LAB 42.1, 74.31, -43.17

 

CMYK 0 / 87 / 0 / 3

HEX #F720F8

RGB 247 32 248

HSL 299.72, 0.94%, 0.55%

LAB 59.51, 93.23, -58.33

 

CMYK 0 / 87 / 23 / 3

HEX #F820BF

RGB 248 32 191

HSL 315.83, 0.94%, 0.55%

LAB 56.83, 85.98, -30.26

 

CMYK 0 / 87 / 46 / 3

HEX #F82085

RGB 248 32 133

HSL 331.94, 0.94%, 0.55%

LAB 54.74, 80.27, 0.7

 

CMYK 0 / 87 / 70 / 3

HEX #F8204B

RGB 248 32 75

HSL 348.06, 0.94%, 0.55%

LAB 53.49, 76.72, 33.76

 

CMYK 0 / 87 / 87 / 3

HEX #F82020

RGB 248 32 32

HSL 0, 0.94%, 0.55%

LAB 53.05, 75.45, 56.34

 

CMYK 0 / 87 / 0 / 3

HEX #F720F8

RGB 247 32 248

HSL 299.72, 0.94%, 0.55%

LAB 59.51, 93.23, -58.33

 

CMYK 24 / 87 / 0 / 3

HEX #BD20F8

RGB 189 32 248

HSL 283.61, 0.94%, 0.55%

LAB 50.25, 84.22, -73.73

 

CMYK 47 / 87 / 0 / 3

HEX #8320F8

RGB 131 32 248

HSL 267.5, 0.94%, 0.55%

LAB 42.21, 77.05, -87.22

 

CMYK 71 / 87 / 0 / 3

HEX #4920F8

RGB 73 32 248

HSL 251.39, 0.94%, 0.55%

LAB 36.42, 72.48, -96.99

 

CMYK 87 / 87 / 0 / 3

HEX #2020F8

RGB 32 32 248

HSL 240, 0.94%, 0.55%

LAB 34.23, 70.93, -100.7

 

CMYK 0 / 87 / 0 / 3

HEX #F720F8

RGB 247 32 248

HSL 299.72, 0.94%, 0.55%

LAB 59.51, 93.23, -58.33

 

CMYK 0 / 87 / 0 / 3

HEX #F720F8

RGB 247 32 248

HSL 299.72, 0.94%, 0.55%

LAB 59.51, 93.23, -58.33

 

CMYK 0 / 78 / 0 / 10

HEX #E533E6

RGB 229 51 230

HSL 299.66, 0.78%, 0.55%

LAB 56.82, 83.68, -52.73

 

CMYK 0 / 67 / 0 / 17

HEX #D246D3

RGB 210 70 211

HSL 299.57, 0.62%, 0.55%

LAB 54.85, 70.94, -45.28

 

CMYK 0 / 54 / 0 / 25

HEX #C058C0

RGB 192 88 192

HSL 300, 0.45%, 0.55%

LAB 54.02, 55.7, -35.89

 

CMYK 0 / 39 / 0 / 32

HEX #AE6BAE

RGB 174 107 174

HSL 300, 0.29%, 0.55%

LAB 54.63, 37.34, -24.74

 

CMYK 48 / 87 / 0 / 3

HEX #8120F8

RGB 129 32 248

HSL 266.94, 0.94%, 0.55%

LAB 41.97, 76.85, -87.63

 

CMYK 25 / 87 / 0 / 3

HEX #BB20F8

RGB 187 32 248

HSL 283.06, 0.94%, 0.55%

LAB 49.95, 83.93, -74.24

 

CMYK 1 / 87 / 0 / 3

HEX #F520F8

RGB 245 32 248

HSL 299.17, 0.94%, 0.55%

LAB 59.18, 92.9, -58.88

 

CMYK 0 / 87 / 22 / 3

HEX #F820C2

RGB 248 32 194

HSL 315, 0.94%, 0.55%

LAB 56.96, 86.33, -31.79

 

CMYK 0 / 87 / 45 / 3

HEX #F82089

RGB 248 32 137

HSL 330.83, 0.94%, 0.55%

LAB 54.86, 80.6, -1.52

 

CMYK 1 / 97 / 0 / 25

HEX #BF06C0

RGB 191 6 192

HSL 299.68, 0.94%, 0.39%

LAB 45.65, 78.68, -49.16

 

CMYK 0 / 97 / 0 / 9

HEX #E707E8

RGB 231 7 232

HSL 299.73, 0.94%, 0.47%

LAB 55.04, 90.85, -56.68

 

CMYK 0 / 87 / 0 / 3

HEX #F720F8

RGB 247 32 248

HSL 299.72, 0.94%, 0.55%

LAB 59.51, 93.23, -58.33

 

CMYK 0 / 71 / 0 / 2

HEX #F948F9

RGB 249 72 249

HSL 300, 0.94%, 0.63%

LAB 63.02, 84.66, -53.27

 

CMYK 0 / 55 / 0 / 2

HEX #FA70FB

RGB 250 112 251

HSL 299.57, 0.95%, 0.71%

LAB 68.66, 70.17, -45.46

 

CMYK 0 / 88 / 0 / 3

HEX #F71FF8

RGB 247 31 248

HSL 299.72, 0.94%, 0.55%

LAB 59.46, 93.37, -58.41

 

CMYK 0 / 71 / 87 / 3

HEX #F84820

RGB 248 72 32

HSL 11.11, 0.94%, 0.55%

LAB 56.78, 64.98, 59.23

 

CMYK 87 / 0 / 36 / 3

HEX #20F89E

RGB 32 248 158

HSL 155, 0.94%, 0.55%

LAB 86.95, -68.03, 29.96

 

CMYK 0 / 88 / 0 / 3

HEX #F71FF8

RGB 247 31 248

HSL 299.72, 0.94%, 0.55%

LAB 59.46, 93.37, -58.41

 

CMYK 0 / 1 / 87 / 3

HEX #F8F520

RGB 248 245 32

HSL 59.17, 0.94%, 0.55%

LAB 94.04, -19.31, 88.61

 

CMYK 87 / 0 / 1 / 3

HEX #20F8F5

RGB 32 248 245

HSL 179.17, 0.94%, 0.55%

LAB 88.94, -46.97, -12.18

 

CMYK 0 / 88 / 0 / 3

HEX #F71FF8

RGB 247 31 248

HSL 299.72, 0.94%, 0.55%

LAB 59.46, 93.37, -58.41

 

CMYK 0 / 71 / 87 / 3

HEX #F84820

RGB 248 72 32

HSL 11.11, 0.94%, 0.55%

LAB 56.78, 64.98, 59.23

 

CMYK 85 / 0 / 87 / 3

HEX #24F820

RGB 36 248 32

HSL 118.89, 0.94%, 0.55%

LAB 85.81, -81.99, 78.09

 

CMYK 87 / 16 / 0 / 3

HEX #20D1F8

RGB 32 209 248

HSL 190.83, 0.94%, 0.55%

LAB 77.69, -28.08, -30.81

 

CMYK 0 / 88 / 0 / 3

HEX #F71FF8

RGB 247 31 248

HSL 299.72, 0.94%, 0.55%

LAB 59.46, 93.37, -58.41

 

CMYK 0 / 45 / 87 / 3

HEX #F88920

RGB 248 137 32

HSL 29.17, 0.94%, 0.55%

LAB 67.99, 35.94, 68

 

CMYK 85 / 0 / 87 / 3

HEX #24F820

RGB 36 248 32

HSL 118.89, 0.94%, 0.55%

LAB 85.81, -81.99, 78.09

 

CMYK 87 / 42 / 0 / 3

HEX #2090F8

RGB 32 144 248

HSL 208.89, 0.94%, 0.55%

LAB 59, 7.46, -60.15

 

Description

Color code: HEX #F71FF8 | qconv.com Color code: HEX #F71FF8 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 31 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 31 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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