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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F71E2D it is the complementary color #08E1D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F71E2D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F71E2D shade: #FC1E28, #FF303B, #FF424E, #FF5461 and #FF6674

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F71E2D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F71E2D shade: #F71E2D, #E60C1A, #D50007, #C40000 and #B30000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F71E2D shade: #F71D2C and #F71D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F71E2D shade: #F71D2C, #F71D67, #F71DA1, #F71DDC and #D71DF7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F71E2D shade matches the following richer shades: #F71D2C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F71E2D shade: #F71D2C, #E4303C, #D1434C, #BE565D and #AB696D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F71E2D shade: #F71DA3, #F71D69, #F71D2F, #F7451D and #F77F1D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F71E2D shade: #BA0713, #E20817, #F71D2C, #F84451 and #FA6C76

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F71E2D shade: #F71E2D, #DDF71D and #1D86F7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F71E2D shade: #F71E2D, #2FF71D and #1D2FF7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F71E2D shade: #F71E2D, #DDF71D, #1DF7E5 and #361DF7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F71E2D shade: #F71E2D, #9CF71D, #1DF7E5 and #781DF7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 82 / 3

HEX #F71E2D

RGB 247 30 45

HSL 355.85, 0.93%, 0.54%

LAB 52.83, 75.8, 49.81

 

Complementary color

CMYK 96 / 0 / 7 / 12

HEX #08E1D2

RGB 8 225 210

HSL 175.85, 0.93%, 0.46%

LAB 81.05, -47.85, -5.49

 

CMYK 0 / 88 / 84 / 1

HEX #FC1E28

RGB 252 30 40

HSL 357.3, 0.97%, 0.55%

LAB 53.79, 76.95, 53.56

 

CMYK 0 / 81 / 77 / 0

HEX #FF303B

RGB 255 48 59

HSL 356.81, 1%, 0.59%

LAB 55.78, 74.72, 45.83

 

CMYK 0 / 74 / 69 / 0

HEX #FF424E

RGB 255 66 78

HSL 356.19, 1%, 0.63%

LAB 57.76, 70.51, 37.47

 

CMYK 0 / 67 / 62 / 0

HEX #FF5461

RGB 255 84 97

HSL 355.44, 1%, 0.66%

LAB 60.31, 65.27, 29.78

 

CMYK 0 / 60 / 55 / 0

HEX #FF6674

RGB 255 102 116

HSL 354.51, 1%, 0.7%

LAB 63.36, 59.23, 22.93

 

CMYK 0 / 88 / 82 / 3

HEX #F71E2D

RGB 247 30 45

HSL 355.85, 0.93%, 0.54%

LAB 52.83, 75.8, 49.81

 

CMYK 0 / 95 / 89 / 10

HEX #E60C1A

RGB 230 12 26

HSL 356.15, 0.9%, 0.47%

LAB 48.46, 73.4, 53.9

 

CMYK 0 / 100 / 97 / 16

HEX #D50007

RGB 213 0 7

HSL 358.03, 1%, 0.42%

LAB 44.46, 70, 56.45

 

CMYK 0 / 100 / 100 / 23

HEX #C40000

RGB 196 0 0

HSL 0, 1%, 0.38%

LAB 40.79, 65.72, 55.14

 

CMYK 0 / 100 / 100 / 30

HEX #B30000

RGB 179 0 0

HSL 0, 1%, 0.35%

LAB 37.08, 61.42, 51.49

 

CMYK 0 / 88 / 82 / 3

HEX #F71D2C

RGB 247 29 44

HSL 355.87, 0.93%, 0.54%

LAB 52.77, 75.93, 50.27

 

CMYK 0 / 88 / 88 / 3

HEX #F71D1D

RGB 247 29 29

HSL 0, 0.93%, 0.54%

LAB 52.67, 75.63, 57.26

 

CMYK 0 / 88 / 82 / 3

HEX #F71D2C

RGB 247 29 44

HSL 355.87, 0.93%, 0.54%

LAB 52.77, 75.93, 50.27

 

CMYK 0 / 88 / 58 / 3

HEX #F71D67

RGB 247 29 103

HSL 339.63, 0.93%, 0.54%

LAB 53.63, 78.39, 17.15

 

CMYK 0 / 88 / 35 / 3

HEX #F71DA1

RGB 247 29 161

HSL 323.67, 0.93%, 0.54%

LAB 55.3, 83.01, -15.12

 

CMYK 0 / 88 / 11 / 3

HEX #F71DDC

RGB 247 29 220

HSL 307.43, 0.93%, 0.54%

LAB 57.87, 89.8, -45.23

 

CMYK 13 / 88 / 0 / 3

HEX #D71DF7

RGB 215 29 247

HSL 291.19, 0.93%, 0.54%

LAB 54.07, 88.4, -66.79

 

CMYK 0 / 88 / 82 / 3

HEX #F71D2C

RGB 247 29 44

HSL 355.87, 0.93%, 0.54%

LAB 52.77, 75.93, 50.27

 

CMYK 0 / 88 / 82 / 3

HEX #F71D2C

RGB 247 29 44

HSL 355.87, 0.93%, 0.54%

LAB 52.77, 75.93, 50.27

 

CMYK 0 / 79 / 74 / 11

HEX #E4303C

RGB 228 48 60

HSL 356, 0.77%, 0.54%

LAB 50.61, 67.36, 38.13

 

CMYK 0 / 68 / 64 / 18

HEX #D1434C

RGB 209 67 76

HSL 356.2, 0.61%, 0.54%

LAB 49.61, 56.15, 26.75

 

CMYK 0 / 55 / 51 / 25

HEX #BE565D

RGB 190 86 93

HSL 355.96, 0.44%, 0.54%

LAB 49.97, 42.45, 16.52

 

CMYK 0 / 39 / 36 / 33

HEX #AB696D

RGB 171 105 109

HSL 356.36, 0.28%, 0.54%

LAB 51.68, 26.93, 8.99

 

CMYK 0 / 88 / 34 / 3

HEX #F71DA3

RGB 247 29 163

HSL 323.12, 0.93%, 0.54%

LAB 55.38, 83.21, -16.19

 

CMYK 0 / 88 / 57 / 3

HEX #F71D69

RGB 247 29 105

HSL 339.08, 0.93%, 0.54%

LAB 53.68, 78.52, 16

 

CMYK 0 / 88 / 81 / 3

HEX #F71D2F

RGB 247 29 47

HSL 355.05, 0.93%, 0.54%

LAB 52.79, 76, 48.73

 

CMYK 0 / 72 / 88 / 3

HEX #F7451D

RGB 247 69 29

HSL 11.01, 0.93%, 0.54%

LAB 56.21, 65.65, 59.88

 

CMYK 0 / 49 / 88 / 3

HEX #F77F1D

RGB 247 127 29

HSL 26.97, 0.93%, 0.54%

LAB 65.78, 40.54, 67.1

 

CMYK 0 / 96 / 90 / 27

HEX #BA0713

RGB 186 7 19

HSL 355.98, 0.93%, 0.38%

LAB 38.96, 62.66, 45.86

 

CMYK 0 / 96 / 90 / 11

HEX #E20817

RGB 226 8 23

HSL 355.87, 0.93%, 0.46%

LAB 47.5, 72.69, 54.11

 

CMYK 0 / 88 / 82 / 3

HEX #F71D2C

RGB 247 29 44

HSL 355.87, 0.93%, 0.54%

LAB 52.77, 75.93, 50.27

 

CMYK 0 / 73 / 67 / 3

HEX #F84451

RGB 248 68 81

HSL 355.67, 0.93%, 0.62%

LAB 56.77, 67.98, 34.27

 

CMYK 0 / 57 / 53 / 2

HEX #FA6C76

RGB 250 108 118

HSL 355.77, 0.93%, 0.7%

LAB 63.64, 55.07, 22.02

 

CMYK 0 / 88 / 82 / 3

HEX #F71E2D

RGB 247 30 45

HSL 355.85, 0.93%, 0.54%

LAB 52.83, 75.8, 49.81

 

CMYK 11 / 0 / 88 / 3

HEX #DDF71D

RGB 221 247 29

HSL 67.16, 0.93%, 0.54%

LAB 92.57, -31.32, 87.09

 

CMYK 88 / 46 / 0 / 3

HEX #1D86F7

RGB 29 134 247

HSL 211.1, 0.93%, 0.54%

LAB 56.11, 12.99, -64.24

 

CMYK 0 / 88 / 82 / 3

HEX #F71E2D

RGB 247 30 45

HSL 355.85, 0.93%, 0.54%

LAB 52.83, 75.8, 49.81

 

CMYK 81 / 0 / 88 / 3

HEX #2FF71D

RGB 47 247 29

HSL 115.05, 0.93%, 0.54%

LAB 85.61, -80.78, 78.49

 

CMYK 88 / 81 / 0 / 3

HEX #1D2FF7

RGB 29 47 247

HSL 235.05, 0.93%, 0.54%

LAB 36, 64.63, -97.18

 

CMYK 0 / 88 / 82 / 3

HEX #F71E2D

RGB 247 30 45

HSL 355.85, 0.93%, 0.54%

LAB 52.83, 75.8, 49.81

 

CMYK 11 / 0 / 88 / 3

HEX #DDF71D

RGB 221 247 29

HSL 67.16, 0.93%, 0.54%

LAB 92.57, -31.32, 87.09

 

CMYK 88 / 0 / 7 / 3

HEX #1DF7E5

RGB 29 247 229

HSL 175.05, 0.93%, 0.54%

LAB 88.18, -51.13, -4.96

 

CMYK 78 / 88 / 0 / 3

HEX #361DF7

RGB 54 29 247

HSL 246.88, 0.93%, 0.54%

LAB 34.76, 72.27, -99.22

 

CMYK 0 / 88 / 82 / 3

HEX #F71E2D

RGB 247 30 45

HSL 355.85, 0.93%, 0.54%

LAB 52.83, 75.8, 49.81

 

CMYK 37 / 0 / 88 / 3

HEX #9CF71D

RGB 156 247 29

HSL 85.05, 0.93%, 0.54%

LAB 88.77, -55.67, 82.42

 

CMYK 88 / 0 / 7 / 3

HEX #1DF7E5

RGB 29 247 229

HSL 175.05, 0.93%, 0.54%

LAB 88.18, -51.13, -4.96

 

CMYK 51 / 88 / 0 / 3

HEX #781DF7

RGB 120 29 247

HSL 265.05, 0.93%, 0.54%

LAB 40.55, 76.49, -89.44

 

Description

Color code: HEX #F71E2D | qconv.com Color code: HEX #F71E2D | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 30 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 30 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 82 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 82% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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