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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F71D64 it is the complementary color #08E29B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F71D64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F71D64 shade: #FC1D5F, #FF2F72, #FF4185, #FF5398 and #FF65AB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F71D64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F71D64 shade: #F71D64, #E60B51, #D5003E, #C4002B and #B30018

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F71D64 shade: #F71D64, #F71D29 and #F71D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F71D64 shade: #F71D64, #F71D9E, #F71DD9, #D91DF7 and #9F1DF7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F71D64 shade matches the following richer shades: #F71D64

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F71D64 shade: #F71D64, #E4306A, #D14371, #BE5678 and #AB697E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F71D64 shade: #F71DDA, #F71DA0, #F71D65, #F71D2B and #F7481D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F71D64 shade: #BA0741, #E2084F, #F71D64, #F8447F and #FA6C9A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F71D64 shade: #F71D64, #F7DA1D and #1DBDF7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F71D64 shade: #F71D64, #65F71D and #1D65F7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F71D64 shade: #F71D64, #F7DA1D, #1DF7AE and #1D3AF7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F71D64 shade: #F71D64, #D2F71D, #1DF7AE and #411DF7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 60 / 3

HEX #F71D64

RGB 247 29 100

HSL 340.46, 0.93%, 0.54%

LAB 53.57, 78.22, 18.87

 

Complementary color

CMYK 96 / 0 / 31 / 11

HEX #08E29B

RGB 8 226 155

HSL 160.46, 0.93%, 0.46%

LAB 80.07, -61.93, 22.14

 

CMYK 0 / 88 / 62 / 1

HEX #FC1D5F

RGB 252 29 95

HSL 342.24, 0.97%, 0.55%

LAB 54.45, 79.13, 23.23

 

CMYK 0 / 82 / 55 / 0

HEX #FF2F72

RGB 255 47 114

HSL 340.67, 1%, 0.59%

LAB 56.59, 77.64, 14.86

 

CMYK 0 / 75 / 48 / 0

HEX #FF4185

RGB 255 65 133

HSL 338.53, 1%, 0.63%

LAB 58.73, 74.3, 6.61

 

CMYK 0 / 67 / 40 / 0

HEX #FF5398

RGB 255 83 152

HSL 335.93, 1%, 0.66%

LAB 61.41, 69.98, -0.62

 

CMYK 0 / 60 / 33 / 0

HEX #FF65AB

RGB 255 101 171

HSL 332.73, 1%, 0.7%

LAB 64.57, 64.89, -6.89

 

CMYK 0 / 88 / 60 / 3

HEX #F71D64

RGB 247 29 100

HSL 340.46, 0.93%, 0.54%

LAB 53.57, 78.22, 18.87

 

CMYK 0 / 95 / 65 / 10

HEX #E60B51

RGB 230 11 81

HSL 340.82, 0.91%, 0.47%

LAB 49.08, 75.26, 23.85

 

CMYK 0 / 100 / 71 / 16

HEX #D5003E

RGB 213 0 62

HSL 342.54, 1%, 0.42%

LAB 44.93, 71.27, 29.53

 

CMYK 0 / 100 / 78 / 23

HEX #C4002B

RGB 196 0 43

HSL 346.84, 1%, 0.38%

LAB 41.07, 66.48, 35.66

HEX #C4002B

CMYK 0 / 100 / 87 / 30

HEX #B30018

RGB 179 0 24

HSL 351.96, 1%, 0.35%

LAB 37.21, 61.76, 41.38

HEX #B30018

CMYK 0 / 88 / 60 / 3

HEX #F71D64

RGB 247 29 100

HSL 340.46, 0.93%, 0.54%

LAB 53.57, 78.22, 18.87

 

CMYK 0 / 88 / 83 / 3

HEX #F71D29

RGB 247 29 41

HSL 356.7, 0.93%, 0.54%

LAB 52.74, 75.86, 51.77

 

CMYK 0 / 88 / 88 / 3

HEX #F71D1D

RGB 247 29 29

HSL 0, 0.93%, 0.54%

LAB 52.67, 75.63, 57.26

 

CMYK 0 / 88 / 60 / 3

HEX #F71D64

RGB 247 29 100

HSL 340.46, 0.93%, 0.54%

LAB 53.57, 78.22, 18.87

 

CMYK 0 / 88 / 36 / 3

HEX #F71D9E

RGB 247 29 158

HSL 324.5, 0.93%, 0.54%

LAB 55.2, 82.72, -13.52

 

CMYK 0 / 88 / 12 / 3

HEX #F71DD9

RGB 247 29 217

HSL 308.26, 0.93%, 0.54%

LAB 57.72, 89.41, -43.77

 

CMYK 12 / 88 / 0 / 3

HEX #D91DF7

RGB 217 29 247

HSL 291.74, 0.93%, 0.54%

LAB 54.39, 88.7, -66.26

 

CMYK 36 / 88 / 0 / 3

HEX #9F1DF7

RGB 159 29 247

HSL 275.78, 0.93%, 0.54%

LAB 45.59, 80.65, -80.97

 

CMYK 0 / 88 / 60 / 3

HEX #F71D64

RGB 247 29 100

HSL 340.46, 0.93%, 0.54%

LAB 53.57, 78.22, 18.87

 

CMYK 0 / 88 / 60 / 3

HEX #F71D64

RGB 247 29 100

HSL 340.46, 0.93%, 0.54%

LAB 53.57, 78.22, 18.87

 

CMYK 0 / 79 / 54 / 11

HEX #E4306A

RGB 228 48 106

HSL 340.67, 0.77%, 0.54%

LAB 51.44, 69.92, 11.73

 

CMYK 0 / 68 / 46 / 18

HEX #D14371

RGB 209 67 113

HSL 340.56, 0.61%, 0.54%

LAB 50.41, 58.98, 5.56

 

CMYK 0 / 55 / 37 / 25

HEX #BE5678

RGB 190 86 120

HSL 340.38, 0.44%, 0.54%

LAB 50.64, 45.27, 1.29

 

CMYK 0 / 39 / 26 / 33

HEX #AB697E

RGB 171 105 126

HSL 340.91, 0.28%, 0.54%

LAB 52.14, 29.25, -0.41

 

CMYK 0 / 88 / 12 / 3

HEX #F71DDA

RGB 247 29 218

HSL 307.98, 0.93%, 0.54%

LAB 57.77, 89.54, -44.26

 

CMYK 0 / 88 / 35 / 3

HEX #F71DA0

RGB 247 29 160

HSL 323.94, 0.93%, 0.54%

LAB 55.27, 82.92, -14.59

 

CMYK 0 / 88 / 59 / 3

HEX #F71D65

RGB 247 29 101

HSL 340.18, 0.93%, 0.54%

LAB 53.59, 78.27, 18.3

 

CMYK 0 / 88 / 83 / 3

HEX #F71D2B

RGB 247 29 43

HSL 356.15, 0.93%, 0.54%

LAB 52.76, 75.91, 50.77

 

CMYK 0 / 71 / 88 / 3

HEX #F7481D

RGB 247 72 29

HSL 11.83, 0.93%, 0.54%

LAB 56.58, 64.62, 60.16

 

CMYK 0 / 96 / 65 / 27

HEX #BA0741

RGB 186 7 65

HSL 340.56, 0.93%, 0.38%

LAB 39.53, 64.24, 19.65

 

CMYK 0 / 96 / 65 / 11

HEX #E2084F

RGB 226 8 79

HSL 340.46, 0.93%, 0.46%

LAB 48.14, 74.46, 23.7

 

CMYK 0 / 88 / 60 / 3

HEX #F71D64

RGB 247 29 100

HSL 340.46, 0.93%, 0.54%

LAB 53.57, 78.22, 18.87

 

CMYK 0 / 73 / 49 / 3

HEX #F8447F

RGB 248 68 127

HSL 340.33, 0.93%, 0.62%

LAB 57.68, 70.99, 8.49

 

CMYK 0 / 57 / 38 / 2

HEX #FA6C9A

RGB 250 108 154

HSL 340.56, 0.93%, 0.7%

LAB 64.47, 58.44, 2.59

 

CMYK 0 / 88 / 60 / 3

HEX #F71D64

RGB 247 29 100

HSL 340.46, 0.93%, 0.54%

LAB 53.57, 78.22, 18.87

 

CMYK 0 / 12 / 88 / 3

HEX #F7DA1D

RGB 247 218 29

HSL 52.02, 0.93%, 0.54%

LAB 87, -6.52, 83.54

 

CMYK 88 / 23 / 0 / 3

HEX #1DBDF7

RGB 29 189 247

HSL 195.96, 0.93%, 0.54%

LAB 71.81, -18.42, -39.38

 

CMYK 0 / 88 / 60 / 3

HEX #F71D64

RGB 247 29 100

HSL 340.46, 0.93%, 0.54%

LAB 53.57, 78.22, 18.87

 

CMYK 59 / 0 / 88 / 3

HEX #65F71D

RGB 101 247 29

HSL 100.18, 0.93%, 0.54%

LAB 86.69, -71.56, 79.83

 

CMYK 88 / 59 / 0 / 3

HEX #1D65F7

RGB 29 101 247

HSL 220.18, 0.93%, 0.54%

LAB 47.34, 33.72, -78.47

 

CMYK 0 / 88 / 60 / 3

HEX #F71D64

RGB 247 29 100

HSL 340.46, 0.93%, 0.54%

LAB 53.57, 78.22, 18.87

 

CMYK 0 / 12 / 88 / 3

HEX #F7DA1D

RGB 247 218 29

HSL 52.02, 0.93%, 0.54%

LAB 87, -6.52, 83.54

 

CMYK 88 / 0 / 30 / 3

HEX #1DF7AE

RGB 29 247 174

HSL 159.91, 0.93%, 0.54%

LAB 86.92, -64.57, 21.78

 

CMYK 88 / 77 / 0 / 3

HEX #1D3AF7

RGB 29 58 247

HSL 232.02, 0.93%, 0.54%

LAB 37.85, 59.27, -94.11

 

CMYK 0 / 88 / 60 / 3

HEX #F71D64

RGB 247 29 100

HSL 340.46, 0.93%, 0.54%

LAB 53.57, 78.22, 18.87

 

CMYK 15 / 0 / 88 / 3

HEX #D2F71D

RGB 210 247 29

HSL 70.18, 0.93%, 0.54%

LAB 91.82, -35.7, 86.18

 

CMYK 88 / 0 / 30 / 3

HEX #1DF7AE

RGB 29 247 174

HSL 159.91, 0.93%, 0.54%

LAB 86.92, -64.57, 21.78

 

CMYK 74 / 88 / 0 / 3

HEX #411DF7

RGB 65 29 247

HSL 249.91, 0.93%, 0.54%

LAB 35.44, 72.73, -98.08

 

Description

Color code: HEX #F71D64 | qconv.com Color code: HEX #F71D64 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 29 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 29 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 60 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 60% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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