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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F71BAD it is the complementary color #08E452. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F71BAD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F71BAD shade: #FC1BA8, #FF2DBB, #FF3FCE, #FF51E1 and #FF63F4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F71BAD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F71BAD shade: #F71BAD, #E6099A, #D50087, #C40074 and #B30061

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F71BAD shade: #F71DAD, #F71D73, #F71D38 and #F71D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F71BAD shade: #F71DAD, #F71DE8, #CA1DF7, #901DF7 and #551DF7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F71BAD shade matches the following richer shades: #F71DAD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F71BAD shade: #F71DAD, #E430A7, #D143A1, #BE569B and #AB6995

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F71BAD shade: #CB1DF7, #F71DE8, #F71DAE, #F71D74 and #F71D3A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F71BAD shade: #BA077E, #E20899, #F71DAD, #F844BC and #FA6CCA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F71BAD shade: #F71BAD, #F7911D and #1DF7E8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F71BAD shade: #F71BAD, #AEF71D and #1DAEF7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F71BAD shade: #F71BAD, #F7911D, #1DF765 and #1D82F7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F71BAD shade: #F71BAD, #F7D21D, #1DF765 and #1D41F7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 30 / 3

HEX #F71BAD

RGB 247 27 173

HSL 320.18, 0.93%, 0.54%

LAB 55.66, 84.51, -21.63

 

Complementary color

CMYK 96 / 0 / 64 / 11

HEX #08E452

RGB 8 228 82

HSL 140.18, 0.93%, 0.46%

LAB 79.7, -74.47, 56.73

 

CMYK 0 / 89 / 33 / 1

HEX #FC1BA8

RGB 252 27 168

HSL 322.4, 0.97%, 0.55%

LAB 56.39, 85.04, -17.5

 

CMYK 0 / 82 / 27 / 0

HEX #FF2DBB

RGB 255 45 187

HSL 319.43, 1%, 0.59%

LAB 58.72, 84.63, -24.93

 

CMYK 0 / 75 / 19 / 0

HEX #FF3FCE

RGB 255 63 206

HSL 315.31, 1%, 0.62%

LAB 61.02, 82.54, -32.25

 

CMYK 0 / 68 / 12 / 0

HEX #FF51E1

RGB 255 81 225

HSL 310.34, 1%, 0.66%

LAB 63.82, 79.49, -38.6

 

CMYK 0 / 61 / 4 / 0

HEX #FF63F4

RGB 255 99 244

HSL 304.23, 1%, 0.69%

LAB 67.06, 75.67, -44.07

 

CMYK 0 / 89 / 30 / 3

HEX #F71BAD

RGB 247 27 173

HSL 320.18, 0.93%, 0.54%

LAB 55.66, 84.51, -21.63

 

CMYK 0 / 96 / 33 / 10

HEX #E6099A

RGB 230 9 154

HSL 320.63, 0.92%, 0.47%

LAB 51.1, 80.95, -17.67

 

CMYK 0 / 100 / 37 / 16

HEX #D50087

RGB 213 0 135

HSL 321.97, 1%, 0.42%

LAB 46.84, 76.31, -13

 

CMYK 0 / 100 / 41 / 23

HEX #C40074

RGB 196 0 116

HSL 324.49, 1%, 0.38%

LAB 42.76, 70.96, -7.77

 

CMYK 0 / 100 / 46 / 30

HEX #B30061

RGB 179 0 97

HSL 327.49, 1%, 0.35%

LAB 38.63, 65.57, -2.31

 

CMYK 0 / 88 / 30 / 3

HEX #F71DAD

RGB 247 29 173

HSL 320.37, 0.93%, 0.54%

LAB 55.76, 84.24, -21.48

 

CMYK 0 / 88 / 53 / 3

HEX #F71D73

RGB 247 29 115

HSL 336.33, 0.93%, 0.54%

LAB 53.91, 79.17, 10.29

 

CMYK 0 / 88 / 77 / 3

HEX #F71D38

RGB 247 29 56

HSL 352.57, 0.93%, 0.54%

LAB 52.88, 76.26, 43.94

 

CMYK 0 / 88 / 88 / 3

HEX #F71D1D

RGB 247 29 29

HSL 0, 0.93%, 0.54%

LAB 52.67, 75.63, 57.26

 

CMYK 0 / 88 / 30 / 3

HEX #F71DAD

RGB 247 29 173

HSL 320.37, 0.93%, 0.54%

LAB 55.76, 84.24, -21.48

 

CMYK 0 / 88 / 6 / 3

HEX #F71DE8

RGB 247 29 232

HSL 304.13, 0.93%, 0.54%

LAB 58.49, 91.41, -51.01

 

CMYK 18 / 88 / 0 / 3

HEX #CA1DF7

RGB 202 29 247

HSL 287.61, 0.93%, 0.54%

LAB 52.01, 86.45, -70.23

 

CMYK 42 / 88 / 0 / 3

HEX #901DF7

RGB 144 29 247

HSL 271.65, 0.93%, 0.54%

LAB 43.54, 78.91, -84.41

 

CMYK 66 / 88 / 0 / 3

HEX #551DF7

RGB 85 29 247

HSL 255.41, 0.93%, 0.54%

LAB 36.98, 73.8, -95.47

 

CMYK 0 / 88 / 30 / 3

HEX #F71DAD

RGB 247 29 173

HSL 320.37, 0.93%, 0.54%

LAB 55.76, 84.24, -21.48

 

CMYK 0 / 88 / 30 / 3

HEX #F71DAD

RGB 247 29 173

HSL 320.37, 0.93%, 0.54%

LAB 55.76, 84.24, -21.48

 

CMYK 0 / 79 / 27 / 11

HEX #E430A7

RGB 228 48 167

HSL 320.33, 0.77%, 0.54%

LAB 53.38, 75.72, -21.9

 

CMYK 0 / 68 / 23 / 18

HEX #D143A1

RGB 209 67 161

HSL 320.28, 0.61%, 0.54%

LAB 52, 64.38, -20.77

 

CMYK 0 / 55 / 18 / 25

HEX #BE569B

RGB 190 86 155

HSL 320.19, 0.44%, 0.54%

LAB 51.8, 49.98, -17.79

 

CMYK 0 / 39 / 13 / 33

HEX #AB6995

RGB 171 105 149

HSL 320, 0.28%, 0.54%

LAB 52.87, 32.91, -12.88

 

CMYK 18 / 88 / 0 / 3

HEX #CB1DF7

RGB 203 29 247

HSL 287.89, 0.93%, 0.54%

LAB 52.16, 86.59, -69.97

 

CMYK 0 / 88 / 6 / 3

HEX #F71DE8

RGB 247 29 232

HSL 304.13, 0.93%, 0.54%

LAB 58.49, 91.41, -51.01

 

CMYK 0 / 88 / 30 / 3

HEX #F71DAE

RGB 247 29 174

HSL 320.09, 0.93%, 0.54%

LAB 55.8, 84.34, -22

 

CMYK 0 / 88 / 53 / 3

HEX #F71D74

RGB 247 29 116

HSL 336.06, 0.93%, 0.54%

LAB 53.94, 79.24, 9.72

 

CMYK 0 / 88 / 77 / 3

HEX #F71D3A

RGB 247 29 58

HSL 352.02, 0.93%, 0.54%

LAB 52.9, 76.32, 42.85

 

CMYK 0 / 96 / 32 / 27

HEX #BA077E

RGB 186 7 126

HSL 320.11, 0.93%, 0.38%

LAB 41.37, 69.14, -16.28

 

CMYK 0 / 96 / 32 / 11

HEX #E20899

RGB 226 8 153

HSL 320.09, 0.93%, 0.46%

LAB 50.27, 80.11, -18.41

 

CMYK 0 / 88 / 30 / 3

HEX #F71DAD

RGB 247 29 173

HSL 320.37, 0.93%, 0.54%

LAB 55.76, 84.24, -21.48

 

CMYK 0 / 73 / 24 / 3

HEX #F844BC

RGB 248 68 188

HSL 320, 0.93%, 0.62%

LAB 59.64, 77.22, -24.2

 

CMYK 0 / 57 / 19 / 2

HEX #FA6CCA

RGB 250 108 202

HSL 320.28, 0.93%, 0.7%

LAB 65.99, 64.37, -22.39

 

CMYK 0 / 89 / 30 / 3

HEX #F71BAD

RGB 247 27 173

HSL 320.18, 0.93%, 0.54%

LAB 55.66, 84.51, -21.63

 

CMYK 0 / 41 / 88 / 3

HEX #F7911D

RGB 247 145 29

HSL 31.93, 0.93%, 0.54%

LAB 69.55, 31.36, 69.99

 

CMYK 88 / 0 / 6 / 3

HEX #1DF7E8

RGB 29 247 232

HSL 175.87, 0.93%, 0.54%

LAB 88.26, -50.31, -6.4

 

CMYK 0 / 89 / 30 / 3

HEX #F71BAD

RGB 247 27 173

HSL 320.18, 0.93%, 0.54%

LAB 55.66, 84.51, -21.63

 

CMYK 30 / 0 / 88 / 3

HEX #AEF71D

RGB 174 247 29

HSL 80.09, 0.93%, 0.54%

LAB 89.68, -49.37, 83.54

 

CMYK 88 / 30 / 0 / 3

HEX #1DAEF7

RGB 29 174 247

HSL 200.09, 0.93%, 0.54%

LAB 67.46, -10.36, -46.18

 

CMYK 0 / 89 / 30 / 3

HEX #F71BAD

RGB 247 27 173

HSL 320.18, 0.93%, 0.54%

LAB 55.66, 84.51, -21.63

 

CMYK 0 / 41 / 88 / 3

HEX #F7911D

RGB 247 145 29

HSL 31.93, 0.93%, 0.54%

LAB 69.55, 31.36, 69.99

 

CMYK 88 / 0 / 59 / 3

HEX #1DF765

RGB 29 247 101

HSL 139.82, 0.93%, 0.54%

LAB 85.87, -76.93, 55.7

 

CMYK 88 / 47 / 0 / 3

HEX #1D82F7

RGB 29 130 247

HSL 212.2, 0.93%, 0.54%

LAB 55.01, 15.45, -66.02

 

CMYK 0 / 89 / 30 / 3

HEX #F71BAD

RGB 247 27 173

HSL 320.18, 0.93%, 0.54%

LAB 55.66, 84.51, -21.63

 

CMYK 0 / 15 / 88 / 3

HEX #F7D21D

RGB 247 210 29

HSL 49.82, 0.93%, 0.54%

LAB 84.97, -2.47, 81.96

 

CMYK 88 / 0 / 59 / 3

HEX #1DF765

RGB 29 247 101

HSL 139.82, 0.93%, 0.54%

LAB 85.87, -76.93, 55.7

 

CMYK 88 / 74 / 0 / 3

HEX #1D41F7

RGB 29 65 247

HSL 230.09, 0.93%, 0.54%

LAB 39.17, 55.51, -91.92

 

Description

Color code: HEX #F71BAD | qconv.com Color code: HEX #F71BAD | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 27 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 27 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 30 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 30% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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