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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F6EE2E it is the complementary color #0911D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F6EE2E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F6EE2E shade: #FBEE29, #FFFF3C, #FFFF4F, #FFFF62 and #FFFF75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F6EE2E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F6EE2E shade: #F6EE2E, #E5DC1B, #D4CA08, #C3B800 and #B2A600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F6EE2E shade: #F6EE2C, #F6B82C, #F6812C, #F64B2C and #F62C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F6EE2E shade: #F6EE2C, #C8F62C, #91F62C, #5BF62C and #2CF634

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F6EE2E shade matches the following richer shades: #F6EE2C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F6EE2E shade: #F6EE2C, #E4DE3E, #D3CE50, #C1BD62 and #AFAD73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F6EE2E shade: #F6812C, #F6B62C, #F6EC2C, #CBF62C and #95F62C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F6EE2E shade: #C8C008, #EFE60A, #F6EE2C, #F8F154 and #FAF47C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F6EE2E shade: #F6EE2E, #2CF64B and #9B2CF6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F6EE2E shade: #F6EE2E, #2CF6EC and #EC2CF6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F6EE2E shade: #F6EE2E, #2CF64B, #2C37F6 and #F62CD8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F6EE2E shade: #F6EE2E, #2CF687, #2C37F6 and #F62C9B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 81 / 4

HEX #F6EE2E

RGB 246 238 46

HSL 57.6, 0.92%, 0.57%

LAB 92.1, -16.44, 84.1

 

Complementary color

CMYK 96 / 92 / 0 / 18

HEX #0911D1

RGB 9 17 209

HSL 237.6, 0.92%, 0.43%

LAB 26.91, 64.62, -90.6

 

CMYK 0 / 5 / 84 / 2

HEX #FBEE29

RGB 251 238 41

HSL 56.29, 0.96%, 0.57%

LAB 92.49, -14.49, 85.73

 

CMYK 0 / 0 / 76 / 0

HEX #FFFF3C

RGB 255 255 60

HSL 60, 1%, 0.62%

LAB 97.27, -20.49, 85.23

 

CMYK 0 / 0 / 69 / 0

HEX #FFFF4F

RGB 255 255 79

HSL 60, 1%, 0.65%

LAB 97.37, -19.71, 79.39

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF62

RGB 255 255 98

HSL 60, 1%, 0.69%

LAB 97.5, -18.69, 72.47

 

CMYK 0 / 0 / 54 / 0

HEX #FFFF75

RGB 255 255 117

HSL 60, 1%, 0.73%

LAB 97.66, -17.4, 64.73

 

CMYK 0 / 3 / 81 / 4

HEX #F6EE2E

RGB 246 238 46

HSL 57.6, 0.92%, 0.57%

LAB 92.1, -16.44, 84.1

 

CMYK 0 / 4 / 88 / 10

HEX #E5DC1B

RGB 229 220 27

HSL 57.33, 0.8%, 0.5%

LAB 85.97, -15.17, 82.42

 

CMYK 0 / 5 / 96 / 17

HEX #D4CA08

RGB 212 202 8

HSL 57.06, 0.93%, 0.43%

LAB 79.76, -13.71, 79.49

 

CMYK 0 / 6 / 100 / 24

HEX #C3B800

RGB 195 184 0

HSL 56.62, 1%, 0.38%

LAB 73.47, -12.06, 75.04

 

CMYK 0 / 7 / 100 / 30

HEX #B2A600

RGB 178 166 0

HSL 55.96, 1%, 0.35%

LAB 67.08, -10.28, 69.74

 

CMYK 0 / 3 / 82 / 4

HEX #F6EE2C

RGB 246 238 44

HSL 57.62, 0.92%, 0.57%

LAB 92.1, -16.49, 84.56

 

CMYK 0 / 25 / 82 / 4

HEX #F6B82C

RGB 246 184 44

HSL 41.58, 0.92%, 0.57%

LAB 78.49, 10.87, 73.03

 

CMYK 0 / 48 / 82 / 4

HEX #F6812C

RGB 246 129 44

HSL 25.25, 0.92%, 0.57%

LAB 66.12, 39.49, 62.27

 

CMYK 0 / 70 / 82 / 4

HEX #F64B2C

RGB 246 75 44

HSL 9.21, 0.92%, 0.57%

LAB 56.89, 63.55, 53.99

 

CMYK 0 / 82 / 82 / 4

HEX #F62C2C

RGB 246 44 44

HSL 0, 0.92%, 0.57%

LAB 53.57, 72.8, 50.95

 

CMYK 0 / 3 / 82 / 4

HEX #F6EE2C

RGB 246 238 44

HSL 57.62, 0.92%, 0.57%

LAB 92.1, -16.49, 84.56

 

CMYK 19 / 0 / 82 / 4

HEX #C8F62C

RGB 200 246 44

HSL 73.66, 0.92%, 0.57%

LAB 90.95, -38.78, 82.28

 

CMYK 41 / 0 / 82 / 4

HEX #91F62C

RGB 145 246 44

HSL 90, 0.92%, 0.57%

LAB 88.02, -58.42, 78.58

 

CMYK 63 / 0 / 82 / 4

HEX #5BF62C

RGB 91 246 44

HSL 106.04, 0.92%, 0.57%

LAB 86.16, -72.92, 76.22

 

CMYK 82 / 0 / 79 / 4

HEX #2CF634

RGB 44 246 52

HSL 122.38, 0.92%, 0.57%

LAB 85.35, -79.79, 73.08

 

CMYK 0 / 3 / 82 / 4

HEX #F6EE2C

RGB 246 238 44

HSL 57.62, 0.92%, 0.57%

LAB 92.1, -16.49, 84.56

 

CMYK 0 / 3 / 82 / 4

HEX #F6EE2C

RGB 246 238 44

HSL 57.62, 0.92%, 0.57%

LAB 92.1, -16.49, 84.56

 

CMYK 0 / 3 / 73 / 11

HEX #E4DE3E

RGB 228 222 62

HSL 57.83, 0.75%, 0.57%

LAB 86.55, -15.52, 74.01

 

CMYK 0 / 2 / 62 / 17

HEX #D3CE50

RGB 211 206 80

HSL 57.71, 0.6%, 0.57%

LAB 81.06, -13.68, 61.27

 

CMYK 0 / 2 / 49 / 24

HEX #C1BD62

RGB 193 189 98

HSL 57.47, 0.43%, 0.57%

LAB 75.21, -11.12, 46.08

 

CMYK 0 / 1 / 34 / 31

HEX #AFAD73

RGB 175 173 115

HSL 58, 0.27%, 0.57%

LAB 69.64, -8.32, 30.11

 

CMYK 0 / 48 / 82 / 4

HEX #F6812C

RGB 246 129 44

HSL 25.25, 0.92%, 0.57%

LAB 66.12, 39.49, 62.27

 

CMYK 0 / 26 / 82 / 4

HEX #F6B62C

RGB 246 182 44

HSL 40.99, 0.92%, 0.57%

LAB 78.01, 11.91, 72.61

 

CMYK 0 / 4 / 82 / 4

HEX #F6EC2C

RGB 246 236 44

HSL 57.03, 0.92%, 0.57%

LAB 91.58, -15.52, 84.13

 

CMYK 17 / 0 / 82 / 4

HEX #CBF62C

RGB 203 246 44

HSL 72.77, 0.92%, 0.57%

LAB 91.14, -37.61, 82.51

 

CMYK 39 / 0 / 82 / 4

HEX #95F62C

RGB 149 246 44

HSL 88.81, 0.92%, 0.57%

LAB 88.2, -57.13, 78.81

 

CMYK 0 / 4 / 96 / 22

HEX #C8C008

RGB 200 192 8

HSL 57.5, 0.92%, 0.41%

LAB 76.07, -13.86, 76.29

 

CMYK 0 / 4 / 96 / 6

HEX #EFE60A

RGB 239 230 10

HSL 57.64, 0.92%, 0.49%

LAB 89.38, -16.09, 87.46

 

CMYK 0 / 3 / 82 / 4

HEX #F6EE2C

RGB 246 238 44

HSL 57.62, 0.92%, 0.57%

LAB 92.1, -16.49, 84.56

 

CMYK 0 / 3 / 66 / 3

HEX #F8F154

RGB 248 241 84

HSL 57.44, 0.92%, 0.65%

LAB 93.24, -15.54, 73.29

 

CMYK 0 / 2 / 50 / 2

HEX #FAF47C

RGB 250 244 124

HSL 57.14, 0.93%, 0.73%

LAB 94.52, -13.48, 57.87

 

CMYK 0 / 3 / 81 / 4

HEX #F6EE2E

RGB 246 238 46

HSL 57.6, 0.92%, 0.57%

LAB 92.1, -16.44, 84.1

 

CMYK 82 / 0 / 70 / 4

HEX #2CF64B

RGB 44 246 75

HSL 129.21, 0.92%, 0.57%

LAB 85.48, -78.14, 65.77

 

CMYK 37 / 82 / 0 / 4

HEX #9B2CF6

RGB 155 44 246

HSL 272.97, 0.92%, 0.57%

LAB 46.21, 76.23, -79.41

 

CMYK 0 / 3 / 81 / 4

HEX #F6EE2E

RGB 246 238 46

HSL 57.6, 0.92%, 0.57%

LAB 92.1, -16.44, 84.1

 

CMYK 82 / 0 / 4 / 4

HEX #2CF6EC

RGB 44 246 236

HSL 177.03, 0.92%, 0.57%

LAB 88.21, -47.9, -8.55

 

CMYK 4 / 82 / 0 / 4

HEX #EC2CF6

RGB 236 44 246

HSL 297.03, 0.92%, 0.57%

LAB 58.31, 88.97, -59.24

 

CMYK 0 / 3 / 81 / 4

HEX #F6EE2E

RGB 246 238 46

HSL 57.6, 0.92%, 0.57%

LAB 92.1, -16.44, 84.1

 

CMYK 82 / 0 / 70 / 4

HEX #2CF64B

RGB 44 246 75

HSL 129.21, 0.92%, 0.57%

LAB 85.48, -78.14, 65.77

 

CMYK 82 / 78 / 0 / 4

HEX #2C37F6

RGB 44 55 246

HSL 236.73, 0.92%, 0.57%

LAB 37.7, 61.08, -93.78

 

CMYK 0 / 82 / 12 / 4

HEX #F62CD8

RGB 246 44 216

HSL 308.91, 0.92%, 0.57%

LAB 58.37, 86.54, -42.18

 

CMYK 0 / 3 / 81 / 4

HEX #F6EE2E

RGB 246 238 46

HSL 57.6, 0.92%, 0.57%

LAB 92.1, -16.44, 84.1

 

CMYK 82 / 0 / 45 / 4

HEX #2CF687

RGB 44 246 135

HSL 147.03, 0.92%, 0.57%

LAB 86.1, -70.58, 40.27

 

CMYK 82 / 78 / 0 / 4

HEX #2C37F6

RGB 44 55 246

HSL 236.73, 0.92%, 0.57%

LAB 37.7, 61.08, -93.78

 

CMYK 0 / 82 / 37 / 4

HEX #F62C9B

RGB 246 44 155

HSL 327.03, 0.92%, 0.57%

LAB 55.85, 79.5, -10.78

 

Description

Color code: HEX #F6EE2E | qconv.com Color code: HEX #F6EE2E | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 238 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 238 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 81 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 81% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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