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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F6E91E it is the complementary color #0916E1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F6E91E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F6E91E shade: #FBE919, #FFFB2C, #FFFF3F, #FFFF52 and #FFFF65

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F6E91E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F6E91E shade: #F6E91E, #E5D70B, #D4C500, #C3B300 and #B2A100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F6E91E shade: #F6E91E, #F6AE1E, #F6741E, #F63A1E and #F61E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F6E91E shade: #F6E91E, #C8F61E, #8EF61E, #54F61E and #1EF622

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F6E91E shade matches the following richer shades: #F6E91E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F6E91E shade: #F6E91E, #E3D831, #D0C744, #BDB757 and #AAA66A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F6E91E shade: #F6741E, #F6AE1E, #F6E71E, #CAF61E and #91F61E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F6E91E shade: #B9AE08, #E1D409, #F6E91E, #F7ED45 and #F9F06D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F6E91E shade: #F6E91E, #1EF63B and #911EF6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F6E91E shade: #F6E91E, #1EF6E7 and #E71EF6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F6E91E shade: #F6E91E, #1EF63B, #1E2CF6 and #F61ED9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F6E91E shade: #F6E91E, #1EF67B, #1E2CF6 and #F61E98

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 88 / 4

HEX #F6E91E

RGB 246 233 30

HSL 56.39, 0.92%, 0.54%

LAB 90.76, -14.36, 86.29

 

Complementary color

CMYK 96 / 90 / 0 / 12

HEX #0916E1

RGB 9 22 225

HSL 236.39, 0.92%, 0.46%

LAB 29.58, 67.51, -95.38

 

CMYK 0 / 7 / 90 / 2

HEX #FBE919

RGB 251 233 25

HSL 55.22, 0.97%, 0.54%

LAB 91.17, -12.35, 87.58

 

CMYK 0 / 2 / 83 / 0

HEX #FFFB2C

RGB 255 251 44

HSL 58.86, 1%, 0.59%

LAB 96.18, -19.05, 88.26

 

CMYK 0 / 0 / 75 / 0

HEX #FFFF3F

RGB 255 255 63

HSL 60, 1%, 0.62%

LAB 97.28, -20.38, 84.4

 

CMYK 0 / 0 / 68 / 0

HEX #FFFF52

RGB 255 255 82

HSL 60, 1%, 0.66%

LAB 97.39, -19.57, 78.36

 

CMYK 0 / 0 / 60 / 0

HEX #FFFF65

RGB 255 255 101

HSL 60, 1%, 0.7%

LAB 97.52, -18.5, 71.29

 

CMYK 0 / 5 / 88 / 4

HEX #F6E91E

RGB 246 233 30

HSL 56.39, 0.92%, 0.54%

LAB 90.76, -14.36, 86.29

 

CMYK 0 / 6 / 95 / 10

HEX #E5D70B

RGB 229 215 11

HSL 56.15, 0.91%, 0.47%

LAB 84.63, -12.91, 83.47

 

CMYK 0 / 7 / 100 / 17

HEX #D4C500

RGB 212 197 0

HSL 55.75, 1%, 0.42%

LAB 78.42, -11.27, 79.29

 

CMYK 0 / 8 / 100 / 24

HEX #C3B300

RGB 195 179 0

HSL 55.08, 1%, 0.38%

LAB 72.12, -9.49, 74.07

 

CMYK 0 / 10 / 100 / 30

HEX #B2A100

RGB 178 161 0

HSL 54.27, 1%, 0.35%

LAB 65.71, -7.65, 68.76

 

CMYK 0 / 5 / 88 / 4

HEX #F6E91E

RGB 246 233 30

HSL 56.39, 0.92%, 0.54%

LAB 90.76, -14.36, 86.29

 

CMYK 0 / 29 / 88 / 4

HEX #F6AE1E

RGB 246 174 30

HSL 40, 0.92%, 0.54%

LAB 76.04, 15.77, 74.73

 

CMYK 0 / 53 / 88 / 4

HEX #F6741E

RGB 246 116 30

HSL 23.89, 0.92%, 0.54%

LAB 63.49, 45.58, 64.98

 

CMYK 0 / 76 / 88 / 4

HEX #F63A1E

RGB 246 58 30

HSL 7.78, 0.92%, 0.54%

LAB 54.78, 68.86, 58.33

 

CMYK 0 / 88 / 88 / 4

HEX #F61E1E

RGB 246 30 30

HSL 0, 0.92%, 0.54%

LAB 52.53, 75.24, 56.64

 

CMYK 0 / 5 / 88 / 4

HEX #F6E91E

RGB 246 233 30

HSL 56.39, 0.92%, 0.54%

LAB 90.76, -14.36, 86.29

 

CMYK 19 / 0 / 88 / 4

HEX #C8F61E

RGB 200 246 30

HSL 72.78, 0.92%, 0.54%

LAB 90.91, -39.15, 85.01

 

CMYK 42 / 0 / 88 / 4

HEX #8EF61E

RGB 142 246 30

HSL 88.89, 0.92%, 0.54%

LAB 87.85, -59.83, 81.23

 

CMYK 66 / 0 / 88 / 4

HEX #54F61E

RGB 84 246 30

HSL 105, 0.92%, 0.54%

LAB 85.95, -74.87, 78.86

 

CMYK 88 / 0 / 86 / 4

HEX #1EF622

RGB 30 246 34

HSL 121.11, 0.92%, 0.54%

LAB 85.15, -81.83, 77.12

 

CMYK 0 / 5 / 88 / 4

HEX #F6E91E

RGB 246 233 30

HSL 56.39, 0.92%, 0.54%

LAB 90.76, -14.36, 86.29

 

CMYK 0 / 5 / 88 / 4

HEX #F6E91E

RGB 246 233 30

HSL 56.39, 0.92%, 0.54%

LAB 90.76, -14.36, 86.29

 

CMYK 0 / 5 / 78 / 11

HEX #E3D831

RGB 227 216 49

HSL 56.29, 0.76%, 0.54%

LAB 84.82, -13.46, 76.41

 

CMYK 0 / 4 / 67 / 18

HEX #D0C744

RGB 208 199 68

HSL 56.14, 0.6%, 0.54%

LAB 78.85, -12.12, 63.76

 

CMYK 0 / 3 / 54 / 26

HEX #BDB757

RGB 189 183 87

HSL 56.47, 0.44%, 0.54%

LAB 73.14, -10.65, 48.84

 

CMYK 0 / 2 / 38 / 33

HEX #AAA66A

RGB 170 166 106

HSL 56.25, 0.27%, 0.54%

LAB 67.17, -7.73, 31.6

 

CMYK 0 / 53 / 88 / 4

HEX #F6741E

RGB 246 116 30

HSL 23.89, 0.92%, 0.54%

LAB 63.49, 45.58, 64.98

 

CMYK 0 / 29 / 88 / 4

HEX #F6AE1E

RGB 246 174 30

HSL 40, 0.92%, 0.54%

LAB 76.04, 15.77, 74.73

 

CMYK 0 / 6 / 88 / 4

HEX #F6E71E

RGB 246 231 30

HSL 55.83, 0.92%, 0.54%

LAB 90.25, -13.38, 85.88

 

CMYK 18 / 0 / 88 / 4

HEX #CAF61E

RGB 202 246 30

HSL 72.22, 0.92%, 0.54%

LAB 91.04, -38.37, 85.16

 

CMYK 41 / 0 / 88 / 4

HEX #91F61E

RGB 145 246 30

HSL 88.06, 0.92%, 0.54%

LAB 87.98, -58.88, 81.39

 

CMYK 0 / 6 / 96 / 27

HEX #B9AE08

RGB 185 174 8

HSL 56.27, 0.92%, 0.38%

LAB 69.9, -11.23, 71.1

 

CMYK 0 / 6 / 96 / 12

HEX #E1D409

RGB 225 212 9

HSL 56.39, 0.92%, 0.46%

LAB 83.5, -13.13, 82.66

 

CMYK 0 / 5 / 88 / 4

HEX #F6E91E

RGB 246 233 30

HSL 56.39, 0.92%, 0.54%

LAB 90.76, -14.36, 86.29

 

CMYK 0 / 4 / 72 / 3

HEX #F7ED45

RGB 247 237 69

HSL 56.63, 0.92%, 0.62%

LAB 92.03, -14.73, 77.42

 

CMYK 0 / 4 / 56 / 2

HEX #F9F06D

RGB 249 240 109

HSL 56.14, 0.92%, 0.7%

LAB 93.26, -13.08, 63.12

 

CMYK 0 / 5 / 88 / 4

HEX #F6E91E

RGB 246 233 30

HSL 56.39, 0.92%, 0.54%

LAB 90.76, -14.36, 86.29

 

CMYK 88 / 0 / 76 / 4

HEX #1EF63B

RGB 30 246 59

HSL 128.06, 0.92%, 0.54%

LAB 85.25, -80.52, 70.9

 

CMYK 41 / 88 / 0 / 4

HEX #911EF6

RGB 145 30 246

HSL 271.94, 0.92%, 0.54%

LAB 43.66, 78.6, -83.65

 

CMYK 0 / 5 / 88 / 4

HEX #F6E91E

RGB 246 233 30

HSL 56.39, 0.92%, 0.54%

LAB 90.76, -14.36, 86.29

 

CMYK 88 / 0 / 6 / 4

HEX #1EF6E7

RGB 30 246 231

HSL 175.83, 0.92%, 0.54%

LAB 87.95, -50.11, -6.34

 

CMYK 6 / 88 / 0 / 4

HEX #E71EF6

RGB 231 30 246

HSL 295.83, 0.92%, 0.54%

LAB 56.66, 90.6, -61.94

 

CMYK 0 / 5 / 88 / 4

HEX #F6E91E

RGB 246 233 30

HSL 56.39, 0.92%, 0.54%

LAB 90.76, -14.36, 86.29

 

CMYK 88 / 0 / 76 / 4

HEX #1EF63B

RGB 30 246 59

HSL 128.06, 0.92%, 0.54%

LAB 85.25, -80.52, 70.9

 

CMYK 88 / 82 / 0 / 4

HEX #1E2CF6

RGB 30 44 246

HSL 236.11, 0.92%, 0.54%

LAB 35.46, 65.69, -97.51

 

CMYK 0 / 88 / 12 / 4

HEX #F61ED9

RGB 246 30 217

HSL 308.06, 0.92%, 0.54%

LAB 57.59, 89.09, -43.98

 

CMYK 0 / 5 / 88 / 4

HEX #F6E91E

RGB 246 233 30

HSL 56.39, 0.92%, 0.54%

LAB 90.76, -14.36, 86.29

 

CMYK 88 / 0 / 50 / 4

HEX #1EF67B

RGB 30 246 123

HSL 145.83, 0.92%, 0.54%

LAB 85.81, -73.56, 45.64

 

CMYK 88 / 82 / 0 / 4

HEX #1E2CF6

RGB 30 44 246

HSL 236.11, 0.92%, 0.54%

LAB 35.46, 65.69, -97.51

 

CMYK 0 / 88 / 38 / 4

HEX #F61E98

RGB 246 30 152

HSL 326.11, 0.92%, 0.54%

LAB 54.85, 81.79, -10.5

 

Description

Color code: HEX #F6E91E | qconv.com Color code: HEX #F6E91E | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 233 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 233 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 88 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 88% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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