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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F6D2DB3F it is the complementary color #092D243F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F6D2DB3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F6D2DB3F shade: #FBD2D63F, #FFE4E93F, #FFF6FC3F and #FFFFFF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F6D2DB3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F6D2DB3F shade: #F6D2DB3F, #E5C0C83F, #D4AEB53F, #C39CA23F and #B28A8F3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F6D2DB3F shade: #F6D0DA and #F6D0D0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F6D2DB3F shade: #F6D0DA, #F6D0E4, #F6D0EE, #F4D0F6 and #E9D0F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F6D2DB3F shade matches the following richer shades: #F6D0DA, #FACCD7 and #FFC7D5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F6D2DB3F shade: #F6D0DA, #F1D5DC, #EDD9DE, #E8DEE0 and #E4E2E3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F6D2DB3F shade: #F6D0EE, #F6D0E4, #F6D0DA, #F6D1D0 and #F6DBD0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F6D2DB3F shade: #E88BA2, #EFAEBE, #F6D0DA, #FDF3F5 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F6D2DB3F shade: #F6D2DB, #F6F4D0 and #D0E9F6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F6D2DB3F shade: #F6D2DB, #DAF6D0 and #D0DAF6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F6D2DB3F shade: #F6D2DB, #F6F4D0, #D0F6EC and #D0D2F6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F6D2DB3F shade: #F6D2DB, #ECF6D0, #D0F6EC and #DAD0F6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 3 / 1

HEX #F6D2DB3F

RGBA 246 210 219 0.25

HSLA 345, 0.67%, 0.89%, 0.25

LABA 87.39, 14, 0.23, 0.25

 

Complementary color

CMYK 20 / 0 / 5 / 21

HEX #092D243F

RGBA 9 45 36 0.25

HSLA 165, 0.67%, 0.11%, 0.25

LABA 15.81, -15.45, 2.12, 0.25

 

CMYK 0 / 4 / 4 / 0

HEX #FBD2D63F

RGBA 251 210 214 0.25

HSLA 354.15, 0.84%, 0.9%, 0.25

LABA 87.71, 14.96, 3.39, 0.25

 

CMYK 0 / 3 / 2 / 0

HEX #FFE4E93F

RGBA 255 228 233 0.25

HSLA 348.89, 1%, 0.95%, 0.25

LABA 92.85, 10.05, 0.94, 0.25

 

CMYK 0 / 1 / 0 / 0

HEX #FFF6FC3F

RGBA 255 246 252 0.25

HSLA 320, 1%, 0.98%, 0.25

LABA 97.71, 4.04, -1.81, 0.25

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF3F

RGBA 255 255 255 0.25

HSLA 0, 0%, 1%, 0.25

LABA 100, 0.01, -0.01, 0.25

 

CMYK 0 / 4 / 3 / 1

HEX #F6D2DB3F

RGBA 246 210 219 0.25

HSLA 345, 0.67%, 0.89%, 0.25

LABA 87.39, 14, 0.23, 0.25

 

CMYK 0 / 4 / 3 / 3

HEX #E5C0C83F

RGBA 229 192 200 0.25

HSLA 347.03, 0.42%, 0.83%, 0.25

LABA 81.03, 14.43, 0.91, 0.25

 

CMYK 0 / 4 / 4 / 4

HEX #D4AEB53F

RGBA 212 174 181 0.25

HSLA 348.95, 0.31%, 0.76%, 0.25

LABA 74.58, 14.9, 1.62, 0.25

 

CMYK 0 / 5 / 4 / 6

HEX #C39CA23F

RGBA 195 156 162 0.25

HSLA 350.77, 0.25%, 0.69%, 0.25

LABA 68.01, 15.41, 2.38, 0.25

 

CMYK 0 / 6 / 5 / 8

HEX #B28A8F3F

RGBA 178 138 143 0.25

HSLA 352.5, 0.21%, 0.62%, 0.25

LABA 61.33, 15.99, 3.19, 0.25

 

CMYK 0 / 15 / 11 / 4

HEX #F6D0DA

RGB 246 208 218

HSL 344.21, 0.68%, 0.89%

LAB 86.88, 14.89, 0.02

 

CMYK 0 / 15 / 15 / 4

HEX #F6D0D0

RGB 246 208 208

HSL 0, 0.68%, 0.89%

LAB 86.63, 13.3, 4.96

 

CMYK 0 / 15 / 11 / 4

HEX #F6D0DA

RGB 246 208 218

HSL 344.21, 0.68%, 0.89%

LAB 86.88, 14.89, 0.02

 

CMYK 0 / 15 / 7 / 4

HEX #F6D0E4

RGB 246 208 228

HSL 328.42, 0.68%, 0.89%

LAB 87.15, 16.55, -4.89

 

CMYK 0 / 15 / 3 / 4

HEX #F6D0EE

RGB 246 208 238

HSL 312.63, 0.68%, 0.89%

LAB 87.43, 18.27, -9.77

 

CMYK 1 / 15 / 0 / 4

HEX #F4D0F6

RGB 244 208 246

HSL 296.84, 0.68%, 0.89%

LAB 87.48, 19.04, -13.93

 

CMYK 5 / 15 / 0 / 4

HEX #E9D0F6

RGB 233 208 246

HSL 279.47, 0.68%, 0.89%

LAB 86.55, 15.45, -15.43

 

CMYK 0 / 15 / 11 / 4

HEX #F6D0DA

RGB 246 208 218

HSL 344.21, 0.68%, 0.89%

LAB 86.88, 14.89, 0.02

 

CMYK 0 / 18 / 14 / 2

HEX #FACCD7

RGB 250 204 215

HSL 345.65, 0.82%, 0.89%

LAB 86.21, 17.91, 0.68

 

CMYK 0 / 22 / 16 / 0

HEX #FFC7D5

RGB 255 199 213

HSL 345, 1%, 0.89%

LAB 85.46, 21.98, 0.7

 

CMYK 0 / 15 / 11 / 4

HEX #F6D0DA

RGB 246 208 218

HSL 344.21, 0.68%, 0.89%

LAB 86.88, 14.89, 0.02

 

CMYK 0 / 12 / 9 / 5

HEX #F1D5DC

RGB 241 213 220

HSL 345, 0.5%, 0.89%

LAB 87.71, 10.86, 0.11

 

CMYK 0 / 8 / 6 / 7

HEX #EDD9DE

RGB 237 217 222

HSL 345, 0.36%, 0.89%

LAB 88.4, 7.72, 0.03

 

CMYK 0 / 4 / 3 / 9

HEX #E8DEE0

RGB 232 222 224

HSL 348, 0.18%, 0.89%

LAB 89.29, 3.75, 0.23

 

CMYK 0 / 1 / 0 / 11

HEX #E4E2E3

RGB 228 226 227

HSL 330, 0.04%, 0.89%

LAB 90.06, 0.86, -0.26

 

CMYK 0 / 15 / 3 / 4

HEX #F6D0EE

RGB 246 208 238

HSL 312.63, 0.68%, 0.89%

LAB 87.43, 18.27, -9.77

 

CMYK 0 / 15 / 7 / 4

HEX #F6D0E4

RGB 246 208 228

HSL 328.42, 0.68%, 0.89%

LAB 87.15, 16.55, -4.89

 

CMYK 0 / 15 / 11 / 4

HEX #F6D0DA

RGB 246 208 218

HSL 344.21, 0.68%, 0.89%

LAB 86.88, 14.89, 0.02

 

CMYK 0 / 15 / 15 / 4

HEX #F6D1D0

RGB 246 209 208

HSL 1.58, 0.68%, 0.89%

LAB 86.87, 12.78, 5.3

 

CMYK 0 / 11 / 15 / 4

HEX #F6DBD0

RGB 246 219 208

HSL 17.37, 0.68%, 0.89%

LAB 89.3, 7.57, 8.8

 

CMYK 0 / 40 / 30 / 9

HEX #E88BA2

RGB 232 139 162

HSL 345.16, 0.67%, 0.73%

LAB 68.19, 38.12, 3.15

 

CMYK 0 / 27 / 21 / 6

HEX #EFAEBE

RGB 239 174 190

HSL 345.23, 0.67%, 0.81%

LAB 77.48, 26.03, 1.27

 

CMYK 0 / 15 / 11 / 4

HEX #F6D0DA

RGB 246 208 218

HSL 344.21, 0.68%, 0.89%

LAB 86.88, 14.89, 0.02

 

CMYK 0 / 4 / 3 / 1

HEX #FDF3F5

RGB 253 243 245

HSL 348, 0.71%, 0.97%

LAB 96.65, 3.69, 0.22

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 15 / 11 / 4

HEX #F6D2DB

RGB 246 210 219

HSL 345, 0.67%, 0.89%

LAB 87.39, 14, 0.23

 

CMYK 0 / 1 / 15 / 4

HEX #F6F4D0

RGB 246 244 208

HSL 56.84, 0.68%, 0.89%

LAB 95.52, -5.19, 17.61

 

CMYK 15 / 5 / 0 / 4

HEX #D0E9F6

RGB 208 233 246

HSL 200.53, 0.68%, 0.89%

LAB 90.94, -5.59, -9.08

 

CMYK 0 / 15 / 11 / 4

HEX #F6D2DB

RGB 246 210 219

HSL 345, 0.67%, 0.89%

LAB 87.39, 14, 0.23

 

CMYK 11 / 0 / 15 / 4

HEX #DAF6D0

RGB 218 246 208

HSL 104.21, 0.68%, 0.89%

LAB 94.04, -15.9, 15.25

 

CMYK 15 / 11 / 0 / 4

HEX #D0DAF6

RGB 208 218 246

HSL 224.21, 0.68%, 0.89%

LAB 87.1, 2.19, -14.8

 

CMYK 0 / 15 / 11 / 4

HEX #F6D2DB

RGB 246 210 219

HSL 345, 0.67%, 0.89%

LAB 87.39, 14, 0.23

 

CMYK 0 / 1 / 15 / 4

HEX #F6F4D0

RGB 246 244 208

HSL 56.84, 0.68%, 0.89%

LAB 95.52, -5.19, 17.61

 

CMYK 15 / 0 / 4 / 4

HEX #D0F6EC

RGB 208 246 236

HSL 164.21, 0.68%, 0.89%

LAB 94.05, -14.13, 0.7

 

CMYK 15 / 15 / 0 / 4

HEX #D0D2F6

RGB 208 210 246

HSL 236.84, 0.68%, 0.89%

LAB 85.08, 6.4, -17.84

 

CMYK 0 / 15 / 11 / 4

HEX #F6D2DB

RGB 246 210 219

HSL 345, 0.67%, 0.89%

LAB 87.39, 14, 0.23

 

CMYK 4 / 0 / 15 / 4

HEX #ECF6D0

RGB 236 246 208

HSL 75.79, 0.68%, 0.89%

LAB 95.29, -9.71, 17.18

 

CMYK 15 / 0 / 4 / 4

HEX #D0F6EC

RGB 208 246 236

HSL 164.21, 0.68%, 0.89%

LAB 94.05, -14.13, 0.7

 

CMYK 11 / 15 / 0 / 4

HEX #DAD0F6

RGB 218 208 246

HSL 255.79, 0.68%, 0.89%

LAB 85.34, 10.62, -17.37

 

Description

Color code: HEX #F6D2DB3F | qconv.com Color code: HEX #F6D2DB3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 210 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 210 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 3 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 3% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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