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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F6CF463F it is the complementary color #0930B93F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F6CF463F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F6CF463F shade: #FBCF413F, #FFE1543F, #FFF3673F, #FFFF7A3F and #FFFF8D3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F6CF463F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F6CF463F shade: #F6CF463F, #E5BD333F, #D4AB203F, #C3990D3F and #B287003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F6CF463F shade: #F6CF46, #F6A046, #F67046 and #F64646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F6CF463F shade: #F6CF46, #EEF646, #BEF646, #8FF646 and #5FF646

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F6CF463F shade matches the following richer shades: #F6CF46

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F6CF463F shade: #F6CF46, #E7C656, #D7BE65, #C7B575 and #B8AC85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F6CF463F shade: #F66F46, #F69E46, #F6CD46, #F0F646 and #C1F646

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F6CF463F shade: #DFB00B, #F4C51F, #F6CF46, #F8D96D and #FAE495

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F6CF463F shade: #F6CF46, #4CF646 and #8746F6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F6CF463F shade: #F6CF46, #46F6CD and #CD46F6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F6CF463F shade: #F6CF46, #4CF646, #466FF6 and #F046F6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F6CF463F shade: #F6CF46, #46F675, #466FF6 and #F646C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 18 / 1

HEX #F6CF463F

RGBA 246 207 70 0.25

HSLA 46.7, 0.91%, 0.62%, 0.25

LABA 84.31, -0.08, 69.57, 0.25

 

Complementary color

CMYK 24 / 19 / 0 / 7

HEX #0930B93F

RGBA 9 48 185 0.25

HSLA 226.7, 0.91%, 0.38%, 0.25

LABA 28.58, 43.32, -73.72, 0.25

 

CMYK 0 / 4 / 19 / 0

HEX #FBCF413F

RGBA 251 207 65 0.25

HSLA 45.81, 0.96%, 0.62%, 0.25

LABA 84.75, 1.8, 71.99, 0.25

 

CMYK 0 / 3 / 17 / 0

HEX #FFE1543F

RGBA 255 225 84 0.25

HSLA 49.47, 1%, 0.66%, 0.25

LABA 89.74, -4.76, 69.91, 0.25

 

CMYK 0 / 1 / 15 / 0

HEX #FFF3673F

RGBA 255 243 103 0.25

HSLA 55.26, 1%, 0.7%, 0.25

LABA 94.46, -12.56, 67.16, 0.25

 

CMYK 0 / 0 / 13 / 0

HEX #FFFF7A3F

RGBA 255 255 122 0.25

HSLA 60, 1%, 0.74%, 0.25

LABA 97.71, -17.02, 62.59, 0.25

 

CMYK 0 / 0 / 11 / 0

HEX #FFFF8D3F

RGBA 255 255 141 0.25

HSLA 60, 1%, 0.78%, 0.25

LABA 97.91, -15.4, 54.17, 0.25

 

CMYK 0 / 4 / 18 / 1

HEX #F6CF463F

RGBA 246 207 70 0.25

HSLA 46.7, 0.91%, 0.62%, 0.25

LABA 84.31, -0.08, 69.57, 0.25

 

CMYK 0 / 4 / 19 / 3

HEX #E5BD333F

RGBA 229 189 51 0.25

HSLA 46.52, 0.77%, 0.55%, 0.25

LABA 78.05, 1.21, 69.79, 0.25

 

CMYK 0 / 5 / 21 / 4

HEX #D4AB203F

RGBA 212 171 32 0.25

HSLA 46.33, 0.74%, 0.48%, 0.25

LABA 71.71, 2.71, 69.25, 0.25

 

CMYK 0 / 5 / 23 / 6

HEX #C3990D3F

RGBA 195 153 13 0.25

HSLA 46.15, 0.88%, 0.41%, 0.25

LABA 65.29, 4.44, 67.44, 0.25

 

CMYK 0 / 6 / 25 / 8

HEX #B287003F

RGBA 178 135 0 0.25

HSLA 45.51, 1%, 0.35%, 0.25

LABA 58.78, 6.44, 63.88, 0.25

 

CMYK 0 / 16 / 72 / 4

HEX #F6CF46

RGB 246 207 70

HSL 46.7, 0.91%, 0.62%

LAB 84.31, -0.08, 69.57

 

CMYK 0 / 35 / 72 / 4

HEX #F6A046

RGB 246 160 70

HSL 30.68, 0.91%, 0.62%

LAB 73.01, 24.45, 58.13

 

CMYK 0 / 54 / 72 / 4

HEX #F67046

RGB 246 112 70

HSL 14.32, 0.91%, 0.62%

LAB 63.03, 48.78, 47.46

 

CMYK 0 / 72 / 72 / 4

HEX #F64646

RGB 246 70 70

HSL 0, 0.91%, 0.62%

LAB 56.5, 66.21, 40.1

 

CMYK 0 / 16 / 72 / 4

HEX #F6CF46

RGB 246 207 70

HSL 46.7, 0.91%, 0.62%

LAB 84.31, -0.08, 69.57

 

CMYK 3 / 0 / 72 / 4

HEX #EEF646

RGB 238 246 70

HSL 62.73, 0.91%, 0.62%

LAB 93.68, -22.69, 78.42

 

CMYK 23 / 0 / 72 / 4

HEX #BEF646

RGB 190 246 70

HSL 79.09, 0.91%, 0.62%

LAB 90.46, -41.48, 74.19

 

CMYK 42 / 0 / 72 / 4

HEX #8FF646

RGB 143 246 70

HSL 95.11, 0.91%, 0.62%

LAB 88.06, -57.72, 71.02

 

CMYK 61 / 0 / 72 / 4

HEX #5FF646

RGB 95 246 70

HSL 111.48, 0.91%, 0.62%

LAB 86.4, -70.52, 68.8

 

CMYK 0 / 16 / 72 / 4

HEX #F6CF46

RGB 246 207 70

HSL 46.7, 0.91%, 0.62%

LAB 84.31, -0.08, 69.57

 

CMYK 0 / 16 / 72 / 4

HEX #F6CF46

RGB 246 207 70

HSL 46.7, 0.91%, 0.62%

LAB 84.31, -0.08, 69.57

 

CMYK 0 / 14 / 63 / 9

HEX #E7C656

RGB 231 198 86

HSL 46.34, 0.75%, 0.62%

LAB 80.77, -0.87, 58.89

 

CMYK 0 / 12 / 53 / 16

HEX #D7BE65

RGB 215 190 101

HSL 46.84, 0.59%, 0.62%

LAB 77.41, -2.29, 47.7

 

CMYK 0 / 9 / 41 / 22

HEX #C7B575

RGB 199 181 117

HSL 46.83, 0.42%, 0.62%

LAB 73.85, -2.6, 34.92

 

CMYK 0 / 7 / 28 / 28

HEX #B8AC85

RGB 184 172 133

HSL 45.88, 0.26%, 0.62%

LAB 70.45, -1.86, 21.66

 

CMYK 0 / 55 / 72 / 4

HEX #F66F46

RGB 246 111 70

HSL 13.98, 0.91%, 0.62%

LAB 62.85, 49.25, 47.25

 

CMYK 0 / 36 / 72 / 4

HEX #F69E46

RGB 246 158 70

HSL 30, 0.91%, 0.62%

LAB 72.55, 25.5, 57.66

 

CMYK 0 / 17 / 72 / 4

HEX #F6CD46

RGB 246 205 70

HSL 46.02, 0.91%, 0.62%

LAB 83.81, 0.95, 69.07

 

CMYK 2 / 0 / 72 / 4

HEX #F0F646

RGB 240 246 70

HSL 62.05, 0.91%, 0.62%

LAB 93.83, -21.88, 78.61

 

CMYK 22 / 0 / 72 / 4

HEX #C1F646

RGB 193 246 70

HSL 78.07, 0.91%, 0.62%

LAB 90.64, -40.35, 74.43

 

CMYK 0 / 21 / 95 / 13

HEX #DFB00B

RGB 223 176 11

HSL 46.7, 0.91%, 0.46%

LAB 74.04, 4.52, 75.43

 

CMYK 0 / 19 / 87 / 4

HEX #F4C51F

RGB 244 197 31

HSL 46.76, 0.91%, 0.54%

LAB 81.44, 2.94, 78.66

 

CMYK 0 / 16 / 72 / 4

HEX #F6CF46

RGB 246 207 70

HSL 46.7, 0.91%, 0.62%

LAB 84.31, -0.08, 69.57

 

CMYK 0 / 13 / 56 / 3

HEX #F8D96D

RGB 248 217 109

HSL 46.62, 0.91%, 0.7%

LAB 87.33, -2, 56.32

 

CMYK 0 / 9 / 40 / 2

HEX #FAE495

RGB 250 228 149

HSL 46.93, 0.91%, 0.78%

LAB 90.77, -3.18, 41.26

 

CMYK 0 / 16 / 72 / 4

HEX #F6CF46

RGB 246 207 70

HSL 46.7, 0.91%, 0.62%

LAB 84.31, -0.08, 69.57

 

CMYK 69 / 0 / 72 / 4

HEX #4CF646

RGB 76 246 70

HSL 117.95, 0.91%, 0.62%

LAB 85.95, -74.23, 68.2

 

CMYK 45 / 72 / 0 / 4

HEX #8746F6

RGB 135 70 246

HSL 262.16, 0.91%, 0.62%

LAB 47.22, 63.41, -77.86

 

CMYK 0 / 16 / 72 / 4

HEX #F6CF46

RGB 246 207 70

HSL 46.7, 0.91%, 0.62%

LAB 84.31, -0.08, 69.57

 

CMYK 72 / 0 / 17 / 4

HEX #46F6CD

RGB 70 246 205

HSL 166.02, 0.91%, 0.62%

LAB 87.79, -53.37, 7.04

 

CMYK 17 / 72 / 0 / 4

HEX #CD46F6

RGB 205 70 246

HSL 286.02, 0.91%, 0.62%

LAB 56.1, 76.01, -63.04

 

CMYK 0 / 16 / 72 / 4

HEX #F6CF46

RGB 246 207 70

HSL 46.7, 0.91%, 0.62%

LAB 84.31, -0.08, 69.57

 

CMYK 69 / 0 / 72 / 4

HEX #4CF646

RGB 76 246 70

HSL 117.95, 0.91%, 0.62%

LAB 85.95, -74.23, 68.2

 

CMYK 72 / 55 / 0 / 4

HEX #466FF6

RGB 70 111 246

HSL 226.02, 0.91%, 0.62%

LAB 51.07, 30.62, -71.8

 

CMYK 2 / 72 / 0 / 4

HEX #F046F6

RGB 240 70 246

HSL 297.95, 0.91%, 0.62%

LAB 61.27, 82.98, -54.47

 

CMYK 0 / 16 / 72 / 4

HEX #F6CF46

RGB 246 207 70

HSL 46.7, 0.91%, 0.62%

LAB 84.31, -0.08, 69.57

 

CMYK 72 / 0 / 52 / 4

HEX #46F675

RGB 70 246 117

HSL 136.02, 0.91%, 0.62%

LAB 86.25, -70.19, 49.1

 

CMYK 72 / 55 / 0 / 4

HEX #466FF6

RGB 70 111 246

HSL 226.02, 0.91%, 0.62%

LAB 51.07, 30.62, -71.8

 

CMYK 0 / 72 / 19 / 4

HEX #F646C7

RGB 246 70 199

HSL 316.02, 0.91%, 0.62%

LAB 59.98, 77.5, -30

 

Description

Color code: HEX #F6CF463F | qconv.com Color code: HEX #F6CF463F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 207 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 207 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 18 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 18% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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