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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F6CDAA it is the complementary color #093255. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F6CDAA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F6CDAA shade: #FBCDA5, #FFDFB8, #FFF1CB, #FFFFDE and #FFFFF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F6CDAA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F6CDAA shade: #F6CDAA, #E5BB97, #D4A984, #C39771 and #B2855E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F6CDAA shade: #F6CEAC, #F6BAAC and #F6ACAC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F6CDAA shade: #F6CEAC, #F6E2AC, #F6F6AC, #E2F6AC and #CEF6AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F6CDAA shade matches the following richer shades: #F6CEAC and #FECEA4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F6CDAA shade: #F6CEAC, #EFCFB3, #E7CFBB, #E0D0C2 and #D9D1CA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F6CDAA shade: #F6ACB2, #F6BAAC, #F6CDAC, #F6E1AC and #F6F5AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F6CDAA shade: #EEA261, #F2B887, #F6CEAC, #FAE4D1 and #FEFAF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F6CDAA shade: #F6CDAA, #C6F6AC and #B0ACF6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F6CDAA shade: #F6CDAA, #ACF6CD and #CDACF6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F6CDAA shade: #F6CDAA, #C6F6AC, #ACD5F6 and #DCACF6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F6CDAA shade: #F6CDAA, #B0F6AC, #ACD5F6 and #F3ACF6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 31 / 4

HEX #F6CDAA

RGB 246 205 170

HSL 27.63, 0.81%, 0.82%

LAB 85.08, 9.52, 22.84

 

Complementary color

CMYK 89 / 41 / 0 / 67

HEX #093255

RGB 9 50 85

HSL 207.63, 0.81%, 0.18%

LAB 20.02, 0.83, -25.07

 

CMYK 0 / 18 / 34 / 2

HEX #FBCDA5

RGB 251 205 165

HSL 27.91, 0.91%, 0.82%

LAB 85.45, 10.81, 26.04

 

CMYK 0 / 13 / 28 / 0

HEX #FFDFB8

RGB 255 223 184

HSL 32.96, 1%, 0.86%

LAB 90.55, 5.39, 23.19

 

CMYK 0 / 5 / 20 / 0

HEX #FFF1CB

RGB 255 241 203

HSL 43.85, 1%, 0.9%

LAB 95.36, -1.19, 20.07

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDE

RGB 255 255 222

HSL 60, 1%, 0.94%

LAB 99.24, -5.41, 15.79

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFF1

RGB 255 255 241

HSL 60, 1%, 0.97%

LAB 99.66, -2.38, 6.67

 

CMYK 0 / 17 / 31 / 4

HEX #F6CDAA

RGB 246 205 170

HSL 27.63, 0.81%, 0.82%

LAB 85.08, 9.52, 22.84

 

CMYK 0 / 18 / 34 / 10

HEX #E5BB97

RGB 229 187 151

HSL 27.69, 0.6%, 0.75%

LAB 78.71, 10.09, 23.92

 

CMYK 0 / 20 / 38 / 17

HEX #D4A984

RGB 212 169 132

HSL 27.75, 0.48%, 0.67%

LAB 72.25, 10.74, 25.08

 

CMYK 0 / 23 / 42 / 24

HEX #C39771

RGB 195 151 113

HSL 27.8, 0.41%, 0.6%

LAB 65.69, 11.48, 26.34

 

CMYK 0 / 25 / 47 / 30

HEX #B2855E

RGB 178 133 94

HSL 27.86, 0.35%, 0.53%

LAB 59.02, 12.35, 27.7

 

CMYK 0 / 16 / 30 / 4

HEX #F6CEAC

RGB 246 206 172

HSL 27.57, 0.8%, 0.82%

LAB 85.36, 9.25, 22.18

 

CMYK 0 / 24 / 30 / 4

HEX #F6BAAC

RGB 246 186 172

HSL 11.35, 0.8%, 0.82%

LAB 80.57, 19.75, 15.51

 

CMYK 0 / 30 / 30 / 4

HEX #F6ACAC

RGB 246 172 172

HSL 0, 0.8%, 0.82%

LAB 77.33, 27.14, 10.94

 

CMYK 0 / 16 / 30 / 4

HEX #F6CEAC

RGB 246 206 172

HSL 27.57, 0.8%, 0.82%

LAB 85.36, 9.25, 22.18

 

CMYK 0 / 8 / 30 / 4

HEX #F6E2AC

RGB 246 226 172

HSL 43.78, 0.8%, 0.82%

LAB 90.31, -1.05, 28.93

 

CMYK 0 / 0 / 30 / 4

HEX #F6F6AC

RGB 246 246 172

HSL 60, 0.8%, 0.82%

LAB 95.36, -11.08, 35.7

 

CMYK 8 / 0 / 30 / 4

HEX #E2F6AC

RGB 226 246 172

HSL 76.22, 0.8%, 0.82%

LAB 93.91, -18.44, 33.5

 

CMYK 16 / 0 / 30 / 4

HEX #CEF6AC

RGB 206 246 172

HSL 92.43, 0.8%, 0.82%

LAB 92.58, -25.58, 31.49

 

CMYK 0 / 16 / 30 / 4

HEX #F6CEAC

RGB 246 206 172

HSL 27.57, 0.8%, 0.82%

LAB 85.36, 9.25, 22.18

 

CMYK 0 / 19 / 35 / 0

HEX #FECEA4

RGB 254 206 164

HSL 28, 0.98%, 0.82%

LAB 85.95, 11.32, 27.3

 

CMYK 0 / 16 / 30 / 4

HEX #F6CEAC

RGB 246 206 172

HSL 27.57, 0.8%, 0.82%

LAB 85.36, 9.25, 22.18

 

CMYK 0 / 13 / 25 / 6

HEX #EFCFB3

RGB 239 207 179

HSL 28, 0.65%, 0.82%

LAB 85.11, 7.03, 18.05

 

CMYK 0 / 10 / 19 / 9

HEX #E7CFBB

RGB 231 207 187

HSL 27.27, 0.48%, 0.82%

LAB 84.59, 5.22, 12.98

 

CMYK 0 / 7 / 13 / 12

HEX #E0D0C2

RGB 224 208 194

HSL 28, 0.33%, 0.82%

LAB 84.41, 3.23, 8.94

 

CMYK 0 / 4 / 7 / 15

HEX #D9D1CA

RGB 217 209 202

HSL 28, 0.16%, 0.82%

LAB 84.29, 1.54, 4.44

 

CMYK 0 / 30 / 28 / 4

HEX #F6ACB2

RGB 246 172 178

HSL 355.14, 0.8%, 0.82%

LAB 77.47, 27.93, 7.87

 

CMYK 0 / 24 / 30 / 4

HEX #F6BAAC

RGB 246 186 172

HSL 11.35, 0.8%, 0.82%

LAB 80.57, 19.75, 15.51

 

CMYK 0 / 17 / 30 / 4

HEX #F6CDAC

RGB 246 205 172

HSL 26.76, 0.8%, 0.82%

LAB 85.12, 9.77, 21.84

 

CMYK 0 / 9 / 30 / 4

HEX #F6E1AC

RGB 246 225 172

HSL 42.97, 0.8%, 0.82%

LAB 90.05, -0.54, 28.59

 

CMYK 0 / 0 / 30 / 4

HEX #F6F5AC

RGB 246 245 172

HSL 59.19, 0.8%, 0.82%

LAB 95.11, -10.59, 35.36

 

CMYK 0 / 32 / 59 / 7

HEX #EEA261

RGB 238 162 97

HSL 27.66, 0.81%, 0.66%

LAB 72.81, 21.72, 44.76

 

CMYK 0 / 24 / 44 / 5

HEX #F2B887

RGB 242 184 135

HSL 27.48, 0.8%, 0.74%

LAB 78.99, 14.99, 32.97

 

CMYK 0 / 16 / 30 / 4

HEX #F6CEAC

RGB 246 206 172

HSL 27.57, 0.8%, 0.82%

LAB 85.36, 9.25, 22.18

 

CMYK 0 / 9 / 16 / 2

HEX #FAE4D1

RGB 250 228 209

HSL 27.8, 0.8%, 0.9%

LAB 91.87, 4.51, 11.99

 

CMYK 0 / 2 / 3 / 0

HEX #FEFAF7

RGB 254 250 247

HSL 25.71, 0.78%, 0.98%

LAB 98.49, 0.81, 1.89

 

CMYK 0 / 17 / 31 / 4

HEX #F6CDAA

RGB 246 205 170

HSL 27.63, 0.81%, 0.82%

LAB 85.08, 9.52, 22.84

 

CMYK 20 / 0 / 30 / 4

HEX #C6F6AC

RGB 198 246 172

HSL 98.92, 0.8%, 0.82%

LAB 92.09, -28.35, 30.74

 

CMYK 28 / 30 / 0 / 4

HEX #B0ACF6

RGB 176 172 246

HSL 243.24, 0.8%, 0.82%

LAB 73.15, 17.46, -36.3

 

CMYK 0 / 17 / 31 / 4

HEX #F6CDAA

RGB 246 205 170

HSL 27.63, 0.81%, 0.82%

LAB 85.08, 9.52, 22.84

 

CMYK 30 / 0 / 17 / 4

HEX #ACF6CD

RGB 172 246 205

HSL 146.76, 0.8%, 0.82%

LAB 91.27, -31.13, 12.5

 

CMYK 17 / 30 / 0 / 4

HEX #CDACF6

RGB 205 172 246

HSL 266.76, 0.8%, 0.82%

LAB 75.54, 26.01, -32.41

 

CMYK 0 / 17 / 31 / 4

HEX #F6CDAA

RGB 246 205 170

HSL 27.63, 0.81%, 0.82%

LAB 85.08, 9.52, 22.84

 

CMYK 20 / 0 / 30 / 4

HEX #C6F6AC

RGB 198 246 172

HSL 98.92, 0.8%, 0.82%

LAB 92.09, -28.35, 30.74

 

CMYK 30 / 13 / 0 / 4

HEX #ACD5F6

RGB 172 213 246

HSL 206.76, 0.8%, 0.82%

LAB 83.45, -5.93, -20.53

 

CMYK 11 / 30 / 0 / 4

HEX #DCACF6

RGB 220 172 246

HSL 278.92, 0.8%, 0.82%

LAB 76.91, 30.6, -30.19

 

CMYK 0 / 17 / 31 / 4

HEX #F6CDAA

RGB 246 205 170

HSL 27.63, 0.81%, 0.82%

LAB 85.08, 9.52, 22.84

 

CMYK 28 / 0 / 30 / 4

HEX #B0F6AC

RGB 176 246 172

HSL 116.76, 0.8%, 0.82%

LAB 90.83, -35.65, 28.84

 

CMYK 30 / 13 / 0 / 4

HEX #ACD5F6

RGB 172 213 246

HSL 206.76, 0.8%, 0.82%

LAB 83.45, -5.93, -20.53

 

CMYK 1 / 30 / 0 / 4

HEX #F3ACF6

RGB 243 172 246

HSL 297.57, 0.8%, 0.82%

LAB 79.16, 37.77, -26.53

 

Description

Color code: HEX #F6CDAA | qconv.com Color code: HEX #F6CDAA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 205 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 205 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 31 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 31% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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