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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F6C9FDCE it is the complementary color #093602CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F6C9FDCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F6C9FDCE shade: #FBC9F8CE, #FFDBFFCE, #FFEDFFCE and #FFFFFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F6C9FDCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F6C9FDCE shade: #F6C9FDCE, #E5B7EACE, #D4A5D7CE, #C393C4CE and #B281B1CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F6C9FDCE shade: #F6C9FD, #FDC9F6, #FDC9E8, #FDC9DA and #FDC9CC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F6C9FDCE shade: #F6C9FD, #E8C9FD, #DAC9FD, #CCC9FD and #C9C9FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F6C9FDCE shade matches the following richer shades: #F6C9FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F6C9FDCE shade: #F6C9FD, #F3CDF8, #EFD2F4, #ECD6EF and #E9DBEB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F6C9FDCE shade: #D9C9FD, #E7C9FD, #F5C9FD, #FDC9F7 and #FDC9E9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F6C9FDCE shade: #E979FA, #EFA1FC, #F6C9FD, #FDF1FE and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F6C9FDCE shade: #F6C9FD, #FDCBC9 and #C9FDE0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F6C9FDCE shade: #F6C9FD, #FDF5C9 and #C9FDF5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F6C9FDCE shade: #F6C9FD, #FDCBC9, #D1FDC9 and #C9FAFD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F6C9FDCE shade: #F6C9FD, #FDDBC9, #D1FDC9 and #C9EBFD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 17 / 0 / 1

HEX #F6C9FDCE

RGBA 246 201 253 0.81

HSLA 291.92, 0.93%, 0.89%, 0.81

LABA 86.23, 24.68, -19.49, 0.81

 

Complementary color

CMYK 68 / 0 / 78 / 64

HEX #093602CE

RGBA 9 54 2 0.81

HSLA 111.92, 0.93%, 0.11%, 0.81

LABA 18.8, -26.21, 25.23, 0.81

 

CMYK 0 / 16 / 1 / 1

HEX #FBC9F8CE

RGBA 251 201 248 0.81

HSLA 303.6, 0.86%, 0.89%, 0.81

LABA 86.53, 25.39, -16.35, 0.81

 

CMYK 0 / 11 / 0 / 0

HEX #FFDBFFCE

RGBA 255 219 255 0.81

HSLA 300, 1%, 0.93%, 0.81

LABA 91.3, 18.51, -12.86, 0.81

 

CMYK 0 / 6 / 0 / 0

HEX #FFEDFFCE

RGBA 255 237 255 0.81

HSLA 300, 1%, 0.96%, 0.81

LABA 95.6, 9.18, -6.47, 0.81

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFFCE

RGBA 255 255 255 0.81

HSLA 0, 0%, 1%, 0.81

LABA 100, 0.01, -0.01, 0.81

 

CMYK 2 / 17 / 0 / 1

HEX #F6C9FDCE

RGBA 246 201 253 0.81

HSLA 291.92, 0.93%, 0.89%, 0.81

LABA 86.23, 24.68, -19.49, 0.81

 

CMYK 2 / 18 / 0 / 7

HEX #E5B7EACE

RGBA 229 183 234 0.81

HSLA 294.12, 0.55%, 0.82%, 0.81

LABA 79.88, 25.2, -19.11, 0.81

 

CMYK 1 / 19 / 0 / 13

HEX #D4A5D7CE

RGBA 212 165 215 0.81

HSLA 296.4, 0.38%, 0.75%, 0.81

LABA 73.42, 25.76, -18.72, 0.81

 

CMYK 0 / 20 / 0 / 19

HEX #C393C4CE

RGBA 195 147 196 0.81

HSLA 298.78, 0.29%, 0.67%, 0.81

LABA 66.87, 26.37, -18.32, 0.81

 

CMYK 0 / 22 / 0 / 24

HEX #B281B1CE

RGBA 178 129 177 0.81

HSLA 301.22, 0.24%, 0.6%, 0.81

LABA 60.19, 27.02, -17.9, 0.81

 

CMYK 3 / 21 / 0 / 1

HEX #F6C9FD

RGB 246 201 253

HSL 291.92, 0.93%, 0.89%

LAB 86.23, 24.68, -19.49

 

CMYK 0 / 21 / 3 / 1

HEX #FDC9F6

RGB 253 201 246

HSL 308.08, 0.93%, 0.89%

LAB 86.66, 25.69, -15.09

 

CMYK 0 / 21 / 8 / 1

HEX #FDC9E8

RGB 253 201 232

HSL 324.23, 0.93%, 0.89%

LAB 86.25, 23.28, -8.27

 

CMYK 0 / 21 / 14 / 1

HEX #FDC9DA

RGB 253 201 218

HSL 340.38, 0.93%, 0.89%

LAB 85.87, 21, -1.39

 

CMYK 0 / 21 / 19 / 1

HEX #FDC9CC

RGB 253 201 204

HSL 356.54, 0.93%, 0.89%

LAB 85.51, 18.86, 5.54

 

CMYK 3 / 21 / 0 / 1

HEX #F6C9FD

RGB 246 201 253

HSL 291.92, 0.93%, 0.89%

LAB 86.23, 24.68, -19.49

 

CMYK 8 / 21 / 0 / 1

HEX #E8C9FD

RGB 232 201 253

HSL 275.77, 0.93%, 0.89%

LAB 85.01, 20.2, -21.47

 

CMYK 14 / 21 / 0 / 1

HEX #DAC9FD

RGB 218 201 253

HSL 259.62, 0.93%, 0.89%

LAB 83.85, 15.79, -23.34

 

CMYK 19 / 21 / 0 / 1

HEX #CCC9FD

RGB 204 201 253

HSL 243.46, 0.93%, 0.89%

LAB 82.75, 11.47, -25.1

 

CMYK 21 / 21 / 0 / 1

HEX #C9C9FD

RGB 201 201 253

HSL 240, 0.93%, 0.89%

LAB 82.53, 10.57, -25.46

 

CMYK 3 / 21 / 0 / 1

HEX #F6C9FD

RGB 246 201 253

HSL 291.92, 0.93%, 0.89%

LAB 86.23, 24.68, -19.49

 

CMYK 3 / 21 / 0 / 1

HEX #F6C9FD

RGB 246 201 253

HSL 291.92, 0.93%, 0.89%

LAB 86.23, 24.68, -19.49

 

CMYK 2 / 17 / 0 / 3

HEX #F3CDF8

RGB 243 205 248

HSL 293.02, 0.75%, 0.89%

LAB 86.75, 20.66, -16.1

 

CMYK 2 / 14 / 0 / 4

HEX #EFD2F4

RGB 239 210 244

HSL 291.18, 0.61%, 0.89%

LAB 87.47, 15.98, -12.93

 

CMYK 1 / 10 / 0 / 6

HEX #ECD6EF

RGB 236 214 239

HSL 292.8, 0.44%, 0.89%

LAB 88.04, 11.96, -9.47

 

CMYK 1 / 7 / 0 / 8

HEX #E9DBEB

RGB 233 219 235

HSL 292.5, 0.29%, 0.89%

LAB 88.92, 7.61, -6.1

 

CMYK 14 / 21 / 0 / 1

HEX #D9C9FD

RGB 217 201 253

HSL 258.46, 0.93%, 0.89%

LAB 83.77, 15.48, -23.47

 

CMYK 9 / 21 / 0 / 1

HEX #E7C9FD

RGB 231 201 253

HSL 274.62, 0.93%, 0.89%

LAB 84.92, 19.88, -21.61

 

CMYK 3 / 21 / 0 / 1

HEX #F5C9FD

RGB 245 201 253

HSL 290.77, 0.93%, 0.89%

LAB 86.15, 24.36, -19.64

 

CMYK 0 / 21 / 2 / 1

HEX #FDC9F7

RGB 253 201 247

HSL 306.92, 0.93%, 0.89%

LAB 86.69, 25.87, -15.57

 

CMYK 0 / 21 / 8 / 1

HEX #FDC9E9

RGB 253 201 233

HSL 323.08, 0.93%, 0.89%

LAB 86.28, 23.45, -8.76

 

CMYK 7 / 52 / 0 / 2

HEX #E979FA

RGB 233 121 250

HSL 292.09, 0.93%, 0.73%

LAB 67.95, 61.52, -46.18

 

CMYK 5 / 36 / 0 / 1

HEX #EFA1FC

RGB 239 161 252

HSL 291.43, 0.94%, 0.81%

LAB 76.6, 43.43, -33.74

 

CMYK 3 / 21 / 0 / 1

HEX #F6C9FD

RGB 246 201 253

HSL 291.92, 0.93%, 0.89%

LAB 86.23, 24.68, -19.49

 

CMYK 0 / 5 / 0 / 0

HEX #FDF1FE

RGB 253 241 254

HSL 295.38, 0.87%, 0.97%

LAB 96.39, 6.29, -4.81

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 3 / 21 / 0 / 1

HEX #F6C9FD

RGB 246 201 253

HSL 291.92, 0.93%, 0.89%

LAB 86.23, 24.68, -19.49

 

CMYK 0 / 20 / 21 / 1

HEX #FDCBC9

RGB 253 203 201

HSL 2.31, 0.93%, 0.89%

LAB 85.91, 17.37, 7.71

 

CMYK 21 / 0 / 11 / 1

HEX #C9FDE0

RGB 201 253 224

HSL 146.54, 0.93%, 0.89%

LAB 95.18, -22.04, 8.49

 

CMYK 3 / 21 / 0 / 1

HEX #F6C9FD

RGB 246 201 253

HSL 291.92, 0.93%, 0.89%

LAB 86.23, 24.68, -19.49

 

CMYK 0 / 3 / 21 / 1

HEX #FDF5C9

RGB 253 245 201

HSL 50.77, 0.93%, 0.89%

LAB 96.16, -4.21, 22.18

 

CMYK 21 / 0 / 3 / 1

HEX #C9FDF5

RGB 201 253 245

HSL 170.77, 0.93%, 0.89%

LAB 95.69, -17.96, -1.6

 

CMYK 3 / 21 / 0 / 1

HEX #F6C9FD

RGB 246 201 253

HSL 291.92, 0.93%, 0.89%

LAB 86.23, 24.68, -19.49

 

CMYK 0 / 20 / 21 / 1

HEX #FDCBC9

RGB 253 203 201

HSL 2.31, 0.93%, 0.89%

LAB 85.91, 17.37, 7.71

 

CMYK 17 / 0 / 21 / 1

HEX #D1FDC9

RGB 209 253 201

HSL 110.77, 0.93%, 0.89%

LAB 95.17, -23.47, 20.34

 

CMYK 21 / 1 / 0 / 1

HEX #C9FAFD

RGB 201 250 253

HSL 183.46, 0.93%, 0.89%

LAB 95.11, -14.84, -6.58

 

CMYK 3 / 21 / 0 / 1

HEX #F6C9FD

RGB 246 201 253

HSL 291.92, 0.93%, 0.89%

LAB 86.23, 24.68, -19.49

 

CMYK 0 / 13 / 21 / 1

HEX #FDDBC9

RGB 253 219 201

HSL 20.77, 0.93%, 0.89%

LAB 89.75, 9.04, 13.19

 

CMYK 17 / 0 / 21 / 1

HEX #D1FDC9

RGB 209 253 201

HSL 110.77, 0.93%, 0.89%

LAB 95.17, -23.47, 20.34

 

CMYK 21 / 7 / 0 / 1

HEX #C9EBFD

RGB 201 235 253

HSL 200.77, 0.93%, 0.89%

LAB 91.2, -7.28, -12.38

 

Description

Color code: HEX #F6C9FDCE | qconv.com Color code: HEX #F6C9FDCE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 201 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 201 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 17 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 17% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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