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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F6BFBD it is the complementary color #094042. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F6BFBD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F6BFBD shade: #FBBFB8, #FFD1CB, #FFE3DE, #FFF5F1 and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F6BFBD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F6BFBD shade: #F6BFBD, #E5ADAA, #D49B97, #C38984 and #B27771

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F6BFBD shade: #F6BEBC and #F6BCBC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F6BFBD shade: #F6BEBC, #F6CDBC, #F6DDBC, #F6EDBC and #EFF6BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F6BFBD shade matches the following richer shades: #F6BEBC and #FCB8B5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F6BFBD shade: #F6BEBC, #F0C3C2, #E9C9C8, #E3CFCE and #DDD5D4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F6BFBD shade: #F6BCD9, #F6BCC9, #F6BEBC, #F6CDBC and #F6DDBC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F6BFBD shade: #EC7773, #F19B97, #F6BEBC, #FBE1E0 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F6BFBD shade: #F6BFBD, #E8F6BC and #BCD1F6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F6BFBD shade: #F6BFBD, #BCF6BE and #BEBCF6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F6BFBD shade: #F6BFBD, #E8F6BC, #BCF4F6 and #C9BCF6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F6BFBD shade: #F6BFBD, #D7F6BC, #BCF4F6 and #DBBCF6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 23 / 4

HEX #F6BFBD

RGB 246 191 189

HSL 2.11, 0.76%, 0.85%

LAB 82.12, 19.41, 8.6

 

Complementary color

CMYK 86 / 3 / 0 / 74

HEX #094042

RGB 9 64 66

HSL 182.11, 0.76%, 0.15%

LAB 24.06, -15.9, -6.16

 

CMYK 0 / 24 / 27 / 2

HEX #FBBFB8

RGB 251 191 184

HSL 6.27, 0.89%, 0.85%

LAB 82.5, 20.55, 11.88

 

CMYK 0 / 18 / 20 / 0

HEX #FFD1CB

RGB 255 209 203

HSL 6.92, 1%, 0.9%

LAB 87.57, 15.25, 9.05

 

CMYK 0 / 11 / 13 / 0

HEX #FFE3DE

RGB 255 227 222

HSL 9.09, 1%, 0.94%

LAB 92.34, 8.79, 5.94

 

CMYK 0 / 4 / 5 / 0

HEX #FFF5F1

RGB 255 245 241

HSL 17.14, 1%, 0.97%

LAB 97.19, 2.67, 3.1

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 22 / 23 / 4

HEX #F6BFBD

RGB 246 191 189

HSL 2.11, 0.76%, 0.85%

LAB 82.12, 19.41, 8.6

 

CMYK 0 / 24 / 26 / 10

HEX #E5ADAA

RGB 229 173 170

HSL 3.05, 0.53%, 0.78%

LAB 75.73, 20.04, 9.51

 

CMYK 0 / 27 / 29 / 17

HEX #D49B97

RGB 212 155 151

HSL 3.93, 0.41%, 0.71%

LAB 69.24, 20.73, 10.49

 

CMYK 0 / 30 / 32 / 24

HEX #C38984

RGB 195 137 132

HSL 4.76, 0.34%, 0.64%

LAB 62.64, 21.5, 11.56

 

CMYK 0 / 33 / 37 / 30

HEX #B27771

RGB 178 119 113

HSL 5.54, 0.3%, 0.57%

LAB 55.94, 22.37, 12.75

 

CMYK 0 / 23 / 24 / 4

HEX #F6BEBC

RGB 246 190 188

HSL 2.07, 0.76%, 0.85%

LAB 81.87, 19.8, 8.76

 

CMYK 0 / 24 / 24 / 4

HEX #F6BCBC

RGB 246 188 188

HSL 0, 0.76%, 0.85%

LAB 81.4, 20.86, 8.09

 

CMYK 0 / 23 / 24 / 4

HEX #F6BEBC

RGB 246 190 188

HSL 2.07, 0.76%, 0.85%

LAB 81.87, 19.8, 8.76

 

CMYK 0 / 17 / 24 / 4

HEX #F6CDBC

RGB 246 205 188

HSL 17.59, 0.76%, 0.85%

LAB 85.45, 11.92, 13.86

 

CMYK 0 / 10 / 24 / 4

HEX #F6DDBC

RGB 246 221 188

HSL 34.14, 0.76%, 0.85%

LAB 89.36, 3.62, 19.35

 

CMYK 0 / 4 / 24 / 4

HEX #F6EDBC

RGB 246 237 188

HSL 50.69, 0.76%, 0.85%

LAB 93.36, -4.53, 24.88

 

CMYK 3 / 0 / 24 / 4

HEX #EFF6BC

RGB 239 246 188

HSL 67.24, 0.76%, 0.85%

LAB 95.12, -11.57, 27.2

 

CMYK 0 / 23 / 24 / 4

HEX #F6BEBC

RGB 246 190 188

HSL 2.07, 0.76%, 0.85%

LAB 81.87, 19.8, 8.76

 

CMYK 0 / 27 / 28 / 1

HEX #FCB8B5

RGB 252 184 181

HSL 2.54, 0.92%, 0.85%

LAB 80.91, 24.2, 11.25

 

CMYK 0 / 23 / 24 / 4

HEX #F6BEBC

RGB 246 190 188

HSL 2.07, 0.76%, 0.85%

LAB 81.87, 19.8, 8.76

 

CMYK 0 / 19 / 19 / 6

HEX #F0C3C2

RGB 240 195 194

HSL 1.3, 0.61%, 0.85%

LAB 82.62, 15.85, 6.56

 

CMYK 0 / 14 / 14 / 9

HEX #E9C9C8

RGB 233 201 200

HSL 1.82, 0.43%, 0.85%

LAB 83.58, 11.09, 4.66

 

CMYK 0 / 9 / 9 / 11

HEX #E3CFCE

RGB 227 207 206

HSL 2.86, 0.27%, 0.85%

LAB 84.7, 6.78, 3.01

 

CMYK 0 / 4 / 4 / 13

HEX #DDD5D4

RGB 221 213 212

HSL 6.67, 0.12%, 0.85%

LAB 85.86, 2.57, 1.46

 

CMYK 0 / 24 / 12 / 4

HEX #F6BCD9

RGB 246 188 217

HSL 330, 0.76%, 0.85%

LAB 82.15, 25.27, -6.41

 

CMYK 0 / 24 / 18 / 4

HEX #F6BCC9

RGB 246 188 201

HSL 346.55, 0.76%, 0.85%

LAB 81.72, 22.76, 1.56

 

CMYK 0 / 23 / 24 / 4

HEX #F6BEBC

RGB 246 190 188

HSL 2.07, 0.76%, 0.85%

LAB 81.87, 19.8, 8.76

 

CMYK 0 / 17 / 24 / 4

HEX #F6CDBC

RGB 246 205 188

HSL 17.59, 0.76%, 0.85%

LAB 85.45, 11.92, 13.86

 

CMYK 0 / 10 / 24 / 4

HEX #F6DDBC

RGB 246 221 188

HSL 34.14, 0.76%, 0.85%

LAB 89.36, 3.62, 19.35

 

CMYK 0 / 50 / 51 / 7

HEX #EC7773

RGB 236 119 115

HSL 1.98, 0.76%, 0.69%

LAB 63.56, 44.68, 23.27

 

CMYK 0 / 36 / 37 / 5

HEX #F19B97

RGB 241 155 151

HSL 2.67, 0.76%, 0.77%

LAB 72.48, 31.67, 15.52

 

CMYK 0 / 23 / 24 / 4

HEX #F6BEBC

RGB 246 190 188

HSL 2.07, 0.76%, 0.85%

LAB 81.87, 19.8, 8.76

 

CMYK 0 / 10 / 11 / 2

HEX #FBE1E0

RGB 251 225 224

HSL 2.22, 0.77%, 0.93%

LAB 91.57, 8.75, 3.73

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 22 / 23 / 4

HEX #F6BFBD

RGB 246 191 189

HSL 2.11, 0.76%, 0.85%

LAB 82.12, 19.41, 8.6

 

CMYK 6 / 0 / 24 / 4

HEX #E8F6BC

RGB 232 246 188

HSL 74.48, 0.76%, 0.85%

LAB 94.61, -14.09, 26.43

 

CMYK 24 / 15 / 0 / 4

HEX #BCD1F6

RGB 188 209 246

HSL 218.28, 0.76%, 0.85%

LAB 83.41, 0.82, -20.49

 

CMYK 0 / 22 / 23 / 4

HEX #F6BFBD

RGB 246 191 189

HSL 2.11, 0.76%, 0.85%

LAB 82.12, 19.41, 8.6

 

CMYK 24 / 0 / 23 / 4

HEX #BCF6BE

RGB 188 246 190

HSL 122.07, 0.76%, 0.85%

LAB 91.83, -28.85, 21.13

 

CMYK 23 / 24 / 0 / 4

HEX #BEBCF6

RGB 190 188 246

HSL 242.07, 0.76%, 0.85%

LAB 78.21, 12.73, -28.4

 

CMYK 0 / 22 / 23 / 4

HEX #F6BFBD

RGB 246 191 189

HSL 2.11, 0.76%, 0.85%

LAB 82.12, 19.41, 8.6

 

CMYK 6 / 0 / 24 / 4

HEX #E8F6BC

RGB 232 246 188

HSL 74.48, 0.76%, 0.85%

LAB 94.61, -14.09, 26.43

 

CMYK 24 / 1 / 0 / 4

HEX #BCF4F6

RGB 188 244 246

HSL 182.07, 0.76%, 0.85%

LAB 92.6, -17.14, -6.75

 

CMYK 18 / 24 / 0 / 4

HEX #C9BCF6

RGB 201 188 246

HSL 253.45, 0.76%, 0.85%

LAB 79.06, 16.06, -27.02

 

CMYK 0 / 22 / 23 / 4

HEX #F6BFBD

RGB 246 191 189

HSL 2.11, 0.76%, 0.85%

LAB 82.12, 19.41, 8.6

 

CMYK 13 / 0 / 24 / 4

HEX #D7F6BC

RGB 215 246 188

HSL 92.07, 0.76%, 0.85%

LAB 93.45, -20.09, 24.64

 

CMYK 24 / 1 / 0 / 4

HEX #BCF4F6

RGB 188 244 246

HSL 182.07, 0.76%, 0.85%

LAB 92.6, -17.14, -6.75

 

CMYK 11 / 24 / 0 / 4

HEX #DBBCF6

RGB 219 188 246

HSL 272.07, 0.76%, 0.85%

LAB 80.56, 21.65, -24.6

 

Description

Color code: HEX #F6BFBD | qconv.com Color code: HEX #F6BFBD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 191 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 191 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 23 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 23% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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