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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F6B71ACE it is the complementary color #0948E5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F6B71ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F6B71ACE shade: #FBB715CE, #FFC928CE, #FFDB3BCE, #FFED4ECE and #FFFF61CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F6B71ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F6B71ACE shade: #F6B71ACE, #E5A507CE, #D49300CE, #C38100CE and #B26F00CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F6B71ACE shade: #F5B619, #F57B19, #F53F19 and #F51919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F6B71ACE shade: #F5B619, #F5F219, #BEF519, #82F519 and #47F519

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F6B71ACE shade matches the following richer shades: #F5B619

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F6B71ACE shade: #F5B619, #E2AE2C, #CFA640, #BB9D53 and #A89566

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F6B71ACE shade: #F53E19, #F57819, #F5B319, #F5EE19 and #C2F519

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F6B71ACE shade: #B48308, #DCA009, #F5B619, #F7C340 and #F9CF68

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F6B71ACE shade: #F6B71A, #2FF519 and #5B19F5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F6B71ACE shade: #F6B71A, #19F5B3 and #B319F5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F6B71ACE shade: #F6B71A, #2FF519, #195BF5 and #DF19F5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F6B71ACE shade: #F6B71A, #19F545, #195BF5 and #F519C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 72 / 3

HEX #F6B71ACE

RGBA 246 183 26 0.81

HSLA 42.82, 0.92%, 0.53%, 0.81

LABA 78.19, 10.99, 77.24, 0.81

 

Complementary color

CMYK 78 / 56 / 0 / 8

HEX #0948E5CE

RGBA 9 72 229 0.81

HSLA 222.82, 0.92%, 0.47%, 0.81

LABA 38.46, 44.58, -82.93, 0.81

 

CMYK 0 / 22 / 74 / 1

HEX #FBB715CE

RGBA 251 183 21 0.81

HSLA 42.26, 0.97%, 0.53%, 0.81

LABA 78.71, 13.04, 78.77, 0.81

 

CMYK 0 / 17 / 68 / 0

HEX #FFC928CE

RGBA 255 201 40 0.81

HSLA 44.93, 1%, 0.58%, 0.81

LABA 83.54, 5.76, 78.73, 0.81

 

CMYK 0 / 11 / 62 / 0

HEX #FFDB3BCE

RGBA 255 219 59 0.81

HSLA 48.98, 1%, 0.62%, 0.81

LABA 88.08, -2.85, 77.25, 0.81

 

CMYK 0 / 6 / 56 / 0

HEX #FFED4ECE

RGBA 255 237 78 0.81

HSLA 53.9, 1%, 0.65%, 0.81

LABA 92.74, -11.03, 75.2, 0.81

 

CMYK 0 / 0 / 50 / 0

HEX #FFFF61CE

RGBA 255 255 97 0.81

HSLA 60, 1%, 0.69%, 0.81

LABA 97.49, -18.75, 72.86, 0.81

 

CMYK 0 / 21 / 72 / 3

HEX #F6B71ACE

RGBA 246 183 26 0.81

HSLA 42.82, 0.92%, 0.53%, 0.81

LABA 78.19, 10.99, 77.24, 0.81

 

CMYK 0 / 23 / 79 / 8

HEX #E5A507CE

RGBA 229 165 7 0.81

HSLA 42.7, 0.94%, 0.46%, 0.81

LABA 71.95, 12.92, 74.7, 0.81

 

CMYK 0 / 25 / 81 / 14

HEX #D49300CE

RGBA 212 147 0 0.81

HSLA 41.6, 1%, 0.42%, 0.81

LABA 65.64, 15.09, 70.37, 0.81

 

CMYK 0 / 27 / 81 / 19

HEX #C38100CE

RGBA 195 129 0 0.81

HSLA 39.69, 1%, 0.38%, 0.81

LABA 59.25, 17.41, 65.14, 0.81

 

CMYK 0 / 30 / 81 / 24

HEX #B26F00CE

RGBA 178 111 0 0.81

HSLA 37.42, 1%, 0.35%, 0.81

LABA 52.77, 19.81, 59.86, 0.81

 

CMYK 0 / 26 / 90 / 4

HEX #F5B619

RGB 245 182 25

HSL 42.82, 0.92%, 0.53%

LAB 77.84, 11.06, 77.12

 

CMYK 0 / 50 / 90 / 4

HEX #F57B19

RGB 245 123 25

HSL 26.73, 0.92%, 0.53%

LAB 64.68, 41.68, 67.26

 

CMYK 0 / 74 / 90 / 4

HEX #F53F19

RGB 245 63 25

HSL 10.36, 0.92%, 0.53%

LAB 55.11, 66.96, 60.38

 

CMYK 0 / 90 / 90 / 4

HEX #F51919

RGB 245 25 25

HSL 0, 0.92%, 0.53%

LAB 52.04, 75.65, 58.26

 

CMYK 0 / 26 / 90 / 4

HEX #F5B619

RGB 245 182 25

HSL 42.82, 0.92%, 0.53%

LAB 77.84, 11.06, 77.12

 

CMYK 0 / 1 / 90 / 4

HEX #F5F219

RGB 245 242 25

HSL 59.18, 0.92%, 0.53%

LAB 93.01, -19.23, 88.79

 

CMYK 22 / 0 / 90 / 4

HEX #BEF519

RGB 190 245 25

HSL 75, 0.92%, 0.53%

LAB 90.01, -42.66, 84.79

 

CMYK 47 / 0 / 90 / 4

HEX #82F519

RGB 130 245 25

HSL 91.36, 0.92%, 0.53%

LAB 87.06, -63.27, 81.16

 

CMYK 71 / 0 / 90 / 4

HEX #47F519

RGB 71 245 25

HSL 107.45, 0.92%, 0.53%

LAB 85.36, -77.06, 79.06

 

CMYK 0 / 26 / 90 / 4

HEX #F5B619

RGB 245 182 25

HSL 42.82, 0.92%, 0.53%

LAB 77.84, 11.06, 77.12

 

CMYK 0 / 26 / 90 / 4

HEX #F5B619

RGB 245 182 25

HSL 42.82, 0.92%, 0.53%

LAB 77.84, 11.06, 77.12

 

CMYK 0 / 23 / 81 / 11

HEX #E2AE2C

RGB 226 174 44

HSL 42.86, 0.76%, 0.53%

LAB 73.95, 7.55, 68.26

 

CMYK 0 / 20 / 69 / 19

HEX #CFA640

RGB 207 166 64

HSL 42.8, 0.6%, 0.53%

LAB 70.11, 4.44, 56.4

 

CMYK 0 / 16 / 56 / 27

HEX #BB9D53

RGB 187 157 83

HSL 42.69, 0.43%, 0.53%

LAB 65.98, 1.95, 42.37

 

CMYK 0 / 11 / 39 / 34

HEX #A89566

RGB 168 149 102

HSL 42.73, 0.28%, 0.53%

LAB 62.32, 0.15, 27.41

 

CMYK 0 / 75 / 90 / 4

HEX #F53E19

RGB 245 62 25

HSL 10.09, 0.92%, 0.53%

LAB 55, 67.27, 60.3

 

CMYK 0 / 51 / 90 / 4

HEX #F57819

RGB 245 120 25

HSL 25.91, 0.92%, 0.53%

LAB 64.09, 43.16, 66.83

 

CMYK 0 / 27 / 90 / 4

HEX #F5B319

RGB 245 179 25

HSL 42, 0.92%, 0.53%

LAB 77.11, 12.64, 76.57

 

CMYK 0 / 3 / 90 / 4

HEX #F5EE19

RGB 245 238 25

HSL 58.09, 0.92%, 0.53%

LAB 91.97, -17.3, 87.98

 

CMYK 21 / 0 / 90 / 4

HEX #C2F519

RGB 194 245 25

HSL 73.91, 0.92%, 0.53%

LAB 90.25, -41.13, 85.09

 

CMYK 0 / 27 / 96 / 29

HEX #B48308

RGB 180 131 8

HSL 42.91, 0.91%, 0.37%

LAB 57.99, 9.68, 62.12

 

CMYK 0 / 27 / 96 / 14

HEX #DCA009

RGB 220 160 9

HSL 42.94, 0.92%, 0.45%

LAB 69.74, 11.69, 72.44

 

CMYK 0 / 26 / 90 / 4

HEX #F5B619

RGB 245 182 25

HSL 42.82, 0.92%, 0.53%

LAB 77.84, 11.06, 77.12

 

CMYK 0 / 21 / 74 / 3

HEX #F7C340

RGB 247 195 64

HSL 42.95, 0.92%, 0.61%

LAB 81.39, 6.26, 68.99

 

CMYK 0 / 17 / 58 / 2

HEX #F9CF68

RGB 249 207 104

HSL 42.62, 0.92%, 0.69%

LAB 84.88, 3.16, 55.82

 

CMYK 0 / 26 / 89 / 4

HEX #F6B71A

RGB 246 183 26

HSL 42.82, 0.92%, 0.53%

LAB 78.19, 10.99, 77.24

 

CMYK 81 / 0 / 90 / 4

HEX #2FF519

RGB 47 245 25

HSL 114, 0.92%, 0.53%

LAB 84.99, -80.35, 78.59

 

CMYK 63 / 90 / 0 / 4

HEX #5B19F5

RGB 91 25 245

HSL 258, 0.92%, 0.53%

LAB 36.95, 74.72, -94.37

 

CMYK 0 / 26 / 89 / 4

HEX #F6B71A

RGB 246 183 26

HSL 42.82, 0.92%, 0.53%

LAB 78.19, 10.99, 77.24

 

CMYK 90 / 0 / 27 / 4

HEX #19F5B3

RGB 25 245 179

HSL 162, 0.92%, 0.53%

LAB 86.39, -62.95, 18.47

 

CMYK 27 / 90 / 0 / 4

HEX #B319F5

RGB 179 25 245

HSL 282, 0.92%, 0.53%

LAB 48.1, 83.52, -75.62

 

CMYK 0 / 26 / 89 / 4

HEX #F6B71A

RGB 246 183 26

HSL 42.82, 0.92%, 0.53%

LAB 78.19, 10.99, 77.24

 

CMYK 81 / 0 / 90 / 4

HEX #2FF519

RGB 47 245 25

HSL 114, 0.92%, 0.53%

LAB 84.99, -80.35, 78.59

 

CMYK 90 / 63 / 0 / 4

HEX #195BF5

RGB 25 91 245

HSL 222, 0.92%, 0.53%

LAB 44.63, 39.1, -81.79

 

CMYK 9 / 90 / 0 / 4

HEX #DF19F5

RGB 223 25 245

HSL 294, 0.92%, 0.53%

LAB 55.05, 89.88, -64.03

 

CMYK 0 / 26 / 89 / 4

HEX #F6B71A

RGB 246 183 26

HSL 42.82, 0.92%, 0.53%

LAB 78.19, 10.99, 77.24

 

CMYK 90 / 0 / 72 / 4

HEX #19F545

RGB 25 245 69

HSL 132, 0.92%, 0.53%

LAB 84.97, -79.82, 67.32

 

CMYK 90 / 63 / 0 / 4

HEX #195BF5

RGB 25 91 245

HSL 222, 0.92%, 0.53%

LAB 44.63, 39.1, -81.79

 

CMYK 0 / 90 / 18 / 4

HEX #F519C9

RGB 245 25 201

HSL 312, 0.92%, 0.53%

LAB 56.41, 87.56, -36.71

 

Description

Color code: HEX #F6B71ACE | qconv.com Color code: HEX #F6B71ACE | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 183 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 183 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 72 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 72% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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