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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F69DBD it is the complementary color #096242. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F69DBD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F69DBD shade: #FB9DB8, #FFAFCB, #FFC1DE, #FFD3F1 and #FFE5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F69DBD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F69DBD shade: #F69DBD, #E58BAA, #D47997, #C36784 and #B25571

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F69DBD shade: #F69DBD, #F69DA5 and #F69D9D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F69DBD shade: #F69DBD, #F69DD5, #F69DED, #E79DF6 and #CF9DF6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F69DBD shade matches the following richer shades: #F69DBD and #FF94BB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F69DBD shade: #F69DBD, #EDA6BF, #E5AEC2, #DCB7C4 and #D3C0C7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F69DBD shade: #F69DED, #F69DD5, #F69DBE, #F69DA6 and #F6AC9D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F69DBD shade: #EF518A, #F277A4, #F69DBD, #F9C3D6 and #FDE9F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F69DBD shade: #F69DBD, #F6E79D and #9DE1F6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F69DBD shade: #F69DBD, #BEF69D and #9DBEF6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F69DBD shade: #F69DBD, #F6E79D, #9DF6D5 and #9DACF6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F69DBD shade: #F69DBD, #EAF69D, #9DF6D5 and #A99DF6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 23 / 4

HEX #F69DBD

RGB 246 157 189

HSL 338.43, 0.83%, 0.79%

LAB 74.43, 37.32, -2.55

 

Complementary color

CMYK 91 / 0 / 33 / 62

HEX #096242

RGB 9 98 66

HSL 158.43, 0.83%, 0.21%

LAB 36.34, -32.64, 11.52

 

CMYK 0 / 37 / 27 / 2

HEX #FB9DB8

RGB 251 157 184

HSL 342.77, 0.92%, 0.8%

LAB 74.88, 38.37, 0.92

 

CMYK 0 / 31 / 20 / 0

HEX #FFAFCB

RGB 255 175 203

HSL 339, 1%, 0.84%

LAB 79.75, 33.06, -2.28

 

CMYK 0 / 24 / 13 / 0

HEX #FFC1DE

RGB 255 193 222

HSL 331.94, 1%, 0.88%

LAB 84.32, 26.53, -5.78

 

CMYK 0 / 17 / 5 / 0

HEX #FFD3F1

RGB 255 211 241

HSL 319.09, 1%, 0.91%

LAB 89.02, 20.24, -8.9

 

CMYK 0 / 10 / 0 / 0

HEX #FFE5FF

RGB 255 229 255

HSL 300, 1%, 0.95%

LAB 93.68, 13.31, -9.32

 

CMYK 0 / 36 / 23 / 4

HEX #F69DBD

RGB 246 157 189

HSL 338.43, 0.83%, 0.79%

LAB 74.43, 37.32, -2.55

 

CMYK 0 / 39 / 26 / 10

HEX #E58BAA

RGB 229 139 170

HSL 339.33, 0.63%, 0.72%

LAB 68.04, 38.14, -1.61

 

CMYK 0 / 43 / 29 / 17

HEX #D47997

RGB 212 121 151

HSL 340.22, 0.51%, 0.65%

LAB 61.57, 38.99, -0.55

 

CMYK 0 / 47 / 32 / 24

HEX #C36784

RGB 195 103 132

HSL 341.09, 0.43%, 0.58%

LAB 55.04, 39.88, 0.67

 

CMYK 0 / 52 / 37 / 30

HEX #B25571

RGB 178 85 113

HSL 341.94, 0.38%, 0.52%

LAB 48.45, 40.78, 2.1

 

CMYK 0 / 36 / 23 / 4

HEX #F69DBD

RGB 246 157 189

HSL 338.43, 0.83%, 0.79%

LAB 74.43, 37.32, -2.55

 

CMYK 0 / 36 / 33 / 4

HEX #F69DA5

RGB 246 157 165

HSL 354.61, 0.83%, 0.79%

LAB 73.82, 34.14, 9.78

 

CMYK 0 / 36 / 36 / 4

HEX #F69D9D

RGB 246 157 157

HSL 0, 0.83%, 0.79%

LAB 73.64, 33.17, 13.93

 

CMYK 0 / 36 / 23 / 4

HEX #F69DBD

RGB 246 157 189

HSL 338.43, 0.83%, 0.79%

LAB 74.43, 37.32, -2.55

 

CMYK 0 / 36 / 13 / 4

HEX #F69DD5

RGB 246 157 213

HSL 322.25, 0.83%, 0.79%

LAB 75.15, 40.93, -14.68

 

CMYK 0 / 36 / 4 / 4

HEX #F69DED

RGB 246 157 237

HSL 306.07, 0.83%, 0.79%

LAB 75.96, 44.93, -26.53

 

CMYK 6 / 36 / 0 / 4

HEX #E79DF6

RGB 231 157 246

HSL 289.89, 0.83%, 0.79%

LAB 74.67, 41.98, -33.54

 

CMYK 16 / 36 / 0 / 4

HEX #CF9DF6

RGB 207 157 246

HSL 273.71, 0.83%, 0.79%

LAB 72.25, 34.81, -37.48

 

CMYK 0 / 36 / 23 / 4

HEX #F69DBD

RGB 246 157 189

HSL 338.43, 0.83%, 0.79%

LAB 74.43, 37.32, -2.55

 

CMYK 0 / 42 / 27 / 0

HEX #FF94BB

RGB 255 148 187

HSL 338.13, 1%, 0.79%

LAB 73.56, 44.77, -2.6

 

CMYK 0 / 36 / 23 / 4

HEX #F69DBD

RGB 246 157 189

HSL 338.43, 0.83%, 0.79%

LAB 74.43, 37.32, -2.55

 

CMYK 0 / 30 / 19 / 7

HEX #EDA6BF

RGB 237 166 191

HSL 338.87, 0.66%, 0.79%

LAB 75.48, 29.72, -2.24

 

CMYK 0 / 24 / 15 / 10

HEX #E5AEC2

RGB 229 174 194

HSL 338.18, 0.51%, 0.79%

LAB 76.57, 23.09, -2.36

 

CMYK 0 / 17 / 11 / 14

HEX #DCB7C4

RGB 220 183 196

HSL 338.92, 0.35%, 0.79%

LAB 77.92, 15.39, -1.58

 

CMYK 0 / 9 / 6 / 17

HEX #D3C0C7

RGB 211 192 199

HSL 337.89, 0.18%, 0.79%

LAB 79.43, 7.9, -1.09

 

CMYK 0 / 36 / 4 / 4

HEX #F69DED

RGB 246 157 237

HSL 306.07, 0.83%, 0.79%

LAB 75.96, 44.93, -26.53

 

CMYK 0 / 36 / 13 / 4

HEX #F69DD5

RGB 246 157 213

HSL 322.25, 0.83%, 0.79%

LAB 75.15, 40.93, -14.68

 

CMYK 0 / 36 / 23 / 4

HEX #F69DBE

RGB 246 157 190

HSL 337.75, 0.83%, 0.79%

LAB 74.46, 37.47, -3.06

 

CMYK 0 / 36 / 33 / 4

HEX #F69DA6

RGB 246 157 166

HSL 353.93, 0.83%, 0.79%

LAB 73.84, 34.26, 9.26

 

CMYK 0 / 30 / 36 / 4

HEX #F6AC9D

RGB 246 172 157

HSL 10.11, 0.83%, 0.79%

LAB 77, 25.28, 18.62

 

CMYK 0 / 66 / 42 / 6

HEX #EF518A

RGB 239 81 138

HSL 338.35, 0.83%, 0.63%

LAB 58.1, 64.8, 2.42

 

CMYK 0 / 51 / 32 / 5

HEX #F277A4

RGB 242 119 164

HSL 338.05, 0.83%, 0.71%

LAB 65.55, 51.87, -1.67

 

CMYK 0 / 36 / 23 / 4

HEX #F69DBD

RGB 246 157 189

HSL 338.43, 0.83%, 0.79%

LAB 74.43, 37.32, -2.55

 

CMYK 0 / 22 / 14 / 2

HEX #F9C3D6

RGB 249 195 214

HSL 338.89, 0.82%, 0.87%

LAB 83.98, 22.13, -2.07

 

CMYK 0 / 8 / 5 / 1

HEX #FDE9F0

RGB 253 233 240

HSL 339, 0.83%, 0.95%

LAB 94.08, 7.96, -0.94

 

CMYK 0 / 36 / 23 / 4

HEX #F69DBD

RGB 246 157 189

HSL 338.43, 0.83%, 0.79%

LAB 74.43, 37.32, -2.55

 

CMYK 0 / 6 / 36 / 4

HEX #F6E79D

RGB 246 231 157

HSL 49.89, 0.83%, 0.79%

LAB 91.32, -5.37, 37.89

 

CMYK 36 / 9 / 0 / 4

HEX #9DE1F6

RGB 157 225 246

HSL 194.16, 0.83%, 0.79%

LAB 85.84, -16.19, -17

 

CMYK 0 / 36 / 23 / 4

HEX #F69DBD

RGB 246 157 189

HSL 338.43, 0.83%, 0.79%

LAB 74.43, 37.32, -2.55

 

CMYK 23 / 0 / 36 / 4

HEX #BEF69D

RGB 190 246 157

HSL 97.75, 0.83%, 0.79%

LAB 91.37, -33.21, 37.22

 

CMYK 36 / 23 / 0 / 4

HEX #9DBEF6

RGB 157 190 246

HSL 217.75, 0.83%, 0.79%

LAB 76.47, 2.23, -31.27

 

CMYK 0 / 36 / 23 / 4

HEX #F69DBD

RGB 246 157 189

HSL 338.43, 0.83%, 0.79%

LAB 74.43, 37.32, -2.55

 

CMYK 0 / 6 / 36 / 4

HEX #F6E79D

RGB 246 231 157

HSL 49.89, 0.83%, 0.79%

LAB 91.32, -5.37, 37.89

 

CMYK 36 / 0 / 13 / 4

HEX #9DF6D5

RGB 157 246 213

HSL 157.75, 0.83%, 0.79%

LAB 90.73, -33.82, 7.48

 

CMYK 36 / 30 / 0 / 4

HEX #9DACF6

RGB 157 172 246

HSL 229.89, 0.83%, 0.79%

LAB 71.78, 12.19, -38.53

 

CMYK 0 / 36 / 23 / 4

HEX #F69DBD

RGB 246 157 189

HSL 338.43, 0.83%, 0.79%

LAB 74.43, 37.32, -2.55

 

CMYK 5 / 0 / 36 / 4

HEX #EAF69D

RGB 234 246 157

HSL 68.09, 0.83%, 0.79%

LAB 94.24, -17.35, 41.52

 

CMYK 36 / 0 / 13 / 4

HEX #9DF6D5

RGB 157 246 213

HSL 157.75, 0.83%, 0.79%

LAB 90.73, -33.82, 7.48

 

CMYK 31 / 36 / 0 / 4

HEX #A99DF6

RGB 169 157 246

HSL 248.09, 0.83%, 0.79%

LAB 68.9, 23.91, -42.96

 

Description

Color code: HEX #F69DBD | qconv.com Color code: HEX #F69DBD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 157 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 157 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 23 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 23% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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