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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F69CD33F it is the complementary color #09632C3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F69CD33F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F69CD33F shade: #FB9CCE3F, #FFAEE13F, #FFC0F43F, #FFD2FF3F and #FFE4FF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F69CD33F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F69CD33F shade: #F69CD33F, #E58AC03F, #D478AD3F, #C3669A3F and #B254873F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F69CD33F shade: #F69DD3, #F69DBB, #F69DA3 and #F69D9D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F69CD33F shade: #F69DD3, #F69DEB, #E99DF6, #D19DF6 and #B99DF6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F69CD33F shade matches the following richer shades: #F69DD3 and #FF94D5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F69CD33F shade: #F69DD3, #EDA6D1, #E5AECF, #DCB7CE and #D3C0CC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F69CD33F shade: #E99DF6, #F69DEC, #F69DD4, #F69DBC and #F69DA4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F69CD33F shade: #EF51B2, #F277C3, #F69DD3, #F9C3E4 and #FDE9F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F69CD33F shade: #F69CD3, #F6D19D and #9DF6F4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F69CD33F shade: #F69CD3, #D4F69D and #9DD4F6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F69CD33F shade: #F69CD3, #F6D19D, #9DF6BF and #9DC2F6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F69CD33F shade: #F69CD3, #F6EC9D, #9DF6BF and #9DA7F6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 4 / 1

HEX #F69CD33F

RGBA 246 156 211 0.25

HSLA 323.33, 0.83%, 0.79%, 0.25

LABA 74.87, 41.13, -13.99, 0.25

 

Complementary color

CMYK 23 / 0 / 14 / 15

HEX #09632C3F

RGBA 9 99 44 0.25

HSLA 143.33, 0.83%, 0.21%, 0.25

LABA 36.3, -37.71, 24.32, 0.25

 

CMYK 0 / 9 / 4 / 0

HEX #FB9CCE3F

RGBA 251 156 206 0.25

HSLA 328.42, 0.92%, 0.8%, 0.25

LABA 75.29, 42.02, -10.56, 0.25

 

CMYK 0 / 8 / 3 / 0

HEX #FFAEE13F

RGBA 255 174 225 0.25

HSLA 322.22, 1%, 0.84%, 0.25

LABA 80.16, 36.97, -13.57, 0.25

 

CMYK 0 / 6 / 1 / 0

HEX #FFC0F43F

RGBA 255 192 244 0.25

HSLA 310.48, 1%, 0.88%, 0.25

LABA 84.74, 30.73, -16.89, 0.25

 

CMYK 0 / 4 / 0 / 0

HEX #FFD2FF3F

RGBA 255 210 255 0.25

HSLA 300, 1%, 0.91%, 0.25

LABA 89.19, 23.22, -16.01, 0.25

 

CMYK 0 / 3 / 0 / 0

HEX #FFE4FF3F

RGBA 255 228 255 0.25

HSLA 300, 1%, 0.95%, 0.25

LABA 93.44, 13.83, -9.68, 0.25

 

CMYK 0 / 9 / 4 / 1

HEX #F69CD33F

RGBA 246 156 211 0.25

HSLA 323.33, 0.83%, 0.79%, 0.25

LABA 74.87, 41.13, -13.99, 0.25

 

CMYK 0 / 10 / 4 / 3

HEX #E58AC03F

RGBA 229 138 192 0.25

HSLA 324.4, 0.64%, 0.72%, 0.25

LABA 68.49, 41.9, -13.26, 0.25

 

CMYK 0 / 11 / 5 / 4

HEX #D478AD3F

RGBA 212 120 173 0.25

HSLA 325.43, 0.52%, 0.65%, 0.25

LABA 62.04, 42.68, -12.45, 0.25

 

CMYK 0 / 12 / 5 / 6

HEX #C3669A3F

RGBA 195 102 154 0.25

HSLA 326.45, 0.44%, 0.58%, 0.25

LABA 55.52, 43.46, -11.51, 0.25

 

CMYK 0 / 13 / 6 / 8

HEX #B254873F

RGBA 178 84 135 0.25

HSLA 327.45, 0.38%, 0.51%, 0.25

LABA 48.95, 44.21, -10.39, 0.25

 

CMYK 0 / 36 / 14 / 4

HEX #F69DD3

RGB 246 157 211

HSL 323.6, 0.83%, 0.79%

LAB 75.08, 40.62, -13.67

 

CMYK 0 / 36 / 24 / 4

HEX #F69DBB

RGB 246 157 187

HSL 339.78, 0.83%, 0.79%

LAB 74.38, 37.04, -1.53

 

CMYK 0 / 36 / 34 / 4

HEX #F69DA3

RGB 246 157 163

HSL 355.96, 0.83%, 0.79%

LAB 73.77, 33.89, 10.82

 

CMYK 0 / 36 / 36 / 4

HEX #F69D9D

RGB 246 157 157

HSL 0, 0.83%, 0.79%

LAB 73.64, 33.17, 13.93

 

CMYK 0 / 36 / 14 / 4

HEX #F69DD3

RGB 246 157 211

HSL 323.6, 0.83%, 0.79%

LAB 75.08, 40.62, -13.67

 

CMYK 0 / 36 / 4 / 4

HEX #F69DEB

RGB 246 157 235

HSL 307.42, 0.83%, 0.79%

LAB 75.89, 44.58, -25.56

 

CMYK 5 / 36 / 0 / 4

HEX #E99DF6

RGB 233 157 246

HSL 291.24, 0.83%, 0.79%

LAB 74.88, 42.59, -33.19

 

CMYK 15 / 36 / 0 / 4

HEX #D19DF6

RGB 209 157 246

HSL 275.06, 0.83%, 0.79%

LAB 72.44, 35.4, -37.17

 

CMYK 25 / 36 / 0 / 4

HEX #B99DF6

RGB 185 157 246

HSL 258.88, 0.83%, 0.79%

LAB 70.23, 28.4, -40.78

 

CMYK 0 / 36 / 14 / 4

HEX #F69DD3

RGB 246 157 211

HSL 323.6, 0.83%, 0.79%

LAB 75.08, 40.62, -13.67

 

CMYK 0 / 42 / 16 / 0

HEX #FF94D5

RGB 255 148 213

HSL 323.55, 1%, 0.79%

LAB 74.35, 48.46, -15.77

 

CMYK 0 / 36 / 14 / 4

HEX #F69DD3

RGB 246 157 211

HSL 323.6, 0.83%, 0.79%

LAB 75.08, 40.62, -13.67

 

CMYK 0 / 30 / 12 / 7

HEX #EDA6D1

RGB 237 166 209

HSL 323.66, 0.66%, 0.79%

LAB 76, 32.55, -11.32

 

CMYK 0 / 24 / 10 / 10

HEX #E5AECF

RGB 229 174 207

HSL 324, 0.51%, 0.79%

LAB 76.94, 25.21, -8.9

 

CMYK 0 / 17 / 6 / 14

HEX #DCB7CE

RGB 220 183 206

HSL 322.7, 0.35%, 0.79%

LAB 78.19, 17.09, -6.6

 

CMYK 0 / 9 / 3 / 17

HEX #D3C0CC

RGB 211 192 204

HSL 322.11, 0.18%, 0.79%

LAB 79.56, 8.79, -3.58

 

CMYK 5 / 36 / 0 / 4

HEX #E99DF6

RGB 233 157 246

HSL 291.24, 0.83%, 0.79%

LAB 74.88, 42.59, -33.19

 

CMYK 0 / 36 / 4 / 4

HEX #F69DEC

RGB 246 157 236

HSL 306.74, 0.83%, 0.79%

LAB 75.92, 44.75, -26.04

 

CMYK 0 / 36 / 14 / 4

HEX #F69DD4

RGB 246 157 212

HSL 322.92, 0.83%, 0.79%

LAB 75.11, 40.77, -14.18

 

CMYK 0 / 36 / 24 / 4

HEX #F69DBC

RGB 246 157 188

HSL 339.1, 0.83%, 0.79%

LAB 74.41, 37.18, -2.04

 

CMYK 0 / 36 / 33 / 4

HEX #F69DA4

RGB 246 157 164

HSL 355.28, 0.83%, 0.79%

LAB 73.8, 34.01, 10.3

 

CMYK 0 / 66 / 26 / 6

HEX #EF51B2

RGB 239 81 178

HSL 323.16, 0.83%, 0.63%

LAB 59.39, 69.24, -18.95

 

CMYK 0 / 51 / 19 / 5

HEX #F277C3

RGB 242 119 195

HSL 322.93, 0.83%, 0.71%

LAB 66.53, 55.99, -17.74

 

CMYK 0 / 36 / 14 / 4

HEX #F69DD3

RGB 246 157 211

HSL 323.6, 0.83%, 0.79%

LAB 75.08, 40.62, -13.67

 

CMYK 0 / 22 / 8 / 2

HEX #F9C3E4

RGB 249 195 228

HSL 323.33, 0.82%, 0.87%

LAB 84.37, 24.41, -8.97

 

CMYK 0 / 8 / 3 / 1

HEX #FDE9F5

RGB 253 233 245

HSL 324, 0.83%, 0.95%

LAB 94.21, 8.82, -3.35

 

CMYK 0 / 37 / 14 / 4

HEX #F69CD3

RGB 246 156 211

HSL 323.33, 0.83%, 0.79%

LAB 74.87, 41.13, -13.99

 

CMYK 0 / 15 / 36 / 4

HEX #F6D19D

RGB 246 209 157

HSL 35.06, 0.83%, 0.79%

LAB 85.82, 5.87, 30.63

 

CMYK 36 / 0 / 1 / 4

HEX #9DF6F4

RGB 157 246 244

HSL 178.65, 0.83%, 0.79%

LAB 91.51, -27.02, -7.49

 

CMYK 0 / 37 / 14 / 4

HEX #F69CD3

RGB 246 156 211

HSL 323.33, 0.83%, 0.79%

LAB 74.87, 41.13, -13.99

 

CMYK 14 / 0 / 36 / 4

HEX #D4F69D

RGB 212 246 157

HSL 82.92, 0.83%, 0.79%

LAB 92.73, -25.45, 39.26

 

CMYK 36 / 14 / 0 / 4

HEX #9DD4F6

RGB 157 212 246

HSL 202.92, 0.83%, 0.79%

LAB 82.33, -9.51, -22.31

 

CMYK 0 / 37 / 14 / 4

HEX #F69CD3

RGB 246 156 211

HSL 323.33, 0.83%, 0.79%

LAB 74.87, 41.13, -13.99

 

CMYK 0 / 15 / 36 / 4

HEX #F6D19D

RGB 246 209 157

HSL 35.06, 0.83%, 0.79%

LAB 85.82, 5.87, 30.63

 

CMYK 36 / 0 / 22 / 4

HEX #9DF6BF

RGB 157 246 191

HSL 142.92, 0.83%, 0.79%

LAB 90.25, -38.14, 18.17

 

CMYK 36 / 21 / 0 / 4

HEX #9DC2F6

RGB 157 194 246

HSL 215.06, 0.83%, 0.79%

LAB 77.52, 0.06, -29.65

 

CMYK 0 / 37 / 14 / 4

HEX #F69CD3

RGB 246 156 211

HSL 323.33, 0.83%, 0.79%

LAB 74.87, 41.13, -13.99

 

CMYK 0 / 4 / 36 / 4

HEX #F6EC9D

RGB 246 236 157

HSL 53.26, 0.83%, 0.79%

LAB 92.58, -7.87, 39.55

 

CMYK 36 / 0 / 22 / 4

HEX #9DF6BF

RGB 157 246 191

HSL 142.92, 0.83%, 0.79%

LAB 90.25, -38.14, 18.17

 

CMYK 36 / 32 / 0 / 4

HEX #9DA7F6

RGB 157 167 246

HSL 233.26, 0.83%, 0.79%

LAB 70.5, 15.01, -40.53

 

Description

Color code: HEX #F69CD33F | qconv.com Color code: HEX #F69CD33F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 156 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 156 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 4 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 4% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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