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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F69CC33F it is the complementary color #09633C3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F69CC33F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F69CC33F shade: #FB9CBE3F, #FFAED13F, #FFC0E43F, #FFD2F73F and #FFE4FF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F69CC33F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F69CC33F shade: #F69CC33F, #E58AB03F, #D4789D3F, #C3668A3F and #B254773F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F69CC33F shade: #F69DC4, #F69DAC and #F69D9D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F69CC33F shade: #F69DC4, #F69DDB, #F69DF3, #E09DF6 and #C89DF6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F69CC33F shade matches the following richer shades: #F69DC4 and #FF94C2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F69CC33F shade: #F69DC4, #EDA6C5, #E5AEC6, #DCB7C7 and #D3C0C8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F69CC33F shade: #F69DF3, #F69DDB, #F69DC4, #F69DAC and #F6A69D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F69CC33F shade: #EF5196, #F277AD, #F69DC4, #F9C3DA and #FDE9F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F69CC33F shade: #F69CC3, #F6E19D and #9DE7F6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F69CC33F shade: #F69CC3, #C4F69D and #9DC4F6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F69CC33F shade: #F69CC3, #F6E19D, #9DF6CF and #9DB2F6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F69CC33F shade: #F69CC3, #F0F69D, #9DF6CF and #A39DF6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 5 / 1

HEX #F69CC33F

RGBA 246 156 195 0.25

HSLA 334, 0.83%, 0.79%, 0.25

LABA 74.39, 38.71, -5.92, 0.25

 

Complementary color

CMYK 23 / 0 / 10 / 15

HEX #09633C3F

RGBA 9 99 60 0.25

HSLA 154, 0.83%, 0.21%, 0.25

LABA 36.57, -34.5, 15.44, 0.25

 

CMYK 0 / 9 / 6 / 0

HEX #FB9CBE3F

RGBA 251 156 190 0.25

HSLA 338.53, 0.92%, 0.8%, 0.25

LABA 74.83, 39.71, -2.46, 0.25

 

CMYK 0 / 8 / 5 / 0

HEX #FFAED13F

RGBA 255 174 209 0.25

HSLA 334.07, 1%, 0.84%, 0.25

LABA 79.69, 34.48, -5.62, 0.25

 

CMYK 0 / 6 / 3 / 0

HEX #FFC0E43F

RGBA 255 192 228 0.25

HSLA 325.71, 1%, 0.88%, 0.25

LABA 84.26, 28.03, -9.07, 0.25

 

CMYK 0 / 4 / 1 / 0

HEX #FFD2F73F

RGBA 255 210 247 0.25

HSLA 310.67, 1%, 0.91%, 0.25

LABA 88.95, 21.8, -12.16, 0.25

 

CMYK 0 / 3 / 0 / 0

HEX #FFE4FF3F

RGBA 255 228 255 0.25

HSLA 300, 1%, 0.95%, 0.25

LABA 93.44, 13.83, -9.68, 0.25

 

CMYK 0 / 9 / 5 / 1

HEX #F69CC33F

RGBA 246 156 195 0.25

HSLA 334, 0.83%, 0.79%, 0.25

LABA 74.39, 38.71, -5.92, 0.25

 

CMYK 0 / 10 / 6 / 3

HEX #E58AB03F

RGBA 229 138 176 0.25

HSLA 334.95, 0.64%, 0.72%, 0.25

LABA 68, 39.51, -5.04, 0.25

 

CMYK 0 / 11 / 6 / 4

HEX #D4789D3F

RGBA 212 120 157 0.25

HSLA 335.87, 0.52%, 0.65%, 0.25

LABA 61.54, 40.34, -4.04, 0.25

 

CMYK 0 / 12 / 7 / 6

HEX #C3668A3F

RGBA 195 102 138 0.25

HSLA 336.77, 0.44%, 0.58%, 0.25

LABA 55.01, 41.19, -2.9, 0.25

 

CMYK 0 / 13 / 8 / 8

HEX #B254773F

RGBA 178 84 119 0.25

HSLA 337.66, 0.38%, 0.51%, 0.25

LABA 48.43, 42.03, -1.55, 0.25

 

CMYK 0 / 36 / 20 / 4

HEX #F69DC4

RGB 246 157 196

HSL 333.71, 0.83%, 0.79%

LAB 74.63, 38.33, -6.11

 

CMYK 0 / 36 / 30 / 4

HEX #F69DAC

RGB 246 157 172

HSL 349.89, 0.83%, 0.79%

LAB 73.99, 35.02, 6.17

 

CMYK 0 / 36 / 36 / 4

HEX #F69D9D

RGB 246 157 157

HSL 0, 0.83%, 0.79%

LAB 73.64, 33.17, 13.93

 

CMYK 0 / 36 / 20 / 4

HEX #F69DC4

RGB 246 157 196

HSL 333.71, 0.83%, 0.79%

LAB 74.63, 38.33, -6.11

 

CMYK 0 / 36 / 11 / 4

HEX #F69DDB

RGB 246 157 219

HSL 318.2, 0.83%, 0.79%

LAB 75.34, 41.9, -17.67

 

CMYK 0 / 36 / 1 / 4

HEX #F69DF3

RGB 246 157 243

HSL 302.02, 0.83%, 0.79%

LAB 76.18, 45.98, -29.45

 

CMYK 9 / 36 / 0 / 4

HEX #E09DF6

RGB 224 157 246

HSL 285.17, 0.83%, 0.79%

LAB 73.94, 39.88, -34.72

 

CMYK 19 / 36 / 0 / 4

HEX #C89DF6

RGB 200 157 246

HSL 268.99, 0.83%, 0.79%

LAB 71.59, 32.74, -38.56

 

CMYK 0 / 36 / 20 / 4

HEX #F69DC4

RGB 246 157 196

HSL 333.71, 0.83%, 0.79%

LAB 74.63, 38.33, -6.11

 

CMYK 0 / 42 / 24 / 0

HEX #FF94C2

RGB 255 148 194

HSL 334.21, 1%, 0.79%

LAB 73.76, 45.71, -6.18

 

CMYK 0 / 36 / 20 / 4

HEX #F69DC4

RGB 246 157 196

HSL 333.71, 0.83%, 0.79%

LAB 74.63, 38.33, -6.11

 

CMYK 0 / 30 / 17 / 7

HEX #EDA6C5

RGB 237 166 197

HSL 333.8, 0.66%, 0.79%

LAB 75.64, 30.64, -5.28

 

CMYK 0 / 24 / 14 / 10

HEX #E5AEC6

RGB 229 174 198

HSL 333.82, 0.51%, 0.79%

LAB 76.68, 23.73, -4.38

 

CMYK 0 / 17 / 10 / 14

HEX #DCB7C7

RGB 220 183 199

HSL 334.05, 0.35%, 0.79%

LAB 78, 15.89, -3.09

 

CMYK 0 / 9 / 5 / 17

HEX #D3C0C8

RGB 211 192 200

HSL 334.74, 0.18%, 0.79%

LAB 79.45, 8.08, -1.59

 

CMYK 0 / 36 / 1 / 4

HEX #F69DF3

RGB 246 157 243

HSL 302.02, 0.83%, 0.79%

LAB 76.18, 45.98, -29.45

 

CMYK 0 / 36 / 11 / 4

HEX #F69DDB

RGB 246 157 219

HSL 318.2, 0.83%, 0.79%

LAB 75.34, 41.9, -17.67

 

CMYK 0 / 36 / 20 / 4

HEX #F69DC4

RGB 246 157 196

HSL 333.71, 0.83%, 0.79%

LAB 74.63, 38.33, -6.11

 

CMYK 0 / 36 / 30 / 4

HEX #F69DAC

RGB 246 157 172

HSL 349.89, 0.83%, 0.79%

LAB 73.99, 35.02, 6.17

 

CMYK 0 / 33 / 36 / 4

HEX #F6A69D

RGB 246 166 157

HSL 6.07, 0.83%, 0.79%

LAB 75.64, 28.45, 16.73

 

CMYK 0 / 66 / 37 / 6

HEX #EF5196

RGB 239 81 150

HSL 333.8, 0.83%, 0.63%

LAB 58.45, 66.01, -4.1

 

CMYK 0 / 51 / 29 / 5

HEX #F277AD

RGB 242 119 173

HSL 333.66, 0.83%, 0.71%

LAB 65.82, 53, -6.39

 

CMYK 0 / 36 / 20 / 4

HEX #F69DC4

RGB 246 157 196

HSL 333.71, 0.83%, 0.79%

LAB 74.63, 38.33, -6.11

 

CMYK 0 / 22 / 12 / 2

HEX #F9C3DA

RGB 249 195 218

HSL 334.44, 0.82%, 0.87%

LAB 84.09, 22.77, -4.05

 

CMYK 0 / 8 / 5 / 1

HEX #FDE9F1

RGB 253 233 241

HSL 336, 0.83%, 0.95%

LAB 94.1, 8.13, -1.42

 

CMYK 0 / 37 / 21 / 4

HEX #F69CC3

RGB 246 156 195

HSL 334, 0.83%, 0.79%

LAB 74.39, 38.71, -5.92

 

CMYK 0 / 9 / 36 / 4

HEX #F6E19D

RGB 246 225 157

HSL 45.84, 0.83%, 0.79%

LAB 89.8, -2.34, 35.91

 

CMYK 36 / 6 / 0 / 4

HEX #9DE7F6

RGB 157 231 246

HSL 190.11, 0.83%, 0.79%

LAB 87.47, -19.2, -14.55

 

CMYK 0 / 37 / 21 / 4

HEX #F69CC3

RGB 246 156 195

HSL 334, 0.83%, 0.79%

LAB 74.39, 38.71, -5.92

 

CMYK 20 / 0 / 36 / 4

HEX #C4F69D

RGB 196 246 157

HSL 93.71, 0.83%, 0.79%

LAB 91.72, -31.14, 37.75

 

CMYK 36 / 20 / 0 / 4

HEX #9DC4F6

RGB 157 196 246

HSL 213.71, 0.83%, 0.79%

LAB 78.05, -1.02, -28.83

 

CMYK 0 / 37 / 21 / 4

HEX #F69CC3

RGB 246 156 195

HSL 334, 0.83%, 0.79%

LAB 74.39, 38.71, -5.92

 

CMYK 0 / 9 / 36 / 4

HEX #F6E19D

RGB 246 225 157

HSL 45.84, 0.83%, 0.79%

LAB 89.8, -2.34, 35.91

 

CMYK 36 / 0 / 16 / 4

HEX #9DF6CF

RGB 157 246 207

HSL 153.71, 0.83%, 0.79%

LAB 90.59, -35.04, 10.39

 

CMYK 36 / 28 / 0 / 4

HEX #9DB2F6

RGB 157 178 246

HSL 225.84, 0.83%, 0.79%

LAB 73.33, 8.84, -36.13

 

CMYK 0 / 37 / 21 / 4

HEX #F69CC3

RGB 246 156 195

HSL 334, 0.83%, 0.79%

LAB 74.39, 38.71, -5.92

 

CMYK 2 / 0 / 36 / 4

HEX #F0F69D

RGB 240 246 157

HSL 64.04, 0.83%, 0.79%

LAB 94.68, -15.09, 42.17

 

CMYK 36 / 0 / 16 / 4

HEX #9DF6CF

RGB 157 246 207

HSL 153.71, 0.83%, 0.79%

LAB 90.59, -35.04, 10.39

 

CMYK 34 / 36 / 0 / 4

HEX #A39DF6

RGB 163 157 246

HSL 244.04, 0.83%, 0.79%

LAB 68.43, 22.28, -43.73

 

Description

Color code: HEX #F69CC33F | qconv.com Color code: HEX #F69CC33F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 156 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 156 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 5 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 5% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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