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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F69770 it is the complementary color #09688F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F69770. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F69770 shade: #FB976B, #FFA97E, #FFBB91, #FFCDA4 and #FFDFB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F69770. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F69770 shade: #F69770, #E5855D, #D4734A, #C36137 and #B24F24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F69770 shade: #F6966F, #F6726F and #F66F6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F69770 shade: #F6966F, #F6BB6F, #F6DF6F, #E8F66F and #C4F66F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F69770 shade matches the following richer shades: #F6966F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F69770 shade: #F6966F, #E99C7C, #DDA188, #D1A694 and #C4ABA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F69770 shade: #F66F91, #F6716F, #F6956F, #F6B96F and #F6DD6F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F69770 shade: #F15E22, #F37A48, #F6966F, #F8B396 and #FBCFBD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F69770 shade: #F69770, #B5F66F and #6F7FF6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F69770 shade: #F69770, #6FF695 and #956FF6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F69770 shade: #F69770, #B5F66F, #6FD0F6 and #B06FF6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F69770 shade: #F69770, #8CF66F, #6FD0F6 and #D96FF6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 54 / 4

HEX #F69770

RGB 246 151 112

HSL 17.46, 0.88%, 0.7%

LAB 71.48, 31.84, 35.52

 

Complementary color

CMYK 94 / 27 / 0 / 44

HEX #09688F

RGB 9 104 143

HSL 197.46, 0.88%, 0.3%

LAB 41.12, -10.02, -28.33

 

CMYK 0 / 40 / 57 / 2

HEX #FB976B

RGB 251 151 107

HSL 18.33, 0.95%, 0.7%

LAB 72.03, 33.4, 38.99

 

CMYK 0 / 34 / 51 / 0

HEX #FFA97E

RGB 255 169 126

HSL 20, 1%, 0.75%

LAB 76.77, 27.14, 35.09

 

CMYK 0 / 27 / 43 / 0

HEX #FFBB91

RGB 255 187 145

HSL 22.91, 1%, 0.78%

LAB 81.21, 19.53, 30.9

 

CMYK 0 / 20 / 36 / 0

HEX #FFCDA4

RGB 255 205 164

HSL 27.03, 1%, 0.82%

LAB 85.81, 12.22, 27.12

 

CMYK 0 / 13 / 28 / 0

HEX #FFDFB7

RGB 255 223 183

HSL 33.33, 1%, 0.86%

LAB 90.53, 5.26, 23.69

 

CMYK 0 / 39 / 54 / 4

HEX #F69770

RGB 246 151 112

HSL 17.46, 0.88%, 0.7%

LAB 71.48, 31.84, 35.52

 

CMYK 0 / 42 / 59 / 10

HEX #E5855D

RGB 229 133 93

HSL 17.65, 0.72%, 0.63%

LAB 65.14, 33.13, 37.27

 

CMYK 0 / 46 / 65 / 17

HEX #D4734A

RGB 212 115 74

HSL 17.83, 0.62%, 0.56%

LAB 58.74, 34.55, 39.17

 

CMYK 0 / 50 / 72 / 24

HEX #C36137

RGB 195 97 55

HSL 18, 0.56%, 0.49%

LAB 52.32, 36.11, 41.22

 

CMYK 0 / 56 / 80 / 30

HEX #B24F24

RGB 178 79 36

HSL 18.17, 0.66%, 0.42%

LAB 45.89, 37.78, 43.3

 

CMYK 0 / 39 / 55 / 4

HEX #F6966F

RGB 246 150 111

HSL 17.33, 0.88%, 0.7%

LAB 71.25, 32.29, 35.76

 

CMYK 0 / 54 / 55 / 4

HEX #F6726F

RGB 246 114 111

HSL 1.33, 0.88%, 0.7%

LAB 63.98, 50.35, 26.34

 

CMYK 0 / 55 / 55 / 4

HEX #F66F6F

RGB 246 111 111

HSL 0, 0.88%, 0.7%

LAB 63.43, 51.76, 25.62

 

CMYK 0 / 39 / 55 / 4

HEX #F6966F

RGB 246 150 111

HSL 17.33, 0.88%, 0.7%

LAB 71.25, 32.29, 35.76

 

CMYK 0 / 24 / 55 / 4

HEX #F6BB6F

RGB 246 187 111

HSL 33.78, 0.88%, 0.7%

LAB 79.77, 12.85, 46.34

 

CMYK 0 / 9 / 55 / 4

HEX #F6DF6F

RGB 246 223 111

HSL 49.78, 0.88%, 0.7%

LAB 88.69, -5.69, 56.93

 

CMYK 6 / 0 / 55 / 4

HEX #E8F66F

RGB 232 246 111

HSL 66.22, 0.88%, 0.7%

LAB 93.54, -22.57, 62.21

 

CMYK 20 / 0 / 55 / 4

HEX #C4F66F

RGB 196 246 111

HSL 82.22, 0.88%, 0.7%

LAB 91.14, -36.29, 58.83

 

CMYK 0 / 39 / 55 / 4

HEX #F6966F

RGB 246 150 111

HSL 17.33, 0.88%, 0.7%

LAB 71.25, 32.29, 35.76

 

CMYK 0 / 39 / 55 / 4

HEX #F6966F

RGB 246 150 111

HSL 17.33, 0.88%, 0.7%

LAB 71.25, 32.29, 35.76

 

CMYK 0 / 33 / 47 / 9

HEX #E99C7C

RGB 233 156 124

HSL 17.61, 0.71%, 0.7%

LAB 71.25, 25.19, 28.47

 

CMYK 0 / 27 / 38 / 13

HEX #DDA188

RGB 221 161 136

HSL 17.65, 0.56%, 0.7%

LAB 71.31, 19.07, 21.79

 

CMYK 0 / 21 / 29 / 18

HEX #D1A694

RGB 209 166 148

HSL 17.7, 0.4%, 0.7%

LAB 71.53, 13.2, 15.33

 

CMYK 0 / 13 / 18 / 23

HEX #C4ABA1

RGB 196 171 161

HSL 17.14, 0.23%, 0.7%

LAB 71.85, 7.43, 8.47

 

CMYK 0 / 55 / 41 / 4

HEX #F66F91

RGB 246 111 145

HSL 344.89, 0.88%, 0.7%

LAB 64.17, 54.83, 7.23

 

CMYK 0 / 54 / 55 / 4

HEX #F6716F

RGB 246 113 111

HSL 0.89, 0.88%, 0.7%

LAB 63.8, 50.82, 26.1

 

CMYK 0 / 39 / 55 / 4

HEX #F6956F

RGB 246 149 111

HSL 16.89, 0.88%, 0.7%

LAB 71.03, 32.81, 35.48

 

CMYK 0 / 25 / 55 / 4

HEX #F6B96F

RGB 246 185 111

HSL 32.89, 0.88%, 0.7%

LAB 79.29, 13.9, 45.76

 

CMYK 0 / 10 / 55 / 4

HEX #F6DD6F

RGB 246 221 111

HSL 48.89, 0.88%, 0.7%

LAB 88.19, -4.69, 56.34

 

CMYK 0 / 61 / 86 / 5

HEX #F15E22

RGB 241 94 34

HSL 17.39, 0.88%, 0.54%

LAB 58.81, 54, 59.57

 

CMYK 0 / 50 / 70 / 5

HEX #F37A48

RGB 243 122 72

HSL 17.54, 0.88%, 0.62%

LAB 64.52, 42.91, 47.96

 

CMYK 0 / 39 / 55 / 4

HEX #F6966F

RGB 246 150 111

HSL 17.33, 0.88%, 0.7%

LAB 71.25, 32.29, 35.76

 

CMYK 0 / 28 / 40 / 3

HEX #F8B396

RGB 248 179 150

HSL 17.76, 0.88%, 0.78%

LAB 78.69, 21.56, 24.75

 

CMYK 0 / 18 / 25 / 2

HEX #FBCFBD

RGB 251 207 189

HSL 17.42, 0.89%, 0.86%

LAB 86.41, 12.85, 14.75

 

CMYK 0 / 39 / 54 / 4

HEX #F69770

RGB 246 151 112

HSL 17.46, 0.88%, 0.7%

LAB 71.48, 31.84, 35.52

 

CMYK 26 / 0 / 55 / 4

HEX #B5F66F

RGB 181 246 111

HSL 88.89, 0.88%, 0.7%

LAB 90.27, -41.69, 57.59

 

CMYK 55 / 48 / 0 / 4

HEX #6F7FF6

RGB 111 127 246

HSL 232.89, 0.88%, 0.7%

LAB 57.28, 27.49, -61.65

 

CMYK 0 / 39 / 54 / 4

HEX #F69770

RGB 246 151 112

HSL 17.46, 0.88%, 0.7%

LAB 71.48, 31.84, 35.52

 

CMYK 55 / 0 / 39 / 4

HEX #6FF695

RGB 111 246 149

HSL 136.89, 0.88%, 0.7%

LAB 87.71, -57.51, 35.74

 

CMYK 39 / 55 / 0 / 4

HEX #956FF6

RGB 149 111 246

HSL 256.89, 0.88%, 0.7%

LAB 56.5, 44.91, -62.75

 

CMYK 0 / 39 / 54 / 4

HEX #F69770

RGB 246 151 112

HSL 17.46, 0.88%, 0.7%

LAB 71.48, 31.84, 35.52

 

CMYK 26 / 0 / 55 / 4

HEX #B5F66F

RGB 181 246 111

HSL 88.89, 0.88%, 0.7%

LAB 90.27, -41.69, 57.59

 

CMYK 55 / 15 / 0 / 4

HEX #6FD0F6

RGB 111 208 246

HSL 196.89, 0.88%, 0.7%

LAB 79.12, -18.18, -27.38

 

CMYK 28 / 55 / 0 / 4

HEX #B06FF6

RGB 176 111 246

HSL 268.89, 0.88%, 0.7%

LAB 59.21, 51.22, -58.26

 

CMYK 0 / 39 / 54 / 4

HEX #F69770

RGB 246 151 112

HSL 17.46, 0.88%, 0.7%

LAB 71.48, 31.84, 35.52

 

CMYK 43 / 0 / 55 / 4

HEX #8CF66F

RGB 140 246 111

HSL 107.11, 0.88%, 0.7%

LAB 88.27, -55.08, 54.75

 

CMYK 55 / 15 / 0 / 4

HEX #6FD0F6

RGB 111 208 246

HSL 196.89, 0.88%, 0.7%

LAB 79.12, -18.18, -27.38

 

CMYK 12 / 55 / 0 / 4

HEX #D96FF6

RGB 217 111 246

HSL 287.11, 0.88%, 0.7%

LAB 63.98, 61.39, -50.38

 

Description

Color code: HEX #F69770 | qconv.com Color code: HEX #F69770 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 151 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 151 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 54 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 54% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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