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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F6934ACE it is the complementary color #096CB5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F6934ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F6934ACE shade: #FB9345CE, #FFA558CE, #FFB76BCE, #FFC97ECE and #FFDB91CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F6934ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F6934ACE shade: #F6934ACE, #E58137CE, #D46F24CE, #C35D11CE and #B24B00CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F6934ACE shade: #F7944B, #F7654B and #F74B4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F6934ACE shade: #F7944B, #F7C24B, #F7F04B, #CEF74B and #A0F74B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F6934ACE shade matches the following richer shades: #F7944B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F6934ACE shade: #F7944B, #E7965A, #D89869, #C99B79 and #B99D88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F6934ACE shade: #F74B5F, #F7654B, #F7924B, #F7C04B and #F7EE4B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F6934ACE shade: #E4670B, #F57C23, #F7944B, #F8AB72 and #FAC39A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F6934ACE shade: #F6934A, #8DF74B and #4E4BF7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F6934ACE shade: #F6934A, #4BF792 and #924BF7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F6934ACE shade: #F6934A, #8DF74B, #4BAFF7 and #B54BF7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F6934ACE shade: #F6934A, #59F74B, #4BAFF7 and #E84BF7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 57 / 3

HEX #F6934ACE

RGBA 246 147 74 0.81

HSLA 25.47, 0.91%, 0.63%, 0.81

LABA 70.14, 31.44, 53.26, 0.81

 

Complementary color

CMYK 77 / 33 / 0 / 24

HEX #096CB5CE

RGBA 9 108 181 0.81

HSLA 205.47, 0.91%, 0.37%, 0.81

LABA 44.4, 2.53, -45.61, 0.81

 

CMYK 0 / 34 / 59 / 1

HEX #FB9345CE

RGBA 251 147 69 0.81

HSLA 25.71, 0.96%, 0.63%, 0.81

LABA 70.74, 33.21, 56.41, 0.81

 

CMYK 0 / 29 / 53 / 0

HEX #FFA558CE

RGBA 255 165 88 0.81

HSLA 27.66, 1%, 0.67%, 0.81

LABA 75.37, 26.45, 52.68, 0.81

 

CMYK 0 / 23 / 47 / 0

HEX #FFB76BCE

RGBA 255 183 107 0.81

HSLA 30.81, 1%, 0.71%, 0.81

LABA 79.72, 18.29, 48.48, 0.81

 

CMYK 0 / 17 / 41 / 0

HEX #FFC97ECE

RGBA 255 201 126 0.81

HSLA 34.88, 1%, 0.75%, 0.81

LABA 84.25, 10.43, 44.57, 0.81

 

CMYK 0 / 11 / 35 / 0

HEX #FFDB91CE

RGBA 255 219 145 0.81

HSLA 40.36, 1%, 0.78%, 0.81

LABA 88.91, 2.94, 40.95, 0.81

 

CMYK 0 / 33 / 57 / 3

HEX #F6934ACE

RGBA 246 147 74 0.81

HSLA 25.47, 0.91%, 0.63%, 0.81

LABA 70.14, 31.44, 53.26, 0.81

 

CMYK 0 / 35 / 62 / 8

HEX #E58137CE

RGBA 229 129 55 0.81

HSLA 25.52, 0.77%, 0.56%, 0.81

LABA 63.86, 33.1, 54.77, 0.81

 

CMYK 0 / 39 / 67 / 14

HEX #D46F24CE

RGBA 212 111 36 0.81

HSLA 25.57, 0.71%, 0.49%, 0.81

LABA 57.55, 34.93, 55.96, 0.81

 

CMYK 0 / 42 / 74 / 19

HEX #C35D11CE

RGBA 195 93 17 0.81

HSLA 25.62, 0.84%, 0.42%, 0.81

LABA 51.23, 36.93, 56.26, 0.81

 

CMYK 0 / 47 / 81 / 24

HEX #B24B00CE

RGBA 178 75 0 0.81

HSLA 25.28, 1%, 0.35%, 0.81

LABA 44.94, 39.01, 55.1, 0.81

 

CMYK 0 / 40 / 70 / 3

HEX #F7944B

RGB 247 148 75

HSL 25.47, 0.91%, 0.63%

LAB 70.5, 31.37, 53.21

 

CMYK 0 / 59 / 70 / 3

HEX #F7654B

RGB 247 101 75

HSL 9.07, 0.91%, 0.63%

LAB 61.3, 54.43, 42.94

 

CMYK 0 / 70 / 70 / 3

HEX #F74B4B

RGB 247 75 75

HSL 0, 0.91%, 0.63%

LAB 57.38, 64.98, 38.37

 

CMYK 0 / 40 / 70 / 3

HEX #F7944B

RGB 247 148 75

HSL 25.47, 0.91%, 0.63%

LAB 70.5, 31.37, 53.21

 

CMYK 0 / 21 / 70 / 3

HEX #F7C24B

RGB 247 194 75

HSL 41.51, 0.91%, 0.63%

LAB 81.22, 7.29, 64.52

 

CMYK 0 / 3 / 70 / 3

HEX #F7F04B

RGB 247 240 75

HSL 57.56, 0.91%, 0.63%

LAB 92.84, -15.92, 76.15

 

CMYK 17 / 0 / 70 / 3

HEX #CEF74B

RGB 206 247 75

HSL 74.3, 0.91%, 0.63%

LAB 91.75, -35.57, 74.09

 

CMYK 35 / 0 / 70 / 3

HEX #A0F74B

RGB 160 247 75

HSL 90.35, 0.91%, 0.63%

LAB 89.16, -52.28, 70.63

 

CMYK 0 / 40 / 70 / 3

HEX #F7944B

RGB 247 148 75

HSL 25.47, 0.91%, 0.63%

LAB 70.5, 31.37, 53.21

 

CMYK 0 / 40 / 70 / 3

HEX #F7944B

RGB 247 148 75

HSL 25.47, 0.91%, 0.63%

LAB 70.5, 31.37, 53.21

 

CMYK 0 / 35 / 61 / 9

HEX #E7965A

RGB 231 150 90

HSL 25.53, 0.75%, 0.63%

LAB 69.14, 24.74, 43.74

 

CMYK 0 / 30 / 51 / 15

HEX #D89869

RGB 216 152 105

HSL 25.41, 0.59%, 0.63%

LAB 68.08, 18.73, 34.2

 

CMYK 0 / 23 / 40 / 21

HEX #C99B79

RGB 201 155 121

HSL 25.5, 0.43%, 0.63%

LAB 67.46, 12.64, 24.42

 

CMYK 0 / 15 / 26 / 27

HEX #B99D88

RGB 185 157 136

HSL 25.71, 0.26%, 0.63%

LAB 66.68, 7.09, 14.83

 

CMYK 0 / 70 / 62 / 3

HEX #F74B5F

RGB 247 75 95

HSL 353.02, 0.91%, 0.63%

LAB 57.69, 66.04, 27.29

 

CMYK 0 / 59 / 70 / 3

HEX #F7654B

RGB 247 101 75

HSL 9.07, 0.91%, 0.63%

LAB 61.3, 54.43, 42.94

 

CMYK 0 / 41 / 70 / 3

HEX #F7924B

RGB 247 146 75

HSL 24.77, 0.91%, 0.63%

LAB 70.06, 32.41, 52.74

 

CMYK 0 / 22 / 70 / 3

HEX #F7C04B

RGB 247 192 75

HSL 40.81, 0.91%, 0.63%

LAB 80.73, 8.33, 64.02

 

CMYK 0 / 4 / 70 / 3

HEX #F7EE4B

RGB 247 238 75

HSL 56.86, 0.91%, 0.63%

LAB 92.32, -14.94, 75.64

 

CMYK 0 / 55 / 95 / 11

HEX #E4670B

RGB 228 103 11

HSL 25.44, 0.91%, 0.47%

LAB 58.24, 44.75, 64.83

 

CMYK 0 / 49 / 86 / 4

HEX #F57C23

RGB 245 124 35

HSL 25.43, 0.91%, 0.55%

LAB 64.92, 41.38, 64.43

 

CMYK 0 / 40 / 70 / 3

HEX #F7944B

RGB 247 148 75

HSL 25.47, 0.91%, 0.63%

LAB 70.5, 31.37, 53.21

 

CMYK 0 / 31 / 54 / 3

HEX #F8AB72

RGB 248 171 114

HSL 25.52, 0.91%, 0.71%

LAB 76.25, 22.31, 40.53

 

CMYK 0 / 22 / 38 / 2

HEX #FAC39A

RGB 250 195 154

HSL 25.63, 0.91%, 0.79%

LAB 82.75, 14.37, 28.14

 

CMYK 0 / 40 / 70 / 4

HEX #F6934A

RGB 246 147 74

HSL 25.47, 0.91%, 0.63%

LAB 70.14, 31.44, 53.26

 

CMYK 43 / 0 / 70 / 3

HEX #8DF74B

RGB 141 247 75

HSL 96.98, 0.91%, 0.63%

LAB 88.3, -58.39, 69.48

 

CMYK 68 / 70 / 0 / 3

HEX #4E4BF7

RGB 78 75 247

HSL 241.05, 0.91%, 0.63%

LAB 43.31, 53.4, -85.01

 

CMYK 0 / 40 / 70 / 4

HEX #F6934A

RGB 246 147 74

HSL 25.47, 0.91%, 0.63%

LAB 70.14, 31.44, 53.26

 

CMYK 70 / 0 / 41 / 3

HEX #4BF792

RGB 75 247 146

HSL 144.77, 0.91%, 0.63%

LAB 87.04, -65.28, 36.18

 

CMYK 41 / 70 / 0 / 3

HEX #924BF7

RGB 146 75 247

HSL 264.77, 0.91%, 0.63%

LAB 49.32, 63.19, -74.93

 

CMYK 0 / 40 / 70 / 4

HEX #F6934A

RGB 246 147 74

HSL 25.47, 0.91%, 0.63%

LAB 70.14, 31.44, 53.26

 

CMYK 43 / 0 / 70 / 3

HEX #8DF74B

RGB 141 247 75

HSL 96.98, 0.91%, 0.63%

LAB 88.3, -58.39, 69.48

 

CMYK 70 / 29 / 0 / 3

HEX #4BAFF7

RGB 75 175 247

HSL 205.12, 0.91%, 0.63%

LAB 68.66, -6.45, -44.24

 

CMYK 27 / 70 / 0 / 3

HEX #B54BF7

RGB 181 75 247

HSL 276.98, 0.91%, 0.63%

LAB 53.57, 69.64, -67.85

 

CMYK 0 / 40 / 70 / 4

HEX #F6934A

RGB 246 147 74

HSL 25.47, 0.91%, 0.63%

LAB 70.14, 31.44, 53.26

 

CMYK 64 / 0 / 70 / 3

HEX #59F74B

RGB 89 247 75

HSL 115.12, 0.91%, 0.63%

LAB 86.58, -71.72, 67.16

 

CMYK 70 / 29 / 0 / 3

HEX #4BAFF7

RGB 75 175 247

HSL 205.12, 0.91%, 0.63%

LAB 68.66, -6.45, -44.24

 

CMYK 6 / 70 / 0 / 3

HEX #E84BF7

RGB 232 75 247

HSL 294.77, 0.91%, 0.63%

LAB 60.7, 79.87, -56.02

 

Description

Color code: HEX #F6934ACE | qconv.com Color code: HEX #F6934ACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 147 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 147 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 57 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 57% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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