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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F69347CE it is the complementary color #096CB8CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F69347CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F69347CE shade: #FB9342CE, #FFA555CE, #FFB768CE, #FFC97BCE and #FFDB8ECE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F69347CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F69347CE shade: #F69347CE, #E58134CE, #D46F21CE, #C35D0ECE and #B24B00CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F69347CE shade: #F69346, #F66346 and #F64646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F69347CE shade: #F69346, #F6C246, #F6F246, #CBF646 and #9CF646

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F69347CE shade matches the following richer shades: #F69346

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F69347CE shade: #F69346, #E79556, #D79765, #C79975 and #B89B85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F69347CE shade: #F64658, #F66346, #F69246, #F6C146 and #F6F046

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F69347CE shade: #DF670B, #F47B1F, #F69346, #F8AA6D and #FAC195

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F69347CE shade: #F69347, #87F646 and #4C46F6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F69347CE shade: #F69347, #46F692 and #9246F6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F69347CE shade: #F69347, #87F646, #46AAF6 and #B646F6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F69347CE shade: #F69347, #52F646, #46AAF6 and #EB46F6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 58 / 3

HEX #F69347CE

RGBA 246 147 71 0.81

HSLA 26.06, 0.91%, 0.62%, 0.81

LABA 70.12, 31.29, 54.64, 0.81

 

Complementary color

CMYK 77 / 33 / 0 / 23

HEX #096CB8CE

RGBA 9 108 184 0.81

HSLA 206.06, 0.91%, 0.38%, 0.81

LABA 44.58, 3.73, -47.08, 0.81

 

CMYK 0 / 34 / 60 / 1

HEX #FB9342CE

RGBA 251 147 66 0.81

HSLA 26.27, 0.96%, 0.62%, 0.81

LABA 70.71, 33.07, 57.74, 0.81

 

CMYK 0 / 29 / 54 / 0

HEX #FFA555CE

RGBA 255 165 85 0.81

HSLA 28.24, 1%, 0.67%, 0.81

LABA 75.34, 26.28, 54.08, 0.81

 

CMYK 0 / 23 / 48 / 0

HEX #FFB768CE

RGBA 255 183 104 0.81

HSLA 31.39, 1%, 0.7%, 0.81

LABA 79.69, 18.08, 49.91, 0.81

 

CMYK 0 / 17 / 42 / 0

HEX #FFC97BCE

RGBA 255 201 123 0.81

HSLA 35.45, 1%, 0.74%, 0.81

LABA 84.21, 10.17, 46.01, 0.81

 

CMYK 0 / 11 / 36 / 0

HEX #FFDB8ECE

RGBA 255 219 142 0.81

HSLA 40.88, 1%, 0.78%, 0.81

LABA 88.86, 2.64, 42.4, 0.81

 

CMYK 0 / 33 / 58 / 3

HEX #F69347CE

RGBA 246 147 71 0.81

HSLA 26.06, 0.91%, 0.62%, 0.81

LABA 70.12, 31.29, 54.64, 0.81

 

CMYK 0 / 35 / 63 / 8

HEX #E58134CE

RGBA 229 129 52 0.81

HSLA 26.1, 0.77%, 0.55%, 0.81

LABA 63.84, 32.98, 56.06, 0.81

 

CMYK 0 / 39 / 68 / 14

HEX #D46F21CE

RGBA 212 111 33 0.81

HSLA 26.15, 0.73%, 0.48%, 0.81

LABA 57.54, 34.85, 57.07, 0.81

 

CMYK 0 / 42 / 75 / 19

HEX #C35D0ECE

RGBA 195 93 14 0.81

HSLA 26.19, 0.87%, 0.41%, 0.81

LABA 51.22, 36.88, 57.04, 0.81

 

CMYK 0 / 47 / 81 / 24

HEX #B24B00CE

RGBA 178 75 0 0.81

HSLA 25.28, 1%, 0.35%, 0.81

LABA 44.94, 39.01, 55.1, 0.81

 

CMYK 0 / 40 / 72 / 4

HEX #F69346

RGB 246 147 70

HSL 26.25, 0.91%, 0.62%

LAB 70.11, 31.25, 55.09

 

CMYK 0 / 60 / 72 / 4

HEX #F66346

RGB 246 99 70

HSL 9.89, 0.91%, 0.62%

LAB 60.75, 54.74, 44.92

 

CMYK 0 / 72 / 72 / 4

HEX #F64646

RGB 246 70 70

HSL 0, 0.91%, 0.62%

LAB 56.5, 66.21, 40.1

 

CMYK 0 / 40 / 72 / 4

HEX #F69346

RGB 246 147 70

HSL 26.25, 0.91%, 0.62%

LAB 70.11, 31.25, 55.09

 

CMYK 0 / 21 / 72 / 4

HEX #F6C246

RGB 246 194 70

HSL 42.27, 0.91%, 0.62%

LAB 81.08, 6.62, 66.36

 

CMYK 0 / 2 / 72 / 4

HEX #F6F246

RGB 246 242 70

HSL 58.64, 0.91%, 0.62%

LAB 93.25, -17.52, 78.22

 

CMYK 17 / 0 / 72 / 4

HEX #CBF646

RGB 203 246 70

HSL 74.66, 0.91%, 0.62%

LAB 91.26, -36.54, 75.24

 

CMYK 37 / 0 / 72 / 4

HEX #9CF646

RGB 156 246 70

HSL 90.68, 0.91%, 0.62%

LAB 88.65, -53.53, 71.8

 

CMYK 0 / 40 / 72 / 4

HEX #F69346

RGB 246 147 70

HSL 26.25, 0.91%, 0.62%

LAB 70.11, 31.25, 55.09

 

CMYK 0 / 40 / 72 / 4

HEX #F69346

RGB 246 147 70

HSL 26.25, 0.91%, 0.62%

LAB 70.11, 31.25, 55.09

 

CMYK 0 / 35 / 63 / 9

HEX #E79556

RGB 231 149 86

HSL 26.07, 0.75%, 0.62%

LAB 68.86, 25.01, 45.44

 

CMYK 0 / 30 / 53 / 16

HEX #D79765

RGB 215 151 101

HSL 26.32, 0.59%, 0.62%

LAB 67.67, 18.51, 35.78

 

CMYK 0 / 23 / 41 / 22

HEX #C79975

RGB 199 153 117

HSL 26.34, 0.42%, 0.62%

LAB 66.68, 12.47, 25.53

 

CMYK 0 / 16 / 28 / 28

HEX #B89B85

RGB 184 155 133

HSL 25.88, 0.26%, 0.62%

LAB 66, 7.37, 15.54

 

CMYK 0 / 72 / 64 / 4

HEX #F64658

RGB 246 70 88

HSL 353.86, 0.91%, 0.62%

LAB 56.76, 67.09, 30.14

 

CMYK 0 / 60 / 72 / 4

HEX #F66346

RGB 246 99 70

HSL 9.89, 0.91%, 0.62%

LAB 60.75, 54.74, 44.92

 

CMYK 0 / 41 / 72 / 4

HEX #F69246

RGB 246 146 70

HSL 25.91, 0.91%, 0.62%

LAB 69.89, 31.77, 54.86

 

CMYK 0 / 22 / 72 / 4

HEX #F6C146

RGB 246 193 70

HSL 41.93, 0.91%, 0.62%

LAB 80.84, 7.14, 66.12

 

CMYK 0 / 2 / 72 / 4

HEX #F6F046

RGB 246 240 70

HSL 57.95, 0.91%, 0.62%

LAB 92.73, -16.55, 77.73

 

CMYK 0 / 54 / 95 / 13

HEX #DF670B

RGB 223 103 11

HSL 26.04, 0.91%, 0.46%

LAB 57.48, 42.84, 63.96

 

CMYK 0 / 50 / 87 / 4

HEX #F47B1F

RGB 244 123 31

HSL 25.92, 0.91%, 0.54%

LAB 64.56, 41.4, 65.38

 

CMYK 0 / 40 / 72 / 4

HEX #F69346

RGB 246 147 70

HSL 26.25, 0.91%, 0.62%

LAB 70.11, 31.25, 55.09

 

CMYK 0 / 31 / 56 / 3

HEX #F8AA6D

RGB 248 170 109

HSL 26.33, 0.91%, 0.7%

LAB 75.95, 22.44, 42.73

 

CMYK 0 / 23 / 40 / 2

HEX #FAC195

RGB 250 193 149

HSL 26.14, 0.91%, 0.78%

LAB 82.18, 14.86, 30.01

 

CMYK 0 / 40 / 71 / 4

HEX #F69347

RGB 246 147 71

HSL 26.06, 0.91%, 0.62%

LAB 70.12, 31.29, 54.64

 

CMYK 45 / 0 / 72 / 4

HEX #87F646

RGB 135 246 70

HSL 97.84, 0.91%, 0.62%

LAB 87.73, -60.17, 70.57

 

CMYK 69 / 72 / 0 / 4

HEX #4C46F6

RGB 76 70 246

HSL 242.05, 0.91%, 0.62%

LAB 42.11, 55.62, -86.44

 

CMYK 0 / 40 / 71 / 4

HEX #F69347

RGB 246 147 71

HSL 26.06, 0.91%, 0.62%

LAB 70.12, 31.29, 54.64

 

CMYK 72 / 0 / 41 / 4

HEX #46F692

RGB 70 246 146

HSL 145.91, 0.91%, 0.62%

LAB 86.65, -65.67, 35.64

 

CMYK 41 / 72 / 0 / 4

HEX #9246F6

RGB 146 70 246

HSL 265.91, 0.91%, 0.62%

LAB 48.44, 65.21, -75.81

 

CMYK 0 / 40 / 71 / 4

HEX #F69347

RGB 246 147 71

HSL 26.06, 0.91%, 0.62%

LAB 70.12, 31.29, 54.64

 

CMYK 45 / 0 / 72 / 4

HEX #87F646

RGB 135 246 70

HSL 97.84, 0.91%, 0.62%

LAB 87.73, -60.17, 70.57

 

CMYK 72 / 31 / 0 / 4

HEX #46AAF6

RGB 70 170 246

HSL 205.91, 0.91%, 0.62%

LAB 67.06, -4.69, -46.22

 

CMYK 26 / 72 / 0 / 4

HEX #B646F6

RGB 182 70 246

HSL 278.18, 0.91%, 0.62%

LAB 52.93, 71.62, -68.32

 

CMYK 0 / 40 / 71 / 4

HEX #F69347

RGB 246 147 71

HSL 26.06, 0.91%, 0.62%

LAB 70.12, 31.29, 54.64

 

CMYK 67 / 0 / 72 / 4

HEX #52F646

RGB 82 246 70

HSL 115.91, 0.91%, 0.62%

LAB 86.08, -73.15, 68.37

 

CMYK 72 / 31 / 0 / 4

HEX #46AAF6

RGB 70 170 246

HSL 205.91, 0.91%, 0.62%

LAB 67.06, -4.69, -46.22

 

CMYK 4 / 72 / 0 / 4

HEX #EB46F6

RGB 235 70 246

HSL 296.25, 0.91%, 0.62%

LAB 60.51, 81.97, -55.73

 

Description

Color code: HEX #F69347CE | qconv.com Color code: HEX #F69347CE | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 147 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 147 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 58 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 58% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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